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You searched for +publisher:"Vanderbilt University" +contributor:("Carlos Jauregui"). Showing records 1 – 3 of 3 total matches.

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Vanderbilt University

1. Vitulli, Juan M. Instable puente: una aproximacion transatlantica al barroco colonial a traves de la obra de Juan de Espinosa Medrano.

Degree: PhD, Spanish and Portuguese, 2007, Vanderbilt University

This project explores the mechanisms of appropriation and re-elaboration of the metropolitan Baroque discourse by educated criollos in Colonial Peruvian society. Examining Juan de Espinosa Medrano’s works (which include a drama, sermons and the Apologético en favor de Góngora) under the concept of imitatio, I have adopted an original theoretical approach to explain the ambivalent relationship between Spanish models and the cultural production of the New World. Espinosa Medrano writes an ensemble of texts that show his capacity to master the metropolitan literary code, while simultaneously undermining the natural preeminence of Spanish intellectuals over the colonized. Advisors/Committee Members: Carlos Jauregui (committee member), Andres Zamora (committee member), Earl Fitz (committee member), Edward H. Friedman (Committee Chair).

Subjects/Keywords: baroque inscriptions in Latin America

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vitulli, J. M. (2007). Instable puente: una aproximacion transatlantica al barroco colonial a traves de la obra de Juan de Espinosa Medrano. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/12708

Chicago Manual of Style (16th Edition):

Vitulli, Juan M. “Instable puente: una aproximacion transatlantica al barroco colonial a traves de la obra de Juan de Espinosa Medrano.” 2007. Doctoral Dissertation, Vanderbilt University. Accessed April 22, 2021. http://hdl.handle.net/1803/12708.

MLA Handbook (7th Edition):

Vitulli, Juan M. “Instable puente: una aproximacion transatlantica al barroco colonial a traves de la obra de Juan de Espinosa Medrano.” 2007. Web. 22 Apr 2021.

Vancouver:

Vitulli JM. Instable puente: una aproximacion transatlantica al barroco colonial a traves de la obra de Juan de Espinosa Medrano. [Internet] [Doctoral dissertation]. Vanderbilt University; 2007. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1803/12708.

Council of Science Editors:

Vitulli JM. Instable puente: una aproximacion transatlantica al barroco colonial a traves de la obra de Juan de Espinosa Medrano. [Doctoral Dissertation]. Vanderbilt University; 2007. Available from: http://hdl.handle.net/1803/12708


Vanderbilt University

2. Robalino, Gladys. Behind the Mask of Silence: Criollo Dimension in Juan Ruiz de Alarcon's plays.

Degree: PhD, Spanish, 2008, Vanderbilt University

This study explores the criollo voice present in four of Juan Ruiz de Alarcón’s plays. Informed by the most recent studies on criollo literature, particularly of 17th-century writers born in New Spain, as José Antonio Mazotti’s and Mabel Moraña’s, I look into the strategies that Ruiz de Alarcón uses to introduce a criollo perspective in his plays. One relevant consideration in this study is the fact that the playwright was writing a product to be consumed by peninsular audiences unaware in some instances, indifferent and unconcerned in others about the issues that preoccupied the Spanish population of the American colonies. I focus on Ruiz de Alarcón’s use of the space of the popular comedia and common tropes of the baroque to reivindicate the colonial white population, argue in their favor, and articulate their concerns. Advisors/Committee Members: Edward Wright-Rios (committee member), Carlos Jauregui (committee member), Rene Prieto (committee member), Edward H. Friedman (Committee Chair).

Subjects/Keywords: theater; Spain; 17th century; Spanish literature; Mexico

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Robalino, G. (2008). Behind the Mask of Silence: Criollo Dimension in Juan Ruiz de Alarcon's plays. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/13364

Chicago Manual of Style (16th Edition):

Robalino, Gladys. “Behind the Mask of Silence: Criollo Dimension in Juan Ruiz de Alarcon's plays.” 2008. Doctoral Dissertation, Vanderbilt University. Accessed April 22, 2021. http://hdl.handle.net/1803/13364.

MLA Handbook (7th Edition):

Robalino, Gladys. “Behind the Mask of Silence: Criollo Dimension in Juan Ruiz de Alarcon's plays.” 2008. Web. 22 Apr 2021.

Vancouver:

Robalino G. Behind the Mask of Silence: Criollo Dimension in Juan Ruiz de Alarcon's plays. [Internet] [Doctoral dissertation]. Vanderbilt University; 2008. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1803/13364.

Council of Science Editors:

Robalino G. Behind the Mask of Silence: Criollo Dimension in Juan Ruiz de Alarcon's plays. [Doctoral Dissertation]. Vanderbilt University; 2008. Available from: http://hdl.handle.net/1803/13364


Vanderbilt University

3. Williford, Thomas J. Armando los espiritus: Political Rhetoric in Colombia on the Eve of La Violencia, 1930-1945.

Degree: PhD, History, 2005, Vanderbilt University

In Colombia in the 1930s and 40s, both Liberal and Conservative politicians increasingly made claims about the opposition that contributed to the creation of a discursive framework for the perpetrators of eliminationist political violence during La Violencia (1946-1964), a period when militants in both parties committed brutal assassinations and massacres against defenseless civilians, leaving nearly 200,000 dead. As in other cases of eliminationist political violence in the twentieth century, the rhetoric on the eve of La Violencia relied on conspiracy theories that attached perceived domestic enemies to international cabals bent on destroying la patria. Liberals were depicted as being part of an worldwide Judeo-Masonic plot against Christianity, while Conservatives were presented as soldiers in a Nazi-Falangist conspiracy against democracy and progress. Many party members believed these conspiracy theories because they were grafted onto a pre-existing nationalistic tropes concerning the two parties, dating from the nineteenth century, and because the politicians had “professionalized,” presenting themselves as experts deserving respect because of their specialized knowledge based on advanced study, travel abroad, and the proper use of Spanish. Advisors/Committee Members: Carlos Jauregui (committee member), J. Leon Helguera (committee member), Jane Landers (committee member), Helmut W. Smith (committee member), Marshall Eakin (Committee Chair).

Subjects/Keywords: Latin America; political catholicism; anticlericalism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Williford, T. J. (2005). Armando los espiritus: Political Rhetoric in Colombia on the Eve of La Violencia, 1930-1945. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/13410

Chicago Manual of Style (16th Edition):

Williford, Thomas J. “Armando los espiritus: Political Rhetoric in Colombia on the Eve of La Violencia, 1930-1945.” 2005. Doctoral Dissertation, Vanderbilt University. Accessed April 22, 2021. http://hdl.handle.net/1803/13410.

MLA Handbook (7th Edition):

Williford, Thomas J. “Armando los espiritus: Political Rhetoric in Colombia on the Eve of La Violencia, 1930-1945.” 2005. Web. 22 Apr 2021.

Vancouver:

Williford TJ. Armando los espiritus: Political Rhetoric in Colombia on the Eve of La Violencia, 1930-1945. [Internet] [Doctoral dissertation]. Vanderbilt University; 2005. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1803/13410.

Council of Science Editors:

Williford TJ. Armando los espiritus: Political Rhetoric in Colombia on the Eve of La Violencia, 1930-1945. [Doctoral Dissertation]. Vanderbilt University; 2005. Available from: http://hdl.handle.net/1803/13410

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