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You searched for +publisher:"University of Toronto" +contributor:("Music"). Showing records 1 – 30 of 195 total matches.

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University of Toronto

1. Vuorinen, Eric John Mark. Arvo Pärt's Serial and Tintinnabuli Works: A continuum of process.

Degree: 2014, University of Toronto

The music of Estonian composer Arvo Pärt has received wide recognition globally, making him one the world's most often performed living composers. In 1968, Pärt… (more)

Subjects/Keywords: analysis; Arvo Pärt; Como cierva sedienta; Credo; Passio; tintinnabuli; 0413

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APA (6th Edition):

Vuorinen, E. J. M. (2014). Arvo Pärt's Serial and Tintinnabuli Works: A continuum of process. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/68483

Chicago Manual of Style (16th Edition):

Vuorinen, Eric John Mark. “Arvo Pärt's Serial and Tintinnabuli Works: A continuum of process.” 2014. Masters Thesis, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/68483.

MLA Handbook (7th Edition):

Vuorinen, Eric John Mark. “Arvo Pärt's Serial and Tintinnabuli Works: A continuum of process.” 2014. Web. 22 Sep 2020.

Vancouver:

Vuorinen EJM. Arvo Pärt's Serial and Tintinnabuli Works: A continuum of process. [Internet] [Masters thesis]. University of Toronto; 2014. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/68483.

Council of Science Editors:

Vuorinen EJM. Arvo Pärt's Serial and Tintinnabuli Works: A continuum of process. [Masters Thesis]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/68483


University of Toronto

2. Mitton, Daniel A. Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian.

Degree: 2020, University of Toronto

Low male voice classical singers (LMVs) are a statistical rarity (R. Miller 2008). Their relative scarcity notwithstanding, the research undertaken in this thesis shows that… (more)

Subjects/Keywords: bass; bass-baritone; diction; Russian; singing; voice; 0456

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APA (6th Edition):

Mitton, D. A. (2020). Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/100864

Chicago Manual of Style (16th Edition):

Mitton, Daniel A. “Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/100864.

MLA Handbook (7th Edition):

Mitton, Daniel A. “Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian.” 2020. Web. 22 Sep 2020.

Vancouver:

Mitton DA. Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/100864.

Council of Science Editors:

Mitton DA. Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/100864


University of Toronto

3. Hutchinson, Kyle. Harmonic Function in the Late Nineteenth-Century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices.

Degree: PhD, 2020, University of Toronto

 That mid-to-late nineteenth-century chromatic tonality challenges diatonic-based prolongational models of tonality is a well-known assertion. Recently, the field has embraced alternative frameworks, especially neo-Riemannian and… (more)

Subjects/Keywords: Analysis; Chromatic Harmony; Nineteenth Century Music; Richard Strauss; Tonality; Wagner; 0221

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APA (6th Edition):

Hutchinson, K. (2020). Harmonic Function in the Late Nineteenth-Century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/100904

Chicago Manual of Style (16th Edition):

Hutchinson, Kyle. “Harmonic Function in the Late Nineteenth-Century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/100904.

MLA Handbook (7th Edition):

Hutchinson, Kyle. “Harmonic Function in the Late Nineteenth-Century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices.” 2020. Web. 22 Sep 2020.

Vancouver:

Hutchinson K. Harmonic Function in the Late Nineteenth-Century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/100904.

Council of Science Editors:

Hutchinson K. Harmonic Function in the Late Nineteenth-Century Chromatic Tonality of Wagner and Strauss: A Study of Extensions to Classical Prolongational Practices. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/100904


University of Toronto

4. Batstone, Adam. The Guitar Duo: Interaction and Group Creativity.

Degree: 2020, University of Toronto

The aim of this study was to examine the phenomenon of group creativity through the guitar duo, an ensemble which has received little scholarship in… (more)

Subjects/Keywords: Communication; Creativity; Guitar Duo; Interaction; Music Ensemble; 0413

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APA (6th Edition):

Batstone, A. (2020). The Guitar Duo: Interaction and Group Creativity. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/100915

Chicago Manual of Style (16th Edition):

Batstone, Adam. “The Guitar Duo: Interaction and Group Creativity.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/100915.

MLA Handbook (7th Edition):

Batstone, Adam. “The Guitar Duo: Interaction and Group Creativity.” 2020. Web. 22 Sep 2020.

Vancouver:

Batstone A. The Guitar Duo: Interaction and Group Creativity. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/100915.

Council of Science Editors:

Batstone A. The Guitar Duo: Interaction and Group Creativity. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/100915


University of Toronto

5. Jones, Lindsay. Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819.

Degree: PhD, 2020, University of Toronto

 Amidst ambivalent attitudes held toward the guitar, Italian-born guitar virtuoso Mauro Giuliani (1781-1829) composed and performed in Vienna from 1806 to1819. Giuliani’s time in the… (more)

Subjects/Keywords: Classical Guitar; Congress of Vienna; Folk Music; Mauro Giuliani; Nineteenth-Century Vienna; Virtuosity; 0208

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APA (6th Edition):

Jones, L. (2020). Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/100934

Chicago Manual of Style (16th Edition):

Jones, Lindsay. “Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/100934.

MLA Handbook (7th Edition):

Jones, Lindsay. “Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819.” 2020. Web. 22 Sep 2020.

Vancouver:

Jones L. Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/100934.

Council of Science Editors:

Jones L. Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/100934


University of Toronto

6. Russell, September Dawn. Passé recomposé: Neoclassical Sonata Form in Interwar France.

Degree: PhD, 2020, University of Toronto

 This dissertation offers a theory of neoclassical sonata form in interwar France. My theory is based on analysis of fifteen representative sonata-form chamber movements written… (more)

Subjects/Keywords: France; Milhaud; neoclassic; Poulenc; Ravel; sonata form; 0221

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APA (6th Edition):

Russell, S. D. (2020). Passé recomposé: Neoclassical Sonata Form in Interwar France. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/100981

Chicago Manual of Style (16th Edition):

Russell, September Dawn. “Passé recomposé: Neoclassical Sonata Form in Interwar France.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/100981.

MLA Handbook (7th Edition):

Russell, September Dawn. “Passé recomposé: Neoclassical Sonata Form in Interwar France.” 2020. Web. 22 Sep 2020.

Vancouver:

Russell SD. Passé recomposé: Neoclassical Sonata Form in Interwar France. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/100981.

Council of Science Editors:

Russell SD. Passé recomposé: Neoclassical Sonata Form in Interwar France. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/100981


University of Toronto

7. Jacobs, Quinn. INTRAMUSIC.

Degree: 2020, University of Toronto

INTRAMUSIC is a work for 14-piece chamber orchestra (1111/1110/perc/hp/11111) and electronics. The piece examines music itself — its creation, appreciation, structure, and potential extramusical meaning… (more)

Subjects/Keywords: 0214

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APA (6th Edition):

Jacobs, Q. (2020). INTRAMUSIC. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/100997

Chicago Manual of Style (16th Edition):

Jacobs, Quinn. “INTRAMUSIC.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/100997.

MLA Handbook (7th Edition):

Jacobs, Quinn. “INTRAMUSIC.” 2020. Web. 22 Sep 2020.

Vancouver:

Jacobs Q. INTRAMUSIC. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/100997.

Council of Science Editors:

Jacobs Q. INTRAMUSIC. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/100997


University of Toronto

8. Ascenzo, Andrew Enrico. Digital Landscape: An Annotated List of Works for Solo Cello and Electronics.

Degree: 2020, University of Toronto

In the late 1940s, composers began to experiment with the integration of sound and recording technology within their compositions. As technology advanced, the integration of… (more)

Subjects/Keywords: Annotated Bibliography; Cello; Composition; Electronics; Strings; Violoncello; 0413

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APA (6th Edition):

Ascenzo, A. E. (2020). Digital Landscape: An Annotated List of Works for Solo Cello and Electronics. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101020

Chicago Manual of Style (16th Edition):

Ascenzo, Andrew Enrico. “Digital Landscape: An Annotated List of Works for Solo Cello and Electronics.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101020.

MLA Handbook (7th Edition):

Ascenzo, Andrew Enrico. “Digital Landscape: An Annotated List of Works for Solo Cello and Electronics.” 2020. Web. 22 Sep 2020.

Vancouver:

Ascenzo AE. Digital Landscape: An Annotated List of Works for Solo Cello and Electronics. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101020.

Council of Science Editors:

Ascenzo AE. Digital Landscape: An Annotated List of Works for Solo Cello and Electronics. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101020


University of Toronto

9. Renwick, James Gordon Alexander. Peter and Julian: An Analysis of Pears and Bream’s Tenor-Guitar Performances.

Degree: 2020, University of Toronto

This project seeks to understand the artistic renown of the Peter Pears (1910 – 1986) and Julian Bream (b. 1933) duo by conducting a thorough… (more)

Subjects/Keywords: Benjamin Britten; Julian Bream; performance; Peter Pears; tempo analysis; 0413

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APA (6th Edition):

Renwick, J. G. A. (2020). Peter and Julian: An Analysis of Pears and Bream’s Tenor-Guitar Performances. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101037

Chicago Manual of Style (16th Edition):

Renwick, James Gordon Alexander. “Peter and Julian: An Analysis of Pears and Bream’s Tenor-Guitar Performances.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101037.

MLA Handbook (7th Edition):

Renwick, James Gordon Alexander. “Peter and Julian: An Analysis of Pears and Bream’s Tenor-Guitar Performances.” 2020. Web. 22 Sep 2020.

Vancouver:

Renwick JGA. Peter and Julian: An Analysis of Pears and Bream’s Tenor-Guitar Performances. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101037.

Council of Science Editors:

Renwick JGA. Peter and Julian: An Analysis of Pears and Bream’s Tenor-Guitar Performances. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101037


University of Toronto

10. Mehdizadeh, Daniel. Symphony No. 2.

Degree: 2020, University of Toronto

Symphony No. 2 by Daniel Mehdizadeh Doctor of Musical Arts in Composition Graduate Department of Music University of Toronto © Copyright by Daniel Mehdizadeh 2020.… (more)

Subjects/Keywords: Chorale; Humoresque; Kundalini; Mode; Persian; Symphony; 0214

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APA (6th Edition):

Mehdizadeh, D. (2020). Symphony No. 2. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101182

Chicago Manual of Style (16th Edition):

Mehdizadeh, Daniel. “Symphony No. 2.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101182.

MLA Handbook (7th Edition):

Mehdizadeh, Daniel. “Symphony No. 2.” 2020. Web. 22 Sep 2020.

Vancouver:

Mehdizadeh D. Symphony No. 2. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101182.

Council of Science Editors:

Mehdizadeh D. Symphony No. 2. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101182


University of Toronto

11. Ruhnke, Mark William. To Sing or Not to Sing, Again: Perspectives on the Journey of Reclaiming One's Voice as an Adult Non-singer.

Degree: PhD, 2020, University of Toronto

 In this study, I explored the perspectives of three adults who self-described as non-singers through the conceptual framework of “identity formation,” to determine how “sense… (more)

Subjects/Keywords: adult non-singer; community; identity formation; narrative methodology; safe place; sense of self; 0522

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APA (6th Edition):

Ruhnke, M. W. (2020). To Sing or Not to Sing, Again: Perspectives on the Journey of Reclaiming One's Voice as an Adult Non-singer. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101190

Chicago Manual of Style (16th Edition):

Ruhnke, Mark William. “To Sing or Not to Sing, Again: Perspectives on the Journey of Reclaiming One's Voice as an Adult Non-singer.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101190.

MLA Handbook (7th Edition):

Ruhnke, Mark William. “To Sing or Not to Sing, Again: Perspectives on the Journey of Reclaiming One's Voice as an Adult Non-singer.” 2020. Web. 22 Sep 2020.

Vancouver:

Ruhnke MW. To Sing or Not to Sing, Again: Perspectives on the Journey of Reclaiming One's Voice as an Adult Non-singer. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101190.

Council of Science Editors:

Ruhnke MW. To Sing or Not to Sing, Again: Perspectives on the Journey of Reclaiming One's Voice as an Adult Non-singer. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101190


University of Toronto

12. Heltzel, Chad Emry. The Art of Conviction: A Film-based Study of the Rehearsal Techniques of Herbert von Karajan.

Degree: 2020, University of Toronto

In order to gain insight into the art of conducting, this dissertation examines the rehearsal techniques of Austrian conductor Herbert von Karajan as portrayed in… (more)

Subjects/Keywords: Central European Conducting Tradition; conducting; Herbert von Karajan; rehearsal; Schumann Symphony No. 4; video analysis; 0413

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APA (6th Edition):

Heltzel, C. E. (2020). The Art of Conviction: A Film-based Study of the Rehearsal Techniques of Herbert von Karajan. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101221

Chicago Manual of Style (16th Edition):

Heltzel, Chad Emry. “The Art of Conviction: A Film-based Study of the Rehearsal Techniques of Herbert von Karajan.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101221.

MLA Handbook (7th Edition):

Heltzel, Chad Emry. “The Art of Conviction: A Film-based Study of the Rehearsal Techniques of Herbert von Karajan.” 2020. Web. 22 Sep 2020.

Vancouver:

Heltzel CE. The Art of Conviction: A Film-based Study of the Rehearsal Techniques of Herbert von Karajan. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101221.

Council of Science Editors:

Heltzel CE. The Art of Conviction: A Film-based Study of the Rehearsal Techniques of Herbert von Karajan. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101221


University of Toronto

13. Hanakova, Radka. Oskar Morawetz: The Czech Prism.

Degree: 2020, University of Toronto

Oskar Morawetz (1917 – 2007) carved out a successful career in Canada, yet he remains relatively obscure in his native Czechoslovakia (now the Czech Republic).… (more)

Subjects/Keywords: Canadian; Czech; Morawetz; Oskar; 0413

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APA (6th Edition):

Hanakova, R. (2020). Oskar Morawetz: The Czech Prism. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101261

Chicago Manual of Style (16th Edition):

Hanakova, Radka. “Oskar Morawetz: The Czech Prism.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101261.

MLA Handbook (7th Edition):

Hanakova, Radka. “Oskar Morawetz: The Czech Prism.” 2020. Web. 22 Sep 2020.

Vancouver:

Hanakova R. Oskar Morawetz: The Czech Prism. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101261.

Council of Science Editors:

Hanakova R. Oskar Morawetz: The Czech Prism. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101261


University of Toronto

14. De Borba, Tristan Fragoso. Extended Techniques in Jorge Peixinho's (1940-1995) Three Late Pieces for Saxophone: Sax-blue (1982-84), Passage Intérieur (1989), and Fantasia-Impromptu (1990).

Degree: 2020, University of Toronto

Jorge Peixinho’s Sax-Blue (1982-84), Passage Intérieur (1989), and Fantasia-Impromptu (1990) demonstrate an expressive exploration of saxophone sound through extended techniques. Timbral exploration is an essential… (more)

Subjects/Keywords: extended technique; Kientzy; multiphonic; Peixinho; saxophone; 0413

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APA (6th Edition):

De Borba, T. F. (2020). Extended Techniques in Jorge Peixinho's (1940-1995) Three Late Pieces for Saxophone: Sax-blue (1982-84), Passage Intérieur (1989), and Fantasia-Impromptu (1990). (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101308

Chicago Manual of Style (16th Edition):

De Borba, Tristan Fragoso. “Extended Techniques in Jorge Peixinho's (1940-1995) Three Late Pieces for Saxophone: Sax-blue (1982-84), Passage Intérieur (1989), and Fantasia-Impromptu (1990).” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101308.

MLA Handbook (7th Edition):

De Borba, Tristan Fragoso. “Extended Techniques in Jorge Peixinho's (1940-1995) Three Late Pieces for Saxophone: Sax-blue (1982-84), Passage Intérieur (1989), and Fantasia-Impromptu (1990).” 2020. Web. 22 Sep 2020.

Vancouver:

De Borba TF. Extended Techniques in Jorge Peixinho's (1940-1995) Three Late Pieces for Saxophone: Sax-blue (1982-84), Passage Intérieur (1989), and Fantasia-Impromptu (1990). [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101308.

Council of Science Editors:

De Borba TF. Extended Techniques in Jorge Peixinho's (1940-1995) Three Late Pieces for Saxophone: Sax-blue (1982-84), Passage Intérieur (1989), and Fantasia-Impromptu (1990). [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101308


University of Toronto

15. Koh, Francois Youngjoon. A Conductor’s Guide to Joaquín Rodrigo’s Concierto de Aranjuez.

Degree: 2020, University of Toronto

This dissertation provides an analysis of Concierto de Aranjuez (1939) by Joaquín Rodrigo (1901-1995). Chapter 1 will introduce the purpose of this research, research questions,… (more)

Subjects/Keywords: Concierto de Aranjuez; Conductor's guide; Guitar Concerto; Guitar literature; Joaquin Rodrigo; Performer's guide; 0413

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APA (6th Edition):

Koh, F. Y. (2020). A Conductor’s Guide to Joaquín Rodrigo’s Concierto de Aranjuez. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101236

Chicago Manual of Style (16th Edition):

Koh, Francois Youngjoon. “A Conductor’s Guide to Joaquín Rodrigo’s Concierto de Aranjuez.” 2020. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/101236.

MLA Handbook (7th Edition):

Koh, Francois Youngjoon. “A Conductor’s Guide to Joaquín Rodrigo’s Concierto de Aranjuez.” 2020. Web. 22 Sep 2020.

Vancouver:

Koh FY. A Conductor’s Guide to Joaquín Rodrigo’s Concierto de Aranjuez. [Internet] [Doctoral dissertation]. University of Toronto; 2020. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/101236.

Council of Science Editors:

Koh FY. A Conductor’s Guide to Joaquín Rodrigo’s Concierto de Aranjuez. [Doctoral Dissertation]. University of Toronto; 2020. Available from: http://hdl.handle.net/1807/101236


University of Toronto

16. Thomson, Gwyneth Rebecca. The Career Profiles and Educational Activities of Ten Canadian String Quartets.

Degree: 2019, University of Toronto

This paper provides a focused look at the career profiles and educational activities of ten Canadian string quartets, concentrating on how they divide their time… (more)

Subjects/Keywords: Canada; Education; Music; Quartet; String; 0413

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APA (6th Edition):

Thomson, G. R. (2019). The Career Profiles and Educational Activities of Ten Canadian String Quartets. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/97692

Chicago Manual of Style (16th Edition):

Thomson, Gwyneth Rebecca. “The Career Profiles and Educational Activities of Ten Canadian String Quartets.” 2019. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/97692.

MLA Handbook (7th Edition):

Thomson, Gwyneth Rebecca. “The Career Profiles and Educational Activities of Ten Canadian String Quartets.” 2019. Web. 22 Sep 2020.

Vancouver:

Thomson GR. The Career Profiles and Educational Activities of Ten Canadian String Quartets. [Internet] [Doctoral dissertation]. University of Toronto; 2019. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/97692.

Council of Science Editors:

Thomson GR. The Career Profiles and Educational Activities of Ten Canadian String Quartets. [Doctoral Dissertation]. University of Toronto; 2019. Available from: http://hdl.handle.net/1807/97692


University of Toronto

17. Udell, Stefan. The Key of Ordering: Reading Musical Manuscripts of the Thirteenth and Fourteenth Centuries.

Degree: PhD, 2019, University of Toronto

 This is a study of a complex attitude toward manuscript production and an associated reading practice in musical manuscripts from thirteenth- and fourteenth-century France. The… (more)

Subjects/Keywords: Guillaume de Machaut; History of the Book; Medieval manuscripts; Reading practices; Roman de Fauvel; Roman de la Poire; 0208

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APA (6th Edition):

Udell, S. (2019). The Key of Ordering: Reading Musical Manuscripts of the Thirteenth and Fourteenth Centuries. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/97724

Chicago Manual of Style (16th Edition):

Udell, Stefan. “The Key of Ordering: Reading Musical Manuscripts of the Thirteenth and Fourteenth Centuries.” 2019. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/97724.

MLA Handbook (7th Edition):

Udell, Stefan. “The Key of Ordering: Reading Musical Manuscripts of the Thirteenth and Fourteenth Centuries.” 2019. Web. 22 Sep 2020.

Vancouver:

Udell S. The Key of Ordering: Reading Musical Manuscripts of the Thirteenth and Fourteenth Centuries. [Internet] [Doctoral dissertation]. University of Toronto; 2019. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/97724.

Council of Science Editors:

Udell S. The Key of Ordering: Reading Musical Manuscripts of the Thirteenth and Fourteenth Centuries. [Doctoral Dissertation]. University of Toronto; 2019. Available from: http://hdl.handle.net/1807/97724


University of Toronto

18. Ryan, Bettina. The Anonymous Musicae artis disciplina: A Critical Edition.

Degree: 2013, University of Toronto

Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian musico-theorectical tradition that gave birth to the anonymous Dialogus and the… (more)

Subjects/Keywords: Medieval music theory; Latin textual criticism; 0413; 0297; 0581

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APA (6th Edition):

Ryan, B. (2013). The Anonymous Musicae artis disciplina: A Critical Edition. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/68961

Chicago Manual of Style (16th Edition):

Ryan, Bettina. “The Anonymous Musicae artis disciplina: A Critical Edition.” 2013. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/68961.

MLA Handbook (7th Edition):

Ryan, Bettina. “The Anonymous Musicae artis disciplina: A Critical Edition.” 2013. Web. 22 Sep 2020.

Vancouver:

Ryan B. The Anonymous Musicae artis disciplina: A Critical Edition. [Internet] [Doctoral dissertation]. University of Toronto; 2013. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/68961.

Council of Science Editors:

Ryan B. The Anonymous Musicae artis disciplina: A Critical Edition. [Doctoral Dissertation]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/68961


University of Toronto

19. Skull, Colleen. Performance Excellence: Toward a Model of Factors Sustaining Professional Voice Performance in Opera.

Degree: 2013, University of Toronto

While considerable research has explored the skills elite professionals use to sustain performance excellence in a multitude of disciplines, much less research has focused on… (more)

Subjects/Keywords: Performance excellence; Opera; Deliberate practice; Self-efficacy; 0413

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APA (6th Edition):

Skull, C. (2013). Performance Excellence: Toward a Model of Factors Sustaining Professional Voice Performance in Opera. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/36000

Chicago Manual of Style (16th Edition):

Skull, Colleen. “Performance Excellence: Toward a Model of Factors Sustaining Professional Voice Performance in Opera.” 2013. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/36000.

MLA Handbook (7th Edition):

Skull, Colleen. “Performance Excellence: Toward a Model of Factors Sustaining Professional Voice Performance in Opera.” 2013. Web. 22 Sep 2020.

Vancouver:

Skull C. Performance Excellence: Toward a Model of Factors Sustaining Professional Voice Performance in Opera. [Internet] [Doctoral dissertation]. University of Toronto; 2013. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/36000.

Council of Science Editors:

Skull C. Performance Excellence: Toward a Model of Factors Sustaining Professional Voice Performance in Opera. [Doctoral Dissertation]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/36000


University of Toronto

20. Deutsch, Dan. Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde.

Degree: PhD, 2018, University of Toronto

 In combining music theory and cultural studies, my dissertation explores the ways in which Gustav Mahler’s affiliation with a Jewish minority can be read into… (more)

Subjects/Keywords: Das Lied von der Erde; fin-de-siècle Vienna; Gustav Mahler; Minor Literature; Musical Form; Nineteenth-Century Symphonic Music; 0221

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APA (6th Edition):

Deutsch, D. (2018). Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/91870

Chicago Manual of Style (16th Edition):

Deutsch, Dan. “Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/91870.

MLA Handbook (7th Edition):

Deutsch, Dan. “Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde.” 2018. Web. 22 Sep 2020.

Vancouver:

Deutsch D. Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/91870.

Council of Science Editors:

Deutsch D. Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/91870


University of Toronto

21. Crawford, Brent Michael. In Pursuit of Guitar Excellence: The Effects of a Multifaceted Approach to Performance Training.

Degree: 2018, University of Toronto

The aim of this research is to study the effects of a many-sided training approach on classical guitarists currently at the outset of their professional… (more)

Subjects/Keywords: guitar excellence; guitar performance; musical self-efficacy; music and health; musicians and athletes; performance optimization; 0413

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APA (6th Edition):

Crawford, B. M. (2018). In Pursuit of Guitar Excellence: The Effects of a Multifaceted Approach to Performance Training. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/91874

Chicago Manual of Style (16th Edition):

Crawford, Brent Michael. “In Pursuit of Guitar Excellence: The Effects of a Multifaceted Approach to Performance Training.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/91874.

MLA Handbook (7th Edition):

Crawford, Brent Michael. “In Pursuit of Guitar Excellence: The Effects of a Multifaceted Approach to Performance Training.” 2018. Web. 22 Sep 2020.

Vancouver:

Crawford BM. In Pursuit of Guitar Excellence: The Effects of a Multifaceted Approach to Performance Training. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/91874.

Council of Science Editors:

Crawford BM. In Pursuit of Guitar Excellence: The Effects of a Multifaceted Approach to Performance Training. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/91874


University of Toronto

22. Hanenberg, Scott. Unpopular Meters: Irregular Grooves and Drumbeats in the Songs of Tori Amos, Radiohead, and Tool.

Degree: PhD, 2018, University of Toronto

 This dissertation investigates the drumbeat’s role in articulating irregular metric structures in rock music from the past three decades. Having analyzed a corpus of 240… (more)

Subjects/Keywords: Drum; Irregular meter; Popular music; Rhythm and meter; Rock music; 0221

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APA (6th Edition):

Hanenberg, S. (2018). Unpopular Meters: Irregular Grooves and Drumbeats in the Songs of Tori Amos, Radiohead, and Tool. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/91968

Chicago Manual of Style (16th Edition):

Hanenberg, Scott. “Unpopular Meters: Irregular Grooves and Drumbeats in the Songs of Tori Amos, Radiohead, and Tool.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/91968.

MLA Handbook (7th Edition):

Hanenberg, Scott. “Unpopular Meters: Irregular Grooves and Drumbeats in the Songs of Tori Amos, Radiohead, and Tool.” 2018. Web. 22 Sep 2020.

Vancouver:

Hanenberg S. Unpopular Meters: Irregular Grooves and Drumbeats in the Songs of Tori Amos, Radiohead, and Tool. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/91968.

Council of Science Editors:

Hanenberg S. Unpopular Meters: Irregular Grooves and Drumbeats in the Songs of Tori Amos, Radiohead, and Tool. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/91968


University of Toronto

23. Wang, Yun Emily. Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto.

Degree: PhD, 2018, University of Toronto

 This dissertation is an ethnography of the “homes” imagined and practiced through sound and music in Chinese-speaking immigrant communities of Toronto. The notion of “home”… (more)

Subjects/Keywords: CANADA; DIASPORA; ETHNICITY; EVERYDAY LIFE; SINOPHONE; SOUND; 0413

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APA (6th Edition):

Wang, Y. E. (2018). Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/91977

Chicago Manual of Style (16th Edition):

Wang, Yun Emily. “Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/91977.

MLA Handbook (7th Edition):

Wang, Yun Emily. “Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto.” 2018. Web. 22 Sep 2020.

Vancouver:

Wang YE. Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/91977.

Council of Science Editors:

Wang YE. Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/91977


University of Toronto

24. Holt, Bryan Daniel. 21st-Century Cello Pedagogy: Examining the Efficacy of Online Cello Lessons.

Degree: 2018, University of Toronto

The use of video-conferencing software and online platforms has brought many parts of the world closer together and has enabled audiovisual communication with greater ease… (more)

Subjects/Keywords: cello; conference; contemporary; distance; learning; video; 0457

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APA (6th Edition):

Holt, B. D. (2018). 21st-Century Cello Pedagogy: Examining the Efficacy of Online Cello Lessons. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/91989

Chicago Manual of Style (16th Edition):

Holt, Bryan Daniel. “21st-Century Cello Pedagogy: Examining the Efficacy of Online Cello Lessons.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/91989.

MLA Handbook (7th Edition):

Holt, Bryan Daniel. “21st-Century Cello Pedagogy: Examining the Efficacy of Online Cello Lessons.” 2018. Web. 22 Sep 2020.

Vancouver:

Holt BD. 21st-Century Cello Pedagogy: Examining the Efficacy of Online Cello Lessons. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/91989.

Council of Science Editors:

Holt BD. 21st-Century Cello Pedagogy: Examining the Efficacy of Online Cello Lessons. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/91989


University of Toronto

25. Rowsell, Jonathan. Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues.

Degree: 2018, University of Toronto

The purpose of this study is to investigate the impact of Arnold Jacobs on the pedagogical approaches of prominent tuba teachers in Canada. Nine tuba… (more)

Subjects/Keywords: Arnold Jacobs; Brass Pedagogy; Canadian Tuba Teachers; Jonathan Rowsell; Song and Wind; Tuba Pedagogy; 0456

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APA (6th Edition):

Rowsell, J. (2018). Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/92002

Chicago Manual of Style (16th Edition):

Rowsell, Jonathan. “Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/92002.

MLA Handbook (7th Edition):

Rowsell, Jonathan. “Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues.” 2018. Web. 22 Sep 2020.

Vancouver:

Rowsell J. Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/92002.

Council of Science Editors:

Rowsell J. Song and Wind in Canada: The Impact of Arnold Jacobs’s Teaching on Canadian Tuba Pedagogues. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/92002


University of Toronto

26. Tse, Jessica. Avrahm Galper’s Influence on Clarinet Pedagogy.

Degree: 2018, University of Toronto

The purpose of this study is to explore the pedagogical method and approach of clarinetist Avrahm Galper (1921-2004), the former principal clarinetist of the Toronto(more)

Subjects/Keywords: Avrahm Galper; Canadian; clarinet; pedagogy; teaching; woodwind; 0522

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APA (6th Edition):

Tse, J. (2018). Avrahm Galper’s Influence on Clarinet Pedagogy. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/92106

Chicago Manual of Style (16th Edition):

Tse, Jessica. “Avrahm Galper’s Influence on Clarinet Pedagogy.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/92106.

MLA Handbook (7th Edition):

Tse, Jessica. “Avrahm Galper’s Influence on Clarinet Pedagogy.” 2018. Web. 22 Sep 2020.

Vancouver:

Tse J. Avrahm Galper’s Influence on Clarinet Pedagogy. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/92106.

Council of Science Editors:

Tse J. Avrahm Galper’s Influence on Clarinet Pedagogy. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/92106


University of Toronto

27. Hong, Alice. "But You're a Violinist - Why Do You Compose?": Narratives of Experience of Three Composer-Performers.

Degree: 2018, University of Toronto

In the past century, a perception has arisen of a decline in the practice of musicians who both compose and perform. Classical musicians, such as… (more)

Subjects/Keywords: Alice Hong; Composer; Jessie Montgomery; Norbert Palej; Performer; Violin; 0413

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APA (6th Edition):

Hong, A. (2018). "But You're a Violinist - Why Do You Compose?": Narratives of Experience of Three Composer-Performers. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/92115

Chicago Manual of Style (16th Edition):

Hong, Alice. “"But You're a Violinist - Why Do You Compose?": Narratives of Experience of Three Composer-Performers.” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/92115.

MLA Handbook (7th Edition):

Hong, Alice. “"But You're a Violinist - Why Do You Compose?": Narratives of Experience of Three Composer-Performers.” 2018. Web. 22 Sep 2020.

Vancouver:

Hong A. "But You're a Violinist - Why Do You Compose?": Narratives of Experience of Three Composer-Performers. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/92115.

Council of Science Editors:

Hong A. "But You're a Violinist - Why Do You Compose?": Narratives of Experience of Three Composer-Performers. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/92115


University of Toronto

28. Versluis, Tyler. Concerto for Organ and Orchestra "Poème Liturgique".

Degree: 2018, University of Toronto

Concerto for Organ and Orchestra “Poème Liturgique” is a 14-minute work for organ and orchestra. Cast in five interconnected movements, the work attempts to embody… (more)

Subjects/Keywords: concerto; liturgical; organ; 0214

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APA (6th Edition):

Versluis, T. (2018). Concerto for Organ and Orchestra "Poème Liturgique". (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/92120

Chicago Manual of Style (16th Edition):

Versluis, Tyler. “Concerto for Organ and Orchestra "Poème Liturgique".” 2018. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/92120.

MLA Handbook (7th Edition):

Versluis, Tyler. “Concerto for Organ and Orchestra "Poème Liturgique".” 2018. Web. 22 Sep 2020.

Vancouver:

Versluis T. Concerto for Organ and Orchestra "Poème Liturgique". [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/92120.

Council of Science Editors:

Versluis T. Concerto for Organ and Orchestra "Poème Liturgique". [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/92120

29. Lau, Kevin. The Shores of Light.

Degree: 2012, University of Toronto

The Shores of Light is an orchestral composition which seeks to explore musical processes of coherence and evolution at a deeper level. The piece charts… (more)

Subjects/Keywords: doctor of musical arts degree; musical composition; 0413

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APA (6th Edition):

Lau, K. (2012). The Shores of Light. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/32803

Chicago Manual of Style (16th Edition):

Lau, Kevin. “The Shores of Light.” 2012. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/32803.

MLA Handbook (7th Edition):

Lau, Kevin. “The Shores of Light.” 2012. Web. 22 Sep 2020.

Vancouver:

Lau K. The Shores of Light. [Internet] [Doctoral dissertation]. University of Toronto; 2012. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/32803.

Council of Science Editors:

Lau K. The Shores of Light. [Doctoral Dissertation]. University of Toronto; 2012. Available from: http://hdl.handle.net/1807/32803


University of Toronto

30. Boyle, Patrick. Improvisation and the Politics of Error.

Degree: 2012, University of Toronto

This paper investigates the relationship between error and choice in jazz improvisation. In the first of four complementary chapters, key terms (e.g. error, jazz, improvisation)… (more)

Subjects/Keywords: Music; Improvisation; Jazz; 0413

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APA (6th Edition):

Boyle, P. (2012). Improvisation and the Politics of Error. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/65461

Chicago Manual of Style (16th Edition):

Boyle, Patrick. “Improvisation and the Politics of Error.” 2012. Doctoral Dissertation, University of Toronto. Accessed September 22, 2020. http://hdl.handle.net/1807/65461.

MLA Handbook (7th Edition):

Boyle, Patrick. “Improvisation and the Politics of Error.” 2012. Web. 22 Sep 2020.

Vancouver:

Boyle P. Improvisation and the Politics of Error. [Internet] [Doctoral dissertation]. University of Toronto; 2012. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1807/65461.

Council of Science Editors:

Boyle P. Improvisation and the Politics of Error. [Doctoral Dissertation]. University of Toronto; 2012. Available from: http://hdl.handle.net/1807/65461

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