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You searched for +publisher:"University of Texas – Austin" +contributor:("Smith, Jeffrey Chipps, 1951-"). Showing records 1 – 16 of 16 total matches.

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University of Texas – Austin

1. Kottke, Ingrid Grace. Games of paint and print : strategies of juxtaposition in the Hours of Charles d’Angoulême.

Degree: MA, Art History, 2020, University of Texas – Austin

 Dating to the early 1480s, the Hours of Charles d’Angoulême (Bibliothèque Nationale de France, Paris, ms. Latin 1173) stands as a notable venue for imaginative… (more)

Subjects/Keywords: Book of hours; Cognac; Robinet Testard; Manuscript illumination; Early print culture; Book culture; Late medieval France

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APA (6th Edition):

Kottke, I. G. (2020). Games of paint and print : strategies of juxtaposition in the Hours of Charles d’Angoulême. (Masters Thesis). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/10175

Chicago Manual of Style (16th Edition):

Kottke, Ingrid Grace. “Games of paint and print : strategies of juxtaposition in the Hours of Charles d’Angoulême.” 2020. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://dx.doi.org/10.26153/tsw/10175.

MLA Handbook (7th Edition):

Kottke, Ingrid Grace. “Games of paint and print : strategies of juxtaposition in the Hours of Charles d’Angoulême.” 2020. Web. 24 Jan 2021.

Vancouver:

Kottke IG. Games of paint and print : strategies of juxtaposition in the Hours of Charles d’Angoulême. [Internet] [Masters thesis]. University of Texas – Austin; 2020. [cited 2021 Jan 24]. Available from: http://dx.doi.org/10.26153/tsw/10175.

Council of Science Editors:

Kottke IG. Games of paint and print : strategies of juxtaposition in the Hours of Charles d’Angoulême. [Masters Thesis]. University of Texas – Austin; 2020. Available from: http://dx.doi.org/10.26153/tsw/10175


University of Texas – Austin

2. -0536-1393. Flexible fashion : a precious girdle book at the Tudor Court.

Degree: MA, Art History, 2019, University of Texas – Austin

 This thesis attempts to construct an understanding of a sixteenth-century girdle book now held at the British Museum in London. With the exception of a… (more)

Subjects/Keywords: Precious girdle book; Treasure binding; Pendant; Pendant binding; History of the book; Tablet; Tablett; Tudor; Henry VIII; Anne Boleyn; Katherine Parr; Anne Askew; Catherine of Aragon; Catherine Parr; Katherine of Aragon; Kateryn Parr; Medieval girdle book; Leather girdle book; Jewelry pendant; Renaissance jewelry; Tudor jewelry; Elizabeth I; Elizabeth Tyrwhit; Elizabeth Oxenbridge Tyrwhit; Elizabeth Tirwhit

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APA (6th Edition):

-0536-1393. (2019). Flexible fashion : a precious girdle book at the Tudor Court. (Masters Thesis). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/2226

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-0536-1393. “Flexible fashion : a precious girdle book at the Tudor Court.” 2019. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://dx.doi.org/10.26153/tsw/2226.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-0536-1393. “Flexible fashion : a precious girdle book at the Tudor Court.” 2019. Web. 24 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-0536-1393. Flexible fashion : a precious girdle book at the Tudor Court. [Internet] [Masters thesis]. University of Texas – Austin; 2019. [cited 2021 Jan 24]. Available from: http://dx.doi.org/10.26153/tsw/2226.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-0536-1393. Flexible fashion : a precious girdle book at the Tudor Court. [Masters Thesis]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/2226

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Texas – Austin

3. Ray, Arianna Nicole. The path to virtue : Rembrandt’s Jerome as repentant sinner and scholar.

Degree: MA, Art History, 2019, University of Texas – Austin

 Over the course of his career, the artist Rembrandt van Rijn produced eight prints depicting St. Jerome, a fourth-century ascetic and theologian. In this thesis,… (more)

Subjects/Keywords: Rembrandt; Jerome; Religion; Dutch Golden Age

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APA (6th Edition):

Ray, A. N. (2019). The path to virtue : Rembrandt’s Jerome as repentant sinner and scholar. (Masters Thesis). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/3000

Chicago Manual of Style (16th Edition):

Ray, Arianna Nicole. “The path to virtue : Rembrandt’s Jerome as repentant sinner and scholar.” 2019. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://dx.doi.org/10.26153/tsw/3000.

MLA Handbook (7th Edition):

Ray, Arianna Nicole. “The path to virtue : Rembrandt’s Jerome as repentant sinner and scholar.” 2019. Web. 24 Jan 2021.

Vancouver:

Ray AN. The path to virtue : Rembrandt’s Jerome as repentant sinner and scholar. [Internet] [Masters thesis]. University of Texas – Austin; 2019. [cited 2021 Jan 24]. Available from: http://dx.doi.org/10.26153/tsw/3000.

Council of Science Editors:

Ray AN. The path to virtue : Rembrandt’s Jerome as repentant sinner and scholar. [Masters Thesis]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/3000

4. -6141-2151. Mayken Verhulst : a professional woman painter and print publisher in the sixteenth-century Low Countries.

Degree: MA, Art History, 2019, University of Texas – Austin

 Throughout the course of her impressively long eighty-year life, the painter and print publisher Mayken Verhulst was more than a passive witness to the creation… (more)

Subjects/Keywords: Low Countries; Netherlands; Women painters; Women printers; Women print publishers; Feminists; Early Modern painting; Renaissance painting; Painter workshops; Pieter Coecke van Aelst; Pieter Bruegel; Jan Brueghel; Pieter Brueghel the Younger; Mechelen; Brussels; Antwerp

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APA (6th Edition):

-6141-2151. (2019). Mayken Verhulst : a professional woman painter and print publisher in the sixteenth-century Low Countries. (Masters Thesis). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/2225

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-6141-2151. “Mayken Verhulst : a professional woman painter and print publisher in the sixteenth-century Low Countries.” 2019. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://dx.doi.org/10.26153/tsw/2225.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-6141-2151. “Mayken Verhulst : a professional woman painter and print publisher in the sixteenth-century Low Countries.” 2019. Web. 24 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-6141-2151. Mayken Verhulst : a professional woman painter and print publisher in the sixteenth-century Low Countries. [Internet] [Masters thesis]. University of Texas – Austin; 2019. [cited 2021 Jan 24]. Available from: http://dx.doi.org/10.26153/tsw/2225.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-6141-2151. Mayken Verhulst : a professional woman painter and print publisher in the sixteenth-century Low Countries. [Masters Thesis]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/2225

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

5. Ingersoll, Catharine Clarke. Hans Wertinger in context : art, politics, and humanism at the court of Ludwig X, Duke of Bavaria.

Degree: PhD, Art History, 2014, University of Texas – Austin

 The German Renaissance artist Hans Wertinger (c. 1465/70-1533) was a prolific master who worked in a variety of artistic media and oversaw a large atelier… (more)

Subjects/Keywords: Renaissance Art

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APA (6th Edition):

Ingersoll, C. C. (2014). Hans Wertinger in context : art, politics, and humanism at the court of Ludwig X, Duke of Bavaria. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/26866

Chicago Manual of Style (16th Edition):

Ingersoll, Catharine Clarke. “Hans Wertinger in context : art, politics, and humanism at the court of Ludwig X, Duke of Bavaria.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/26866.

MLA Handbook (7th Edition):

Ingersoll, Catharine Clarke. “Hans Wertinger in context : art, politics, and humanism at the court of Ludwig X, Duke of Bavaria.” 2014. Web. 24 Jan 2021.

Vancouver:

Ingersoll CC. Hans Wertinger in context : art, politics, and humanism at the court of Ludwig X, Duke of Bavaria. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/26866.

Council of Science Editors:

Ingersoll CC. Hans Wertinger in context : art, politics, and humanism at the court of Ludwig X, Duke of Bavaria. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/26866

6. Cordeiro, Catherine Victoria. Bernard Van Orley’s tapestry designs for The story of Romulus and Remus, 1524.

Degree: MA, Art History, 2013, University of Texas – Austin

 Bernard Van Orley’s 1524 preparatory drawings for tapestries depicting The Story of Romulus and Remus have, until now, been largely ignored by art historical scholarship.… (more)

Subjects/Keywords: Renaissance tapestry; Bernard Van Orley; Brussels tapestry

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APA (6th Edition):

Cordeiro, C. V. (2013). Bernard Van Orley’s tapestry designs for The story of Romulus and Remus, 1524. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/22301

Chicago Manual of Style (16th Edition):

Cordeiro, Catherine Victoria. “Bernard Van Orley’s tapestry designs for The story of Romulus and Remus, 1524.” 2013. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/22301.

MLA Handbook (7th Edition):

Cordeiro, Catherine Victoria. “Bernard Van Orley’s tapestry designs for The story of Romulus and Remus, 1524.” 2013. Web. 24 Jan 2021.

Vancouver:

Cordeiro CV. Bernard Van Orley’s tapestry designs for The story of Romulus and Remus, 1524. [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/22301.

Council of Science Editors:

Cordeiro CV. Bernard Van Orley’s tapestry designs for The story of Romulus and Remus, 1524. [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/22301

7. Grimmett, Kendra Jo. Woman on top: interpreting Barthel Beham’s Judith Seated on the Body of Holofernes.

Degree: MA, Art History, 2014, University of Texas – Austin

 At no point in the apocryphal text does Judith, a wise and beautiful Jewish widow, sit on Holofernes, the Assyrian general laying siege to her… (more)

Subjects/Keywords: Judith; Holofernes; Barthel Beham; Little masters; Power of Women; Weibermacht; Sixteenth-century; German; Print; Phyllis; Witch; Venus; I Modi; Erotic art; Sex

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APA (6th Edition):

Grimmett, K. J. (2014). Woman on top: interpreting Barthel Beham’s Judith Seated on the Body of Holofernes. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/25827

Chicago Manual of Style (16th Edition):

Grimmett, Kendra Jo. “Woman on top: interpreting Barthel Beham’s Judith Seated on the Body of Holofernes.” 2014. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/25827.

MLA Handbook (7th Edition):

Grimmett, Kendra Jo. “Woman on top: interpreting Barthel Beham’s Judith Seated on the Body of Holofernes.” 2014. Web. 24 Jan 2021.

Vancouver:

Grimmett KJ. Woman on top: interpreting Barthel Beham’s Judith Seated on the Body of Holofernes. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/25827.

Council of Science Editors:

Grimmett KJ. Woman on top: interpreting Barthel Beham’s Judith Seated on the Body of Holofernes. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/25827

8. Sharrard, Katherine Ann. The intersection of political aspirations and architecture in the funerary chapel of Tamás Bakócz.

Degree: MA, Art History, 2012, University of Texas – Austin

 The Bakócz Chapel at St. Adalbert's Cathedral in Esztergom represents the vision of the powerful politician and patron of the arts, Tamás Bakócz. Built between… (more)

Subjects/Keywords: Hungary; Renaissance; Chapel; Tamas Bakocz; Matthias; Andrea Ferrucci; Florence; Architecture

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APA (6th Edition):

Sharrard, K. A. (2012). The intersection of political aspirations and architecture in the funerary chapel of Tamás Bakócz. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/15900

Chicago Manual of Style (16th Edition):

Sharrard, Katherine Ann. “The intersection of political aspirations and architecture in the funerary chapel of Tamás Bakócz.” 2012. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/15900.

MLA Handbook (7th Edition):

Sharrard, Katherine Ann. “The intersection of political aspirations and architecture in the funerary chapel of Tamás Bakócz.” 2012. Web. 24 Jan 2021.

Vancouver:

Sharrard KA. The intersection of political aspirations and architecture in the funerary chapel of Tamás Bakócz. [Internet] [Masters thesis]. University of Texas – Austin; 2012. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/15900.

Council of Science Editors:

Sharrard KA. The intersection of political aspirations and architecture in the funerary chapel of Tamás Bakócz. [Masters Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/15900

9. Zeldin, Natalie. Performing touch in the Frick Self-portrait (1658) : an examination of the ruwe manier in late Rembrandt.

Degree: MA, Art History, 2013, University of Texas – Austin

 Ruwe manier describes loose painting, characterized by visible brushwork that is casually or even crudely exposed. Although Rembrandt did not invent ruwe manier, his late… (more)

Subjects/Keywords: Rembrandt; Ruwe manier; Rough manner; Materiality; Neuroaesthetics; Textured paint

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APA (6th Edition):

Zeldin, N. (2013). Performing touch in the Frick Self-portrait (1658) : an examination of the ruwe manier in late Rembrandt. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/22323

Chicago Manual of Style (16th Edition):

Zeldin, Natalie. “Performing touch in the Frick Self-portrait (1658) : an examination of the ruwe manier in late Rembrandt.” 2013. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/22323.

MLA Handbook (7th Edition):

Zeldin, Natalie. “Performing touch in the Frick Self-portrait (1658) : an examination of the ruwe manier in late Rembrandt.” 2013. Web. 24 Jan 2021.

Vancouver:

Zeldin N. Performing touch in the Frick Self-portrait (1658) : an examination of the ruwe manier in late Rembrandt. [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/22323.

Council of Science Editors:

Zeldin N. Performing touch in the Frick Self-portrait (1658) : an examination of the ruwe manier in late Rembrandt. [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/22323


University of Texas – Austin

10. Srsic, Elizabeth C. On female witches and woodcuts : Ulrich Molitor’s De lamiis et pythonicis mulieribus.

Degree: MA, Art history, 2016, University of Texas – Austin

 The present Master’s thesis seeks to develop a better understanding of two influential series of witchcraft prints and drawings: the woodcuts of Ulrich Molitor’s De… (more)

Subjects/Keywords: Art history; Print; Woodcuts; Witches; Women; Early modern; Molitor; Baldung

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APA (6th Edition):

Srsic, E. C. (2016). On female witches and woodcuts : Ulrich Molitor’s De lamiis et pythonicis mulieribus. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/42006

Chicago Manual of Style (16th Edition):

Srsic, Elizabeth C. “On female witches and woodcuts : Ulrich Molitor’s De lamiis et pythonicis mulieribus.” 2016. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/42006.

MLA Handbook (7th Edition):

Srsic, Elizabeth C. “On female witches and woodcuts : Ulrich Molitor’s De lamiis et pythonicis mulieribus.” 2016. Web. 24 Jan 2021.

Vancouver:

Srsic EC. On female witches and woodcuts : Ulrich Molitor’s De lamiis et pythonicis mulieribus. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/42006.

Council of Science Editors:

Srsic EC. On female witches and woodcuts : Ulrich Molitor’s De lamiis et pythonicis mulieribus. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/42006


University of Texas – Austin

11. Carlson, Alisa Louise McCusker. Draftsmanship, social networking, and cultural history : the portrait drawings of Hans Holbein the Elder (ca. 1465-1524).

Degree: PhD, Art History, 2015, University of Texas – Austin

 Hans Holbein the Elder (ca. 1465-1524) was a successful and prolific painter and draftsman, who lived and worked mainly in the southern German city of… (more)

Subjects/Keywords: Hans Holbein the Elder (ca. 1465-1524); Portraiture; Portrait drawings; Silverpoint; Augsburg; Social networking; Early modern fashion

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APA (6th Edition):

Carlson, A. L. M. (2015). Draftsmanship, social networking, and cultural history : the portrait drawings of Hans Holbein the Elder (ca. 1465-1524). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/39683

Chicago Manual of Style (16th Edition):

Carlson, Alisa Louise McCusker. “Draftsmanship, social networking, and cultural history : the portrait drawings of Hans Holbein the Elder (ca. 1465-1524).” 2015. Doctoral Dissertation, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/39683.

MLA Handbook (7th Edition):

Carlson, Alisa Louise McCusker. “Draftsmanship, social networking, and cultural history : the portrait drawings of Hans Holbein the Elder (ca. 1465-1524).” 2015. Web. 24 Jan 2021.

Vancouver:

Carlson ALM. Draftsmanship, social networking, and cultural history : the portrait drawings of Hans Holbein the Elder (ca. 1465-1524). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2015. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/39683.

Council of Science Editors:

Carlson ALM. Draftsmanship, social networking, and cultural history : the portrait drawings of Hans Holbein the Elder (ca. 1465-1524). [Doctoral Dissertation]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/39683


University of Texas – Austin

12. Fetté, Mirka Campbell. Saving political face : the structures of power in Hans von Aachen’s Allegories on the long Turkish war.

Degree: MA, Art History, 2011, University of Texas – Austin

 Hans von Aachen, court artist to the Habsburg Holy Roman Emperor Rudolf II in Prague, created a series of small painting called the Allegories on… (more)

Subjects/Keywords: Rudolf II; Hans von Aachen; Ottoman; Long War; Mannerism; Renaissance; Kunstkammer; Matthias; Holy Roman Empire; Hungary; Transylvania; Moldova; Romania; Wallachia; Hapsburg; Habsburg; Court art

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APA (6th Edition):

Fetté, M. C. (2011). Saving political face : the structures of power in Hans von Aachen’s Allegories on the long Turkish war. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2011-05-3218

Chicago Manual of Style (16th Edition):

Fetté, Mirka Campbell. “Saving political face : the structures of power in Hans von Aachen’s Allegories on the long Turkish war.” 2011. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/ETD-UT-2011-05-3218.

MLA Handbook (7th Edition):

Fetté, Mirka Campbell. “Saving political face : the structures of power in Hans von Aachen’s Allegories on the long Turkish war.” 2011. Web. 24 Jan 2021.

Vancouver:

Fetté MC. Saving political face : the structures of power in Hans von Aachen’s Allegories on the long Turkish war. [Internet] [Masters thesis]. University of Texas – Austin; 2011. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3218.

Council of Science Editors:

Fetté MC. Saving political face : the structures of power in Hans von Aachen’s Allegories on the long Turkish war. [Masters Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3218


University of Texas – Austin

13. Weiss, Jessica Sue. Isabel of Castile, flemish aesthetics, and identity construction in the works of Juan de Flandes.

Degree: PhD, Northern Renaissance Art, 2014, University of Texas – Austin

 This dissertation explores how Isabel of Castile employed Flemish visual forms in the cultivation of both royal and personal identity through an analysis of the… (more)

Subjects/Keywords: Art patronage; Isabella I, Queen of Spain; Juan de Flandes; Panel painting

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APA (6th Edition):

Weiss, J. S. (2014). Isabel of Castile, flemish aesthetics, and identity construction in the works of Juan de Flandes. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/32900

Chicago Manual of Style (16th Edition):

Weiss, Jessica Sue. “Isabel of Castile, flemish aesthetics, and identity construction in the works of Juan de Flandes.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/32900.

MLA Handbook (7th Edition):

Weiss, Jessica Sue. “Isabel of Castile, flemish aesthetics, and identity construction in the works of Juan de Flandes.” 2014. Web. 24 Jan 2021.

Vancouver:

Weiss JS. Isabel of Castile, flemish aesthetics, and identity construction in the works of Juan de Flandes. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/32900.

Council of Science Editors:

Weiss JS. Isabel of Castile, flemish aesthetics, and identity construction in the works of Juan de Flandes. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/32900

14. Chung, Jina. Rembrandt redefined : making the “global artist" in seventeenth-century Amsterdam.

Degree: MA, Art History, 2011, University of Texas – Austin

 Rembrandt’s two dozen copies of Mughal paintings that he created between the years 1654 and 1660, remains an obscure collection of drawings within the artist’s… (more)

Subjects/Keywords: Rembrandt van Rijn; Amsterdam; Mughal, India

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APA (6th Edition):

Chung, J. (2011). Rembrandt redefined : making the “global artist" in seventeenth-century Amsterdam. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2011-05-3570

Chicago Manual of Style (16th Edition):

Chung, Jina. “Rembrandt redefined : making the “global artist" in seventeenth-century Amsterdam.” 2011. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/ETD-UT-2011-05-3570.

MLA Handbook (7th Edition):

Chung, Jina. “Rembrandt redefined : making the “global artist" in seventeenth-century Amsterdam.” 2011. Web. 24 Jan 2021.

Vancouver:

Chung J. Rembrandt redefined : making the “global artist" in seventeenth-century Amsterdam. [Internet] [Masters thesis]. University of Texas – Austin; 2011. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3570.

Council of Science Editors:

Chung J. Rembrandt redefined : making the “global artist" in seventeenth-century Amsterdam. [Masters Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3570

15. Kearins, Colleen Mary. Melody as metaphor in Gerrit van Honthorst's paintings of musicians.

Degree: MA, Art History, 2011, University of Texas – Austin

 In this thesis I examine the artistic contributions of Gerrit van Honthorst (1592-1656) to the sudden increase in the pictorial representation of musical subjects in… (more)

Subjects/Keywords: Honthorst, Gerrit van; Dutch Baroque Art; Seventeenth century Dutch art; Utrecht Caravaggisti

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kearins, C. M. (2011). Melody as metaphor in Gerrit van Honthorst's paintings of musicians. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2011-08-4014

Chicago Manual of Style (16th Edition):

Kearins, Colleen Mary. “Melody as metaphor in Gerrit van Honthorst's paintings of musicians.” 2011. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/ETD-UT-2011-08-4014.

MLA Handbook (7th Edition):

Kearins, Colleen Mary. “Melody as metaphor in Gerrit van Honthorst's paintings of musicians.” 2011. Web. 24 Jan 2021.

Vancouver:

Kearins CM. Melody as metaphor in Gerrit van Honthorst's paintings of musicians. [Internet] [Masters thesis]. University of Texas – Austin; 2011. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/ETD-UT-2011-08-4014.

Council of Science Editors:

Kearins CM. Melody as metaphor in Gerrit van Honthorst's paintings of musicians. [Masters Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/ETD-UT-2011-08-4014


University of Texas – Austin

16. Adams, Merchant Stewart, 1972-. Sense and spirituality : seeing Jan van Eyck's Ghent altarpiece.

Degree: MA, Art History, 2009, University of Texas – Austin

 This thesis emphasizes the senses of the audience in reception of Jan van Eyck’s heroic Ghent Altarpiece. This pivotal work may have demanded the viewer… (more)

Subjects/Keywords: Ghent Altarpiece; Jan van Eyck; private devotion; frames

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Adams, Merchant Stewart, 1. (2009). Sense and spirituality : seeing Jan van Eyck's Ghent altarpiece. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2009-05-53

Chicago Manual of Style (16th Edition):

Adams, Merchant Stewart, 1972-. “Sense and spirituality : seeing Jan van Eyck's Ghent altarpiece.” 2009. Masters Thesis, University of Texas – Austin. Accessed January 24, 2021. http://hdl.handle.net/2152/ETD-UT-2009-05-53.

MLA Handbook (7th Edition):

Adams, Merchant Stewart, 1972-. “Sense and spirituality : seeing Jan van Eyck's Ghent altarpiece.” 2009. Web. 24 Jan 2021.

Vancouver:

Adams, Merchant Stewart 1. Sense and spirituality : seeing Jan van Eyck's Ghent altarpiece. [Internet] [Masters thesis]. University of Texas – Austin; 2009. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2152/ETD-UT-2009-05-53.

Council of Science Editors:

Adams, Merchant Stewart 1. Sense and spirituality : seeing Jan van Eyck's Ghent altarpiece. [Masters Thesis]. University of Texas – Austin; 2009. Available from: http://hdl.handle.net/2152/ETD-UT-2009-05-53

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