+publisher:"University of Texas – Austin" +contributor:("Grantham, Donald")

University of Texas – Austin

1. Kesikli, Egemen, 1989-. In the midst of life : a concertino for guitar and chamber orchestra.

Degree: MM, Music, 2014, University of Texas – Austin

► In the Midst of Life is a highly-virtuosic concertino for solo guitarist and chamber orchestra. The piece explores variations of makamic intervallic structures—complex melody types… (more)

Subjects/Keywords: Guitar; Concertino; Chamber ensemble; Contemporary

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APA (6^th Edition):

Kesikli, Egemen, 1. (2014). In the midst of life : a concertino for guitar and chamber orchestra. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/26434

Chicago Manual of Style (16^th Edition):

Kesikli, Egemen, 1989-. “In the midst of life : a concertino for guitar and chamber orchestra.” 2014. Masters Thesis, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/26434.

MLA Handbook (7^th Edition):

Kesikli, Egemen, 1989-. “In the midst of life : a concertino for guitar and chamber orchestra.” 2014. Web. 10 Dec 2019.

Vancouver:

Kesikli, Egemen 1. In the midst of life : a concertino for guitar and chamber orchestra. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/26434.

Council of Science Editors:

Kesikli, Egemen 1. In the midst of life : a concertino for guitar and chamber orchestra. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/26434

University of Texas – Austin

2. -9970-3907. Righteous Among the Nations : the story of Ho Feng-Shan.

Degree: MM, Music, 2017, University of Texas – Austin

URL: http://hdl.handle.net/2152/63111

► Righteous Among the Nations : the story of Ho Feng-Shan is a four-movement music composition of approximately 25 minutes in duration. The piece is scored… (more)

▼ Righteous Among the Nations : the story of Ho Feng-Shan is a four-movement music composition of approximately 25 minutes in duration. The piece is scored for Baritone solo voice and Pierrot Ensemble (Flute/Piccolo, Clarinet in B-flat/Bass Clarinet, Violin, Cello, Percussion, and Piano. Music and libretto is the creation/arrangement of the composer. The following is the Program note written to accompany the score to "Righteous Among the Nations", functioning as an introduction to the composition: "In the year 2000, Israel's Holocaust remembrance center Yad Vashem posthumously awarded Ho Feng-Shan the title "Righteous Among the Nations," the nation's highest civil honor, for saving the lives of more European Jews than any other single individual during the early years of the Holocaust. As China's Consul General to Vienna from 1938 1940, he issued exit visas to any Jewish person requesting them, allowing them to leave Austria legally and reach safety elsewhere in the world via Shanghai and other Chinese ports. Hundreds queued up outside his consulate doors from morning to night seeking aid; Dr. Ho issued over 4,000 such visas, by conservative estimates, despite orders from his superiors to desist. On one occasion, an armed SS officer held him at gunpoint while he interposed his own body to protect a Jewish family. Ho Feng-Shan never breathed a word of his heroic actions to his wife, children, or friends—they were discovered by his family and Yad Vashem years after his 1997 death. Ho Feng-Shan, like most Holocaust rescuers, started off as a bystander, attempting to maintain a life of normalcy after Germany's sudden annexation of Austria (Anschluss). However, when confronted with the jagged reality of the unfolding Holocaust—the beginnings of the extermination of Jews on Kristallnacht—he could no longer collude with genocide by refusing to act, becoming complicit every time he averted his eyes from need. In post-war years, after being reassigned to Brooklyn in New York City, Dr. Ho became fascinated with racial prejudice, seared so forcefully into memory by his years in Nazi-occupied Austria. He identified prejudice as the most important social condition in American society, observing and experiencing it in hiring, rent, voting, and education practices as well as tracing its roots through American history—especially slavery and immigration history. I have come to admire Ho Feng-Shan deeply—for his awareness and compassion, humanitarian courage, and unwavering conviction during perhaps the twentieth century's most horrific time and place. As Dr. Ho himself writes (in a poem quoted in Movement IV), "The convictions of heroes [are] not lightly formed". Though the above history may seem flattened into the distant past, Ho Feng-Shan's character and actions stand robust, real, and three-dimensional, coming alive now for you in music. May we never forget, but remember—and by remembering, learn." Advisors/Committee Members: Grantham, Donald, 1947- (advisor).

Subjects/Keywords: Music composition; Baritone solo; Pierrot Ensemble; Violin; Cello; Flute; Piccolo; Clarinet; Bass clarinet; Piano; Percussion; Song cycle; Holocaust studies; Ho Feng-Shan; Vienna; Austria; World War II; Anschluss; Kristallnacht; Righteous Among the Nations

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APA (6^th Edition):

-9970-3907. (2017). Righteous Among the Nations : the story of Ho Feng-Shan. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/63111

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16^th Edition):

-9970-3907. “Righteous Among the Nations : the story of Ho Feng-Shan.” 2017. Masters Thesis, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/63111.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7^th Edition):

-9970-3907. “Righteous Among the Nations : the story of Ho Feng-Shan.” 2017. Web. 10 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-9970-3907. Righteous Among the Nations : the story of Ho Feng-Shan. [Internet] [Masters thesis]. University of Texas – Austin; 2017. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/63111.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-9970-3907. Righteous Among the Nations : the story of Ho Feng-Shan. [Masters Thesis]. University of Texas – Austin; 2017. Available from: http://hdl.handle.net/2152/63111

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

University of Texas – Austin

3. Laney, Ryan Michael. Vortex.

Degree: MM, Music, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/45870

► Vortex is a two-movement piece for 14-player chamber ensemble of approximately 12 minutes in duration. It is scored for Flute/Piccolo, Oboe, Clarinet in B-flat, Horn… (more)

Subjects/Keywords: Music; Chamber; Chamber ensemble; Contemporary music; New music; Vortex

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APA (6^th Edition):

Laney, R. M. (2014). Vortex. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/45870

Chicago Manual of Style (16^th Edition):

Laney, Ryan Michael. “Vortex.” 2014. Masters Thesis, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/45870.

MLA Handbook (7^th Edition):

Laney, Ryan Michael. “Vortex.” 2014. Web. 10 Dec 2019.

Vancouver:

Laney RM. Vortex. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/45870.

Council of Science Editors:

Laney RM. Vortex. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/45870

University of Texas – Austin

4. Caputo, Daniel John. The light that passes through it : three portraits of Chihuly glass art.

Degree: MM, Music, 2015, University of Texas – Austin

URL: http://hdl.handle.net/2152/32030

► The light that passes through it (2015) for orchestra is a three-movement composition inspired by the life and artwork of Pacific Northwest glass artist Dale… (more)

Subjects/Keywords: Composition; Orchestra; Caputo; Chihuly

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APA (6^th Edition):

Caputo, D. J. (2015). The light that passes through it : three portraits of Chihuly glass art. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/32030

Chicago Manual of Style (16^th Edition):

Caputo, Daniel John. “The light that passes through it : three portraits of Chihuly glass art.” 2015. Masters Thesis, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/32030.

MLA Handbook (7^th Edition):

Caputo, Daniel John. “The light that passes through it : three portraits of Chihuly glass art.” 2015. Web. 10 Dec 2019.

Vancouver:

Caputo DJ. The light that passes through it : three portraits of Chihuly glass art. [Internet] [Masters thesis]. University of Texas – Austin; 2015. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/32030.

Council of Science Editors:

Caputo DJ. The light that passes through it : three portraits of Chihuly glass art. [Masters Thesis]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/32030

5. Sibicky, Nicholas Alexander, 1983-. Borderlands : an electroacoustic environment experience.

Degree: DMA, Music, 2010, University of Texas – Austin

URL: http://hdl.handle.net/2152/31565

► Borderlands is a new musical work for violin, clarinet, cello, piano and laptop. Above all else, it is a musical story portraying the travels of… (more)

Subjects/Keywords: Music composition; Supercollider; Max/MSP; Electroacoustic; Cello; Violin; Clarinet; Piano; Live sound-processing; Environmental music; Music as experience

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APA (6^th Edition):

Sibicky, Nicholas Alexander, 1. (2010). Borderlands : an electroacoustic environment experience. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/31565

Chicago Manual of Style (16^th Edition):

Sibicky, Nicholas Alexander, 1983-. “Borderlands : an electroacoustic environment experience.” 2010. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/31565.

MLA Handbook (7^th Edition):

Sibicky, Nicholas Alexander, 1983-. “Borderlands : an electroacoustic environment experience.” 2010. Web. 10 Dec 2019.

Vancouver:

Sibicky, Nicholas Alexander 1. Borderlands : an electroacoustic environment experience. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2010. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/31565.

Council of Science Editors:

Sibicky, Nicholas Alexander 1. Borderlands : an electroacoustic environment experience. [Doctoral Dissertation]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/31565

University of Texas – Austin

6. Fife, Lachlan McAllister. The Call.

Degree: DMA, Music, 2015, University of Texas – Austin

URL: http://hdl.handle.net/2152/32522

► The Call is a seventeen-and-a-half minute, programmatic work for large orchestra. The program illustrates the first three stages of Joseph Campbell's outline for the Hero's… (more)

Subjects/Keywords: Hero's Journey; The Call to Adventure

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APA (6^th Edition):

Fife, L. M. (2015). The Call. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/32522

Chicago Manual of Style (16^th Edition):

Fife, Lachlan McAllister. “The Call.” 2015. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/32522.

MLA Handbook (7^th Edition):

Fife, Lachlan McAllister. “The Call.” 2015. Web. 10 Dec 2019.

Vancouver:

Fife LM. The Call. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2015. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/32522.

Council of Science Editors:

Fife LM. The Call. [Doctoral Dissertation]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/32522

University of Texas – Austin

7. Harder, Lane, 1976-. From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau).

Degree: DMA, Music, 2012, University of Texas – Austin

URL: http://hdl.handle.net/2152/45864

► From the American Enlightenment is a secular chamber cantata for soprano, mezzo-soprano, tenor, baritone, and piano quintet, and it is based on the poetry of… (more)

Subjects/Keywords: Music; Composition; Philip Freneau; American Enlightenment; Poetry; Revolutionary War; Cantata; Piano quintet

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APA (6^th Edition):

Harder, Lane, 1. (2012). From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/45864

Chicago Manual of Style (16^th Edition):

Harder, Lane, 1976-. “From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/45864.

MLA Handbook (7^th Edition):

Harder, Lane, 1976-. “From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau).” 2012. Web. 10 Dec 2019.

Vancouver:

Harder, Lane 1. From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/45864.

Council of Science Editors:

Harder, Lane 1. From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/45864

University of Texas – Austin

8. Yoon, Minho, 1986-. Kalos eidos for piano and wind ensemble.

Degree: DMA, Music, 2019, University of Texas – Austin

URL: http://dx.doi.org/10.26153/tsw/5306

► Kalos Eidos is a twenty-minute concerto for piano and wind ensemble based on the operating principle of a kaleidoscope, and the image seen through it.… (more)

Subjects/Keywords: Piano concerto; Wind ensemble; Kaleidoscope; New music; Contemporary music

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APA (6^th Edition):

Yoon, Minho, 1. (2019). Kalos eidos for piano and wind ensemble. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/5306

Chicago Manual of Style (16^th Edition):

Yoon, Minho, 1986-. “Kalos eidos for piano and wind ensemble.” 2019. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://dx.doi.org/10.26153/tsw/5306.

MLA Handbook (7^th Edition):

Yoon, Minho, 1986-. “Kalos eidos for piano and wind ensemble.” 2019. Web. 10 Dec 2019.

Vancouver:

Yoon, Minho 1. Kalos eidos for piano and wind ensemble. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2019. [cited 2019 Dec 10]. Available from: http://dx.doi.org/10.26153/tsw/5306.

Council of Science Editors:

Yoon, Minho 1. Kalos eidos for piano and wind ensemble. [Doctoral Dissertation]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/5306

University of Texas – Austin

9. -7388-0075. Surviving Gombert for mixed chorus, organ, flute, cello, and percussion.

Degree: DMA, Music, 2019, University of Texas – Austin

URL: http://dx.doi.org/10.26153/tsw/5353

► Themetoo movement has been at the forefront of global consciousness over the past year and a half as survivors of sexual assault have bravely spoken… (more)

Subjects/Keywords: Music; Choral; Chorus; Nicolas Gombert; metoo; Me too movement

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APA (6^th Edition):

-7388-0075. (2019). Surviving Gombert for mixed chorus, organ, flute, cello, and percussion. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/5353

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16^th Edition):

-7388-0075. “Surviving Gombert for mixed chorus, organ, flute, cello, and percussion.” 2019. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://dx.doi.org/10.26153/tsw/5353.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7^th Edition):

-7388-0075. “Surviving Gombert for mixed chorus, organ, flute, cello, and percussion.” 2019. Web. 10 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-7388-0075. Surviving Gombert for mixed chorus, organ, flute, cello, and percussion. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2019. [cited 2019 Dec 10]. Available from: http://dx.doi.org/10.26153/tsw/5353.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-7388-0075. Surviving Gombert for mixed chorus, organ, flute, cello, and percussion. [Doctoral Dissertation]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/5353

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

University of Texas – Austin

10. Allegretti, Keith, 1989-. Good country : a chamber opera.

Degree: DMA, Music, 2019, University of Texas – Austin

URL: http://dx.doi.org/10.26153/tsw/5429

► Based on a libretto by Cecelia Raker, Good Country is a 45-minute chamber opera about the historical figure Charley Parkhurst, a stagecoach driver in the… (more)

Subjects/Keywords: Opera

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APA (6^th Edition):

Allegretti, Keith, 1. (2019). Good country : a chamber opera. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/5429

Chicago Manual of Style (16^th Edition):

Allegretti, Keith, 1989-. “Good country : a chamber opera.” 2019. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://dx.doi.org/10.26153/tsw/5429.

MLA Handbook (7^th Edition):

Allegretti, Keith, 1989-. “Good country : a chamber opera.” 2019. Web. 10 Dec 2019.

Vancouver:

Allegretti, Keith 1. Good country : a chamber opera. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2019. [cited 2019 Dec 10]. Available from: http://dx.doi.org/10.26153/tsw/5429.

Council of Science Editors:

Allegretti, Keith 1. Good country : a chamber opera. [Doctoral Dissertation]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/5429

11. Podgorsek, Russell. Contextualization and completion of Vilém Zdeněk Stezka’s Wind serenade.

Degree: DMA, Music, 2013, University of Texas – Austin

URL: http://hdl.handle.net/2152/21575

► Vilém Zdeněk Stezka's final work, Wind Serenade from 1939, was partially lost in a small earthquake that occurred in Bergamo, Italy on July 31, 2012.… (more)

Subjects/Keywords: Stezka; Podgorsek; Wind serenade; serenade; Vilém Zdeněk Stezka

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APA (6^th Edition):

Podgorsek, R. (2013). Contextualization and completion of Vilém Zdeněk Stezka’s Wind serenade. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/21575

Chicago Manual of Style (16^th Edition):

Podgorsek, Russell. “Contextualization and completion of Vilém Zdeněk Stezka’s Wind serenade.” 2013. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/21575.

MLA Handbook (7^th Edition):

Podgorsek, Russell. “Contextualization and completion of Vilém Zdeněk Stezka’s Wind serenade.” 2013. Web. 10 Dec 2019.

Vancouver:

Podgorsek R. Contextualization and completion of Vilém Zdeněk Stezka’s Wind serenade. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2013. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/21575.

Council of Science Editors:

Podgorsek R. Contextualization and completion of Vilém Zdeněk Stezka’s Wind serenade. [Doctoral Dissertation]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/21575

12. Piland, Franklin Dean. Rose made man : an inside-out opera in one act.

Degree: MM, Music, 2016, University of Texas – Austin

URL: http://hdl.handle.net/2152/41418

► Rose Made Man is an ópera comique, a style of French origin, meaning the dramatic work contains spoken dialogue. The opera is a coming of… (more)

Subjects/Keywords: Opera

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APA (6^th Edition):

Piland, F. D. (2016). Rose made man : an inside-out opera in one act. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/41418

Chicago Manual of Style (16^th Edition):

Piland, Franklin Dean. “Rose made man : an inside-out opera in one act.” 2016. Masters Thesis, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/41418.

MLA Handbook (7^th Edition):

Piland, Franklin Dean. “Rose made man : an inside-out opera in one act.” 2016. Web. 10 Dec 2019.

Vancouver:

Piland FD. Rose made man : an inside-out opera in one act. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/41418.

Council of Science Editors:

Piland FD. Rose made man : an inside-out opera in one act. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/41418

13. Bolstad, Stephen Paul. David Maslanka's Symphony No. 4: a conductor's analysis with performance considerations.

Degree: DMA, Music, 2002, University of Texas – Austin

URL: http://hdl.handle.net/2152/466

► In the last two decades of the Twentieth Century, the wind band music of David Maslanka has become well known and widely performed. A number… (more)

Subjects/Keywords: Maslanka; David; – 1943 – Symphonies; – band; – no. 4

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APA (6^th Edition):

Bolstad, S. P. (2002). David Maslanka's Symphony No. 4: a conductor's analysis with performance considerations. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/466

Chicago Manual of Style (16^th Edition):

Bolstad, Stephen Paul. “David Maslanka's Symphony No. 4: a conductor's analysis with performance considerations.” 2002. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/466.

MLA Handbook (7^th Edition):

Bolstad, Stephen Paul. “David Maslanka's Symphony No. 4: a conductor's analysis with performance considerations.” 2002. Web. 10 Dec 2019.

Vancouver:

Bolstad SP. David Maslanka's Symphony No. 4: a conductor's analysis with performance considerations. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2002. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/466.

Council of Science Editors:

Bolstad SP. David Maslanka's Symphony No. 4: a conductor's analysis with performance considerations. [Doctoral Dissertation]. University of Texas – Austin; 2002. Available from: http://hdl.handle.net/2152/466

University of Texas – Austin

14. Harchanko, Joseph. Horizon: for wind ensemble : creating narrative in post-serial tonality.

Degree: DMA, Music, 2002, University of Texas – Austin

URL: http://hdl.handle.net/2152/629

► Present trends in composition present unique challenges and opportunities for the development of symphonic style. Post-modern and post-serial composers have an unprecedented freedom to use… (more)

▼ Present trends in composition present unique challenges and opportunities for the development of symphonic style. Post-modern and post-serial composers have an unprecedented freedom to use musical elements from the near and distant past to synthesize a new style and a new approach to tonal construction. This freedom of choice provides an opportunity to create a uniquely expressive musical language that has the potential to add an important new chapter in the historic development of symphonic style. The primary focus of this treatise is an original work for wind ensemble entitled “Horizon.” The goal of “Horizon” was to create a symphonic, post-tonal work incorporating elements of minimalism in a heroic narrative in a consistent and expressive musical language. Specifically, “Horizon” synthesizes the concept of nineteenth-century motivic transformation and twentieth century post-tonal harmony. It employs a fresh approach to what I believe is capable of supporting large-scale structures. The accompanying theoretical paper is divided into two sections. The first section explores the development of the symphonic style in common practice tonality, its inherent narrative and monumental qualities, and the relation between high and low level structures. The second section presents an analytical method that is a hybridization of set theory and tonal root movement analysis. This analytical method is then applied to “Horizon,” demonstrating tonal function and narrative structure in a post-serial work. The expression of narrative qualities in symphonic style is purely musical. It is from this perspective that “Horizon” functions as a heroic narrative in which the musical elements, rather than programmatic characteristics, engage in a dialectic struggle. The structural framework of musical motifs is used to create a narrative that exists within its own consistent language; a language which both incorporates historical allusions and creates something unique to this moment in music history. Advisors/Committee Members: Grantham, Donald, 1947- (advisor).

Subjects/Keywords: Wind ensembles – Scores; Musical analysis

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APA (6^th Edition):

Harchanko, J. (2002). Horizon: for wind ensemble : creating narrative in post-serial tonality. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/629

Chicago Manual of Style (16^th Edition):

Harchanko, Joseph. “Horizon: for wind ensemble : creating narrative in post-serial tonality.” 2002. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/629.

MLA Handbook (7^th Edition):

Harchanko, Joseph. “Horizon: for wind ensemble : creating narrative in post-serial tonality.” 2002. Web. 10 Dec 2019.

Vancouver:

Harchanko J. Horizon: for wind ensemble : creating narrative in post-serial tonality. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2002. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/629.

Council of Science Editors:

Harchanko J. Horizon: for wind ensemble : creating narrative in post-serial tonality. [Doctoral Dissertation]. University of Texas – Austin; 2002. Available from: http://hdl.handle.net/2152/629

University of Texas – Austin

15. Hwang, Dong-Ok. Moriah: for orchestra.

Degree: DMA, Music, 2003, University of Texas – Austin

URL: http://hdl.handle.net/2152/660

► MORIAH is a work for full orchestra inspired by Mount Moriah in Jerusalem. The general program for the work is based on events told in… (more)

Subjects/Keywords: Temple Mount (Jerusalem) – Songs and music; Orchestral music – Scores

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APA (6^th Edition):

Hwang, D. (2003). Moriah: for orchestra. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/660

Chicago Manual of Style (16^th Edition):

Hwang, Dong-Ok. “Moriah: for orchestra.” 2003. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/660.

MLA Handbook (7^th Edition):

Hwang, Dong-Ok. “Moriah: for orchestra.” 2003. Web. 10 Dec 2019.

Vancouver:

Hwang D. Moriah: for orchestra. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2003. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/660.

Council of Science Editors:

Hwang D. Moriah: for orchestra. [Doctoral Dissertation]. University of Texas – Austin; 2003. Available from: http://hdl.handle.net/2152/660

University of Texas – Austin

16. Oh, Seil. The Man of God for orchestra: a descriptive analysis.

Degree: DMA, Music, 2003, University of Texas – Austin

URL: http://hdl.handle.net/2152/825

► “The Man of God,” based on the biblical story of David, is an orchestral piece in one movement. The composition is scored for a standard… (more)

Subjects/Keywords: David, – King of Israel – Songs and music; Orchestral music – Scores

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Oh, S. (2003). The Man of God for orchestra: a descriptive analysis. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/825

Chicago Manual of Style (16^th Edition):

Oh, Seil. “The Man of God for orchestra: a descriptive analysis.” 2003. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/825.

MLA Handbook (7^th Edition):

Oh, Seil. “The Man of God for orchestra: a descriptive analysis.” 2003. Web. 10 Dec 2019.

Vancouver:

Oh S. The Man of God for orchestra: a descriptive analysis. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2003. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/825.

Council of Science Editors:

Oh S. The Man of God for orchestra: a descriptive analysis. [Doctoral Dissertation]. University of Texas – Austin; 2003. Available from: http://hdl.handle.net/2152/825

17. Stamps, Jack W. The speaking world, tarab and iPod alchemy : The Sensuous Terrain, for mixed chamber ensemble and percussion.

Degree: DMA, Music, 2010, University of Texas – Austin

URL: http://hdl.handle.net/2152/31562

► The Sensuous Terrain, a work for violin, clarinet, piano, cello and two percussionists is a 28-30 minute commission for the SOLI Chamber Ensemble of San… (more)

Subjects/Keywords: Middle Eastern; Confluence; Post modern; Violin; Clarinet; Cello; Piano; Percussion; David Abram; Graphic design; Nusrat Fateh Ali Khan; Zappa; Alchemy; Tabla; Chamber music; Messiaen; Quartet for the end of time

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APA (6^th Edition):

Stamps, J. W. (2010). The speaking world, tarab and iPod alchemy : The Sensuous Terrain, for mixed chamber ensemble and percussion. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/31562

Chicago Manual of Style (16^th Edition):

Stamps, Jack W. “The speaking world, tarab and iPod alchemy : The Sensuous Terrain, for mixed chamber ensemble and percussion.” 2010. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/31562.

MLA Handbook (7^th Edition):

Stamps, Jack W. “The speaking world, tarab and iPod alchemy : The Sensuous Terrain, for mixed chamber ensemble and percussion.” 2010. Web. 10 Dec 2019.

Vancouver:

Stamps JW. The speaking world, tarab and iPod alchemy : The Sensuous Terrain, for mixed chamber ensemble and percussion. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2010. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/31562.

Council of Science Editors:

Stamps JW. The speaking world, tarab and iPod alchemy : The Sensuous Terrain, for mixed chamber ensemble and percussion. [Doctoral Dissertation]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/31562

18. -3615-7467. Symphony3 for wind ensemble.

Degree: DMA, Music, 2015, University of Texas – Austin

URL: http://hdl.handle.net/2152/31593

► Symphony3 for Wind Ensemble is a four movement composition for wind ensemble with a duration of roughly 35 minutes. This piece seeks to push back… (more)

Subjects/Keywords: Symphony; Wind ensemble

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APA (6^th Edition):

-3615-7467. (2015). Symphony3 for wind ensemble. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/31593

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16^th Edition):

-3615-7467. “Symphony3 for wind ensemble.” 2015. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/31593.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7^th Edition):

-3615-7467. “Symphony3 for wind ensemble.” 2015. Web. 10 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-3615-7467. Symphony3 for wind ensemble. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2015. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/31593.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-3615-7467. Symphony3 for wind ensemble. [Doctoral Dissertation]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/31593

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

University of Texas – Austin

19. Gershman, Jeffrey David. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.

Degree: DMA, Music, 2002, University of Texas – Austin

URL: http://hdl.handle.net/2152/598

► John Corigliano is considered one of the most critically successful American composers of the past quarter century. He has received prestigious awards for both his… (more)

Subjects/Keywords: Corigliano, John, – 1938 – Symphonies, – no. 1; Tarantellas; Band music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gershman, J. D. (2002). "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/598

Chicago Manual of Style (16^th Edition):

Gershman, Jeffrey David. “"Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.” 2002. Doctoral Dissertation, University of Texas – Austin. Accessed December 10, 2019. http://hdl.handle.net/2152/598.

MLA Handbook (7^th Edition):

Gershman, Jeffrey David. “"Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.” 2002. Web. 10 Dec 2019.

Vancouver:

Gershman JD. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2002. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2152/598.

Council of Science Editors:

Gershman JD. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. [Doctoral Dissertation]. University of Texas – Austin; 2002. Available from: http://hdl.handle.net/2152/598

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Open Access Theses and Dissertations