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You searched for +publisher:"University of Southern California" +contributor:("Ulke, Christina"). Showing records 1 – 3 of 3 total matches.

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University of Southern California

1. Constant, Linda. Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1.

Degree: Master of Public Art Studies, Public Art Studies, 2009, University of Southern California

Art in cultural diplomacy is a significant and powerful resource utilized not only for the purpose of furthering relations between disparate societies, but also for social regeneration in the public sphere. This thesis purports that art and the international exhibition can be an inherent tool of cultural diplomacy, particularly to nations and cities in times of devastation. Cultural diplomacy in art amid postwar and post-trauma contexts will be evaluated through two specific exhibitions, documenta 1 and Prospect.1, focusing upon the historicity of their physical sites as well as selected curatorial and artistic decisions within each environment. The development of documenta 1 will serve as a platform for investigating the nature of Prospect.1 in its own unique place in history. Finally, the serious role of art as a diplomatic and cultural resource in the substance of the international exhibition will be contextualized into the proliferating problematics of globalizing socio-economics and transnationalism. Advisors/Committee Members: Moss, Karen (Committee Chair), Ulke, Christina (Committee Member), Decter, Joshua (Committee Member).

Subjects/Keywords: art; cultural diplomacy; public art; documenta; prospect.1; Germany; New Orleans; globalization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Constant, L. (2009). Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237567/rec/898

Chicago Manual of Style (16th Edition):

Constant, Linda. “Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1.” 2009. Masters Thesis, University of Southern California. Accessed April 01, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237567/rec/898.

MLA Handbook (7th Edition):

Constant, Linda. “Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1.” 2009. Web. 01 Apr 2020.

Vancouver:

Constant L. Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2020 Apr 01]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237567/rec/898.

Council of Science Editors:

Constant L. Art and cultural diplomacy in the international exhibition: documenta 1 and Prospect.1. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237567/rec/898


University of Southern California

2. Danjuma, Sharon Elizabeth. Community engaged art: no longer a form of resistance?.

Degree: Master of Public Art Studies, Public Art Studies, 2010, University of Southern California

During the 1960s and 1970s, African American artists created site-specific community engaged projects that were narrations of the social-cultural context of their communities. Within this milieu, the art works became powerful communicative tools, as was the case in John Outterbridge's collaborative project Oh, Speak Speak and Noah Purifoy's 66 Signs of Neon. However, in recent years, a proliferation of community engaged site-specific arts have emerged in various forms. These projects are appearing in the discourse of mainstream texts, discussions, museum exhibitions and commissioned public art works in the urban environment. Once looked upon with little regard by the art world, community engaged art is now canonized in the academy and elite art circles by a professional class of critics, curators, art historians and urban planners. This co-optation and assimilation of the aesthetic has weakened the criticality of the practice creating a disembodied commodification and a form of social work. Advisors/Committee Members: Ulke, Christina (Committee Chair), Outterbridge, John (Committee Member), Decter, Joshua (Committee Member).

Subjects/Keywords: community art; John Outterbridge; Noah Purifoy; Oh, speak speak; 66 signs of neon; Watts rebellion; Elliott Pinkney

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Danjuma, S. E. (2010). Community engaged art: no longer a form of resistance?. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/309984/rec/1482

Chicago Manual of Style (16th Edition):

Danjuma, Sharon Elizabeth. “Community engaged art: no longer a form of resistance?.” 2010. Masters Thesis, University of Southern California. Accessed April 01, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/309984/rec/1482.

MLA Handbook (7th Edition):

Danjuma, Sharon Elizabeth. “Community engaged art: no longer a form of resistance?.” 2010. Web. 01 Apr 2020.

Vancouver:

Danjuma SE. Community engaged art: no longer a form of resistance?. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2020 Apr 01]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/309984/rec/1482.

Council of Science Editors:

Danjuma SE. Community engaged art: no longer a form of resistance?. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/309984/rec/1482


University of Southern California

3. Bachler, Katharine Dunham. Nature is as nature does: recent sustainable artists and the practice of local ecology.

Degree: Master of Public Art Studies, Public Art Studies, 2010, University of Southern California

Through a theoretical and historical exploration of the contemporary environmental works of Marjetica Potrc, Fritz Haeg, Bonnie Sherk, and Mark Dion, I will consider these artists’ role in an ecology movement that positions humans and nature as a part of the same system in which the only way to change the world is to understand it. These works inhabit a site-specific environmentalism, a connection to the local, and a manifestation in situations that do not require the artist’s presence. As prototypes that can be reproduced anywhere, the works are not about art objects, but about ways of relating through objects. In engaging with these works, we become participants in creating and perpetuating a knowledge system about nature and the environment. Advisors/Committee Members: Anastas, Rhea (Committee Chair), Ulke, Christina (Committee Member), Bray, Anne (Committee Member).

Subjects/Keywords: aesthetics; environmentalism; social practice; ecology; nature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bachler, K. D. (2010). Nature is as nature does: recent sustainable artists and the practice of local ecology. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/331404/rec/4342

Chicago Manual of Style (16th Edition):

Bachler, Katharine Dunham. “Nature is as nature does: recent sustainable artists and the practice of local ecology.” 2010. Masters Thesis, University of Southern California. Accessed April 01, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/331404/rec/4342.

MLA Handbook (7th Edition):

Bachler, Katharine Dunham. “Nature is as nature does: recent sustainable artists and the practice of local ecology.” 2010. Web. 01 Apr 2020.

Vancouver:

Bachler KD. Nature is as nature does: recent sustainable artists and the practice of local ecology. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2020 Apr 01]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/331404/rec/4342.

Council of Science Editors:

Bachler KD. Nature is as nature does: recent sustainable artists and the practice of local ecology. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/331404/rec/4342

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