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You searched for +publisher:"University of Southern California" +contributor:("Seiter, Ellen"). Showing records 1 – 22 of 22 total matches.

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University of Southern California

1. Fuhs, Kristen Elizabeth. The whole truth and nothing but the truth: documentary film and the socio-politics of justice.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 This dissertation argues that nonfiction films whose primary discursive focus is on judicial proceedings or the administration of the law -– or juridical documentaries -–… (more)

Subjects/Keywords: juridical documentary; law; justice; activism; performance

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APA (6th Edition):

Fuhs, K. E. (2011). The whole truth and nothing but the truth: documentary film and the socio-politics of justice. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7411

Chicago Manual of Style (16th Edition):

Fuhs, Kristen Elizabeth. “The whole truth and nothing but the truth: documentary film and the socio-politics of justice.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7411.

MLA Handbook (7th Edition):

Fuhs, Kristen Elizabeth. “The whole truth and nothing but the truth: documentary film and the socio-politics of justice.” 2011. Web. 29 Nov 2020.

Vancouver:

Fuhs KE. The whole truth and nothing but the truth: documentary film and the socio-politics of justice. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7411.

Council of Science Editors:

Fuhs KE. The whole truth and nothing but the truth: documentary film and the socio-politics of justice. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7411


University of Southern California

2. Scott, Suzanne. Revenge of the fanboy: convergence culture and the politics of incorporation.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 “Revenge of the Fanboy: Convergence Culture and the Politics of Incorporation,” examines the demographic, representational, and academic “revenge” of the fanboy within convergence culture. Specifically,… (more)

Subjects/Keywords: fandom; fan studies; convergence culture; television; incorporation; cultural studies

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APA (6th Edition):

Scott, S. (2011). Revenge of the fanboy: convergence culture and the politics of incorporation. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582

Chicago Manual of Style (16th Edition):

Scott, Suzanne. “Revenge of the fanboy: convergence culture and the politics of incorporation.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582.

MLA Handbook (7th Edition):

Scott, Suzanne. “Revenge of the fanboy: convergence culture and the politics of incorporation.” 2011. Web. 29 Nov 2020.

Vancouver:

Scott S. Revenge of the fanboy: convergence culture and the politics of incorporation. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582.

Council of Science Editors:

Scott S. Revenge of the fanboy: convergence culture and the politics of incorporation. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582


University of Southern California

3. Alper, Meryl. Home screen home: how parents of children with disabilities navigate family media use.

Degree: PhD, Communication, 2017, University of Southern California

 The new media landscape for youth with communication disabilities is currently undergoing a significant technological and cultural shift. Costly traditional electronic speech aids (used most… (more)

Subjects/Keywords: children; families; disability; communication; media; technology; assistive technology; augmentative and alternative communication; autism; capital; cultural capital; social capital; synthetic speech

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APA (6th Edition):

Alper, M. (2017). Home screen home: how parents of children with disabilities navigate family media use. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/572712/rec/3214

Chicago Manual of Style (16th Edition):

Alper, Meryl. “Home screen home: how parents of children with disabilities navigate family media use.” 2017. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/572712/rec/3214.

MLA Handbook (7th Edition):

Alper, Meryl. “Home screen home: how parents of children with disabilities navigate family media use.” 2017. Web. 29 Nov 2020.

Vancouver:

Alper M. Home screen home: how parents of children with disabilities navigate family media use. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/572712/rec/3214.

Council of Science Editors:

Alper M. Home screen home: how parents of children with disabilities navigate family media use. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/572712/rec/3214


University of Southern California

4. Sigismondi, Paolo. Shifting paradigms in the global mediascape: from the Catalina bison to the digital glocalization of entertainment.

Degree: PhD, Communication, 2011, University of Southern California

 The evolutions of the global entertainment landscape are multifaceted and complex, unveiling a mosaic of different themes in a contested media space. The dissertation analyzes… (more)

Subjects/Keywords: global entertainment; glocalization; Hollywood; ICT revolution; non-scripted entertainment; reality TV

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APA (6th Edition):

Sigismondi, P. (2011). Shifting paradigms in the global mediascape: from the Catalina bison to the digital glocalization of entertainment. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/600281/rec/5833

Chicago Manual of Style (16th Edition):

Sigismondi, Paolo. “Shifting paradigms in the global mediascape: from the Catalina bison to the digital glocalization of entertainment.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/600281/rec/5833.

MLA Handbook (7th Edition):

Sigismondi, Paolo. “Shifting paradigms in the global mediascape: from the Catalina bison to the digital glocalization of entertainment.” 2011. Web. 29 Nov 2020.

Vancouver:

Sigismondi P. Shifting paradigms in the global mediascape: from the Catalina bison to the digital glocalization of entertainment. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/600281/rec/5833.

Council of Science Editors:

Sigismondi P. Shifting paradigms in the global mediascape: from the Catalina bison to the digital glocalization of entertainment. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/600281/rec/5833


University of Southern California

5. Godfree, Ghia. Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 Similar to the way Russian artists transformed their physical spaces with art and propaganda, an explosion of screens, and windows embedded within screens, changes the… (more)

Subjects/Keywords: Soviet montage; photomontage; classical Hollywood; Slavko Vorkapich; Don Siegel; music video

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APA (6th Edition):

Godfree, G. (2013). Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/355786/rec/2327

Chicago Manual of Style (16th Edition):

Godfree, Ghia. “Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage.” 2013. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/355786/rec/2327.

MLA Handbook (7th Edition):

Godfree, Ghia. “Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage.” 2013. Web. 29 Nov 2020.

Vancouver:

Godfree G. Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/355786/rec/2327.

Council of Science Editors:

Godfree G. Empty threats: the collision of aesthetic, industrial, and revolutionary imperatives in montage. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/355786/rec/2327


University of Southern California

6. McNair, Ayana. The captive public: media representations of the police and the (il)legitimacy of police power.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 The contemporary media landscape is rife with images that promote policing. The abundance of media images that valorize the police and naturalize police power occupies… (more)

Subjects/Keywords: cultural studies; legitimacy; media; museums; police; power; race; television

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APA (6th Edition):

McNair, A. (2011). The captive public: media representations of the police and the (il)legitimacy of police power. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/668116/rec/6486

Chicago Manual of Style (16th Edition):

McNair, Ayana. “The captive public: media representations of the police and the (il)legitimacy of police power.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/668116/rec/6486.

MLA Handbook (7th Edition):

McNair, Ayana. “The captive public: media representations of the police and the (il)legitimacy of police power.” 2011. Web. 29 Nov 2020.

Vancouver:

McNair A. The captive public: media representations of the police and the (il)legitimacy of police power. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/668116/rec/6486.

Council of Science Editors:

McNair A. The captive public: media representations of the police and the (il)legitimacy of police power. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/668116/rec/6486


University of Southern California

7. Bilhalva, Cristiani Michels. Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 This dissertation examines the authorial issue of screenwriters and writer-directors alongside the production of female authors in cinema. I consider their work to serve a… (more)

Subjects/Keywords: auteur theory; cinema; female writers; function of anonymity; possessive credit screenwriting

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APA (6th Edition):

Bilhalva, C. M. (2014). Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/297140/rec/5730

Chicago Manual of Style (16th Edition):

Bilhalva, Cristiani Michels. “Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/297140/rec/5730.

MLA Handbook (7th Edition):

Bilhalva, Cristiani Michels. “Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands.” 2014. Web. 29 Nov 2020.

Vancouver:

Bilhalva CM. Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/297140/rec/5730.

Council of Science Editors:

Bilhalva CM. Screenwriting double function of anonymity for female authors in Hollywood and critical issues of authorship in cinema: two screenplay case studies: Grace of my heart and Edward Scissorhands. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/297140/rec/5730


University of Southern California

8. Kidman, Shawna. Comic books incorporated: industrial strategy and the legitimation of lowbrow media.

Degree: PhD, Cinema-Television (Critical Studies), 2015, University of Southern California

 “Comic Books Incorporated: Industrial Strategy and the Legitimation of Lowbrow Media,” tells the story of the comic book industry over the span of eight decades.… (more)

Subjects/Keywords: comic books; media industries; convergence culture; media industry history; taste; highbrow/lowbrow; distribution; regulation; censorship; authorship; creative labor; demographics; fan studies; participatory culture; niche media; conglomerate media; licensing

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APA (6th Edition):

Kidman, S. (2015). Comic books incorporated: industrial strategy and the legitimation of lowbrow media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/536822/rec/1459

Chicago Manual of Style (16th Edition):

Kidman, Shawna. “Comic books incorporated: industrial strategy and the legitimation of lowbrow media.” 2015. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/536822/rec/1459.

MLA Handbook (7th Edition):

Kidman, Shawna. “Comic books incorporated: industrial strategy and the legitimation of lowbrow media.” 2015. Web. 29 Nov 2020.

Vancouver:

Kidman S. Comic books incorporated: industrial strategy and the legitimation of lowbrow media. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/536822/rec/1459.

Council of Science Editors:

Kidman S. Comic books incorporated: industrial strategy and the legitimation of lowbrow media. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/536822/rec/1459


University of Southern California

9. Nygaard, Taylor. The virtual big sister: television and technology in girls' media.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 “The Virtual Big Sister: Television and Technology in Girls’ Media,” provides a feminist analysis of the early 21st century convergent media industries in the contexts… (more)

Subjects/Keywords: television; technology; girls; transmedia; post-feminism; convergence

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APA (6th Edition):

Nygaard, T. (2013). The virtual big sister: television and technology in girls' media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401

Chicago Manual of Style (16th Edition):

Nygaard, Taylor. “The virtual big sister: television and technology in girls' media.” 2013. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401.

MLA Handbook (7th Edition):

Nygaard, Taylor. “The virtual big sister: television and technology in girls' media.” 2013. Web. 29 Nov 2020.

Vancouver:

Nygaard T. The virtual big sister: television and technology in girls' media. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401.

Council of Science Editors:

Nygaard T. The virtual big sister: television and technology in girls' media. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401


University of Southern California

10. Wilson, Mary Jeanne. More lives to live ?: archiving and repurposing the daytime soap opera.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2012, University of Southern California

 The soap opera genre is an extremely important text in early feminist television criticism, yet the physical archiving of the programs is extremely problematic for… (more)

Subjects/Keywords: soap operas; archiving; fan studies; feminism; television

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APA (6th Edition):

Wilson, M. J. (2012). More lives to live ?: archiving and repurposing the daytime soap opera. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220

Chicago Manual of Style (16th Edition):

Wilson, Mary Jeanne. “More lives to live ?: archiving and repurposing the daytime soap opera.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220.

MLA Handbook (7th Edition):

Wilson, Mary Jeanne. “More lives to live ?: archiving and repurposing the daytime soap opera.” 2012. Web. 29 Nov 2020.

Vancouver:

Wilson MJ. More lives to live ?: archiving and repurposing the daytime soap opera. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220.

Council of Science Editors:

Wilson MJ. More lives to live ?: archiving and repurposing the daytime soap opera. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220


University of Southern California

11. Yeung, Stephanie Michelle. Framing the fight: post-9/11 warfare and the logistics of representation.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2014, University of Southern California

 Intervening in the tendency to analyze recent war media on purely ideological grounds, ""Framing the Fight: Post‐9/11 Warfare and the Logistics of Representation"" puts theories… (more)

Subjects/Keywords: 9/11; war; corporate social responsibility; branding; aesthetics; convergence; Iraq; Afghanistan; governmentality; affect

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APA (6th Edition):

Yeung, S. M. (2014). Framing the fight: post-9/11 warfare and the logistics of representation. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/443930/rec/2890

Chicago Manual of Style (16th Edition):

Yeung, Stephanie Michelle. “Framing the fight: post-9/11 warfare and the logistics of representation.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/443930/rec/2890.

MLA Handbook (7th Edition):

Yeung, Stephanie Michelle. “Framing the fight: post-9/11 warfare and the logistics of representation.” 2014. Web. 29 Nov 2020.

Vancouver:

Yeung SM. Framing the fight: post-9/11 warfare and the logistics of representation. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/443930/rec/2890.

Council of Science Editors:

Yeung SM. Framing the fight: post-9/11 warfare and the logistics of representation. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/443930/rec/2890


University of Southern California

12. Kinskey, Rebecca Jeanne. Now our lives are changing fast: music videos, everyday curation & the digital deluge.

Degree: MA, Specialized Journalism (The Arts), 2012, University of Southern California

 This thesis traces how the form and reception of the music video have changed as the video has migrated from its original mainstream home (television,… (more)

Subjects/Keywords: music videos; MTV; VEVO; YouTube; viral videos; social media

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APA (6th Edition):

Kinskey, R. J. (2012). Now our lives are changing fast: music videos, everyday curation & the digital deluge. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/642339/rec/4477

Chicago Manual of Style (16th Edition):

Kinskey, Rebecca Jeanne. “Now our lives are changing fast: music videos, everyday curation & the digital deluge.” 2012. Masters Thesis, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/642339/rec/4477.

MLA Handbook (7th Edition):

Kinskey, Rebecca Jeanne. “Now our lives are changing fast: music videos, everyday curation & the digital deluge.” 2012. Web. 29 Nov 2020.

Vancouver:

Kinskey RJ. Now our lives are changing fast: music videos, everyday curation & the digital deluge. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/642339/rec/4477.

Council of Science Editors:

Kinskey RJ. Now our lives are changing fast: music videos, everyday curation & the digital deluge. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/642339/rec/4477


University of Southern California

13. Ahn, Patty. Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries.

Degree: PhD, Cinema-Television (Critical Studies), 2017, University of Southern California

 Between the years of 2006 and 2013, South Korea’s three largest music firms—SM Entertainment, YG Entertainment, and JYP Entertainment—embarked on two consecutive promotional campaigns to… (more)

Subjects/Keywords: K‐Pop; Korea; popular music; music videos; hallyu; Korean Wave; media industries; Korean War; YouTube; Psy; Gangnam Style; SM Entertainment

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APA (6th Edition):

Ahn, P. (2017). Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572

Chicago Manual of Style (16th Edition):

Ahn, Patty. “Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries.” 2017. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572.

MLA Handbook (7th Edition):

Ahn, Patty. “Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries.” 2017. Web. 29 Nov 2020.

Vancouver:

Ahn P. Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572.

Council of Science Editors:

Ahn P. Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572


University of Southern California

14. Bradshaw, Lara L. Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles.

Degree: PhD, Cinema-Television (Critical Studies), 2015, University of Southern California

 This dissertation explores the commodification of health narratives, and the cultural shift from shame and silence to public displays of empowerment that make disease discourses… (more)

Subjects/Keywords: well-being; feminism; postfeminism; lifestyles; domestic; home; clutter; housewife; women; television; new media; digital; platforms; happiness; emotion; health; wellness; care; recession; work; mental; physical; Cancer; bodies; economic; therapy

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APA (6th Edition):

Bradshaw, L. L. (2015). Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/599723/rec/7889

Chicago Manual of Style (16th Edition):

Bradshaw, Lara L. “Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles.” 2015. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/599723/rec/7889.

MLA Handbook (7th Edition):

Bradshaw, Lara L. “Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles.” 2015. Web. 29 Nov 2020.

Vancouver:

Bradshaw LL. Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/599723/rec/7889.

Council of Science Editors:

Bradshaw LL. Well-being domesticities: mediating 21st-century femininity through physical, mental, and emotional lifestyles. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/599723/rec/7889


University of Southern California

15. Boyda, James. A time to die: aging and the narrative imperative.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 “A Time to Die: Aging and the Narrative Imperative” explores how we, as conscious beings, operate our essential and deep drive toward narrative and narrativity—what… (more)

Subjects/Keywords: cinema; narrative studies; aging; Alzheimer'; s; narrative theory; death; dying; comparative literature; documentary; literary studies; autobiography

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APA (6th Edition):

Boyda, J. (2011). A time to die: aging and the narrative imperative. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434

Chicago Manual of Style (16th Edition):

Boyda, James. “A time to die: aging and the narrative imperative.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434.

MLA Handbook (7th Edition):

Boyda, James. “A time to die: aging and the narrative imperative.” 2011. Web. 29 Nov 2020.

Vancouver:

Boyda J. A time to die: aging and the narrative imperative. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434.

Council of Science Editors:

Boyda J. A time to die: aging and the narrative imperative. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434


University of Southern California

16. Hoyt, Eric. Hollywood vault: the business of film libraries, 1915-1960.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation examines the history of how old movies became valuable and how the marketplace for film libraries emerged and evolved, spanning from the silent… (more)

Subjects/Keywords: film libraries; archives; hollywood; studio system; television; media industries; reissues; remakes; motion pictures; movies

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APA (6th Edition):

Hoyt, E. (2012). Hollywood vault: the business of film libraries, 1915-1960. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207

Chicago Manual of Style (16th Edition):

Hoyt, Eric. “Hollywood vault: the business of film libraries, 1915-1960.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207.

MLA Handbook (7th Edition):

Hoyt, Eric. “Hollywood vault: the business of film libraries, 1915-1960.” 2012. Web. 29 Nov 2020.

Vancouver:

Hoyt E. Hollywood vault: the business of film libraries, 1915-1960. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207.

Council of Science Editors:

Hoyt E. Hollywood vault: the business of film libraries, 1915-1960. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207


University of Southern California

17. Avalos, Adán. ¡Que naco! Border cinema and Mexican migrant audiences.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2012, University of Southern California

 This dissertation is an interdisciplinary study of Mexican immigrant film audiences under neoliberalism. The primary focus is on the popular Mexican films, which proliferated soon… (more)

Subjects/Keywords: audience studies; border cinema; exploitation; nationalism; neoliberalism; migrant audiences; Mexican cinema

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APA (6th Edition):

Avalos, A. (2012). ¡Que naco! Border cinema and Mexican migrant audiences. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372

Chicago Manual of Style (16th Edition):

Avalos, Adán. “¡Que naco! Border cinema and Mexican migrant audiences.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372.

MLA Handbook (7th Edition):

Avalos, Adán. “¡Que naco! Border cinema and Mexican migrant audiences.” 2012. Web. 29 Nov 2020.

Vancouver:

Avalos A. ¡Que naco! Border cinema and Mexican migrant audiences. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372.

Council of Science Editors:

Avalos A. ¡Que naco! Border cinema and Mexican migrant audiences. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372


University of Southern California

18. Shrestha, Sriya. Profiting from disparity: marketing to the poor across the United States and South Asia.

Degree: PhD, American Studies and Ethnicity, 2016, University of Southern California

 Market saturation and growth in inequality has created a crisis in consumer capitalism that has presented particular challenges to the personal care industry. In this… (more)

Subjects/Keywords: globalization; economic inequality; consumerism; marketing; retail; fast‐moving consumer goods (FMCGs); low‐income markets; emerging markets; global corporations

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APA (6th Edition):

Shrestha, S. (2016). Profiting from disparity: marketing to the poor across the United States and South Asia. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/429253/rec/5266

Chicago Manual of Style (16th Edition):

Shrestha, Sriya. “Profiting from disparity: marketing to the poor across the United States and South Asia.” 2016. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/429253/rec/5266.

MLA Handbook (7th Edition):

Shrestha, Sriya. “Profiting from disparity: marketing to the poor across the United States and South Asia.” 2016. Web. 29 Nov 2020.

Vancouver:

Shrestha S. Profiting from disparity: marketing to the poor across the United States and South Asia. [Internet] [Doctoral dissertation]. University of Southern California; 2016. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/429253/rec/5266.

Council of Science Editors:

Shrestha S. Profiting from disparity: marketing to the poor across the United States and South Asia. [Doctoral Dissertation]. University of Southern California; 2016. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/429253/rec/5266


University of Southern California

19. Fortmueller, Kate. Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent.

Degree: PhD, Cinema-Television (Critical Studies), 2016, University of Southern California

 Part‐Time Labor, Full‐Time Dreams: Extras, Actors, and Hollywood's On‐Screen Talent, traces the political economy of on‐screen labor in the film industry from the beginning of… (more)

Subjects/Keywords: film; labor; location shooting; actors; extras; media history; production studies; television; unions (entertainment)

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APA (6th Edition):

Fortmueller, K. (2016). Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935

Chicago Manual of Style (16th Edition):

Fortmueller, Kate. “Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent.” 2016. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935.

MLA Handbook (7th Edition):

Fortmueller, Kate. “Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent.” 2016. Web. 29 Nov 2020.

Vancouver:

Fortmueller K. Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent. [Internet] [Doctoral dissertation]. University of Southern California; 2016. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935.

Council of Science Editors:

Fortmueller K. Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent. [Doctoral Dissertation]. University of Southern California; 2016. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935


University of Southern California

20. Lagerwey, Jorie. Are you there, God? It's me, TV: religion in American TV drama, 2000-2009.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 The first decade of the twenty-first century produced a new type of religious drama on secular television that put religious themes and characters at the… (more)

Subjects/Keywords: television; religion; television genre; gender; race; celebrity; United States

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APA (6th Edition):

Lagerwey, J. (2009). Are you there, God? It's me, TV: religion in American TV drama, 2000-2009. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889

Chicago Manual of Style (16th Edition):

Lagerwey, Jorie. “Are you there, God? It's me, TV: religion in American TV drama, 2000-2009.” 2009. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889.

MLA Handbook (7th Edition):

Lagerwey, Jorie. “Are you there, God? It's me, TV: religion in American TV drama, 2000-2009.” 2009. Web. 29 Nov 2020.

Vancouver:

Lagerwey J. Are you there, God? It's me, TV: religion in American TV drama, 2000-2009. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889.

Council of Science Editors:

Lagerwey J. Are you there, God? It's me, TV: religion in American TV drama, 2000-2009. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889


University of Southern California

21. Stephenson, Rebecca Herr. Kids as cultural producers: consumption, literacy, and participation.

Degree: PhD, Communication, 2008, University of Southern California

 This dissertation looks closely at the practice of digital media production within a group of special education students and their teachers. Using ethnographic methods of… (more)

Subjects/Keywords: media literacy; media production; special education; middle school; digital media

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APA (6th Edition):

Stephenson, R. H. (2008). Kids as cultural producers: consumption, literacy, and participation. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/121572/rec/3710

Chicago Manual of Style (16th Edition):

Stephenson, Rebecca Herr. “Kids as cultural producers: consumption, literacy, and participation.” 2008. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/121572/rec/3710.

MLA Handbook (7th Edition):

Stephenson, Rebecca Herr. “Kids as cultural producers: consumption, literacy, and participation.” 2008. Web. 29 Nov 2020.

Vancouver:

Stephenson RH. Kids as cultural producers: consumption, literacy, and participation. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/121572/rec/3710.

Council of Science Editors:

Stephenson RH. Kids as cultural producers: consumption, literacy, and participation. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/121572/rec/3710


University of Southern California

22. Himberg, Julia B. Producing lesbianism: television, niche marketing, and sexuality in the 21st century.

Degree: PhD, Cinema-Television (Critical Studies), 2010, University of Southern California

 “Producing Lesbianism: Television, Niche Marketing, and Sexuality in the 21st Century,” examines the cultural, political, and economic dynamics at play in the production of contemporary… (more)

Subjects/Keywords: gender studies; sexuality; television studies; celebrity; lesbian studies; marketing

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APA (6th Edition):

Himberg, J. B. (2010). Producing lesbianism: television, niche marketing, and sexuality in the 21st century. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/361036/rec/5257

Chicago Manual of Style (16th Edition):

Himberg, Julia B. “Producing lesbianism: television, niche marketing, and sexuality in the 21st century.” 2010. Doctoral Dissertation, University of Southern California. Accessed November 29, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/361036/rec/5257.

MLA Handbook (7th Edition):

Himberg, Julia B. “Producing lesbianism: television, niche marketing, and sexuality in the 21st century.” 2010. Web. 29 Nov 2020.

Vancouver:

Himberg JB. Producing lesbianism: television, niche marketing, and sexuality in the 21st century. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2020 Nov 29]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/361036/rec/5257.

Council of Science Editors:

Himberg JB. Producing lesbianism: television, niche marketing, and sexuality in the 21st century. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/361036/rec/5257

.