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You searched for +publisher:"University of Southern California" +contributor:("Renov, Michael"). Showing records 1 – 19 of 19 total matches.

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University of Southern California

1. Carroll, Katherine E. Freeway pollution near LAUSD schools.

Degree: MA, Journalism (Broadcast Journalism), 2009, University of Southern California

 Los Angeles is a city known for its entertainment industry, perfect weather, and smog. The yellow-brown layer of dirty air visible from virtually all areas… (more)

Subjects/Keywords: freeway; pollution; LAUSD; schools; children'; s health

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APA (6th Edition):

Carroll, K. E. (2009). Freeway pollution near LAUSD schools. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205609/rec/2891

Chicago Manual of Style (16th Edition):

Carroll, Katherine E. “Freeway pollution near LAUSD schools.” 2009. Masters Thesis, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205609/rec/2891.

MLA Handbook (7th Edition):

Carroll, Katherine E. “Freeway pollution near LAUSD schools.” 2009. Web. 17 Jul 2019.

Vancouver:

Carroll KE. Freeway pollution near LAUSD schools. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205609/rec/2891.

Council of Science Editors:

Carroll KE. Freeway pollution near LAUSD schools. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205609/rec/2891


University of Southern California

2. Roe, Annabelle Honess. Animating documentary.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 This dissertation is a study of animated documentaries through the lens of epistemology. I argue that animation expands the documentary’s epistemological realm. Not only by… (more)

Subjects/Keywords: film; cinema; documentary; animation; epistemology; knowledge

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APA (6th Edition):

Roe, A. H. (2009). Animating documentary. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832

Chicago Manual of Style (16th Edition):

Roe, Annabelle Honess. “Animating documentary.” 2009. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832.

MLA Handbook (7th Edition):

Roe, Annabelle Honess. “Animating documentary.” 2009. Web. 17 Jul 2019.

Vancouver:

Roe AH. Animating documentary. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832.

Council of Science Editors:

Roe AH. Animating documentary. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832


University of Southern California

3. Fuhs, Kristen Elizabeth. The whole truth and nothing but the truth: documentary film and the socio-politics of justice.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 This dissertation argues that nonfiction films whose primary discursive focus is on judicial proceedings or the administration of the law -– or juridical documentaries -–… (more)

Subjects/Keywords: juridical documentary; law; justice; activism; performance

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APA (6th Edition):

Fuhs, K. E. (2011). The whole truth and nothing but the truth: documentary film and the socio-politics of justice. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7401

Chicago Manual of Style (16th Edition):

Fuhs, Kristen Elizabeth. “The whole truth and nothing but the truth: documentary film and the socio-politics of justice.” 2011. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7401.

MLA Handbook (7th Edition):

Fuhs, Kristen Elizabeth. “The whole truth and nothing but the truth: documentary film and the socio-politics of justice.” 2011. Web. 17 Jul 2019.

Vancouver:

Fuhs KE. The whole truth and nothing but the truth: documentary film and the socio-politics of justice. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7401.

Council of Science Editors:

Fuhs KE. The whole truth and nothing but the truth: documentary film and the socio-politics of justice. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/647446/rec/7401


University of Southern California

4. Carroll, Shannon B. Violence against the homeless.

Degree: MA, Journalism (Broadcast Journalism), 2009, University of Southern California

 On Thursday, October 10, 2008 at about 9:30 p.m., John Robert McGraham, a homeless man who lived in the Mid-Wilshire area, was killed when someone… (more)

Subjects/Keywords: violence; homeless; crime

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APA (6th Edition):

Carroll, S. B. (2009). Violence against the homeless. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205589/rec/7825

Chicago Manual of Style (16th Edition):

Carroll, Shannon B. “Violence against the homeless.” 2009. Masters Thesis, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205589/rec/7825.

MLA Handbook (7th Edition):

Carroll, Shannon B. “Violence against the homeless.” 2009. Web. 17 Jul 2019.

Vancouver:

Carroll SB. Violence against the homeless. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205589/rec/7825.

Council of Science Editors:

Carroll SB. Violence against the homeless. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/205589/rec/7825


University of Southern California

5. Tang, Yungshun. Screening masculine protest: reflections on Hollywood response to men’s movements in the 1990s.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 The aim of this study is to introduce a masculinist critique of male representation in a particular time frame, and illustrate how the author’s strategy… (more)

Subjects/Keywords: changing masculinity; Alfred Adler; masculine protest; men'; s movements; collective unconscious

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APA (6th Edition):

Tang, Y. (2013). Screening masculine protest: reflections on Hollywood response to men’s movements in the 1990s. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339696/rec/5721

Chicago Manual of Style (16th Edition):

Tang, Yungshun. “Screening masculine protest: reflections on Hollywood response to men’s movements in the 1990s.” 2013. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339696/rec/5721.

MLA Handbook (7th Edition):

Tang, Yungshun. “Screening masculine protest: reflections on Hollywood response to men’s movements in the 1990s.” 2013. Web. 17 Jul 2019.

Vancouver:

Tang Y. Screening masculine protest: reflections on Hollywood response to men’s movements in the 1990s. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339696/rec/5721.

Council of Science Editors:

Tang Y. Screening masculine protest: reflections on Hollywood response to men’s movements in the 1990s. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339696/rec/5721


University of Southern California

6. Sanogo, Aboubakar Sidiki. The history of documentary in Africa  – The Colonial era.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 This thesis seeks to write a comprehensive history of documentary film in Africa, from the beginning of the cinema until the eve of independence in… (more)

Subjects/Keywords: history; documentary; Africa; colonialism; early cinema; Lumiere brothers; nineteenth century; Berlin Conference; British colonial cinema; French colonial cinema; Pan-Africanism; World War I and II; Presence Africaine

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APA (6th Edition):

Sanogo, A. S. (2011). The history of documentary in Africa  – The Colonial era. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760

Chicago Manual of Style (16th Edition):

Sanogo, Aboubakar Sidiki. “The history of documentary in Africa  – The Colonial era.” 2011. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760.

MLA Handbook (7th Edition):

Sanogo, Aboubakar Sidiki. “The history of documentary in Africa  – The Colonial era.” 2011. Web. 17 Jul 2019.

Vancouver:

Sanogo AS. The history of documentary in Africa  – The Colonial era. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760.

Council of Science Editors:

Sanogo AS. The history of documentary in Africa  – The Colonial era. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6760


University of Southern California

7. Cahill, James Leo. Jean Painlevé's cinematic wildlife, 1924-1946.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation interrogates of the early œuvre of the French biological and wildlife filmmaker Jean Painlevé (1902-1989) and the interwar romance between scientific and aesthetic… (more)

Subjects/Keywords: Jean Painlevé;

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APA (6th Edition):

Cahill, J. L. (2012). Jean Painlevé's cinematic wildlife, 1924-1946. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686

Chicago Manual of Style (16th Edition):

Cahill, James Leo. “Jean Painlevé's cinematic wildlife, 1924-1946.” 2012. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686.

MLA Handbook (7th Edition):

Cahill, James Leo. “Jean Painlevé's cinematic wildlife, 1924-1946.” 2012. Web. 17 Jul 2019.

Vancouver:

Cahill JL. Jean Painlevé's cinematic wildlife, 1924-1946. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686.

Council of Science Editors:

Cahill JL. Jean Painlevé's cinematic wildlife, 1924-1946. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686


University of Southern California

8. Hariharan, Veena. Private modernities: the "I" in contemporary Indian documentary and visual culture.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 A significant new trend in contemporary Indian Documentary, since the mid-nineties has been the emergence of the first-person documentary by women and gay filmmakers and… (more)

Subjects/Keywords: India; documentary; subjectivity; postcolonial; empire; home movies

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APA (6th Edition):

Hariharan, V. (2013). Private modernities: the "I" in contemporary Indian documentary and visual culture. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227

Chicago Manual of Style (16th Edition):

Hariharan, Veena. “Private modernities: the "I" in contemporary Indian documentary and visual culture.” 2013. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227.

MLA Handbook (7th Edition):

Hariharan, Veena. “Private modernities: the "I" in contemporary Indian documentary and visual culture.” 2013. Web. 17 Jul 2019.

Vancouver:

Hariharan V. Private modernities: the "I" in contemporary Indian documentary and visual culture. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227.

Council of Science Editors:

Hariharan V. Private modernities: the "I" in contemporary Indian documentary and visual culture. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227


University of Southern California

9. Uyehara, Sean. Virtual competencies and film.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 The dissertation investigates the development and use of a cultural competency defined as "virtuality" by looking at the competency through the lenses of cinema, art… (more)

Subjects/Keywords: cinema; film; virtual; digital media; interactive media; installation art; film festival; multimedia; synchronization; seriality; immersion; ubiquity; shapeshifting; curation; poetics

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APA (6th Edition):

Uyehara, S. (2013). Virtual competencies and film. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828

Chicago Manual of Style (16th Edition):

Uyehara, Sean. “Virtual competencies and film.” 2013. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828.

MLA Handbook (7th Edition):

Uyehara, Sean. “Virtual competencies and film.” 2013. Web. 17 Jul 2019.

Vancouver:

Uyehara S. Virtual competencies and film. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828.

Council of Science Editors:

Uyehara S. Virtual competencies and film. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828


University of Southern California

10. Buckley, Dana Maris. Vérité, ecstatic truth, and history: the documentary styles of David & Albert Maysles, Werner Herzog, and Ken Burns.

Degree: MA, Specialized Journalism (The Arts), 2010, University of Southern California

 This paper examines the idea of reality and truth in documentary filmmaking by looking at three diverse styles and ideologies. In discussing David and Albert… (more)

Subjects/Keywords: documentary; film; Herzog; Maysles; Burns; Ken Burns; ; rité;

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APA (6th Edition):

Buckley, D. M. (2010). Vérité, ecstatic truth, and history: the documentary styles of David & Albert Maysles, Werner Herzog, and Ken Burns. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/366542/rec/7813

Chicago Manual of Style (16th Edition):

Buckley, Dana Maris. “Vérité, ecstatic truth, and history: the documentary styles of David & Albert Maysles, Werner Herzog, and Ken Burns.” 2010. Masters Thesis, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/366542/rec/7813.

MLA Handbook (7th Edition):

Buckley, Dana Maris. “Vérité, ecstatic truth, and history: the documentary styles of David & Albert Maysles, Werner Herzog, and Ken Burns.” 2010. Web. 17 Jul 2019.

Vancouver:

Buckley DM. Vérité, ecstatic truth, and history: the documentary styles of David & Albert Maysles, Werner Herzog, and Ken Burns. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/366542/rec/7813.

Council of Science Editors:

Buckley DM. Vérité, ecstatic truth, and history: the documentary styles of David & Albert Maysles, Werner Herzog, and Ken Burns. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/366542/rec/7813


University of Southern California

11. Bogolasky Fliman, Natalia. Defiant voices: the Mixtec frequency.

Degree: MA, Specialized Journalism, 2010, University of Southern California

 This dissertation, in the form of a documentary, is envisioned as one episode within a broader project exploring different examples of communities struggling to preserve… (more)

Subjects/Keywords: language; endangered languages; documentary; Mixtec; community radio; radio; Oaxaca; California

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APA (6th Edition):

Bogolasky Fliman, N. (2010). Defiant voices: the Mixtec frequency. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/391106/rec/1812

Chicago Manual of Style (16th Edition):

Bogolasky Fliman, Natalia. “Defiant voices: the Mixtec frequency.” 2010. Masters Thesis, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/391106/rec/1812.

MLA Handbook (7th Edition):

Bogolasky Fliman, Natalia. “Defiant voices: the Mixtec frequency.” 2010. Web. 17 Jul 2019.

Vancouver:

Bogolasky Fliman N. Defiant voices: the Mixtec frequency. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/391106/rec/1812.

Council of Science Editors:

Bogolasky Fliman N. Defiant voices: the Mixtec frequency. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/391106/rec/1812


University of Southern California

12. Chan, Nadine. A cinema under the palms: the unruly lives of colonial educational films in British Malaya.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2017, University of Southern California

 This dissertation is a historical study of films as instruments of empire in British Malaya (presently Malaysia and Singapore) from the 1920s until the postcolonial… (more)

Subjects/Keywords: colonial and postcolonial; nontheatrical film; film and education; film and governance; mobile cinema; modernity; media historiography; media anthropology; materiality; material culture; Southeast Asia; Malaysia; Singapore; Malayan Emergency

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APA (6th Edition):

Chan, N. (2017). A cinema under the palms: the unruly lives of colonial educational films in British Malaya. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101

Chicago Manual of Style (16th Edition):

Chan, Nadine. “A cinema under the palms: the unruly lives of colonial educational films in British Malaya.” 2017. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101.

MLA Handbook (7th Edition):

Chan, Nadine. “A cinema under the palms: the unruly lives of colonial educational films in British Malaya.” 2017. Web. 17 Jul 2019.

Vancouver:

Chan N. A cinema under the palms: the unruly lives of colonial educational films in British Malaya. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101.

Council of Science Editors:

Chan N. A cinema under the palms: the unruly lives of colonial educational films in British Malaya. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101


University of Southern California

13. Shenker, Noah. Embodied memory: the formation of archived audiovisual holocaust testimony in the United States.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 This dissertation examines how the interrelationship between institutional and individual practices mediates video testimonies of the Holocaust, revealing that formal practices and institutional infrastructures influence… (more)

Subjects/Keywords: archive; documentary film; historical memory; Holocaust; testimony; trauma

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APA (6th Edition):

Shenker, N. (2014). Embodied memory: the formation of archived audiovisual holocaust testimony in the United States. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2292

Chicago Manual of Style (16th Edition):

Shenker, Noah. “Embodied memory: the formation of archived audiovisual holocaust testimony in the United States.” 2014. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2292.

MLA Handbook (7th Edition):

Shenker, Noah. “Embodied memory: the formation of archived audiovisual holocaust testimony in the United States.” 2014. Web. 17 Jul 2019.

Vancouver:

Shenker N. Embodied memory: the formation of archived audiovisual holocaust testimony in the United States. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2292.

Council of Science Editors:

Shenker N. Embodied memory: the formation of archived audiovisual holocaust testimony in the United States. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2292


University of Southern California

14. Gilbert, Nora. The joy of censorship: strategies of circumvention in novel and film.

Degree: PhD, English, 2012, University of Southern California

 In this interdisciplinary project, I argue that we can better understand the implicit, unofficial modes of regulation that governed the Victorian novel by studying them… (more)

Subjects/Keywords: censorship; Victorian novel; Hollywood film

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APA (6th Edition):

Gilbert, N. (2012). The joy of censorship: strategies of circumvention in novel and film. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392691/rec/6923

Chicago Manual of Style (16th Edition):

Gilbert, Nora. “The joy of censorship: strategies of circumvention in novel and film.” 2012. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392691/rec/6923.

MLA Handbook (7th Edition):

Gilbert, Nora. “The joy of censorship: strategies of circumvention in novel and film.” 2012. Web. 17 Jul 2019.

Vancouver:

Gilbert N. The joy of censorship: strategies of circumvention in novel and film. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392691/rec/6923.

Council of Science Editors:

Gilbert N. The joy of censorship: strategies of circumvention in novel and film. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392691/rec/6923


University of Southern California

15. Boyda, James. A time to die: aging and the narrative imperative.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 “A Time to Die: Aging and the Narrative Imperative” explores how we, as conscious beings, operate our essential and deep drive toward narrative and narrativity—what… (more)

Subjects/Keywords: cinema; narrative studies; aging; Alzheimer'; s; narrative theory; death; dying; comparative literature; documentary; literary studies; autobiography

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APA (6th Edition):

Boyda, J. (2011). A time to die: aging and the narrative imperative. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434

Chicago Manual of Style (16th Edition):

Boyda, James. “A time to die: aging and the narrative imperative.” 2011. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434.

MLA Handbook (7th Edition):

Boyda, James. “A time to die: aging and the narrative imperative.” 2011. Web. 17 Jul 2019.

Vancouver:

Boyda J. A time to die: aging and the narrative imperative. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434.

Council of Science Editors:

Boyda J. A time to die: aging and the narrative imperative. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434


University of Southern California

16. Punnen-Peter, Nithila. Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age.

Degree: PhD, Cinema-Television (Critical Studies), University of Southern California

 Scholarship conditioned by western epistemological paradigms when evaluating the epic-style feature or art house films with an intense sacred sub-text, if acknowledging of the sacredness… (more)

Subjects/Keywords: sacred cinemas; precinematic modalities

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APA (6th Edition):

Punnen-Peter, N. (n.d.). Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/318471/rec/5667

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16th Edition):

Punnen-Peter, Nithila. “Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age.” Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/318471/rec/5667.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7th Edition):

Punnen-Peter, Nithila. “Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age.” Web. 17 Jul 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Punnen-Peter N. Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age. [Internet] [Doctoral dissertation]. University of Southern California; [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/318471/rec/5667.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Punnen-Peter N. Sacred vocabularies for world cinema: transfiguring ancient aural and visual modalities to express sacredness for the contemporary age. [Doctoral Dissertation]. University of Southern California; Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/318471/rec/5667

Note: this citation may be lacking information needed for this citation format:
No year of publication.


University of Southern California

17. Cooley, Heidi Rae. The body and its "thumbnails": the work of the image in mobile-imaging.

Degree: PhD, Cinema-Television (Critical Studies), 2007, University of Southern California

 This dissertation pursues a biotheoretical inquiry into the body, mobile-imaging and biopolitics. Deploying the thumbnail – the image materialized and mobilized via camera phones (and similar… (more)

Subjects/Keywords: philosophy of new media and technology; biopolitics; body-in-relation; mobile screenic device; autobiographical impulse; vitalities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cooley, H. R. (2007). The body and its "thumbnails": the work of the image in mobile-imaging. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/511216/rec/6460

Chicago Manual of Style (16th Edition):

Cooley, Heidi Rae. “The body and its "thumbnails": the work of the image in mobile-imaging.” 2007. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/511216/rec/6460.

MLA Handbook (7th Edition):

Cooley, Heidi Rae. “The body and its "thumbnails": the work of the image in mobile-imaging.” 2007. Web. 17 Jul 2019.

Vancouver:

Cooley HR. The body and its "thumbnails": the work of the image in mobile-imaging. [Internet] [Doctoral dissertation]. University of Southern California; 2007. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/511216/rec/6460.

Council of Science Editors:

Cooley HR. The body and its "thumbnails": the work of the image in mobile-imaging. [Doctoral Dissertation]. University of Southern California; 2007. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/511216/rec/6460


University of Southern California

18. Frota, Monica. Away from anthropological paralysis: an indigenous media experience.

Degree: MA, Visual Anthropology, University of Southern California

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Frota, M. (n.d.). Away from anthropological paralysis: an indigenous media experience. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/263168/rec/1012

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16th Edition):

Frota, Monica. “Away from anthropological paralysis: an indigenous media experience.” Masters Thesis, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/263168/rec/1012.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7th Edition):

Frota, Monica. “Away from anthropological paralysis: an indigenous media experience.” Web. 17 Jul 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Frota M. Away from anthropological paralysis: an indigenous media experience. [Internet] [Masters thesis]. University of Southern California; [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/263168/rec/1012.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Frota M. Away from anthropological paralysis: an indigenous media experience. [Masters Thesis]. University of Southern California; Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/263168/rec/1012

Note: this citation may be lacking information needed for this citation format:
No year of publication.


University of Southern California

19. de Fren, Allison. The exquisite corpse: disarticulations of the artificial female.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 This dissertation examines artificial women in literature, art, and cinema from the myth of Pygmalion to the present, as well as the dialogue between such… (more)

Subjects/Keywords: gender and technology; fembot; robot; android; automata; anatomy theater; dissection; metropolis; the sandman; asfr; bellmer; surrealism; l'; eve future; female robot; artificial female; realdoll

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

de Fren, A. (2008). The exquisite corpse: disarticulations of the artificial female. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/123923/rec/6706

Chicago Manual of Style (16th Edition):

de Fren, Allison. “The exquisite corpse: disarticulations of the artificial female.” 2008. Doctoral Dissertation, University of Southern California. Accessed July 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/123923/rec/6706.

MLA Handbook (7th Edition):

de Fren, Allison. “The exquisite corpse: disarticulations of the artificial female.” 2008. Web. 17 Jul 2019.

Vancouver:

de Fren A. The exquisite corpse: disarticulations of the artificial female. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2019 Jul 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/123923/rec/6706.

Council of Science Editors:

de Fren A. The exquisite corpse: disarticulations of the artificial female. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/123923/rec/6706

.