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You searched for +publisher:"University of Southern California" +contributor:("Meyer, Richard Evan"). Showing records 1 – 6 of 6 total matches.

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University of Southern California

1. Kerrigan, Katherine S. Cataloguing critique: experimental forms of documentation in American art, 1970-1977.

Degree: PhD, Art History, 2013, University of Southern California

 This dissertation focuses on catalogs and other publications that served as critiques of conventional art and museum practice by artists and curators of American art… (more)

Subjects/Keywords: catalogue; catalog; documentation; curator

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APA (6th Edition):

Kerrigan, K. S. (2013). Cataloguing critique: experimental forms of documentation in American art, 1970-1977. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339339/rec/1248

Chicago Manual of Style (16th Edition):

Kerrigan, Katherine S. “Cataloguing critique: experimental forms of documentation in American art, 1970-1977.” 2013. Doctoral Dissertation, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339339/rec/1248.

MLA Handbook (7th Edition):

Kerrigan, Katherine S. “Cataloguing critique: experimental forms of documentation in American art, 1970-1977.” 2013. Web. 21 Feb 2020.

Vancouver:

Kerrigan KS. Cataloguing critique: experimental forms of documentation in American art, 1970-1977. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339339/rec/1248.

Council of Science Editors:

Kerrigan KS. Cataloguing critique: experimental forms of documentation in American art, 1970-1977. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/339339/rec/1248


University of Southern California

2. Wilkerson, Emily. The politics of renewal: the process and record of Paul Chan's Waiting for Godot in New Orleans.

Degree: Master of Public Art Studies, Public Art Studies, 2012, University of Southern California

 This manuscript presents a critical analysis of authorship, participation, distribution and perception of Paul Chan’s project ""Waiting for Godot in New Orleans: A Play in… (more)

Subjects/Keywords: New Orleans; Paul Chan; Waiting for Godot; socially engaged art practice; social practice; art and politics; authorship; participation; archive

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APA (6th Edition):

Wilkerson, E. (2012). The politics of renewal: the process and record of Paul Chan's Waiting for Godot in New Orleans. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16618/rec/7096

Chicago Manual of Style (16th Edition):

Wilkerson, Emily. “The politics of renewal: the process and record of Paul Chan's Waiting for Godot in New Orleans.” 2012. Masters Thesis, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16618/rec/7096.

MLA Handbook (7th Edition):

Wilkerson, Emily. “The politics of renewal: the process and record of Paul Chan's Waiting for Godot in New Orleans.” 2012. Web. 21 Feb 2020.

Vancouver:

Wilkerson E. The politics of renewal: the process and record of Paul Chan's Waiting for Godot in New Orleans. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16618/rec/7096.

Council of Science Editors:

Wilkerson E. The politics of renewal: the process and record of Paul Chan's Waiting for Godot in New Orleans. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16618/rec/7096


University of Southern California

3. Hollenberg, Sarah. Art on television: 1967-1976.

Degree: PhD, Art History, 2012, University of Southern California

 This dissertation provides an account of artists’ residency programs at two American public television stations in the earliest years of video art, arguing that the… (more)

Subjects/Keywords: video art; art after 1945; post-war modernism; abstraction; collaboration; autonomy; new media; television; public television; educational television; institutional history; counterculture; Boston; San Francisco; Fred Barzyk; Nam June Paik; Russel Connor; William Wegman; Allan Kaprow; Brice Howard; Steven Beck; David Silver

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APA (6th Edition):

Hollenberg, S. (2012). Art on television: 1967-1976. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/121805/rec/904

Chicago Manual of Style (16th Edition):

Hollenberg, Sarah. “Art on television: 1967-1976.” 2012. Doctoral Dissertation, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/121805/rec/904.

MLA Handbook (7th Edition):

Hollenberg, Sarah. “Art on television: 1967-1976.” 2012. Web. 21 Feb 2020.

Vancouver:

Hollenberg S. Art on television: 1967-1976. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/121805/rec/904.

Council of Science Editors:

Hollenberg S. Art on television: 1967-1976. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/121805/rec/904


University of Southern California

4. Wells, Katharine Lina Hartmann. Tapestry and tableau: revival, reproduction, and the marketing of modernism.

Degree: PhD, Art History, 2016, University of Southern California

 During the three decades that followed the Second World War, dozens of canonical modern artists and architects, prestigious dealers and curators, and significant collectors participated… (more)

Subjects/Keywords: modern art; tapestry; historical revival; art reproduction; art market; France; United States; modernist painting

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APA (6th Edition):

Wells, K. L. H. (2016). Tapestry and tableau: revival, reproduction, and the marketing of modernism. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/457396/rec/6313

Chicago Manual of Style (16th Edition):

Wells, Katharine Lina Hartmann. “Tapestry and tableau: revival, reproduction, and the marketing of modernism.” 2016. Doctoral Dissertation, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/457396/rec/6313.

MLA Handbook (7th Edition):

Wells, Katharine Lina Hartmann. “Tapestry and tableau: revival, reproduction, and the marketing of modernism.” 2016. Web. 21 Feb 2020.

Vancouver:

Wells KLH. Tapestry and tableau: revival, reproduction, and the marketing of modernism. [Internet] [Doctoral dissertation]. University of Southern California; 2016. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/457396/rec/6313.

Council of Science Editors:

Wells KLH. Tapestry and tableau: revival, reproduction, and the marketing of modernism. [Doctoral Dissertation]. University of Southern California; 2016. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/457396/rec/6313


University of Southern California

5. Solomon, Virginia. Sexuality and signification: episodes of General Idea's subcultural politics.

Degree: PhD, Art History, 2015, University of Southern California

 Over the course of its twenty-five year career, Canadian artist group General Idea (1969-1994) systematically theorized an alternative form of politics present within the subcultures… (more)

Subjects/Keywords: General Idea; art; performance; queer; politics; subculture; AA Bronson; Felix Partz; Jorge Zontal; Miss General Idea Pageant; Hollywood Decca Dance; Glamour; Test Tube; Shut the Fuck Up; AIDS; The Boutique for the 1984 Miss General Idea Pageant; FILE megazine; Infe©; ted

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APA (6th Edition):

Solomon, V. (2015). Sexuality and signification: episodes of General Idea's subcultural politics. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/358141/rec/5812

Chicago Manual of Style (16th Edition):

Solomon, Virginia. “Sexuality and signification: episodes of General Idea's subcultural politics.” 2015. Doctoral Dissertation, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/358141/rec/5812.

MLA Handbook (7th Edition):

Solomon, Virginia. “Sexuality and signification: episodes of General Idea's subcultural politics.” 2015. Web. 21 Feb 2020.

Vancouver:

Solomon V. Sexuality and signification: episodes of General Idea's subcultural politics. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/358141/rec/5812.

Council of Science Editors:

Solomon V. Sexuality and signification: episodes of General Idea's subcultural politics. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/358141/rec/5812


University of Southern California

6. Hernández, Jesús J. Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics.

Degree: PhD, American Studies and Ethnicity, 2014, University of Southern California

 Bastard Diasporas: Illegitimacy, Exile, and U.S. Cuban Cultural Politics mines a broad range of cultural productions for insights into how U.S. Cubans conceptualize and relate… (more)

Subjects/Keywords: Cuba; diaspora; exile; illegitimacy; bastardy

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APA (6th Edition):

Hernández, J. J. (2014). Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035

Chicago Manual of Style (16th Edition):

Hernández, Jesús J. “Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics.” 2014. Doctoral Dissertation, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035.

MLA Handbook (7th Edition):

Hernández, Jesús J. “Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics.” 2014. Web. 21 Feb 2020.

Vancouver:

Hernández JJ. Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035.

Council of Science Editors:

Hernández JJ. Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035

.