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You searched for +publisher:"University of Southern California" +contributor:("McPherson, Tara"). Showing records 1 – 30 of 40 total matches.

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University of Southern California

1. Bonomo, Elena. Channeling Shirley MacLaine: stardom, travel, politics, and beyond.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 This dissertation, “Channeling Shirley MacLaine: Stardom, Travel, Politics, and Beyond,” examines the multiple transformations of Shirley MacLaine’s persona between 1954 and 2014. Building upon the… (more)

Subjects/Keywords: film studies; star studies; travel; authorship; politics; aging; spirituality

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APA (6th Edition):

Bonomo, E. (2014). Channeling Shirley MacLaine: stardom, travel, politics, and beyond. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/469476/rec/1289

Chicago Manual of Style (16th Edition):

Bonomo, Elena. “Channeling Shirley MacLaine: stardom, travel, politics, and beyond.” 2014. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/469476/rec/1289.

MLA Handbook (7th Edition):

Bonomo, Elena. “Channeling Shirley MacLaine: stardom, travel, politics, and beyond.” 2014. Web. 07 Apr 2020.

Vancouver:

Bonomo E. Channeling Shirley MacLaine: stardom, travel, politics, and beyond. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/469476/rec/1289.

Council of Science Editors:

Bonomo E. Channeling Shirley MacLaine: stardom, travel, politics, and beyond. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/469476/rec/1289


University of Southern California

2. Scott, Suzanne. Revenge of the fanboy: convergence culture and the politics of incorporation.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 “Revenge of the Fanboy: Convergence Culture and the Politics of Incorporation,” examines the demographic, representational, and academic “revenge” of the fanboy within convergence culture. Specifically,… (more)

Subjects/Keywords: fandom; fan studies; convergence culture; television; incorporation; cultural studies

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APA (6th Edition):

Scott, S. (2011). Revenge of the fanboy: convergence culture and the politics of incorporation. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582

Chicago Manual of Style (16th Edition):

Scott, Suzanne. “Revenge of the fanboy: convergence culture and the politics of incorporation.” 2011. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582.

MLA Handbook (7th Edition):

Scott, Suzanne. “Revenge of the fanboy: convergence culture and the politics of incorporation.” 2011. Web. 07 Apr 2020.

Vancouver:

Scott S. Revenge of the fanboy: convergence culture and the politics of incorporation. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582.

Council of Science Editors:

Scott S. Revenge of the fanboy: convergence culture and the politics of incorporation. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/439159/rec/5582


University of Southern California

3. Costa, Diego. Queerness explained to my mother.

Degree: PhD, Cinematic Arts (Media Arts and Practice), 2015, University of Southern California

 The dissertation explores the way psychic architecture governs the relationship between sex and digitality, but also what digitality can make us see about psychic functioning… (more)

Subjects/Keywords: digital; cruising; barebacking; gay; LGBT; queer theory; psychoanalysis; sexual practice; feminism; crossdressing; trans; Internet; digital culture; Brazil; Brazilian Studies; Xuxa; star; childhood; femininity; HIV; AIDS; disease; risk; unconscious; Freud; Lacan; self-ethnography; death drive; group sex; gangbang; orgy; pornography; desire; transphobia; homophobia; homosexuality; transexuality; transgender; transvestite; bisexualy; queerness; Preciado; pleasure; Craigslist

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APA (6th Edition):

Costa, D. (2015). Queerness explained to my mother. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/601171/rec/5375

Chicago Manual of Style (16th Edition):

Costa, Diego. “Queerness explained to my mother.” 2015. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/601171/rec/5375.

MLA Handbook (7th Edition):

Costa, Diego. “Queerness explained to my mother.” 2015. Web. 07 Apr 2020.

Vancouver:

Costa D. Queerness explained to my mother. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/601171/rec/5375.

Council of Science Editors:

Costa D. Queerness explained to my mother. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/601171/rec/5375


University of Southern California

4. Ruiz, Susana. Playing for change: crafting creative intersections between social justice, non-fiction storytelling and gameful design etd-RuizSusana-3651~001.

Degree: PhD, Cinematic Arts (Media Arts and Practice), 2015, University of Southern California

 This dissertation consists of two distinct but intimately related parts that I will designate: "Practice" and "Reflection." These two components, in turn, are based on… (more)

Subjects/Keywords: games; serious games; games for change; game design; documentary; nonfiction; storytelling; social justice; design; impact games; media; impact; social change; activism; creative activism

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APA (6th Edition):

Ruiz, S. (2015). Playing for change: crafting creative intersections between social justice, non-fiction storytelling and gameful design etd-RuizSusana-3651~001. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600020/rec/5079

Chicago Manual of Style (16th Edition):

Ruiz, Susana. “Playing for change: crafting creative intersections between social justice, non-fiction storytelling and gameful design etd-RuizSusana-3651~001.” 2015. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600020/rec/5079.

MLA Handbook (7th Edition):

Ruiz, Susana. “Playing for change: crafting creative intersections between social justice, non-fiction storytelling and gameful design etd-RuizSusana-3651~001.” 2015. Web. 07 Apr 2020.

Vancouver:

Ruiz S. Playing for change: crafting creative intersections between social justice, non-fiction storytelling and gameful design etd-RuizSusana-3651~001. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600020/rec/5079.

Council of Science Editors:

Ruiz S. Playing for change: crafting creative intersections between social justice, non-fiction storytelling and gameful design etd-RuizSusana-3651~001. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600020/rec/5079


University of Southern California

5. Kelly, Shawna Kathleen. Running with newbies: understanding online communities through the eyes of second-generation gamers.

Degree: PhD, Communication, 2012, University of Southern California

 The growing popularity of video games is introducing a new generation of video game players to online communities and the communicative behaviors of these second-generation… (more)

Subjects/Keywords: addiction; disposition; identity performance; interactive entertainment; online communities; video games; ethnography

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APA (6th Edition):

Kelly, S. K. (2012). Running with newbies: understanding online communities through the eyes of second-generation gamers. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16527/rec/5666

Chicago Manual of Style (16th Edition):

Kelly, Shawna Kathleen. “Running with newbies: understanding online communities through the eyes of second-generation gamers.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16527/rec/5666.

MLA Handbook (7th Edition):

Kelly, Shawna Kathleen. “Running with newbies: understanding online communities through the eyes of second-generation gamers.” 2012. Web. 07 Apr 2020.

Vancouver:

Kelly SK. Running with newbies: understanding online communities through the eyes of second-generation gamers. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16527/rec/5666.

Council of Science Editors:

Kelly SK. Running with newbies: understanding online communities through the eyes of second-generation gamers. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/16527/rec/5666


University of Southern California

6. Shin, Gloria Yoo Sun. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation examines the iconicity of movie star Elizabeth Taylor and theorizes that the amalgam of her onscreen and off screen images forms a textual… (more)

Subjects/Keywords: stardom; Hollywood cinema; race; performance; postcolonialism

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APA (6th Edition):

Shin, G. Y. S. (2012). White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926

Chicago Manual of Style (16th Edition):

Shin, Gloria Yoo Sun. “White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926.

MLA Handbook (7th Edition):

Shin, Gloria Yoo Sun. “White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.” 2012. Web. 07 Apr 2020.

Vancouver:

Shin GYS. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926.

Council of Science Editors:

Shin GYS. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926


University of Southern California

7. Fletcher, Curtis Christopher. The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969.

Degree: PhD, History, 2014, University of Southern California

 This dissertation is a study of the aims, interests and rationale underlying the endeavors of a distinct group of humanists who sought explicitly to guide… (more)

Subjects/Keywords: digital humanities; humanities; new media

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APA (6th Edition):

Fletcher, C. C. (2014). The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/462449/rec/7316

Chicago Manual of Style (16th Edition):

Fletcher, Curtis Christopher. “The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969.” 2014. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/462449/rec/7316.

MLA Handbook (7th Edition):

Fletcher, Curtis Christopher. “The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969.” 2014. Web. 07 Apr 2020.

Vancouver:

Fletcher CC. The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/462449/rec/7316.

Council of Science Editors:

Fletcher CC. The socio-technical humanities: reimagining the liberal arts in the age of new media, 1952-1969. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/462449/rec/7316


University of Southern California

8. White, Courtney Elisabeth. What looked like cruelty: animal welfare in Hollywood, 1916-1950.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2015, University of Southern California

 Though animals have been present in motion pictures from the inception of the technology, to date, there has been little scholarship on the history of… (more)

Subjects/Keywords: film history; animal cruelty; animal welfare; motion pictures; motion picture history; Hollywood studio system

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APA (6th Edition):

White, C. E. (2015). What looked like cruelty: animal welfare in Hollywood, 1916-1950. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7905

Chicago Manual of Style (16th Edition):

White, Courtney Elisabeth. “What looked like cruelty: animal welfare in Hollywood, 1916-1950.” 2015. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7905.

MLA Handbook (7th Edition):

White, Courtney Elisabeth. “What looked like cruelty: animal welfare in Hollywood, 1916-1950.” 2015. Web. 07 Apr 2020.

Vancouver:

White CE. What looked like cruelty: animal welfare in Hollywood, 1916-1950. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7905.

Council of Science Editors:

White CE. What looked like cruelty: animal welfare in Hollywood, 1916-1950. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7905


University of Southern California

9. Wolf, Kelly Megan. Performance unleashed: multispecies stardom and companion animal media.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 This dissertation theorizes a more inclusive model of stardom called "multispecies stardom" that investigates the manner in which the creation and promotion of animal stars… (more)

Subjects/Keywords: stardom; animal studies; television; celebrity; new media

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APA (6th Edition):

Wolf, K. M. (2013). Performance unleashed: multispecies stardom and companion animal media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4995

Chicago Manual of Style (16th Edition):

Wolf, Kelly Megan. “Performance unleashed: multispecies stardom and companion animal media.” 2013. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4995.

MLA Handbook (7th Edition):

Wolf, Kelly Megan. “Performance unleashed: multispecies stardom and companion animal media.” 2013. Web. 07 Apr 2020.

Vancouver:

Wolf KM. Performance unleashed: multispecies stardom and companion animal media. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4995.

Council of Science Editors:

Wolf KM. Performance unleashed: multispecies stardom and companion animal media. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4995


University of Southern California

10. Nygaard, Taylor. The virtual big sister: television and technology in girls' media.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 “The Virtual Big Sister: Television and Technology in Girls’ Media,” provides a feminist analysis of the early 21st century convergent media industries in the contexts… (more)

Subjects/Keywords: television; technology; girls; transmedia; post-feminism; convergence

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APA (6th Edition):

Nygaard, T. (2013). The virtual big sister: television and technology in girls' media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401

Chicago Manual of Style (16th Edition):

Nygaard, Taylor. “The virtual big sister: television and technology in girls' media.” 2013. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401.

MLA Handbook (7th Edition):

Nygaard, Taylor. “The virtual big sister: television and technology in girls' media.” 2013. Web. 07 Apr 2020.

Vancouver:

Nygaard T. The virtual big sister: television and technology in girls' media. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401.

Council of Science Editors:

Nygaard T. The virtual big sister: television and technology in girls' media. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292562/rec/7401


University of Southern California

11. Wilson, Mary Jeanne. More lives to live ?: archiving and repurposing the daytime soap opera.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2012, University of Southern California

 The soap opera genre is an extremely important text in early feminist television criticism, yet the physical archiving of the programs is extremely problematic for… (more)

Subjects/Keywords: soap operas; archiving; fan studies; feminism; television

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APA (6th Edition):

Wilson, M. J. (2012). More lives to live ?: archiving and repurposing the daytime soap opera. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220

Chicago Manual of Style (16th Edition):

Wilson, Mary Jeanne. “More lives to live ?: archiving and repurposing the daytime soap opera.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220.

MLA Handbook (7th Edition):

Wilson, Mary Jeanne. “More lives to live ?: archiving and repurposing the daytime soap opera.” 2012. Web. 07 Apr 2020.

Vancouver:

Wilson MJ. More lives to live ?: archiving and repurposing the daytime soap opera. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220.

Council of Science Editors:

Wilson MJ. More lives to live ?: archiving and repurposing the daytime soap opera. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/90096/rec/4220


University of Southern California

12. Taylor, Jennifer. On the block: a collaborative storytelling project about life in the shadow of mass incarceration.

Degree: MA, Specialized Journalism, 2013, University of Southern California

 This thesis documents the first phases of work done for On The Block, a web-based series of audio-visual reports created collaboratively with students and organizers… (more)

Subjects/Keywords: youth; collaboration; incarceration; high school

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APA (6th Edition):

Taylor, J. (2013). On the block: a collaborative storytelling project about life in the shadow of mass incarceration. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/656647/rec/4536

Chicago Manual of Style (16th Edition):

Taylor, Jennifer. “On the block: a collaborative storytelling project about life in the shadow of mass incarceration.” 2013. Masters Thesis, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/656647/rec/4536.

MLA Handbook (7th Edition):

Taylor, Jennifer. “On the block: a collaborative storytelling project about life in the shadow of mass incarceration.” 2013. Web. 07 Apr 2020.

Vancouver:

Taylor J. On the block: a collaborative storytelling project about life in the shadow of mass incarceration. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/656647/rec/4536.

Council of Science Editors:

Taylor J. On the block: a collaborative storytelling project about life in the shadow of mass incarceration. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/656647/rec/4536


University of Southern California

13. Kunte, Nisha. Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives.

Degree: PhD, American Studies and Ethnicity, 2012, University of Southern California

 Organ transplantation materially reconfigures the biological boundaries between bodies, but it also reshapes the social and ethical possibilities of using certain bodies as resources for… (more)

Subjects/Keywords: organ transplantation; narrative; subjectivity; race; corporeality

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APA (6th Edition):

Kunte, N. (2012). Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249

Chicago Manual of Style (16th Edition):

Kunte, Nisha. “Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249.

MLA Handbook (7th Edition):

Kunte, Nisha. “Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives.” 2012. Web. 07 Apr 2020.

Vancouver:

Kunte N. Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249.

Council of Science Editors:

Kunte N. Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249


University of Southern California

14. Sparks, Anthony. Image breakers, image makers: producing race, America, and television.

Degree: PhD, American Studies and Ethnicity, 2014, University of Southern California

 Image Breakers, Image Makers: Producing Race, America, and Television foregrounds my positionalities as a scholar and as a creative artist/practitioner to conduct an unprecedented, ethnographic,… (more)

Subjects/Keywords: black representation; critical media industries studies; production studies; new television studies; blackness; performance studies; black performance; African American studies; critical ethnography; television writing; television producing; African American television writers; Herman Gray; Dorinne Kondo; artist-scholarship; scholar-artist; black cultural studies; black popular culture; racial formation and hegemony in popular culture; NAACP 1999 television protest

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APA (6th Edition):

Sparks, A. (2014). Image breakers, image makers: producing race, America, and television. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351

Chicago Manual of Style (16th Edition):

Sparks, Anthony. “Image breakers, image makers: producing race, America, and television.” 2014. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351.

MLA Handbook (7th Edition):

Sparks, Anthony. “Image breakers, image makers: producing race, America, and television.” 2014. Web. 07 Apr 2020.

Vancouver:

Sparks A. Image breakers, image makers: producing race, America, and television. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351.

Council of Science Editors:

Sparks A. Image breakers, image makers: producing race, America, and television. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351


University of Southern California

15. Lothian, Alexis. Deviant futures: queer temporality and the cultural politics of science fiction.

Degree: PhD, English, 2014, University of Southern California

 Speculations about the future shape our experiences of the present. From the romance and anxiety of technological revolution, to capitalism's crises, to the threat of… (more)

Subjects/Keywords: queer; gender; race; utopia; dystopia; science fiction; speculation; time; future; media; remix

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APA (6th Edition):

Lothian, A. (2014). Deviant futures: queer temporality and the cultural politics of science fiction. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/13788/rec/1975

Chicago Manual of Style (16th Edition):

Lothian, Alexis. “Deviant futures: queer temporality and the cultural politics of science fiction.” 2014. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/13788/rec/1975.

MLA Handbook (7th Edition):

Lothian, Alexis. “Deviant futures: queer temporality and the cultural politics of science fiction.” 2014. Web. 07 Apr 2020.

Vancouver:

Lothian A. Deviant futures: queer temporality and the cultural politics of science fiction. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/13788/rec/1975.

Council of Science Editors:

Lothian A. Deviant futures: queer temporality and the cultural politics of science fiction. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/13788/rec/1975


University of Southern California

16. Watson, Jeff. Reality ends here: environmental game design and participatory spectacle.

Degree: PhD, Cinematic Arts (Media Arts and Practice), 2012, University of Southern California

 This document defines the emerging practice of “environmental game design.” This practice is contextualized within a body of theory regarding the production of space and… (more)

Subjects/Keywords: alternate reality games; environmental game design; experiential learning; game design; pervasive games; play; usc school of cinematic arts

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APA (6th Edition):

Watson, J. (2012). Reality ends here: environmental game design and participatory spectacle. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/87218/rec/5432

Chicago Manual of Style (16th Edition):

Watson, Jeff. “Reality ends here: environmental game design and participatory spectacle.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/87218/rec/5432.

MLA Handbook (7th Edition):

Watson, Jeff. “Reality ends here: environmental game design and participatory spectacle.” 2012. Web. 07 Apr 2020.

Vancouver:

Watson J. Reality ends here: environmental game design and participatory spectacle. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/87218/rec/5432.

Council of Science Editors:

Watson J. Reality ends here: environmental game design and participatory spectacle. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/87218/rec/5432


University of Southern California

17. Hoyt, Eric. Hollywood vault: the business of film libraries, 1915-1960.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation examines the history of how old movies became valuable and how the marketplace for film libraries emerged and evolved, spanning from the silent… (more)

Subjects/Keywords: film libraries; archives; hollywood; studio system; television; media industries; reissues; remakes; motion pictures; movies

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APA (6th Edition):

Hoyt, E. (2012). Hollywood vault: the business of film libraries, 1915-1960. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207

Chicago Manual of Style (16th Edition):

Hoyt, Eric. “Hollywood vault: the business of film libraries, 1915-1960.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207.

MLA Handbook (7th Edition):

Hoyt, Eric. “Hollywood vault: the business of film libraries, 1915-1960.” 2012. Web. 07 Apr 2020.

Vancouver:

Hoyt E. Hollywood vault: the business of film libraries, 1915-1960. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207.

Council of Science Editors:

Hoyt E. Hollywood vault: the business of film libraries, 1915-1960. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207


University of Southern California

18. Avalos, Adán. ¡Que naco! Border cinema and Mexican migrant audiences.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2012, University of Southern California

 This dissertation is an interdisciplinary study of Mexican immigrant film audiences under neoliberalism. The primary focus is on the popular Mexican films, which proliferated soon… (more)

Subjects/Keywords: audience studies; border cinema; exploitation; nationalism; neoliberalism; migrant audiences; Mexican cinema

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APA (6th Edition):

Avalos, A. (2012). ¡Que naco! Border cinema and Mexican migrant audiences. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372

Chicago Manual of Style (16th Edition):

Avalos, Adán. “¡Que naco! Border cinema and Mexican migrant audiences.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372.

MLA Handbook (7th Edition):

Avalos, Adán. “¡Que naco! Border cinema and Mexican migrant audiences.” 2012. Web. 07 Apr 2020.

Vancouver:

Avalos A. ¡Que naco! Border cinema and Mexican migrant audiences. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372.

Council of Science Editors:

Avalos A. ¡Que naco! Border cinema and Mexican migrant audiences. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372


University of Southern California

19. Paredes, Veronica. Marquee survivals: a multimodal historiography of cinema's recycled spaces.

Degree: PhD, Cinematic Arts (Media Arts and Practice), 2017, University of Southern California

 This project focuses on the significance of the everyday practices of Los Angeles’ South Broadway for media and cinema studies. It explores how shoppers, moviegoers,… (more)

Subjects/Keywords: race; place; media historiography; multimodal scholarship; Downtown Los Angeles; movie theaters; cinema; riots; South Broadway

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APA (6th Edition):

Paredes, V. (2017). Marquee survivals: a multimodal historiography of cinema's recycled spaces. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968

Chicago Manual of Style (16th Edition):

Paredes, Veronica. “Marquee survivals: a multimodal historiography of cinema's recycled spaces.” 2017. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968.

MLA Handbook (7th Edition):

Paredes, Veronica. “Marquee survivals: a multimodal historiography of cinema's recycled spaces.” 2017. Web. 07 Apr 2020.

Vancouver:

Paredes V. Marquee survivals: a multimodal historiography of cinema's recycled spaces. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968.

Council of Science Editors:

Paredes V. Marquee survivals: a multimodal historiography of cinema's recycled spaces. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968


University of Southern California

20. Garcia-Myers, Sandra. Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 Shadows of Stardom: Latina Actresses in the 1930's Hollywood Produced Spanish Language Films focuses on the actresses and Latina representation in the Spanish language films… (more)

Subjects/Keywords: film history; actresses; Latina representation; visual culture

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APA (6th Edition):

Garcia-Myers, S. (2012). Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40945/rec/5822

Chicago Manual of Style (16th Edition):

Garcia-Myers, Sandra. “Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40945/rec/5822.

MLA Handbook (7th Edition):

Garcia-Myers, Sandra. “Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films.” 2012. Web. 07 Apr 2020.

Vancouver:

Garcia-Myers S. Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40945/rec/5822.

Council of Science Editors:

Garcia-Myers S. Shadows of stardom: Latina actresses in the 1930's Hollywood produced Spanish language films. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40945/rec/5822


University of Southern California

21. Morrison, Eleanor Grace. Advocacy of public interest content in corporate entertainment media.

Degree: PhD, Communication, 2012, University of Southern California

 This study investigates the current status of “Hollywood lobbyists,” the people who work to influence entertainment media content in a prosocial manner. The primary focus… (more)

Subjects/Keywords: entertainment; media; advocacy; Hollywood; television; health; public interest; LGBT; gay; lesbian; bisexual; transgender; queer

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APA (6th Edition):

Morrison, E. G. (2012). Advocacy of public interest content in corporate entertainment media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/359728/rec/562

Chicago Manual of Style (16th Edition):

Morrison, Eleanor Grace. “Advocacy of public interest content in corporate entertainment media.” 2012. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/359728/rec/562.

MLA Handbook (7th Edition):

Morrison, Eleanor Grace. “Advocacy of public interest content in corporate entertainment media.” 2012. Web. 07 Apr 2020.

Vancouver:

Morrison EG. Advocacy of public interest content in corporate entertainment media. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/359728/rec/562.

Council of Science Editors:

Morrison EG. Advocacy of public interest content in corporate entertainment media. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/359728/rec/562


University of Southern California

22. Piday-Warren, Marika. Color inside the lines: race and representation in the formula dance film.

Degree: PhD, Cinema-Television (Critical Studies), 2015, University of Southern California

 An examination of the recent urban dance genre in regards to cultural appropriation, cinematic representations of race, and the commodification of Black style. Advisors/Committee Members:… (more)

Subjects/Keywords: dance; race; racialized bodies; popular film; hip-hop culture; Black commodity culture

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APA (6th Edition):

Piday-Warren, M. (2015). Color inside the lines: race and representation in the formula dance film. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452

Chicago Manual of Style (16th Edition):

Piday-Warren, Marika. “Color inside the lines: race and representation in the formula dance film.” 2015. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452.

MLA Handbook (7th Edition):

Piday-Warren, Marika. “Color inside the lines: race and representation in the formula dance film.” 2015. Web. 07 Apr 2020.

Vancouver:

Piday-Warren M. Color inside the lines: race and representation in the formula dance film. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452.

Council of Science Editors:

Piday-Warren M. Color inside the lines: race and representation in the formula dance film. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452


University of Southern California

23. Chamberlain, Daniel David. Emergent media technologies and the production of new urban spaces.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 This dissertation argues that emergent media technologies and contemporary urban spaces are corresponding phenomena, connected through cultural and economic emphases on personalization, mobility, and interactivity.… (more)

Subjects/Keywords: interfaces; media interfaces; networked media spaces; media spaces; scripted spaces; new urbanism; Playa Vista; surveillance; networked personalized mobility; network infrastructure

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APA (6th Edition):

Chamberlain, D. D. (2009). Emergent media technologies and the production of new urban spaces. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/575282/rec/2302

Chicago Manual of Style (16th Edition):

Chamberlain, Daniel David. “Emergent media technologies and the production of new urban spaces.” 2009. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/575282/rec/2302.

MLA Handbook (7th Edition):

Chamberlain, Daniel David. “Emergent media technologies and the production of new urban spaces.” 2009. Web. 07 Apr 2020.

Vancouver:

Chamberlain DD. Emergent media technologies and the production of new urban spaces. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/575282/rec/2302.

Council of Science Editors:

Chamberlain DD. Emergent media technologies and the production of new urban spaces. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/575282/rec/2302


University of Southern California

24. Torre, Michele Leigh. Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 My work on Russian Silent film offers an in-depth exploration of a Pre-Revolutionary filmmaker frequently referred to as "The Woman's Director" Evgenii Bauer. In my… (more)

Subjects/Keywords: Russia; gender studies; silent film

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APA (6th Edition):

Torre, M. L. (2008). Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1759

Chicago Manual of Style (16th Edition):

Torre, Michele Leigh. “Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917.” 2008. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1759.

MLA Handbook (7th Edition):

Torre, Michele Leigh. “Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917.” 2008. Web. 07 Apr 2020.

Vancouver:

Torre ML. Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1759.

Council of Science Editors:

Torre ML. Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1759


University of Southern California

25. Ruston, Scott W. When a story calls: the narrative potential of mobile media.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 Recognizing the transmedia migration of narrative, this project argues that the mobile phone is particularly well suited as a platform for immersive and interactive narrative… (more)

Subjects/Keywords: mobile phone; mobisode; narrative; entertainment; telephones in film

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APA (6th Edition):

Ruston, S. W. (2008). When a story calls: the narrative potential of mobile media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/83425/rec/7913

Chicago Manual of Style (16th Edition):

Ruston, Scott W. “When a story calls: the narrative potential of mobile media.” 2008. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/83425/rec/7913.

MLA Handbook (7th Edition):

Ruston, Scott W. “When a story calls: the narrative potential of mobile media.” 2008. Web. 07 Apr 2020.

Vancouver:

Ruston SW. When a story calls: the narrative potential of mobile media. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/83425/rec/7913.

Council of Science Editors:

Ruston SW. When a story calls: the narrative potential of mobile media. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/83425/rec/7913


University of Southern California

26. Syder, Andrew Derek. "Shaken out of the ruts of ordinary perception": vision, culture and technology in the psychedelic sixties.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 This study examines the interconnected and symbiotic relationship between vision and technologies of vision. It investigates how visual media technologies have been employed historically as… (more)

Subjects/Keywords: vision; technology; visual culture; cinema; cybernetics; perception; phenomenology; psychedelic; psychedelia; 1960s; sixties counterculture; drugs; LSD; mixed-media; television; video art; computer art

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APA (6th Edition):

Syder, A. D. (2009). "Shaken out of the ruts of ordinary perception": vision, culture and technology in the psychedelic sixties. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/220820/rec/38

Chicago Manual of Style (16th Edition):

Syder, Andrew Derek. “"Shaken out of the ruts of ordinary perception": vision, culture and technology in the psychedelic sixties.” 2009. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/220820/rec/38.

MLA Handbook (7th Edition):

Syder, Andrew Derek. “"Shaken out of the ruts of ordinary perception": vision, culture and technology in the psychedelic sixties.” 2009. Web. 07 Apr 2020.

Vancouver:

Syder AD. "Shaken out of the ruts of ordinary perception": vision, culture and technology in the psychedelic sixties. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/220820/rec/38.

Council of Science Editors:

Syder AD. "Shaken out of the ruts of ordinary perception": vision, culture and technology in the psychedelic sixties. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/220820/rec/38


University of Southern California

27. Subramanian, Janani. Riddles of representation in fantastic media.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 My dissertation examines fantasy and identity across a variety of media, and I analyze how their various forms interact with historical contexts and help us… (more)

Subjects/Keywords: science fiction; race; identity; avant-garde; television

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APA (6th Edition):

Subramanian, J. (2009). Riddles of representation in fantastic media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595

Chicago Manual of Style (16th Edition):

Subramanian, Janani. “Riddles of representation in fantastic media.” 2009. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595.

MLA Handbook (7th Edition):

Subramanian, Janani. “Riddles of representation in fantastic media.” 2009. Web. 07 Apr 2020.

Vancouver:

Subramanian J. Riddles of representation in fantastic media. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595.

Council of Science Editors:

Subramanian J. Riddles of representation in fantastic media. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595


University of Southern California

28. Nasser, Jaime Javier. Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 The focus of this dissertation primarily consists of studying popular Mexican television programming that developed shortly after the introduction of television in that country, primarily… (more)

Subjects/Keywords: telenovela; televisa; Mexican television; Mexican broadcasting; Latin American broadcasting; Mexican television comedy; El Chavo del Ocho; Chespirito; Chapulin Colorado; Latin American melodrama; Latin American development

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APA (6th Edition):

Nasser, J. J. (2008). Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682

Chicago Manual of Style (16th Edition):

Nasser, Jaime Javier. “Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II.” 2008. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682.

MLA Handbook (7th Edition):

Nasser, Jaime Javier. “Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II.” 2008. Web. 07 Apr 2020.

Vancouver:

Nasser JJ. Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682.

Council of Science Editors:

Nasser JJ. Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682


University of Southern California

29. Hanson, Christopher C. P. One more time: instances, applications, and implications of the replay.

Degree: PhD, Cinema-Television (Critical Studies), 2010, University of Southern California

 First used to describe a rematch of a tied sporting event, the term "replay" was extended in the early twentieth century to express the playback… (more)

Subjects/Keywords: replay; repetition; film; television; video games; digital

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hanson, C. C. P. (2010). One more time: instances, applications, and implications of the replay. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/393387/rec/4566

Chicago Manual of Style (16th Edition):

Hanson, Christopher C P. “One more time: instances, applications, and implications of the replay.” 2010. Doctoral Dissertation, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/393387/rec/4566.

MLA Handbook (7th Edition):

Hanson, Christopher C P. “One more time: instances, applications, and implications of the replay.” 2010. Web. 07 Apr 2020.

Vancouver:

Hanson CCP. One more time: instances, applications, and implications of the replay. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/393387/rec/4566.

Council of Science Editors:

Hanson CCP. One more time: instances, applications, and implications of the replay. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/393387/rec/4566


University of Southern California

30. Lindstrom, Ashley Nicole. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.

Degree: MA, Journalism (Print Journalism), 2009, University of Southern California

 2007 was a big year for accidental pregnancies carried to term in the movies. Comedic films Knocked Up, Juno, and Waitress all hinged on this… (more)

Subjects/Keywords: accidental pregnancy films; film criticism; feminist theory

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lindstrom, A. N. (2009). Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1461

Chicago Manual of Style (16th Edition):

Lindstrom, Ashley Nicole. “Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.” 2009. Masters Thesis, University of Southern California. Accessed April 07, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1461.

MLA Handbook (7th Edition):

Lindstrom, Ashley Nicole. “Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress.” 2009. Web. 07 Apr 2020.

Vancouver:

Lindstrom AN. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2020 Apr 07]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1461.

Council of Science Editors:

Lindstrom AN. Coming up babies: a critical investigation of Knocked Up, Juno, and Waitress. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/235479/rec/1461

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