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You searched for +publisher:"University of Southern California" +contributor:("Marez, Curtis"). Showing records 1 – 13 of 13 total matches.

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University of Southern California

1. Shin, Gloria Yoo Sun. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation examines the iconicity of movie star Elizabeth Taylor and theorizes that the amalgam of her onscreen and off screen images forms a textual… (more)

Subjects/Keywords: stardom; Hollywood cinema; race; performance; postcolonialism

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APA (6th Edition):

Shin, G. Y. S. (2012). White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926

Chicago Manual of Style (16th Edition):

Shin, Gloria Yoo Sun. “White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.” 2012. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926.

MLA Handbook (7th Edition):

Shin, Gloria Yoo Sun. “White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.” 2012. Web. 27 Jan 2021.

Vancouver:

Shin GYS. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926.

Council of Science Editors:

Shin GYS. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7926


University of Southern California

2. Rosales, Jennifer Ann. Policy and practice: United States and European Union media and technology education.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 “Policy and Practice: United States and European Union Media and Technology Education” examines the steps policymakers take to employ media literacy legislation and how such… (more)

Subjects/Keywords: media literacy; media policy; education policy; neoliberalism

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APA (6th Edition):

Rosales, J. A. (2012). Policy and practice: United States and European Union media and technology education. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091

Chicago Manual of Style (16th Edition):

Rosales, Jennifer Ann. “Policy and practice: United States and European Union media and technology education.” 2012. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091.

MLA Handbook (7th Edition):

Rosales, Jennifer Ann. “Policy and practice: United States and European Union media and technology education.” 2012. Web. 27 Jan 2021.

Vancouver:

Rosales JA. Policy and practice: United States and European Union media and technology education. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091.

Council of Science Editors:

Rosales JA. Policy and practice: United States and European Union media and technology education. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091


University of Southern California

3. Kee, Chera Dezarae. And the dead shall walk the earth: Zombies and the politics of death.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2011, University of Southern California

 In October 2009, five pale, blood-stained teenagers sat on a curb in Newhall, California. They were not crime victims nor movie extras. Rather, these teens… (more)

Subjects/Keywords: zombies in film; zombie video games; Zombie Walks; voodoo in film; U.S./Haiti relations; race in film; gender in film; phantasmagoria; spiritualist phenomena; zombies and the carnivalesque

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APA (6th Edition):

Kee, C. D. (2011). And the dead shall walk the earth: Zombies and the politics of death. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/467381/rec/826

Chicago Manual of Style (16th Edition):

Kee, Chera Dezarae. “And the dead shall walk the earth: Zombies and the politics of death.” 2011. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/467381/rec/826.

MLA Handbook (7th Edition):

Kee, Chera Dezarae. “And the dead shall walk the earth: Zombies and the politics of death.” 2011. Web. 27 Jan 2021.

Vancouver:

Kee CD. And the dead shall walk the earth: Zombies and the politics of death. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/467381/rec/826.

Council of Science Editors:

Kee CD. And the dead shall walk the earth: Zombies and the politics of death. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/467381/rec/826


University of Southern California

4. Saenz, Noelia Vicenta. Mediating Hispanidad: screening the Hispanic-Atlantic imaginary.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 This dissertation examines the Hispanic-Atlantic imaginary as a critical site for the negotiation and promotion of a broader transatlantic identity, increasingly mediated through film and… (more)

Subjects/Keywords: empire; Hispanidad; film; immigration; Spanish cinema; violence

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APA (6th Edition):

Saenz, N. V. (2014). Mediating Hispanidad: screening the Hispanic-Atlantic imaginary. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/68297/rec/4032

Chicago Manual of Style (16th Edition):

Saenz, Noelia Vicenta. “Mediating Hispanidad: screening the Hispanic-Atlantic imaginary.” 2014. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/68297/rec/4032.

MLA Handbook (7th Edition):

Saenz, Noelia Vicenta. “Mediating Hispanidad: screening the Hispanic-Atlantic imaginary.” 2014. Web. 27 Jan 2021.

Vancouver:

Saenz NV. Mediating Hispanidad: screening the Hispanic-Atlantic imaginary. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/68297/rec/4032.

Council of Science Editors:

Saenz NV. Mediating Hispanidad: screening the Hispanic-Atlantic imaginary. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/68297/rec/4032


University of Southern California

5. Boyda, James. A time to die: aging and the narrative imperative.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 “A Time to Die: Aging and the Narrative Imperative” explores how we, as conscious beings, operate our essential and deep drive toward narrative and narrativity—what… (more)

Subjects/Keywords: cinema; narrative studies; aging; Alzheimer'; s; narrative theory; death; dying; comparative literature; documentary; literary studies; autobiography

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APA (6th Edition):

Boyda, J. (2011). A time to die: aging and the narrative imperative. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434

Chicago Manual of Style (16th Edition):

Boyda, James. “A time to die: aging and the narrative imperative.” 2011. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434.

MLA Handbook (7th Edition):

Boyda, James. “A time to die: aging and the narrative imperative.” 2011. Web. 27 Jan 2021.

Vancouver:

Boyda J. A time to die: aging and the narrative imperative. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434.

Council of Science Editors:

Boyda J. A time to die: aging and the narrative imperative. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/639688/rec/434


University of Southern California

6. Avalos, Adán. ¡Que naco! Border cinema and Mexican migrant audiences.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2012, University of Southern California

 This dissertation is an interdisciplinary study of Mexican immigrant film audiences under neoliberalism. The primary focus is on the popular Mexican films, which proliferated soon… (more)

Subjects/Keywords: audience studies; border cinema; exploitation; nationalism; neoliberalism; migrant audiences; Mexican cinema

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APA (6th Edition):

Avalos, A. (2012). ¡Que naco! Border cinema and Mexican migrant audiences. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372

Chicago Manual of Style (16th Edition):

Avalos, Adán. “¡Que naco! Border cinema and Mexican migrant audiences.” 2012. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372.

MLA Handbook (7th Edition):

Avalos, Adán. “¡Que naco! Border cinema and Mexican migrant audiences.” 2012. Web. 27 Jan 2021.

Vancouver:

Avalos A. ¡Que naco! Border cinema and Mexican migrant audiences. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372.

Council of Science Editors:

Avalos A. ¡Que naco! Border cinema and Mexican migrant audiences. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/94763/rec/5372


University of Southern California

7. Paredes, Veronica. Marquee survivals: a multimodal historiography of cinema's recycled spaces.

Degree: PhD, Cinematic Arts (Media Arts and Practice), 2017, University of Southern California

 This project focuses on the significance of the everyday practices of Los Angeles’ South Broadway for media and cinema studies. It explores how shoppers, moviegoers,… (more)

Subjects/Keywords: race; place; media historiography; multimodal scholarship; Downtown Los Angeles; movie theaters; cinema; riots; South Broadway

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APA (6th Edition):

Paredes, V. (2017). Marquee survivals: a multimodal historiography of cinema's recycled spaces. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968

Chicago Manual of Style (16th Edition):

Paredes, Veronica. “Marquee survivals: a multimodal historiography of cinema's recycled spaces.” 2017. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968.

MLA Handbook (7th Edition):

Paredes, Veronica. “Marquee survivals: a multimodal historiography of cinema's recycled spaces.” 2017. Web. 27 Jan 2021.

Vancouver:

Paredes V. Marquee survivals: a multimodal historiography of cinema's recycled spaces. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968.

Council of Science Editors:

Paredes V. Marquee survivals: a multimodal historiography of cinema's recycled spaces. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/637809/rec/3968


University of Southern California

8. Mithani, Sam. The Hollywood left: cinematic art and activism in the 1930s.

Degree: PhD, Cinema-Television (Critical Studies), 2007, University of Southern California

 The dissertation re-examines the Thirties in its artistic, cultural and political specificity to place leftist cultural productions in their complex contexts, particularly the ideological. It… (more)

Subjects/Keywords: 1930s; The Hollywood Left; Frank Capra; antifascism/anti-Nazism; social-problem film; proletarian literature; Marxist films

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APA (6th Edition):

Mithani, S. (2007). The Hollywood left: cinematic art and activism in the 1930s. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/554898/rec/6773

Chicago Manual of Style (16th Edition):

Mithani, Sam. “The Hollywood left: cinematic art and activism in the 1930s.” 2007. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/554898/rec/6773.

MLA Handbook (7th Edition):

Mithani, Sam. “The Hollywood left: cinematic art and activism in the 1930s.” 2007. Web. 27 Jan 2021.

Vancouver:

Mithani S. The Hollywood left: cinematic art and activism in the 1930s. [Internet] [Doctoral dissertation]. University of Southern California; 2007. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/554898/rec/6773.

Council of Science Editors:

Mithani S. The Hollywood left: cinematic art and activism in the 1930s. [Doctoral Dissertation]. University of Southern California; 2007. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/554898/rec/6773


University of Southern California

9. Subramanian, Janani. Riddles of representation in fantastic media.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 My dissertation examines fantasy and identity across a variety of media, and I analyze how their various forms interact with historical contexts and help us… (more)

Subjects/Keywords: science fiction; race; identity; avant-garde; television

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APA (6th Edition):

Subramanian, J. (2009). Riddles of representation in fantastic media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595

Chicago Manual of Style (16th Edition):

Subramanian, Janani. “Riddles of representation in fantastic media.” 2009. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595.

MLA Handbook (7th Edition):

Subramanian, Janani. “Riddles of representation in fantastic media.” 2009. Web. 27 Jan 2021.

Vancouver:

Subramanian J. Riddles of representation in fantastic media. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595.

Council of Science Editors:

Subramanian J. Riddles of representation in fantastic media. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5595


University of Southern California

10. Nasser, Jaime Javier. Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 The focus of this dissertation primarily consists of studying popular Mexican television programming that developed shortly after the introduction of television in that country, primarily… (more)

Subjects/Keywords: telenovela; televisa; Mexican television; Mexican broadcasting; Latin American broadcasting; Mexican television comedy; El Chavo del Ocho; Chespirito; Chapulin Colorado; Latin American melodrama; Latin American development

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APA (6th Edition):

Nasser, J. J. (2008). Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682

Chicago Manual of Style (16th Edition):

Nasser, Jaime Javier. “Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II.” 2008. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682.

MLA Handbook (7th Edition):

Nasser, Jaime Javier. “Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II.” 2008. Web. 27 Jan 2021.

Vancouver:

Nasser JJ. Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682.

Council of Science Editors:

Nasser JJ. Exporting tears and fantasies of (under) development: popular television genres, globalization and nationalism in Mexico after World War II. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/201251/rec/2682


University of Southern California

11. Beavers, Karen. Lead man holler: Harry Belafonte and the culture industry.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 My dissertation " Lead Man Holler: Harry Belafonte and the Culture Industry" looks at how Black Americans were able to represent a black aesthetic and… (more)

Subjects/Keywords: Cinema Studies; television studies; American studies; popular music; race and media; black diaspora

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APA (6th Edition):

Beavers, K. (2008). Lead man holler: Harry Belafonte and the culture industry. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/103666/rec/3763

Chicago Manual of Style (16th Edition):

Beavers, Karen. “Lead man holler: Harry Belafonte and the culture industry.” 2008. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/103666/rec/3763.

MLA Handbook (7th Edition):

Beavers, Karen. “Lead man holler: Harry Belafonte and the culture industry.” 2008. Web. 27 Jan 2021.

Vancouver:

Beavers K. Lead man holler: Harry Belafonte and the culture industry. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/103666/rec/3763.

Council of Science Editors:

Beavers K. Lead man holler: Harry Belafonte and the culture industry. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/103666/rec/3763


University of Southern California

12. Shin, Mina. Yellow Hollywood: Asian martial arts in U.S. global cinema.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 This dissertation examines the so-called "Asian invasion, " the representation of Asian martial arts in Hollywood against the wider backdrops of cultural globalization, American domestic… (more)

Subjects/Keywords: globalization; Hong Kong cinema; martial arts; Bruce Lee; Jackie Chan; kung fu; western; race

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APA (6th Edition):

Shin, M. (2008). Yellow Hollywood: Asian martial arts in U.S. global cinema. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/197116/rec/7986

Chicago Manual of Style (16th Edition):

Shin, Mina. “Yellow Hollywood: Asian martial arts in U.S. global cinema.” 2008. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/197116/rec/7986.

MLA Handbook (7th Edition):

Shin, Mina. “Yellow Hollywood: Asian martial arts in U.S. global cinema.” 2008. Web. 27 Jan 2021.

Vancouver:

Shin M. Yellow Hollywood: Asian martial arts in U.S. global cinema. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/197116/rec/7986.

Council of Science Editors:

Shin M. Yellow Hollywood: Asian martial arts in U.S. global cinema. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/197116/rec/7986


University of Southern California

13. Neely, Sionne Rameah. Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present.

Degree: PhD, American Studies & Ethnicity, 2010, University of Southern California

 This study considers how the burgeoning popular music industry of Ghana becomes particularly vulnerable after Kwame Nkrumah's administration is deposed in 1966. Situated in the… (more)

Subjects/Keywords: African studies; African American studies; African diasporic studies; Black popular culture; ethnomusicology; 20th century African history; African music; hip hop studies; myth &; magic; nationalism

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APA (6th Edition):

Neely, S. R. (2010). Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797

Chicago Manual of Style (16th Edition):

Neely, Sionne Rameah. “Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present.” 2010. Doctoral Dissertation, University of Southern California. Accessed January 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797.

MLA Handbook (7th Edition):

Neely, Sionne Rameah. “Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present.” 2010. Web. 27 Jan 2021.

Vancouver:

Neely SR. Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2021 Jan 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797.

Council of Science Editors:

Neely SR. Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797

.