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You searched for +publisher:"University of Southern California" +contributor:("Lippit, Akira Mizuta"). Showing records 1 – 30 of 53 total matches.

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University of Southern California

1. Roland, Olivier. La galvanisation du corps: le cinéma français et la biopolitique.

Degree: PhD, French, 2013, University of Southern California

 ""La galvanisation du corps: le cinéma français et la biopolitique"" considère le cinéma comme mécanisme privilégié du biopouvoir qui, selon la définition de Michel Foucault,… (more)

Subjects/Keywords: biopolitics; decadence; cinema; fatigued body; film; physiology

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APA (6th Edition):

Roland, O. (2013). La galvanisation du corps: le cinéma français et la biopolitique. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282021/rec/3718

Chicago Manual of Style (16th Edition):

Roland, Olivier. “La galvanisation du corps: le cinéma français et la biopolitique.” 2013. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282021/rec/3718.

MLA Handbook (7th Edition):

Roland, Olivier. “La galvanisation du corps: le cinéma français et la biopolitique.” 2013. Web. 15 Nov 2019.

Vancouver:

Roland O. La galvanisation du corps: le cinéma français et la biopolitique. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282021/rec/3718.

Council of Science Editors:

Roland O. La galvanisation du corps: le cinéma français et la biopolitique. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282021/rec/3718


University of Southern California

2. Shin, Gloria Yoo Sun. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation examines the iconicity of movie star Elizabeth Taylor and theorizes that the amalgam of her onscreen and off screen images forms a textual… (more)

Subjects/Keywords: stardom; Hollywood cinema; race; performance; postcolonialism

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APA (6th Edition):

Shin, G. Y. S. (2012). White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7915

Chicago Manual of Style (16th Edition):

Shin, Gloria Yoo Sun. “White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7915.

MLA Handbook (7th Edition):

Shin, Gloria Yoo Sun. “White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness.” 2012. Web. 15 Nov 2019.

Vancouver:

Shin GYS. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7915.

Council of Science Editors:

Shin GYS. White diamond: Elizabeth Taylor's adventures in American empire and the ecstasy of postcolonial whiteness. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/79438/rec/7915


University of Southern California

3. Lerner, David. A taste for trash: the persistence of exploitation in American cinema, 1960-1975.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2012, University of Southern California

 This dissertation, “A Taste for Trash: The Persistence of Exploitation in American Cinema, 1960-1975,” aims to situate the development of marginal independent genre filmmaking in… (more)

Subjects/Keywords: exploitation; trash; obscenity; psychedelic; Cinemation; grindhouse

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APA (6th Edition):

Lerner, D. (2012). A taste for trash: the persistence of exploitation in American cinema, 1960-1975. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/102360/rec/429

Chicago Manual of Style (16th Edition):

Lerner, David. “A taste for trash: the persistence of exploitation in American cinema, 1960-1975.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/102360/rec/429.

MLA Handbook (7th Edition):

Lerner, David. “A taste for trash: the persistence of exploitation in American cinema, 1960-1975.” 2012. Web. 15 Nov 2019.

Vancouver:

Lerner D. A taste for trash: the persistence of exploitation in American cinema, 1960-1975. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/102360/rec/429.

Council of Science Editors:

Lerner D. A taste for trash: the persistence of exploitation in American cinema, 1960-1975. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/102360/rec/429


University of Southern California

4. Brown, Gregory David. The nation, evolution, and transformation: the new ideas of Wang Tao.

Degree: MA, East Asian Languages & Cultures, 2010, University of Southern California

 The translation made here of Wang Tao’s (1828-1897) Bian fa zhong 变法中 essay links Confucian values with bi-cultural educational and geographical experiences to aspects of… (more)

Subjects/Keywords: China modernity; literati identity; print capitalism and nationalism in 19th century China; Yijing dialectic of change in government reform; Wang Tao Confucian reformer

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APA (6th Edition):

Brown, G. D. (2010). The nation, evolution, and transformation: the new ideas of Wang Tao. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/335898/rec/7002

Chicago Manual of Style (16th Edition):

Brown, Gregory David. “The nation, evolution, and transformation: the new ideas of Wang Tao.” 2010. Masters Thesis, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/335898/rec/7002.

MLA Handbook (7th Edition):

Brown, Gregory David. “The nation, evolution, and transformation: the new ideas of Wang Tao.” 2010. Web. 15 Nov 2019.

Vancouver:

Brown GD. The nation, evolution, and transformation: the new ideas of Wang Tao. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/335898/rec/7002.

Council of Science Editors:

Brown GD. The nation, evolution, and transformation: the new ideas of Wang Tao. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/335898/rec/7002


University of Southern California

5. Chan, Tracy S. Factory 798: an everchanging microcosm of contemporary Chinese culture.

Degree: MA, East Asian Languages & Cultures, 2009, University of Southern California

 The following study will be a close examination of Beijing's 798 Factory, whose revamping from a Communist weapons factory to a chic, modern space of… (more)

Subjects/Keywords: Factory 798

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APA (6th Edition):

Chan, T. S. (2009). Factory 798: an everchanging microcosm of contemporary Chinese culture. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/520857/rec/2745

Chicago Manual of Style (16th Edition):

Chan, Tracy S. “Factory 798: an everchanging microcosm of contemporary Chinese culture.” 2009. Masters Thesis, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/520857/rec/2745.

MLA Handbook (7th Edition):

Chan, Tracy S. “Factory 798: an everchanging microcosm of contemporary Chinese culture.” 2009. Web. 15 Nov 2019.

Vancouver:

Chan TS. Factory 798: an everchanging microcosm of contemporary Chinese culture. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/520857/rec/2745.

Council of Science Editors:

Chan TS. Factory 798: an everchanging microcosm of contemporary Chinese culture. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/520857/rec/2745


University of Southern California

6. Roe, Annabelle Honess. Animating documentary.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 This dissertation is a study of animated documentaries through the lens of epistemology. I argue that animation expands the documentary’s epistemological realm. Not only by… (more)

Subjects/Keywords: film; cinema; documentary; animation; epistemology; knowledge

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APA (6th Edition):

Roe, A. H. (2009). Animating documentary. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832

Chicago Manual of Style (16th Edition):

Roe, Annabelle Honess. “Animating documentary.” 2009. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832.

MLA Handbook (7th Edition):

Roe, Annabelle Honess. “Animating documentary.” 2009. Web. 15 Nov 2019.

Vancouver:

Roe AH. Animating documentary. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832.

Council of Science Editors:

Roe AH. Animating documentary. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/257788/rec/832


University of Southern California

7. Uricaru, Ioana Maria. Intimate beyond words: reconsidering the cinematic subject in light of neuroscience.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 In the past three decades, there has been a considerable amount of work done in the humanities attempting to acknowledge the results of science and… (more)

Subjects/Keywords: film editing; film practice; film theory; cinema and neuroscience of emotion; phenomenology; Romanian cinema

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APA (6th Edition):

Uricaru, I. M. (2012). Intimate beyond words: reconsidering the cinematic subject in light of neuroscience. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/631246/rec/3600

Chicago Manual of Style (16th Edition):

Uricaru, Ioana Maria. “Intimate beyond words: reconsidering the cinematic subject in light of neuroscience.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/631246/rec/3600.

MLA Handbook (7th Edition):

Uricaru, Ioana Maria. “Intimate beyond words: reconsidering the cinematic subject in light of neuroscience.” 2012. Web. 15 Nov 2019.

Vancouver:

Uricaru IM. Intimate beyond words: reconsidering the cinematic subject in light of neuroscience. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/631246/rec/3600.

Council of Science Editors:

Uricaru IM. Intimate beyond words: reconsidering the cinematic subject in light of neuroscience. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/631246/rec/3600


University of Southern California

8. Cetinic, Marija. Sadness after postmodernism: mood in contemporary fiction.

Degree: PhD, Comparative Literature, 2012, University of Southern California

 My dissertation project is a comparative study of very recent Anglo-American and post-Yugoslav literary texts that address traumatic experience through experimental forms. What interests me… (more)

Subjects/Keywords: affect; trauma; mood; contemporary fiction

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APA (6th Edition):

Cetinic, M. (2012). Sadness after postmodernism: mood in contemporary fiction. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/357683/rec/5669

Chicago Manual of Style (16th Edition):

Cetinic, Marija. “Sadness after postmodernism: mood in contemporary fiction.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/357683/rec/5669.

MLA Handbook (7th Edition):

Cetinic, Marija. “Sadness after postmodernism: mood in contemporary fiction.” 2012. Web. 15 Nov 2019.

Vancouver:

Cetinic M. Sadness after postmodernism: mood in contemporary fiction. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/357683/rec/5669.

Council of Science Editors:

Cetinic M. Sadness after postmodernism: mood in contemporary fiction. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/357683/rec/5669


University of Southern California

9. Middleman, Rachel. A new eros: sexuality in women's art before the feminist art movement.

Degree: PhD, Art History, 2010, University of Southern California

 While the 1970s are known for the rise of feminism and female sexual imagery, this dissertation demonstrates that women were already creating a wide range… (more)

Subjects/Keywords: Carolee Schneemann; Hannah Wilke; Anita Steckel; Marjorie Strider; pop art; postminimalism; performance; Judson Dance Theater; body art; feminist art; feminism; women in art; erotic art; feminist art history; pinup; art in the 1960s; fight censorship group; Judith Bernstein; Louise Bougeois; Martha Edelheit; Anne Sharp; Barbara Nessim; Joan Semmel; Eunice Golden; Juanita McNeely; Joan Glueckman; women'; s art movement; sexual imagery; eroticism in art; experimental film

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APA (6th Edition):

Middleman, R. (2010). A new eros: sexuality in women's art before the feminist art movement. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/360069/rec/272

Chicago Manual of Style (16th Edition):

Middleman, Rachel. “A new eros: sexuality in women's art before the feminist art movement.” 2010. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/360069/rec/272.

MLA Handbook (7th Edition):

Middleman, Rachel. “A new eros: sexuality in women's art before the feminist art movement.” 2010. Web. 15 Nov 2019.

Vancouver:

Middleman R. A new eros: sexuality in women's art before the feminist art movement. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/360069/rec/272.

Council of Science Editors:

Middleman R. A new eros: sexuality in women's art before the feminist art movement. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/360069/rec/272


University of Southern California

10. Gordon, Brett Michael. Ideological shifts in portrayals of ethnic gangs and gangsters in New York novels and film adaptations.

Degree: PhD, English, 2015, University of Southern California

 This project examines portrayals of ethnic urban gangs and organized crime in popular literature and cinema with a particular regional focus on New York City.… (more)

Subjects/Keywords: gangs; gangsters; film adaptations

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APA (6th Edition):

Gordon, B. M. (2015). Ideological shifts in portrayals of ethnic gangs and gangsters in New York novels and film adaptations. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/528824/rec/3337

Chicago Manual of Style (16th Edition):

Gordon, Brett Michael. “Ideological shifts in portrayals of ethnic gangs and gangsters in New York novels and film adaptations.” 2015. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/528824/rec/3337.

MLA Handbook (7th Edition):

Gordon, Brett Michael. “Ideological shifts in portrayals of ethnic gangs and gangsters in New York novels and film adaptations.” 2015. Web. 15 Nov 2019.

Vancouver:

Gordon BM. Ideological shifts in portrayals of ethnic gangs and gangsters in New York novels and film adaptations. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/528824/rec/3337.

Council of Science Editors:

Gordon BM. Ideological shifts in portrayals of ethnic gangs and gangsters in New York novels and film adaptations. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/528824/rec/3337


University of Southern California

11. Dickey, Colin. The end of illustration: the photographic novels of Henry James, André Breton, Virginia Woolf, and W. G. Sebald.

Degree: PhD, Comparative Literature, 2011, University of Southern California

 This study takes the illustrated text as a privileged site for investigating the relationship between word and image; tracing the history of illustration from medieval… (more)

Subjects/Keywords: photography; novel; Breton; Woolf; Sebald

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APA (6th Edition):

Dickey, C. (2011). The end of illustration: the photographic novels of Henry James, André Breton, Virginia Woolf, and W. G. Sebald. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/618779/rec/6680

Chicago Manual of Style (16th Edition):

Dickey, Colin. “The end of illustration: the photographic novels of Henry James, André Breton, Virginia Woolf, and W. G. Sebald.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/618779/rec/6680.

MLA Handbook (7th Edition):

Dickey, Colin. “The end of illustration: the photographic novels of Henry James, André Breton, Virginia Woolf, and W. G. Sebald.” 2011. Web. 15 Nov 2019.

Vancouver:

Dickey C. The end of illustration: the photographic novels of Henry James, André Breton, Virginia Woolf, and W. G. Sebald. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/618779/rec/6680.

Council of Science Editors:

Dickey C. The end of illustration: the photographic novels of Henry James, André Breton, Virginia Woolf, and W. G. Sebald. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/618779/rec/6680


University of Southern California

12. Park, Jecheol. The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 One of the salient changes East Asian films have undergone during the past decade of globalization is their increasing tendency to foreground affective intensities that… (more)

Subjects/Keywords: east Asian cinema; postnational condition; affect; visuality; temporality; corporeality

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APA (6th Edition):

Park, J. (2012). The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7390

Chicago Manual of Style (16th Edition):

Park, Jecheol. “The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7390.

MLA Handbook (7th Edition):

Park, Jecheol. “The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films.” 2012. Web. 15 Nov 2019.

Vancouver:

Park J. The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7390.

Council of Science Editors:

Park J. The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7390


University of Southern California

13. Tan, Jia. Special cultural zones: provincializing global media in neoliberal China.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2014, University of Southern California

 Special Cultural Zones: Provincializing Global Media in Neoliberal China explores how digital, televisual, and filmic productions of the liberal economic growth zones mediate constructions of… (more)

Subjects/Keywords: China; Special Economic Zone; media; province

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APA (6th Edition):

Tan, J. (2014). Special cultural zones: provincializing global media in neoliberal China. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5990

Chicago Manual of Style (16th Edition):

Tan, Jia. “Special cultural zones: provincializing global media in neoliberal China.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5990.

MLA Handbook (7th Edition):

Tan, Jia. “Special cultural zones: provincializing global media in neoliberal China.” 2014. Web. 15 Nov 2019.

Vancouver:

Tan J. Special cultural zones: provincializing global media in neoliberal China. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5990.

Council of Science Editors:

Tan J. Special cultural zones: provincializing global media in neoliberal China. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5990


University of Southern California

14. Bardan, Alice-Mihaela. Contemporary European cinema in a transnational perspective: aftereffects of 1989.

Degree: PhD, English, 2014, University of Southern California

 This dissertation investigates what is new about European identity in the post-Cold War era, and what is European about New European cinema. I offer an… (more)

Subjects/Keywords: European cinema; 1989; transnational; Eastern Europe; post-communism

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APA (6th Edition):

Bardan, A. (2014). Contemporary European cinema in a transnational perspective: aftereffects of 1989. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24991/rec/1614

Chicago Manual of Style (16th Edition):

Bardan, Alice-Mihaela. “Contemporary European cinema in a transnational perspective: aftereffects of 1989.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24991/rec/1614.

MLA Handbook (7th Edition):

Bardan, Alice-Mihaela. “Contemporary European cinema in a transnational perspective: aftereffects of 1989.” 2014. Web. 15 Nov 2019.

Vancouver:

Bardan A. Contemporary European cinema in a transnational perspective: aftereffects of 1989. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24991/rec/1614.

Council of Science Editors:

Bardan A. Contemporary European cinema in a transnational perspective: aftereffects of 1989. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24991/rec/1614


University of Southern California

15. Wolf, Kelly Megan. Performance unleashed: multispecies stardom and companion animal media.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 This dissertation theorizes a more inclusive model of stardom called "multispecies stardom" that investigates the manner in which the creation and promotion of animal stars… (more)

Subjects/Keywords: stardom; animal studies; television; celebrity; new media

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APA (6th Edition):

Wolf, K. M. (2013). Performance unleashed: multispecies stardom and companion animal media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4990

Chicago Manual of Style (16th Edition):

Wolf, Kelly Megan. “Performance unleashed: multispecies stardom and companion animal media.” 2013. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4990.

MLA Handbook (7th Edition):

Wolf, Kelly Megan. “Performance unleashed: multispecies stardom and companion animal media.” 2013. Web. 15 Nov 2019.

Vancouver:

Wolf KM. Performance unleashed: multispecies stardom and companion animal media. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4990.

Council of Science Editors:

Wolf KM. Performance unleashed: multispecies stardom and companion animal media. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/331191/rec/4990


University of Southern California

16. Yue, Genevieve. Medusan optics: film, feminism, and the forbidden image.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation uses the Greek mythological figure of Medusa, the snake-haired gorgon who possesses the power of turning anyone who looks upon her into stone,… (more)

Subjects/Keywords: avant-garde film; feminist film theory; Medusa; Medusan optics; China girl; J-horror; visuality; violence; decapitation; sexuality; hair

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APA (6th Edition):

Yue, G. (2012). Medusan optics: film, feminism, and the forbidden image. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031

Chicago Manual of Style (16th Edition):

Yue, Genevieve. “Medusan optics: film, feminism, and the forbidden image.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031.

MLA Handbook (7th Edition):

Yue, Genevieve. “Medusan optics: film, feminism, and the forbidden image.” 2012. Web. 15 Nov 2019.

Vancouver:

Yue G. Medusan optics: film, feminism, and the forbidden image. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031.

Council of Science Editors:

Yue G. Medusan optics: film, feminism, and the forbidden image. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/55235/rec/4031


University of Southern California

17. White, Courtney Elisabeth. What looked like cruelty: animal welfare in Hollywood, 1916-1950.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2015, University of Southern California

 Though animals have been present in motion pictures from the inception of the technology, to date, there has been little scholarship on the history of… (more)

Subjects/Keywords: film history; animal cruelty; animal welfare; motion pictures; motion picture history; Hollywood studio system

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APA (6th Edition):

White, C. E. (2015). What looked like cruelty: animal welfare in Hollywood, 1916-1950. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7894

Chicago Manual of Style (16th Edition):

White, Courtney Elisabeth. “What looked like cruelty: animal welfare in Hollywood, 1916-1950.” 2015. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7894.

MLA Handbook (7th Edition):

White, Courtney Elisabeth. “What looked like cruelty: animal welfare in Hollywood, 1916-1950.” 2015. Web. 15 Nov 2019.

Vancouver:

White CE. What looked like cruelty: animal welfare in Hollywood, 1916-1950. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7894.

Council of Science Editors:

White CE. What looked like cruelty: animal welfare in Hollywood, 1916-1950. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/526365/rec/7894


University of Southern California

18. Rowlins, James. Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave.

Degree: PhD, French, 2012, University of Southern California

 This dissertation develops a comprehensive study of the influence exerted by Hollywood “genre” cinema, in particular the B-series film noir, on the French New Wave.… (more)

Subjects/Keywords: French new wave; film noir; Hollywood; political aesthetics; genre film theory; 1960s France; Jean-Luc Godard; Franç; ois Truffaut; Eric Rohmer; Agnè; s Varda; Louis Malle; Jean Rouch; Jules Dassin; Jean-Pierre Melville

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APA (6th Edition):

Rowlins, J. (2012). Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784

Chicago Manual of Style (16th Edition):

Rowlins, James. “Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784.

MLA Handbook (7th Edition):

Rowlins, James. “Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave.” 2012. Web. 15 Nov 2019.

Vancouver:

Rowlins J. Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784.

Council of Science Editors:

Rowlins J. Deadly deviations, subversive cinema: the influence of Hollywood film noir on the French new wave. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/11413/rec/1784


University of Southern California

19. Cahill, James Leo. Jean Painlevé's cinematic wildlife, 1924-1946.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation interrogates of the early œuvre of the French biological and wildlife filmmaker Jean Painlevé (1902-1989) and the interwar romance between scientific and aesthetic… (more)

Subjects/Keywords: Jean Painlevé;

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APA (6th Edition):

Cahill, J. L. (2012). Jean Painlevé's cinematic wildlife, 1924-1946. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686

Chicago Manual of Style (16th Edition):

Cahill, James Leo. “Jean Painlevé's cinematic wildlife, 1924-1946.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686.

MLA Handbook (7th Edition):

Cahill, James Leo. “Jean Painlevé's cinematic wildlife, 1924-1946.” 2012. Web. 15 Nov 2019.

Vancouver:

Cahill JL. Jean Painlevé's cinematic wildlife, 1924-1946. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686.

Council of Science Editors:

Cahill JL. Jean Painlevé's cinematic wildlife, 1924-1946. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/364324/rec/3686


University of Southern California

20. Jauregui, Carolina Gabriela. Contemporary GrotesQueries: the multifaceted Grotesque as an aesthetic and political strategy of resistance 1968-2008.

Degree: PhD, Comparative Literature, 2010, University of Southern California

A comparative analysis of the Grotesque as an aesthetic and political strategy of resistance from 1968-2008 in selected works by Severo Sarduy, Kathy Acker and Teresa Margolles. Advisors/Committee Members: Lippit, Akira Mizuta (Committee Chair), Diaz, Roberto Ignacio (Committee Member), Lloyd, David (Committee Member).

Subjects/Keywords: comparative literature; grotesque; contemporary literature; American fiction; Latin American literature; Kathy Acker; Severo Sarduy; contemporary art; Mexican art; Teresa Margolles; Mexico

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APA (6th Edition):

Jauregui, C. G. (2010). Contemporary GrotesQueries: the multifaceted Grotesque as an aesthetic and political strategy of resistance 1968-2008. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/390478/rec/1615

Chicago Manual of Style (16th Edition):

Jauregui, Carolina Gabriela. “Contemporary GrotesQueries: the multifaceted Grotesque as an aesthetic and political strategy of resistance 1968-2008.” 2010. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/390478/rec/1615.

MLA Handbook (7th Edition):

Jauregui, Carolina Gabriela. “Contemporary GrotesQueries: the multifaceted Grotesque as an aesthetic and political strategy of resistance 1968-2008.” 2010. Web. 15 Nov 2019.

Vancouver:

Jauregui CG. Contemporary GrotesQueries: the multifaceted Grotesque as an aesthetic and political strategy of resistance 1968-2008. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/390478/rec/1615.

Council of Science Editors:

Jauregui CG. Contemporary GrotesQueries: the multifaceted Grotesque as an aesthetic and political strategy of resistance 1968-2008. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/390478/rec/1615


University of Southern California

21. Hariharan, Veena. Private modernities: the "I" in contemporary Indian documentary and visual culture.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 A significant new trend in contemporary Indian Documentary, since the mid-nineties has been the emergence of the first-person documentary by women and gay filmmakers and… (more)

Subjects/Keywords: India; documentary; subjectivity; postcolonial; empire; home movies

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APA (6th Edition):

Hariharan, V. (2013). Private modernities: the "I" in contemporary Indian documentary and visual culture. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227

Chicago Manual of Style (16th Edition):

Hariharan, Veena. “Private modernities: the "I" in contemporary Indian documentary and visual culture.” 2013. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227.

MLA Handbook (7th Edition):

Hariharan, Veena. “Private modernities: the "I" in contemporary Indian documentary and visual culture.” 2013. Web. 15 Nov 2019.

Vancouver:

Hariharan V. Private modernities: the "I" in contemporary Indian documentary and visual culture. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227.

Council of Science Editors:

Hariharan V. Private modernities: the "I" in contemporary Indian documentary and visual culture. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5227


University of Southern California

22. Subramanian, Janani. Riddles of representation in fantastic media.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 My dissertation examines fantasy and identity across a variety of media, and I analyze how their various forms interact with historical contexts and help us… (more)

Subjects/Keywords: science fiction; race; identity; avant-garde; television

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APA (6th Edition):

Subramanian, J. (2009). Riddles of representation in fantastic media. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5588

Chicago Manual of Style (16th Edition):

Subramanian, Janani. “Riddles of representation in fantastic media.” 2009. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5588.

MLA Handbook (7th Edition):

Subramanian, Janani. “Riddles of representation in fantastic media.” 2009. Web. 15 Nov 2019.

Vancouver:

Subramanian J. Riddles of representation in fantastic media. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5588.

Council of Science Editors:

Subramanian J. Riddles of representation in fantastic media. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/188930/rec/5588


University of Southern California

23. Uyehara, Sean. Virtual competencies and film.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 The dissertation investigates the development and use of a cultural competency defined as "virtuality" by looking at the competency through the lenses of cinema, art… (more)

Subjects/Keywords: cinema; film; virtual; digital media; interactive media; installation art; film festival; multimedia; synchronization; seriality; immersion; ubiquity; shapeshifting; curation; poetics

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APA (6th Edition):

Uyehara, S. (2013). Virtual competencies and film. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828

Chicago Manual of Style (16th Edition):

Uyehara, Sean. “Virtual competencies and film.” 2013. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828.

MLA Handbook (7th Edition):

Uyehara, Sean. “Virtual competencies and film.” 2013. Web. 15 Nov 2019.

Vancouver:

Uyehara S. Virtual competencies and film. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828.

Council of Science Editors:

Uyehara S. Virtual competencies and film. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/236317/rec/7828


University of Southern California

24. Shi, Rong. Wong Kar-wai.

Degree: MA, East Asian Languages & Cultures, 2009, University of Southern California

 Wong Kar-wai is uniquely positioned among Chinese filmmakers probably because his vision of 'Chineseness' also enjoys a transnational audience. In this thesis, I examine five… (more)

Subjects/Keywords: globalism; past; loss; identity; Hong Kong; Chinese cinema

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APA (6th Edition):

Shi, R. (2009). Wong Kar-wai. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237756/rec/7956

Chicago Manual of Style (16th Edition):

Shi, Rong. “Wong Kar-wai.” 2009. Masters Thesis, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237756/rec/7956.

MLA Handbook (7th Edition):

Shi, Rong. “Wong Kar-wai.” 2009. Web. 15 Nov 2019.

Vancouver:

Shi R. Wong Kar-wai. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237756/rec/7956.

Council of Science Editors:

Shi R. Wong Kar-wai. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/237756/rec/7956


University of Southern California

25. Kanesaka, Kirk Ken. The genesis of Shunkan: examining the evolution of the portrayal of the Shunkan setsuwa sequence in the Heike, nō, jōruri, and kabuki traditions.

Degree: MA, East Asian Languages & Cultures, 2010, University of Southern California

 Of all the different variants of the Heike Monogatari, only the Kakuichibon has a chapter dedicated to the exiled Shunkan under the title of “Ashizuri.”… (more)

Subjects/Keywords: Heike Monogatari; Shunkan; ashizuri; ; jōruri; kabuki

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APA (6th Edition):

Kanesaka, K. K. (2010). The genesis of Shunkan: examining the evolution of the portrayal of the Shunkan setsuwa sequence in the Heike, nō, jōruri, and kabuki traditions. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/474829/rec/6741

Chicago Manual of Style (16th Edition):

Kanesaka, Kirk Ken. “The genesis of Shunkan: examining the evolution of the portrayal of the Shunkan setsuwa sequence in the Heike, nō, jōruri, and kabuki traditions.” 2010. Masters Thesis, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/474829/rec/6741.

MLA Handbook (7th Edition):

Kanesaka, Kirk Ken. “The genesis of Shunkan: examining the evolution of the portrayal of the Shunkan setsuwa sequence in the Heike, nō, jōruri, and kabuki traditions.” 2010. Web. 15 Nov 2019.

Vancouver:

Kanesaka KK. The genesis of Shunkan: examining the evolution of the portrayal of the Shunkan setsuwa sequence in the Heike, nō, jōruri, and kabuki traditions. [Internet] [Masters thesis]. University of Southern California; 2010. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/474829/rec/6741.

Council of Science Editors:

Kanesaka KK. The genesis of Shunkan: examining the evolution of the portrayal of the Shunkan setsuwa sequence in the Heike, nō, jōruri, and kabuki traditions. [Masters Thesis]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/474829/rec/6741


University of Southern California

26. Manion, Annie. Animation before the war: nation, identity, and modernity in Japan from 1914-1945.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 This dissertation is a history of the early Japanese animation industry during the first half of the twentieth century. Over the last thirty years, animation… (more)

Subjects/Keywords: Japan; animation; anime; history

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APA (6th Edition):

Manion, A. (2014). Animation before the war: nation, identity, and modernity in Japan from 1914-1945. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834

Chicago Manual of Style (16th Edition):

Manion, Annie. “Animation before the war: nation, identity, and modernity in Japan from 1914-1945.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834.

MLA Handbook (7th Edition):

Manion, Annie. “Animation before the war: nation, identity, and modernity in Japan from 1914-1945.” 2014. Web. 15 Nov 2019.

Vancouver:

Manion A. Animation before the war: nation, identity, and modernity in Japan from 1914-1945. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834.

Council of Science Editors:

Manion A. Animation before the war: nation, identity, and modernity in Japan from 1914-1945. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834


University of Southern California

27. Kang, Kristy H. A. The Seoul of Los Angeles: contested identities and transnationalism in immigrant space.

Degree: PhD, Cinematic Arts (Media Arts and Practice), 2013, University of Southern California

 “The Seoul of Los Angeles: Contested Identities and Transnationalism in Immigrant Space” is an online cultural history on the multi-ethnic identity and development of Los… (more)

Subjects/Keywords: Los Angeles; digital; humanities; urban; place; cultural history; interactive; archive; transnationalism; immigration; globalization; global; local; Korean American; South Korea; Korea; ethnicity; race; identity; database; documentary; new media; interactive; community; enclave

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APA (6th Edition):

Kang, K. H. A. (2013). The Seoul of Los Angeles: contested identities and transnationalism in immigrant space. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292817/rec/7287

Chicago Manual of Style (16th Edition):

Kang, Kristy H A. “The Seoul of Los Angeles: contested identities and transnationalism in immigrant space.” 2013. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292817/rec/7287.

MLA Handbook (7th Edition):

Kang, Kristy H A. “The Seoul of Los Angeles: contested identities and transnationalism in immigrant space.” 2013. Web. 15 Nov 2019.

Vancouver:

Kang KHA. The Seoul of Los Angeles: contested identities and transnationalism in immigrant space. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292817/rec/7287.

Council of Science Editors:

Kang KHA. The Seoul of Los Angeles: contested identities and transnationalism in immigrant space. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/292817/rec/7287


University of Southern California

28. Day, Michael. Children of the anti-world: confrontations between children and adults in the fiction of Kurahashi Yumiko.

Degree: MA, East Asian Languages & Cultures, 2009, University of Southern California

 Kurahashi Yumiko (1935-2005) is a Japanese female author whose works of experimental fiction consistently question or negate literary and social norms. Kurahashi's stated intent as… (more)

Subjects/Keywords: Japanese literature; Kurahashi Yumiko

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APA (6th Edition):

Day, M. (2009). Children of the anti-world: confrontations between children and adults in the fiction of Kurahashi Yumiko. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/238008/rec/1338

Chicago Manual of Style (16th Edition):

Day, Michael. “Children of the anti-world: confrontations between children and adults in the fiction of Kurahashi Yumiko.” 2009. Masters Thesis, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/238008/rec/1338.

MLA Handbook (7th Edition):

Day, Michael. “Children of the anti-world: confrontations between children and adults in the fiction of Kurahashi Yumiko.” 2009. Web. 15 Nov 2019.

Vancouver:

Day M. Children of the anti-world: confrontations between children and adults in the fiction of Kurahashi Yumiko. [Internet] [Masters thesis]. University of Southern California; 2009. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/238008/rec/1338.

Council of Science Editors:

Day M. Children of the anti-world: confrontations between children and adults in the fiction of Kurahashi Yumiko. [Masters Thesis]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/238008/rec/1338


University of Southern California

29. Wang, Chialan Sharon. Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema.

Degree: PhD, Comparative Literature, 2011, University of Southern California

 My dissertation, “Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema,” discusses the trope of nationhood in Taiwanese literary and… (more)

Subjects/Keywords: national identity; Taiwanese literature; Taiwanese Cinema; postcolonial studies; Cape No. 7; Monga; Lust caution; Croughing tiger hidden dragon; The old capital; Ang Lee; Wei Desheng; Niu Chengze; Zhu Tianxin

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, C. S. (2011). Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/448789/rec/4455

Chicago Manual of Style (16th Edition):

Wang, Chialan Sharon. “Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/448789/rec/4455.

MLA Handbook (7th Edition):

Wang, Chialan Sharon. “Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema.” 2011. Web. 15 Nov 2019.

Vancouver:

Wang CS. Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/448789/rec/4455.

Council of Science Editors:

Wang CS. Nostalgia for the future to come: National consciousness in post-87 Taiwanese literature and cinema. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/448789/rec/4455


University of Southern California

30. Kim, Hyong Shin. The new generation on screen: youth cinema and youth culture in South Korea since the 1990s.

Degree: PhD, East Asian Languages and Cultures, 2012, University of Southern California

 This study constitutes a consideration of the sudden excess of youth culture since the 1990s, which was deeply influenced by both domestic politics and global… (more)

Subjects/Keywords: Korean cinema; K-pop; youth culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kim, H. S. (2012). The new generation on screen: youth cinema and youth culture in South Korea since the 1990s. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/89740/rec/7020

Chicago Manual of Style (16th Edition):

Kim, Hyong Shin. “The new generation on screen: youth cinema and youth culture in South Korea since the 1990s.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/89740/rec/7020.

MLA Handbook (7th Edition):

Kim, Hyong Shin. “The new generation on screen: youth cinema and youth culture in South Korea since the 1990s.” 2012. Web. 15 Nov 2019.

Vancouver:

Kim HS. The new generation on screen: youth cinema and youth culture in South Korea since the 1990s. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Nov 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/89740/rec/7020.

Council of Science Editors:

Kim HS. The new generation on screen: youth cinema and youth culture in South Korea since the 1990s. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/89740/rec/7020

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