Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for +publisher:"University of Southern California" +contributor:("Kondo, Dorinne"). Showing records 1 – 10 of 10 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University of Southern California

1. Kumar, Anita. Family matters: counseling south Asian immigrant domestic violence survivors in a moral border zone.

Degree: PhD, Anthropology, 2012, University of Southern California

 ""Family Matters: Counseling South Asian Immigrant Domestic Violence Survivors in a Moral Border Zone"" is set in the clinical department at Safe Passage, a large… (more)

Subjects/Keywords: domestic violence; immigration; trauma; subjectivity; performativity; moral experience

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kumar, A. (2012). Family matters: counseling south Asian immigrant domestic violence survivors in a moral border zone. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/31694/rec/2764

Chicago Manual of Style (16th Edition):

Kumar, Anita. “Family matters: counseling south Asian immigrant domestic violence survivors in a moral border zone.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/31694/rec/2764.

MLA Handbook (7th Edition):

Kumar, Anita. “Family matters: counseling south Asian immigrant domestic violence survivors in a moral border zone.” 2012. Web. 27 Nov 2020.

Vancouver:

Kumar A. Family matters: counseling south Asian immigrant domestic violence survivors in a moral border zone. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/31694/rec/2764.

Council of Science Editors:

Kumar A. Family matters: counseling south Asian immigrant domestic violence survivors in a moral border zone. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/31694/rec/2764


University of Southern California

2. Kunte, Nisha. Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives.

Degree: PhD, American Studies and Ethnicity, 2012, University of Southern California

 Organ transplantation materially reconfigures the biological boundaries between bodies, but it also reshapes the social and ethical possibilities of using certain bodies as resources for… (more)

Subjects/Keywords: organ transplantation; narrative; subjectivity; race; corporeality

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kunte, N. (2012). Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249

Chicago Manual of Style (16th Edition):

Kunte, Nisha. “Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives.” 2012. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249.

MLA Handbook (7th Edition):

Kunte, Nisha. “Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives.” 2012. Web. 27 Nov 2020.

Vancouver:

Kunte N. Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249.

Council of Science Editors:

Kunte N. Moving parts: reconfiguring corporeal difference and the human through organ transplant narratives. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/82407/rec/4249


University of Southern California

3. Sparks, Anthony. Image breakers, image makers: producing race, America, and television.

Degree: PhD, American Studies and Ethnicity, 2014, University of Southern California

 Image Breakers, Image Makers: Producing Race, America, and Television foregrounds my positionalities as a scholar and as a creative artist/practitioner to conduct an unprecedented, ethnographic,… (more)

Subjects/Keywords: black representation; critical media industries studies; production studies; new television studies; blackness; performance studies; black performance; African American studies; critical ethnography; television writing; television producing; African American television writers; Herman Gray; Dorinne Kondo; artist-scholarship; scholar-artist; black cultural studies; black popular culture; racial formation and hegemony in popular culture; NAACP 1999 television protest

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sparks, A. (2014). Image breakers, image makers: producing race, America, and television. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351

Chicago Manual of Style (16th Edition):

Sparks, Anthony. “Image breakers, image makers: producing race, America, and television.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351.

MLA Handbook (7th Edition):

Sparks, Anthony. “Image breakers, image makers: producing race, America, and television.” 2014. Web. 27 Nov 2020.

Vancouver:

Sparks A. Image breakers, image makers: producing race, America, and television. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351.

Council of Science Editors:

Sparks A. Image breakers, image makers: producing race, America, and television. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71814/rec/3351


University of Southern California

4. Arzumanova, Inna. The pop show: racial performance and transformation in global arts industries.

Degree: PhD, Communication, 2015, University of Southern California

 Global cultural and arts industries, with their multiple centers and overlapping circuits of creativity and capital, operate on the constant and necessary movement of bodies.… (more)

Subjects/Keywords: racial performance; culture industry; arts industry; dance; fashion; performance art; visual art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arzumanova, I. (2015). The pop show: racial performance and transformation in global arts industries. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/310392/rec/7110

Chicago Manual of Style (16th Edition):

Arzumanova, Inna. “The pop show: racial performance and transformation in global arts industries.” 2015. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/310392/rec/7110.

MLA Handbook (7th Edition):

Arzumanova, Inna. “The pop show: racial performance and transformation in global arts industries.” 2015. Web. 27 Nov 2020.

Vancouver:

Arzumanova I. The pop show: racial performance and transformation in global arts industries. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/310392/rec/7110.

Council of Science Editors:

Arzumanova I. The pop show: racial performance and transformation in global arts industries. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/310392/rec/7110


University of Southern California

5. Honma, Todd Sano Urbano. Cartographies of skin: Asian American adornment and the aesthetics of race.

Degree: PhD, American Studies & Ethnicity, 2011, University of Southern California

 “Cartographies of Skin: Asian American Adornment and the Aesthetics of Race” is a pan-ethnic study of Asian American tattoo practices in California and their significance… (more)

Subjects/Keywords: Asian Americans; tattoos; race; California

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Honma, T. S. U. (2011). Cartographies of skin: Asian American adornment and the aesthetics of race. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/430503/rec/1244

Chicago Manual of Style (16th Edition):

Honma, Todd Sano Urbano. “Cartographies of skin: Asian American adornment and the aesthetics of race.” 2011. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/430503/rec/1244.

MLA Handbook (7th Edition):

Honma, Todd Sano Urbano. “Cartographies of skin: Asian American adornment and the aesthetics of race.” 2011. Web. 27 Nov 2020.

Vancouver:

Honma TSU. Cartographies of skin: Asian American adornment and the aesthetics of race. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/430503/rec/1244.

Council of Science Editors:

Honma TSU. Cartographies of skin: Asian American adornment and the aesthetics of race. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/430503/rec/1244


University of Southern California

6. Baik, Crystal Mun-hye. Mechanisms of (in)visibility: Korean militarized subjects, critical sensing, and the project of decolonization.

Degree: PhD, American Studies and Ethnicity, 2016, University of Southern California

 In "Mechanisms of (In)visibility: Korean Militarized Subjects, Critical Sensing, and The Possibility of Decolonization,” I focus on a corpus of obscured memories, subjectivities, and profound… (more)

Subjects/Keywords: Korean transnational history; cultural production; memory; militarized violence; colonization; decolonization; imperialism; visual culture

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baik, C. M. (2016). Mechanisms of (in)visibility: Korean militarized subjects, critical sensing, and the project of decolonization. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/483340/rec/4015

Chicago Manual of Style (16th Edition):

Baik, Crystal Mun-hye. “Mechanisms of (in)visibility: Korean militarized subjects, critical sensing, and the project of decolonization.” 2016. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/483340/rec/4015.

MLA Handbook (7th Edition):

Baik, Crystal Mun-hye. “Mechanisms of (in)visibility: Korean militarized subjects, critical sensing, and the project of decolonization.” 2016. Web. 27 Nov 2020.

Vancouver:

Baik CM. Mechanisms of (in)visibility: Korean militarized subjects, critical sensing, and the project of decolonization. [Internet] [Doctoral dissertation]. University of Southern California; 2016. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/483340/rec/4015.

Council of Science Editors:

Baik CM. Mechanisms of (in)visibility: Korean militarized subjects, critical sensing, and the project of decolonization. [Doctoral Dissertation]. University of Southern California; 2016. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/483340/rec/4015


University of Southern California

7. Hernández, Jesús J. Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics.

Degree: PhD, American Studies and Ethnicity, 2014, University of Southern California

 Bastard Diasporas: Illegitimacy, Exile, and U.S. Cuban Cultural Politics mines a broad range of cultural productions for insights into how U.S. Cubans conceptualize and relate… (more)

Subjects/Keywords: Cuba; diaspora; exile; illegitimacy; bastardy

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hernández, J. J. (2014). Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035

Chicago Manual of Style (16th Edition):

Hernández, Jesús J. “Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035.

MLA Handbook (7th Edition):

Hernández, Jesús J. “Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics.” 2014. Web. 27 Nov 2020.

Vancouver:

Hernández JJ. Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035.

Council of Science Editors:

Hernández JJ. Bastard diasporas: illegitimacy, exile, and U.S. Cuban cultural politics. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81186/rec/1035


University of Southern California

8. Verneau, Loan. Paralect: an example of transition focused design.

Degree: MFA, Interactive Media, 2013, University of Southern California

 Paralect is a long-format video game, playable on Mac and Windows, exploring the paradigm shifts one experiences when living in another culture. The game arc… (more)

Subjects/Keywords: game design; paradigm shifts; experience arc; cultural relativism; platformer; video game; narrative transitions

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Verneau, L. (2013). Paralect: an example of transition focused design. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282064/rec/4912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Verneau, Loan. “Paralect: an example of transition focused design.” 2013. Thesis, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282064/rec/4912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Verneau, Loan. “Paralect: an example of transition focused design.” 2013. Web. 27 Nov 2020.

Vancouver:

Verneau L. Paralect: an example of transition focused design. [Internet] [Thesis]. University of Southern California; 2013. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282064/rec/4912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Verneau L. Paralect: an example of transition focused design. [Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/282064/rec/4912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

9. Hodges, Nicole. Sampling blackness: performing African Americanness in hip-hop theater and performance.

Degree: PhD, American Studies & Ethnicity, 2009, University of Southern California

 Sampling Blackness: Performing African Americanness in Hip-hop Theater and Performance uses a comparative approach to ethnic studies to examine the impact of African American articulations… (more)

Subjects/Keywords: hip-hop; hip-hop theater; blackness; sampling; multiculturalism; conceptual art; hip-hop dance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hodges, N. (2009). Sampling blackness: performing African Americanness in hip-hop theater and performance. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/579234/rec/5679

Chicago Manual of Style (16th Edition):

Hodges, Nicole. “Sampling blackness: performing African Americanness in hip-hop theater and performance.” 2009. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/579234/rec/5679.

MLA Handbook (7th Edition):

Hodges, Nicole. “Sampling blackness: performing African Americanness in hip-hop theater and performance.” 2009. Web. 27 Nov 2020.

Vancouver:

Hodges N. Sampling blackness: performing African Americanness in hip-hop theater and performance. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/579234/rec/5679.

Council of Science Editors:

Hodges N. Sampling blackness: performing African Americanness in hip-hop theater and performance. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/579234/rec/5679


University of Southern California

10. Neely, Sionne Rameah. Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present.

Degree: PhD, American Studies & Ethnicity, 2010, University of Southern California

 This study considers how the burgeoning popular music industry of Ghana becomes particularly vulnerable after Kwame Nkrumah's administration is deposed in 1966. Situated in the… (more)

Subjects/Keywords: African studies; African American studies; African diasporic studies; Black popular culture; ethnomusicology; 20th century African history; African music; hip hop studies; myth &; magic; nationalism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neely, S. R. (2010). Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797

Chicago Manual of Style (16th Edition):

Neely, Sionne Rameah. “Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present.” 2010. Doctoral Dissertation, University of Southern California. Accessed November 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797.

MLA Handbook (7th Edition):

Neely, Sionne Rameah. “Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present.” 2010. Web. 27 Nov 2020.

Vancouver:

Neely SR. Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2020 Nov 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797.

Council of Science Editors:

Neely SR. Sensing the sonic and mnemonic: digging through grooves, Afro-feelings and Black markets in Ghana, 1966-present. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/374698/rec/5797

.