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You searched for +publisher:"University of Southern California" +contributor:("Jaikumar, Priya"). Showing records 1 – 19 of 19 total matches.

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University of Southern California

1. Hariharan, Veena. Private modernities: the "I" in contemporary Indian documentary and visual culture.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 A significant new trend in contemporary Indian Documentary, since the mid-nineties has been the emergence of the first-person documentary by women and gay filmmakers and… (more)

Subjects/Keywords: India; documentary; subjectivity; postcolonial; empire; home movies

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APA (6th Edition):

Hariharan, V. (2013). Private modernities: the "I" in contemporary Indian documentary and visual culture. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5234

Chicago Manual of Style (16th Edition):

Hariharan, Veena. “Private modernities: the "I" in contemporary Indian documentary and visual culture.” 2013. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5234.

MLA Handbook (7th Edition):

Hariharan, Veena. “Private modernities: the "I" in contemporary Indian documentary and visual culture.” 2013. Web. 28 Oct 2020.

Vancouver:

Hariharan V. Private modernities: the "I" in contemporary Indian documentary and visual culture. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5234.

Council of Science Editors:

Hariharan V. Private modernities: the "I" in contemporary Indian documentary and visual culture. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/655323/rec/5234


University of Southern California

2. Manion, Annie. Animation before the war: nation, identity, and modernity in Japan from 1914-1945.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 This dissertation is a history of the early Japanese animation industry during the first half of the twentieth century. Over the last thirty years, animation… (more)

Subjects/Keywords: Japan; animation; anime; history

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APA (6th Edition):

Manion, A. (2014). Animation before the war: nation, identity, and modernity in Japan from 1914-1945. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834

Chicago Manual of Style (16th Edition):

Manion, Annie. “Animation before the war: nation, identity, and modernity in Japan from 1914-1945.” 2014. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834.

MLA Handbook (7th Edition):

Manion, Annie. “Animation before the war: nation, identity, and modernity in Japan from 1914-1945.” 2014. Web. 28 Oct 2020.

Vancouver:

Manion A. Animation before the war: nation, identity, and modernity in Japan from 1914-1945. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834.

Council of Science Editors:

Manion A. Animation before the war: nation, identity, and modernity in Japan from 1914-1945. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/419060/rec/834


University of Southern California

3. Sanogo, Aboubakar Sidiki. The history of documentary in Africa  – The Colonial era.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 This thesis seeks to write a comprehensive history of documentary film in Africa, from the beginning of the cinema until the eve of independence in… (more)

Subjects/Keywords: history; documentary; Africa; colonialism; early cinema; Lumiere brothers; nineteenth century; Berlin Conference; British colonial cinema; French colonial cinema; Pan-Africanism; World War I and II; Presence Africaine

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APA (6th Edition):

Sanogo, A. S. (2011). The history of documentary in Africa  – The Colonial era. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6769

Chicago Manual of Style (16th Edition):

Sanogo, Aboubakar Sidiki. “The history of documentary in Africa  – The Colonial era.” 2011. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6769.

MLA Handbook (7th Edition):

Sanogo, Aboubakar Sidiki. “The history of documentary in Africa  – The Colonial era.” 2011. Web. 28 Oct 2020.

Vancouver:

Sanogo AS. The history of documentary in Africa  – The Colonial era. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6769.

Council of Science Editors:

Sanogo AS. The history of documentary in Africa  – The Colonial era. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/304371/rec/6769


University of Southern California

4. Tan, Jia. Special cultural zones: provincializing global media in neoliberal China.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2014, University of Southern California

 Special Cultural Zones: Provincializing Global Media in Neoliberal China explores how digital, televisual, and filmic productions of the liberal economic growth zones mediate constructions of… (more)

Subjects/Keywords: China; Special Economic Zone; media; province

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APA (6th Edition):

Tan, J. (2014). Special cultural zones: provincializing global media in neoliberal China. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5998

Chicago Manual of Style (16th Edition):

Tan, Jia. “Special cultural zones: provincializing global media in neoliberal China.” 2014. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5998.

MLA Handbook (7th Edition):

Tan, Jia. “Special cultural zones: provincializing global media in neoliberal China.” 2014. Web. 28 Oct 2020.

Vancouver:

Tan J. Special cultural zones: provincializing global media in neoliberal China. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5998.

Council of Science Editors:

Tan J. Special cultural zones: provincializing global media in neoliberal China. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/92997/rec/5998


University of Southern California

5. Dillon, Mike. Dead zones: human mobility and the making of media nationalism.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 Dead Zones explores popular film and television genres to consider how globalization produces new valuations of human mobility across national boundaries. Focusing on four figures… (more)

Subjects/Keywords: cinema; media; genre; Japan; nationalism; terrorism; travel; globalization; violence

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APA (6th Edition):

Dillon, M. (2014). Dead zones: human mobility and the making of media nationalism. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786

Chicago Manual of Style (16th Edition):

Dillon, Mike. “Dead zones: human mobility and the making of media nationalism.” 2014. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786.

MLA Handbook (7th Edition):

Dillon, Mike. “Dead zones: human mobility and the making of media nationalism.” 2014. Web. 28 Oct 2020.

Vancouver:

Dillon M. Dead zones: human mobility and the making of media nationalism. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786.

Council of Science Editors:

Dillon M. Dead zones: human mobility and the making of media nationalism. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786


University of Southern California

6. Shenker, Noah. Embodied memory: the formation of archived audiovisual holocaust testimony in the United States.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 This dissertation examines how the interrelationship between institutional and individual practices mediates video testimonies of the Holocaust, revealing that formal practices and institutional infrastructures influence… (more)

Subjects/Keywords: archive; documentary film; historical memory; Holocaust; testimony; trauma

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APA (6th Edition):

Shenker, N. (2014). Embodied memory: the formation of archived audiovisual holocaust testimony in the United States. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2295

Chicago Manual of Style (16th Edition):

Shenker, Noah. “Embodied memory: the formation of archived audiovisual holocaust testimony in the United States.” 2014. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2295.

MLA Handbook (7th Edition):

Shenker, Noah. “Embodied memory: the formation of archived audiovisual holocaust testimony in the United States.” 2014. Web. 28 Oct 2020.

Vancouver:

Shenker N. Embodied memory: the formation of archived audiovisual holocaust testimony in the United States. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2295.

Council of Science Editors:

Shenker N. Embodied memory: the formation of archived audiovisual holocaust testimony in the United States. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/608783/rec/2295


University of Southern California

7. Avina, Alexander. Insurgent Guerrero: Genaro Vázquez, Lucio Cabañas and the guerrilla challenge to the postrevolutionary Mexican State, 1960-1996.

Degree: PhD, History, 2011, University of Southern California

 This dissertation chronicles the intertwined histories of two significant guerrilla movements that developed in the Mexican state of Guerrero during the late 1960s: Genaro Vázquez’s… (more)

Subjects/Keywords: Mexico; Guerrero; peasant politics; guerrilla rebellions; insurgency; Latin America; cold war

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APA (6th Edition):

Avina, A. (2011). Insurgent Guerrero: Genaro Vázquez, Lucio Cabañas and the guerrilla challenge to the postrevolutionary Mexican State, 1960-1996. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/574381/rec/3529

Chicago Manual of Style (16th Edition):

Avina, Alexander. “Insurgent Guerrero: Genaro Vázquez, Lucio Cabañas and the guerrilla challenge to the postrevolutionary Mexican State, 1960-1996.” 2011. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/574381/rec/3529.

MLA Handbook (7th Edition):

Avina, Alexander. “Insurgent Guerrero: Genaro Vázquez, Lucio Cabañas and the guerrilla challenge to the postrevolutionary Mexican State, 1960-1996.” 2011. Web. 28 Oct 2020.

Vancouver:

Avina A. Insurgent Guerrero: Genaro Vázquez, Lucio Cabañas and the guerrilla challenge to the postrevolutionary Mexican State, 1960-1996. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/574381/rec/3529.

Council of Science Editors:

Avina A. Insurgent Guerrero: Genaro Vázquez, Lucio Cabañas and the guerrilla challenge to the postrevolutionary Mexican State, 1960-1996. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/574381/rec/3529


University of Southern California

8. Provencher, Kenneth. Japan in transnational Hollywood: industry and identity, 1985-1995.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 This dissertation examines the process of intensified merging of Hollywood and Japanese cinema in the 1980s and 1990s. This process is occurring within, and in… (more)

Subjects/Keywords: globalization; Hollywood; Japan; Japanese cinema; transnational cinema; U.S.-Japan relations

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APA (6th Edition):

Provencher, K. (2013). Japan in transnational Hollywood: industry and identity, 1985-1995. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685

Chicago Manual of Style (16th Edition):

Provencher, Kenneth. “Japan in transnational Hollywood: industry and identity, 1985-1995.” 2013. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685.

MLA Handbook (7th Edition):

Provencher, Kenneth. “Japan in transnational Hollywood: industry and identity, 1985-1995.” 2013. Web. 28 Oct 2020.

Vancouver:

Provencher K. Japan in transnational Hollywood: industry and identity, 1985-1995. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685.

Council of Science Editors:

Provencher K. Japan in transnational Hollywood: industry and identity, 1985-1995. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685


University of Southern California

9. Chan, Nadine. A cinema under the palms: the unruly lives of colonial educational films in British Malaya.

Degree: PhD, Cinema-Television (Cinema Critical Studies), 2017, University of Southern California

 This dissertation is a historical study of films as instruments of empire in British Malaya (presently Malaysia and Singapore) from the 1920s until the postcolonial… (more)

Subjects/Keywords: colonial and postcolonial; nontheatrical film; film and education; film and governance; mobile cinema; modernity; media historiography; media anthropology; materiality; material culture; Southeast Asia; Malaysia; Singapore; Malayan Emergency

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APA (6th Edition):

Chan, N. (2017). A cinema under the palms: the unruly lives of colonial educational films in British Malaya. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101

Chicago Manual of Style (16th Edition):

Chan, Nadine. “A cinema under the palms: the unruly lives of colonial educational films in British Malaya.” 2017. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101.

MLA Handbook (7th Edition):

Chan, Nadine. “A cinema under the palms: the unruly lives of colonial educational films in British Malaya.” 2017. Web. 28 Oct 2020.

Vancouver:

Chan N. A cinema under the palms: the unruly lives of colonial educational films in British Malaya. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101.

Council of Science Editors:

Chan N. A cinema under the palms: the unruly lives of colonial educational films in British Malaya. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/628265/rec/101


University of Southern California

10. Hoyt, Eric. Hollywood vault: the business of film libraries, 1915-1960.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation examines the history of how old movies became valuable and how the marketplace for film libraries emerged and evolved, spanning from the silent… (more)

Subjects/Keywords: film libraries; archives; hollywood; studio system; television; media industries; reissues; remakes; motion pictures; movies

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APA (6th Edition):

Hoyt, E. (2012). Hollywood vault: the business of film libraries, 1915-1960. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207

Chicago Manual of Style (16th Edition):

Hoyt, Eric. “Hollywood vault: the business of film libraries, 1915-1960.” 2012. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207.

MLA Handbook (7th Edition):

Hoyt, Eric. “Hollywood vault: the business of film libraries, 1915-1960.” 2012. Web. 28 Oct 2020.

Vancouver:

Hoyt E. Hollywood vault: the business of film libraries, 1915-1960. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207.

Council of Science Editors:

Hoyt E. Hollywood vault: the business of film libraries, 1915-1960. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/23143/rec/3207


University of Southern California

11. Fortmueller, Kate. Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent.

Degree: PhD, Cinema-Television (Critical Studies), 2016, University of Southern California

 Part‐Time Labor, Full‐Time Dreams: Extras, Actors, and Hollywood's On‐Screen Talent, traces the political economy of on‐screen labor in the film industry from the beginning of… (more)

Subjects/Keywords: film; labor; location shooting; actors; extras; media history; production studies; television; unions (entertainment)

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APA (6th Edition):

Fortmueller, K. (2016). Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935

Chicago Manual of Style (16th Edition):

Fortmueller, Kate. “Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent.” 2016. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935.

MLA Handbook (7th Edition):

Fortmueller, Kate. “Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent.” 2016. Web. 28 Oct 2020.

Vancouver:

Fortmueller K. Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent. [Internet] [Doctoral dissertation]. University of Southern California; 2016. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935.

Council of Science Editors:

Fortmueller K. Part-time labor, full-time dreams: extras, actors, and Hollywood's on-screen talent. [Doctoral Dissertation]. University of Southern California; 2016. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/452678/rec/4935


University of Southern California

12. Murti, Lata. With and without the white coat: the racialization of southern California's Indian physicians.

Degree: PhD, American Studies & Ethnicity, 2010, University of Southern California

 This study examines the role of occupational status in the racialization of Indian physicians in Southern California. Since the liberalization of U.S. immigration policy in… (more)

Subjects/Keywords: Asian Indian; physicians; doctors; southern California; racialization; occupational status; professionals; immigrants; Asian Americans

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APA (6th Edition):

Murti, L. (2010). With and without the white coat: the racialization of southern California's Indian physicians. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/316411/rec/7955

Chicago Manual of Style (16th Edition):

Murti, Lata. “With and without the white coat: the racialization of southern California's Indian physicians.” 2010. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/316411/rec/7955.

MLA Handbook (7th Edition):

Murti, Lata. “With and without the white coat: the racialization of southern California's Indian physicians.” 2010. Web. 28 Oct 2020.

Vancouver:

Murti L. With and without the white coat: the racialization of southern California's Indian physicians. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/316411/rec/7955.

Council of Science Editors:

Murti L. With and without the white coat: the racialization of southern California's Indian physicians. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/316411/rec/7955


University of Southern California

13. Roychowdhury, Sourav. Cinema 4.5? Legacies of third cinema at the age of informational capitalism.

Degree: PhD, Cinema-Television (Critical Studies), 2010, University of Southern California

 This dissertation studies continuities and changes in the praxis of Third Cinema over last two decades. I start from an analytic historiography of Third Cinema… (more)

Subjects/Keywords: third cinema; nation-state and cinema; globalization; informational capitalism; bodies and cities; urbanization; death of cinema; political art; neo-liberalism.

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APA (6th Edition):

Roychowdhury, S. (2010). Cinema 4.5? Legacies of third cinema at the age of informational capitalism. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392018/rec/1365

Chicago Manual of Style (16th Edition):

Roychowdhury, Sourav. “Cinema 4.5? Legacies of third cinema at the age of informational capitalism.” 2010. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392018/rec/1365.

MLA Handbook (7th Edition):

Roychowdhury, Sourav. “Cinema 4.5? Legacies of third cinema at the age of informational capitalism.” 2010. Web. 28 Oct 2020.

Vancouver:

Roychowdhury S. Cinema 4.5? Legacies of third cinema at the age of informational capitalism. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392018/rec/1365.

Council of Science Editors:

Roychowdhury S. Cinema 4.5? Legacies of third cinema at the age of informational capitalism. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/392018/rec/1365


University of Southern California

14. Wang, Chun-Chi. Lesbianscape of Taiwan: media history of Taiwan's lesbians.

Degree: PhD, Cinema-Television (Critical Studies), 2007, University of Southern California

 Lesbianscape: Media History of Taiwan's Lesbians is a historical and theoretical study of discourses and media representations of sexuality around female intimacy, desire, and contemporary… (more)

Subjects/Keywords: lesbian/nu tongzhi; cultural visibility; transnationalism; film; television; queer discourse

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APA (6th Edition):

Wang, C. (2007). Lesbianscape of Taiwan: media history of Taiwan's lesbians. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/525688/rec/3802

Chicago Manual of Style (16th Edition):

Wang, Chun-Chi. “Lesbianscape of Taiwan: media history of Taiwan's lesbians.” 2007. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/525688/rec/3802.

MLA Handbook (7th Edition):

Wang, Chun-Chi. “Lesbianscape of Taiwan: media history of Taiwan's lesbians.” 2007. Web. 28 Oct 2020.

Vancouver:

Wang C. Lesbianscape of Taiwan: media history of Taiwan's lesbians. [Internet] [Doctoral dissertation]. University of Southern California; 2007. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/525688/rec/3802.

Council of Science Editors:

Wang C. Lesbianscape of Taiwan: media history of Taiwan's lesbians. [Doctoral Dissertation]. University of Southern California; 2007. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/525688/rec/3802


University of Southern California

15. Herbert, Daniel. Transnational film remakes: time, space, identity.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 This dissertation examines transnational cinema and cultural exchange through the lens of "transnational film remakes" or films made in one nation and remade in another.… (more)

Subjects/Keywords: transnational; remakes; globalization; cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Herbert, D. (2008). Transnational film remakes: time, space, identity. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/204387/rec/7597

Chicago Manual of Style (16th Edition):

Herbert, Daniel. “Transnational film remakes: time, space, identity.” 2008. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/204387/rec/7597.

MLA Handbook (7th Edition):

Herbert, Daniel. “Transnational film remakes: time, space, identity.” 2008. Web. 28 Oct 2020.

Vancouver:

Herbert D. Transnational film remakes: time, space, identity. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/204387/rec/7597.

Council of Science Editors:

Herbert D. Transnational film remakes: time, space, identity. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/204387/rec/7597


University of Southern California

16. Lykidis, Alex. In a state of exception: political subjecthood in European film, 1990-2008.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 The articulation of political subjecthood in contemporary Europe is delimited by increasingly neoliberal, technocratic and transnational modes of governance that alienate mass constituencies from democratic… (more)

Subjects/Keywords: contemporary European cinema; citizenship and immigration; Greece; France; Roma; democratic disenfranchisement; art cinema; national cinema; minority cinema; Michael Haneke; Tony Gatlif

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APA (6th Edition):

Lykidis, A. (2009). In a state of exception: political subjecthood in European film, 1990-2008. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3427

Chicago Manual of Style (16th Edition):

Lykidis, Alex. “In a state of exception: political subjecthood in European film, 1990-2008.” 2009. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3427.

MLA Handbook (7th Edition):

Lykidis, Alex. “In a state of exception: political subjecthood in European film, 1990-2008.” 2009. Web. 28 Oct 2020.

Vancouver:

Lykidis A. In a state of exception: political subjecthood in European film, 1990-2008. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3427.

Council of Science Editors:

Lykidis A. In a state of exception: political subjecthood in European film, 1990-2008. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3427


University of Southern California

17. Kim, Dong Hoon. Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 "Eclipsed Cinemas: Colonial Modernity and Film Cultures in Korea under Japanese Colonial Rule " examines how histories and legacies surrounding Japanese imperialism have been inscribed… (more)

Subjects/Keywords: motion pictures; history; Korea; Japan; motion picture industry; imperialism; nationalism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kim, D. H. (2008). Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/191405/rec/2153

Chicago Manual of Style (16th Edition):

Kim, Dong Hoon. “Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule.” 2008. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/191405/rec/2153.

MLA Handbook (7th Edition):

Kim, Dong Hoon. “Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule.” 2008. Web. 28 Oct 2020.

Vancouver:

Kim DH. Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/191405/rec/2153.

Council of Science Editors:

Kim DH. Eclipsed cinemas: colonial modernity and film cultures in Korea under Japanese colonial rule. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/191405/rec/2153


University of Southern California

18. DeBoer, Stephanie. Co-producing the Asia Pacific: travels in technology, space, time and gender.

Degree: PhD, Cinema-Television (Critical Studies), 2007, University of Southern California

 "Co-producing the Asia Pacific: Travels in Technology, Space, Time and Gender" argues that the stakes for Japanese and Chinese language collaborations emerge at the relationship… (more)

Subjects/Keywords: co-production; Japanese cinema; Chinese cinema; Asia Pacific; Tokyo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

DeBoer, S. (2007). Co-producing the Asia Pacific: travels in technology, space, time and gender. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/541905/rec/1416

Chicago Manual of Style (16th Edition):

DeBoer, Stephanie. “Co-producing the Asia Pacific: travels in technology, space, time and gender.” 2007. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/541905/rec/1416.

MLA Handbook (7th Edition):

DeBoer, Stephanie. “Co-producing the Asia Pacific: travels in technology, space, time and gender.” 2007. Web. 28 Oct 2020.

Vancouver:

DeBoer S. Co-producing the Asia Pacific: travels in technology, space, time and gender. [Internet] [Doctoral dissertation]. University of Southern California; 2007. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/541905/rec/1416.

Council of Science Editors:

DeBoer S. Co-producing the Asia Pacific: travels in technology, space, time and gender. [Doctoral Dissertation]. University of Southern California; 2007. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/541905/rec/1416


University of Southern California

19. Johnson, Imani Kai. Dark matter in b-boying cyphers: race and global connection in hip hop.

Degree: PhD, American Studies & Ethnicity, 2009, University of Southern California

 This multi-sited, inter-disciplinary project analyzes the ubiquitous practice within breaking (or b-boying) culture of cyphering—improvisational and competitive dance circles. Through oral histories, participant observation, and… (more)

Subjects/Keywords: hip hop; b-boying; breakdancing; breaking; cypher; global connection; globalization; race; dance; performance; dark matter; kinesthetic knowledge; embodiment; diaspora; battling

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnson, I. K. (2009). Dark matter in b-boying cyphers: race and global connection in hip hop. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/265317/rec/1762

Chicago Manual of Style (16th Edition):

Johnson, Imani Kai. “Dark matter in b-boying cyphers: race and global connection in hip hop.” 2009. Doctoral Dissertation, University of Southern California. Accessed October 28, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/265317/rec/1762.

MLA Handbook (7th Edition):

Johnson, Imani Kai. “Dark matter in b-boying cyphers: race and global connection in hip hop.” 2009. Web. 28 Oct 2020.

Vancouver:

Johnson IK. Dark matter in b-boying cyphers: race and global connection in hip hop. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Oct 28]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/265317/rec/1762.

Council of Science Editors:

Johnson IK. Dark matter in b-boying cyphers: race and global connection in hip hop. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/265317/rec/1762

.