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You searched for +publisher:"University of Southern California" +contributor:("Imre, Aniko"). Showing records 1 – 9 of 9 total matches.

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University of Southern California

1. Rosales, Jennifer Ann. Policy and practice: United States and European Union media and technology education.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 “Policy and Practice: United States and European Union Media and Technology Education” examines the steps policymakers take to employ media literacy legislation and how such… (more)

Subjects/Keywords: media literacy; media policy; education policy; neoliberalism

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APA (6th Edition):

Rosales, J. A. (2012). Policy and practice: United States and European Union media and technology education. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091

Chicago Manual of Style (16th Edition):

Rosales, Jennifer Ann. “Policy and practice: United States and European Union media and technology education.” 2012. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091.

MLA Handbook (7th Edition):

Rosales, Jennifer Ann. “Policy and practice: United States and European Union media and technology education.” 2012. Web. 05 Mar 2021.

Vancouver:

Rosales JA. Policy and practice: United States and European Union media and technology education. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091.

Council of Science Editors:

Rosales JA. Policy and practice: United States and European Union media and technology education. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/58283/rec/5091


University of Southern California

2. Dillon, Mike. Dead zones: human mobility and the making of media nationalism.

Degree: PhD, Cinema-Television (Critical Studies), 2014, University of Southern California

 Dead Zones explores popular film and television genres to consider how globalization produces new valuations of human mobility across national boundaries. Focusing on four figures… (more)

Subjects/Keywords: cinema; media; genre; Japan; nationalism; terrorism; travel; globalization; violence

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APA (6th Edition):

Dillon, M. (2014). Dead zones: human mobility and the making of media nationalism. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786

Chicago Manual of Style (16th Edition):

Dillon, Mike. “Dead zones: human mobility and the making of media nationalism.” 2014. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786.

MLA Handbook (7th Edition):

Dillon, Mike. “Dead zones: human mobility and the making of media nationalism.” 2014. Web. 05 Mar 2021.

Vancouver:

Dillon M. Dead zones: human mobility and the making of media nationalism. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786.

Council of Science Editors:

Dillon M. Dead zones: human mobility and the making of media nationalism. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/408178/rec/1786


University of Southern California

3. Ahn, Patty. Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries.

Degree: PhD, Cinema-Television (Critical Studies), 2017, University of Southern California

 Between the years of 2006 and 2013, South Korea’s three largest music firms—SM Entertainment, YG Entertainment, and JYP Entertainment—embarked on two consecutive promotional campaigns to… (more)

Subjects/Keywords: K‐Pop; Korea; popular music; music videos; hallyu; Korean Wave; media industries; Korean War; YouTube; Psy; Gangnam Style; SM Entertainment

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APA (6th Edition):

Ahn, P. (2017). Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572

Chicago Manual of Style (16th Edition):

Ahn, Patty. “Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries.” 2017. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572.

MLA Handbook (7th Edition):

Ahn, Patty. “Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries.” 2017. Web. 05 Mar 2021.

Vancouver:

Ahn P. Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572.

Council of Science Editors:

Ahn P. Aftermarkets of empire: South Korean popular music and global logics of race and gender in the U.S. media industries. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/627356/rec/572


University of Southern California

4. Heberer, Feng-Mei. Existential surplus: affect and labor in Asian diasporic video cultures.

Degree: PhD, Cinema-Television (Critical Studies), 2017, University of Southern California

 Existential Surplus: Affect and Labor in Asian Diasporic Video Cultures investigates contemporary identity discourses in Asian diasporic film and video. As the first substantial study… (more)

Subjects/Keywords: Asia; diaspora; labor; affect; race; gender; sexuality; transnational; video; performance; disability studies; precarity

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APA (6th Edition):

Heberer, F. (2017). Existential surplus: affect and labor in Asian diasporic video cultures. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/571636/rec/2608

Chicago Manual of Style (16th Edition):

Heberer, Feng-Mei. “Existential surplus: affect and labor in Asian diasporic video cultures.” 2017. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/571636/rec/2608.

MLA Handbook (7th Edition):

Heberer, Feng-Mei. “Existential surplus: affect and labor in Asian diasporic video cultures.” 2017. Web. 05 Mar 2021.

Vancouver:

Heberer F. Existential surplus: affect and labor in Asian diasporic video cultures. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/571636/rec/2608.

Council of Science Editors:

Heberer F. Existential surplus: affect and labor in Asian diasporic video cultures. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/571636/rec/2608


University of Southern California

5. Provencher, Kenneth. Japan in transnational Hollywood: industry and identity, 1985-1995.

Degree: PhD, Cinema-Television (Critical Studies), 2013, University of Southern California

 This dissertation examines the process of intensified merging of Hollywood and Japanese cinema in the 1980s and 1990s. This process is occurring within, and in… (more)

Subjects/Keywords: globalization; Hollywood; Japan; Japanese cinema; transnational cinema; U.S.-Japan relations

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APA (6th Edition):

Provencher, K. (2013). Japan in transnational Hollywood: industry and identity, 1985-1995. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685

Chicago Manual of Style (16th Edition):

Provencher, Kenneth. “Japan in transnational Hollywood: industry and identity, 1985-1995.” 2013. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685.

MLA Handbook (7th Edition):

Provencher, Kenneth. “Japan in transnational Hollywood: industry and identity, 1985-1995.” 2013. Web. 05 Mar 2021.

Vancouver:

Provencher K. Japan in transnational Hollywood: industry and identity, 1985-1995. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685.

Council of Science Editors:

Provencher K. Japan in transnational Hollywood: industry and identity, 1985-1995. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/289608/rec/3685


University of Southern California

6. Moss, Joshua Louis. Why Harry met Sally: coupling narratives and the Christian-Jewish love story.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 This dissertation is a broad historical, cross-disciplinary examination of how Christian-Jewish coupling narratives have served as sites of ideological, political, and cultural contestation in numerous… (more)

Subjects/Keywords: romantic comedy; Disraeli; Dreyfus; Jewish; Christian; film; historiography

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APA (6th Edition):

Moss, J. L. (2012). Why Harry met Sally: coupling narratives and the Christian-Jewish love story. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/72235/rec/7939

Chicago Manual of Style (16th Edition):

Moss, Joshua Louis. “Why Harry met Sally: coupling narratives and the Christian-Jewish love story.” 2012. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/72235/rec/7939.

MLA Handbook (7th Edition):

Moss, Joshua Louis. “Why Harry met Sally: coupling narratives and the Christian-Jewish love story.” 2012. Web. 05 Mar 2021.

Vancouver:

Moss JL. Why Harry met Sally: coupling narratives and the Christian-Jewish love story. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/72235/rec/7939.

Council of Science Editors:

Moss JL. Why Harry met Sally: coupling narratives and the Christian-Jewish love story. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/72235/rec/7939


University of Southern California

7. Piday-Warren, Marika. Color inside the lines: race and representation in the formula dance film.

Degree: PhD, Cinema-Television (Critical Studies), 2015, University of Southern California

 An examination of the recent urban dance genre in regards to cultural appropriation, cinematic representations of race, and the commodification of Black style. Advisors/Committee Members:… (more)

Subjects/Keywords: dance; race; racialized bodies; popular film; hip-hop culture; Black commodity culture

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APA (6th Edition):

Piday-Warren, M. (2015). Color inside the lines: race and representation in the formula dance film. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452

Chicago Manual of Style (16th Edition):

Piday-Warren, Marika. “Color inside the lines: race and representation in the formula dance film.” 2015. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452.

MLA Handbook (7th Edition):

Piday-Warren, Marika. “Color inside the lines: race and representation in the formula dance film.” 2015. Web. 05 Mar 2021.

Vancouver:

Piday-Warren M. Color inside the lines: race and representation in the formula dance film. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452.

Council of Science Editors:

Piday-Warren M. Color inside the lines: race and representation in the formula dance film. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/606079/rec/1452


University of Southern California

8. Lagerwey, Jorie. Are you there, God? It's me, TV: religion in American TV drama, 2000-2009.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 The first decade of the twenty-first century produced a new type of religious drama on secular television that put religious themes and characters at the… (more)

Subjects/Keywords: television; religion; television genre; gender; race; celebrity; United States

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APA (6th Edition):

Lagerwey, J. (2009). Are you there, God? It's me, TV: religion in American TV drama, 2000-2009. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889

Chicago Manual of Style (16th Edition):

Lagerwey, Jorie. “Are you there, God? It's me, TV: religion in American TV drama, 2000-2009.” 2009. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889.

MLA Handbook (7th Edition):

Lagerwey, Jorie. “Are you there, God? It's me, TV: religion in American TV drama, 2000-2009.” 2009. Web. 05 Mar 2021.

Vancouver:

Lagerwey J. Are you there, God? It's me, TV: religion in American TV drama, 2000-2009. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889.

Council of Science Editors:

Lagerwey J. Are you there, God? It's me, TV: religion in American TV drama, 2000-2009. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/227570/rec/889


University of Southern California

9. Shembel, Daria. The cine-eye goes digital: Vertov, Paradjanov and the poetic database.

Degree: PhD, Slavic Languages & Literatures, 2009, University of Southern California

 "The Cine-Eye Goes Digital" provides a revisionist study of poetic film through the concept of "poetic database" and examines how the theory and practice of… (more)

Subjects/Keywords: database; cinema; Vertov; Paradjanov; poetic film

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APA (6th Edition):

Shembel, D. (2009). The cine-eye goes digital: Vertov, Paradjanov and the poetic database. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511

Chicago Manual of Style (16th Edition):

Shembel, Daria. “The cine-eye goes digital: Vertov, Paradjanov and the poetic database.” 2009. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511.

MLA Handbook (7th Edition):

Shembel, Daria. “The cine-eye goes digital: Vertov, Paradjanov and the poetic database.” 2009. Web. 05 Mar 2021.

Vancouver:

Shembel D. The cine-eye goes digital: Vertov, Paradjanov and the poetic database. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511.

Council of Science Editors:

Shembel D. The cine-eye goes digital: Vertov, Paradjanov and the poetic database. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511

.