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You searched for +publisher:"University of Southern California" +contributor:("Butler, Connie"). Showing records 1 – 9 of 9 total matches.

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University of Southern California

1. Castaño, Toro. Acting out dissent; imaginary lives the performance strategies of My barbarian’s Post-Living Ante-Action Theater.

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2014, University of Southern California

 This thesis introduces readers to the interdisciplinary performance collective My Barbarian, consisting of artists Malik Gaines, Jade Gordon and Alexandro Segade. The primary focus of… (more)

Subjects/Keywords: My barbarian; Post Living Ante Action Theater; queer performance; queer futurity; political imaginaries; Toro Castano; queer performance art

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APA (6th Edition):

Castaño, T. (2014). Acting out dissent; imaginary lives the performance strategies of My barbarian’s Post-Living Ante-Action Theater. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405605/rec/493

Chicago Manual of Style (16th Edition):

Castaño, Toro. “Acting out dissent; imaginary lives the performance strategies of My barbarian’s Post-Living Ante-Action Theater.” 2014. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405605/rec/493.

MLA Handbook (7th Edition):

Castaño, Toro. “Acting out dissent; imaginary lives the performance strategies of My barbarian’s Post-Living Ante-Action Theater.” 2014. Web. 17 Jan 2020.

Vancouver:

Castaño T. Acting out dissent; imaginary lives the performance strategies of My barbarian’s Post-Living Ante-Action Theater. [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405605/rec/493.

Council of Science Editors:

Castaño T. Acting out dissent; imaginary lives the performance strategies of My barbarian’s Post-Living Ante-Action Theater. [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405605/rec/493


University of Southern California

2. McCarthy, Kiley Anna. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.

Degree: MA, Public Art Studies, 2013, University of Southern California

 This thesis examines feminist performance artists Barbara T. Smith and Linda Montano, and the artists’ respective use of biography as political statement in themes of… (more)

Subjects/Keywords: performance art; contemporary art

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APA (6th Edition):

McCarthy, K. A. (2013). Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599

Chicago Manual of Style (16th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599.

MLA Handbook (7th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Web. 17 Jan 2020.

Vancouver:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599.

Council of Science Editors:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599


University of Southern California

3. Bray, Katherine. Specifically sound: critical pedagogy and the sound art practice of Ultra-red.

Degree: MA, Public Art Studies / Planning, 2013, University of Southern California

 Ultra-red is a contemporary sound art collective of twelve internationally-based justice organizers. Founded in 1994 during the AIDS crisis, Ultra-red’s activist sound art practice coalesced… (more)

Subjects/Keywords: critical pedagogy; Paulo Freire; John Cage; Pauline Oliveros; community organizing; social practice; social justice; listening; sound art; Ultra-red

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APA (6th Edition):

Bray, K. (2013). Specifically sound: critical pedagogy and the sound art practice of Ultra-red. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/245321/rec/5992

Chicago Manual of Style (16th Edition):

Bray, Katherine. “Specifically sound: critical pedagogy and the sound art practice of Ultra-red.” 2013. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/245321/rec/5992.

MLA Handbook (7th Edition):

Bray, Katherine. “Specifically sound: critical pedagogy and the sound art practice of Ultra-red.” 2013. Web. 17 Jan 2020.

Vancouver:

Bray K. Specifically sound: critical pedagogy and the sound art practice of Ultra-red. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/245321/rec/5992.

Council of Science Editors:

Bray K. Specifically sound: critical pedagogy and the sound art practice of Ultra-red. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/245321/rec/5992


University of Southern California

4. Eberle, Clare Dwyer. Place & public longing: Sharon Hayes's love addresses as critical spatial practice.

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2014, University of Southern California

 This study addresses the performative ""speech act"" works of Sharon Hayes as tools of alternative sociospatial production. The prevalent discourse on these works frames them… (more)

Subjects/Keywords: contemporary art; performance art; political protest; feminism; public space; spatial production; critical geography; queerness; AIDS; queer history; New York; New Museum

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APA (6th Edition):

Eberle, C. D. (2014). Place & public longing: Sharon Hayes's love addresses as critical spatial practice. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/475304/rec/5060

Chicago Manual of Style (16th Edition):

Eberle, Clare Dwyer. “Place & public longing: Sharon Hayes's love addresses as critical spatial practice.” 2014. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/475304/rec/5060.

MLA Handbook (7th Edition):

Eberle, Clare Dwyer. “Place & public longing: Sharon Hayes's love addresses as critical spatial practice.” 2014. Web. 17 Jan 2020.

Vancouver:

Eberle CD. Place & public longing: Sharon Hayes's love addresses as critical spatial practice. [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/475304/rec/5060.

Council of Science Editors:

Eberle CD. Place & public longing: Sharon Hayes's love addresses as critical spatial practice. [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/475304/rec/5060


University of Southern California

5. Kouneski, Julia. The open body.

Degree: MFA, Fine Arts, 2014, University of Southern California

Considering objects, performance, and forms of bodywork, this thesis investigates what it means to be a body without resistance: a fluid body; an open body. Advisors/Committee Members: Steiner, A.L. (Committee Chair), Madani, Tala (Committee Member), Butler, Connie (Committee Member).

Subjects/Keywords: performance; bodies; bodywork; resistance; Einfuhlung; empathy; limits; fluidity; Lygia Clark; Body without organs; Jerome Bel; Jerzy Grotowski; Barbara T. Smith

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APA (6th Edition):

Kouneski, J. (2014). The open body. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/431690/rec/7032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kouneski, Julia. “The open body.” 2014. Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/431690/rec/7032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kouneski, Julia. “The open body.” 2014. Web. 17 Jan 2020.

Vancouver:

Kouneski J. The open body. [Internet] [Thesis]. University of Southern California; 2014. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/431690/rec/7032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kouneski J. The open body. [Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/431690/rec/7032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

6. Courtney, Amanda. Anna Halprin's Ceremony of us: pedagogy for collective movement and embodiment.

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2014, University of Southern California

 Since the early 1950s, experimental dancer Anna Halprin had rejected traditional modern dance in favor of a more humanistic approach to the art form by… (more)

Subjects/Keywords: theatre; dance; postmodern dance; Anna Halprin; score; pedagogy; embodiment; collective; Watts; Watts Riots; Los Angeles; 1960s; race; collective movement; James Woods; Wanda Coleman; Studio Watts Workshop; San Francisco Dance Workshop

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APA (6th Edition):

Courtney, A. (2014). Anna Halprin's Ceremony of us: pedagogy for collective movement and embodiment. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405425/rec/835

Chicago Manual of Style (16th Edition):

Courtney, Amanda. “Anna Halprin's Ceremony of us: pedagogy for collective movement and embodiment.” 2014. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405425/rec/835.

MLA Handbook (7th Edition):

Courtney, Amanda. “Anna Halprin's Ceremony of us: pedagogy for collective movement and embodiment.” 2014. Web. 17 Jan 2020.

Vancouver:

Courtney A. Anna Halprin's Ceremony of us: pedagogy for collective movement and embodiment. [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405425/rec/835.

Council of Science Editors:

Courtney A. Anna Halprin's Ceremony of us: pedagogy for collective movement and embodiment. [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/405425/rec/835


University of Southern California

7. Matalon, Rebecca. Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving".

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2013, University of Southern California

 This essay examines the activities of the New-York-based artist-run organization Parasite (1997-1998). Dedicated to proposing alternate economies for project work—a mode of contemporary artistic practice… (more)

Subjects/Keywords: Parasite; Parasite 1997-1998; project work; project art; artist-run; collective; post-studio; site-specificity; institutional critique; conceptualism; conceptual art; art activism; self-organized; analytic intervention; alternative economy; performative discourse; re-presentation; re-performance; critical art practice; counter practice; archive; archives; activist archiving; Parasite archive; document collection; Parasite Document Collection; Art Workers' Coalition; AWC; Clocktower Gallery; Drawing Room; Drawing Center; art history; Julie Ault; Martin Beck; Tom Burr; Michael Clegg; Mark Dion; Andrea Fraser; Renée Green; Ben Kinmont; Silvia Kolbowski; Simon Leung; Christian Marclay; Nils Norman; Christian Philipp Müller; Fred Wilson; Mel Bochner; Working drawings and other visible things on paper not necessarily meant to be viewed as art; 1966

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APA (6th Edition):

Matalon, R. (2013). Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving". (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915

Chicago Manual of Style (16th Edition):

Matalon, Rebecca. “Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving".” 2013. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915.

MLA Handbook (7th Edition):

Matalon, Rebecca. “Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving".” 2013. Web. 17 Jan 2020.

Vancouver:

Matalon R. Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving". [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915.

Council of Science Editors:

Matalon R. Parasite 1997-1998: "It's always while looking at the part that the whole is seen to be moving". [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/311588/rec/4915


University of Southern California

8. Barbour, Rhonda ReChelle. Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera.

Degree: MA, Public Art Studies, 2013, University of Southern California

 This thesis argues that Cuban born artists Ana Mendieta and Tania Bruguera use ritual and body-based performance art to explore memories of their homeland and… (more)

Subjects/Keywords: performance; memory; ritual; cuban artist; tania bruguera; ana mendieta; havana biennial; ritual; santeria; feminist art; resistance; nabakua; cuba; msytical; tatlin's last whisper; the burden of guilt; feminist theory; silueta series; body-based performance; memories; homeland; cuban political history; performance narrative; repression; allison landsberg; jack halberstam; connie butler; earthbody; afro-cuban; rebirth; ajiaco; belkis ayon; maria magdelena campos-pons; olga viso; caribbean artist; female identity; goddess; curator; art history; gerardo mosquera; latina artist; latin american artist; operation peter pan; operation pedro pan; fidel castro; carl andre; female archetype; lucy lippard; imagen de yagul; zapotec; effies; afro-cuban iconography.body tracks; burial; cildo miereles; doris salcedo; chelle barbour; lygia clark; silueta

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APA (6th Edition):

Barbour, R. R. (2013). Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982

Chicago Manual of Style (16th Edition):

Barbour, Rhonda ReChelle. “Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera.” 2013. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982.

MLA Handbook (7th Edition):

Barbour, Rhonda ReChelle. “Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera.” 2013. Web. 17 Jan 2020.

Vancouver:

Barbour RR. Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982.

Council of Science Editors:

Barbour RR. Perfomance of memory and ritual: selected works by Ana Mendieta and Tania Bruguera. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/243051/rec/4982


University of Southern California

9. McCornack, Julia R. Reinventing ephemeral forms: an investigation of the reinvention of Allan Kaprow's work in Allan Kaprow—Art as life (2008).

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2014, University of Southern California

 The late Allan Kaprow’s notion of reinvention functions as a model that carefully systematizes future instantiations of the artist’s work. Deftly articulated through his writings,… (more)

Subjects/Keywords: Allan Kaprow; reinvention; reperformance; restaging; representation; reenactment; Allan Kaprow— Art as life; MOCA; happening; environment

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCornack, J. R. (2014). Reinventing ephemeral forms: an investigation of the reinvention of Allan Kaprow's work in Allan Kaprow—Art as life (2008). (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/378806/rec/5499

Chicago Manual of Style (16th Edition):

McCornack, Julia R. “Reinventing ephemeral forms: an investigation of the reinvention of Allan Kaprow's work in Allan Kaprow—Art as life (2008).” 2014. Masters Thesis, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/378806/rec/5499.

MLA Handbook (7th Edition):

McCornack, Julia R. “Reinventing ephemeral forms: an investigation of the reinvention of Allan Kaprow's work in Allan Kaprow—Art as life (2008).” 2014. Web. 17 Jan 2020.

Vancouver:

McCornack JR. Reinventing ephemeral forms: an investigation of the reinvention of Allan Kaprow's work in Allan Kaprow—Art as life (2008). [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/378806/rec/5499.

Council of Science Editors:

McCornack JR. Reinventing ephemeral forms: an investigation of the reinvention of Allan Kaprow's work in Allan Kaprow—Art as life (2008). [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/378806/rec/5499

.