+publisher:"University of Saskatchewan" +contributor:("Purdue, Peter")

University of Saskatchewan

1. Bishop, Kevin. Wood.

Degree: 2011, University of Saskatchewan

URL: http://hdl.handle.net/10388/ETD-2011-09-111

An investigation into the epistemology of manhood - defining an idealized man in the age of late capitalism. Advisors/Committee Members: Ringness, Charles, Nowlin, Tim, Purdue, Peter.

Subjects/Keywords: masculinity; printmaking; hegemony

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bishop, K. (2011). Wood. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2011-09-111

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bishop, Kevin. “Wood.” 2011. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/ETD-2011-09-111.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bishop, Kevin. “Wood.” 2011. Web. 18 Apr 2021.

Vancouver:

Bishop K. Wood. [Internet] [Thesis]. University of Saskatchewan; 2011. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/ETD-2011-09-111.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bishop K. Wood. [Thesis]. University of Saskatchewan; 2011. Available from: http://hdl.handle.net/10388/ETD-2011-09-111

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

2. Gay, Felicia Deirdre. The red shift : a contemporary Aboriginal curatorial praxis.

Degree: 2011, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-06302011-093701

► The museum and the gallery are two sites in Canada that are instantly imagined as spaces that house the history and culture of the white… (more)

▼ The museum and the gallery are two sites in Canada that are instantly imagined as spaces that house the history and culture of the white man. This statement of course is a generalization. However, in my youth, this is how I visualized these particular sites of culture housed here in the west. I know now that there is a rich Indigenous counter-history within the still white spaces of the gallery and museum. My personal interest is with this Aboriginal narrative as it is voiced by artists, writers and curators whose work is tied to the gallery or museum space. This thesis is a reflection on my own praxis as a curator that has since 1997 taken me to both museum and gallery sites. The existence of Indigenous public institutions—such as an Aboriginal community museum or an Aboriginal contemporary art gallery—creates a red shift within a community’s cultural imaginary. In Canada, many Aboriginal artists, curators, scholars, educators and writers have engaged tirelessly for many decades in decolonizing cultural work that centers Aboriginal voice, history and collective memory. In my curatorial work as co-founder and director of The Red Shift Gallery: an aboriginal contemporary art space in Saskatoon, Saskatchewan, I am indebted to, and inspired by, the experience, example, creativity and wisdom of these cultural workers who continue to forge the way: infiltrating, appropriating, and re-making existing institutions and discourses, as well as creating new Aboriginal-centred events, places, and images, they are shifting the boundaries of what is considered to be relevant both in art, in history, and in the present. In this thesis, I will discuss my emerging praxis as a curator. In the Introduction: Nachimowin-My Story, I reflect on my early life in Cumberland House, Saskatchewan and the cultural lessons I have retained from living with my Cree grandparents, Peter and Margaret Buck, and, the colonial lessons I have learnt in the wider community of Cumberland House. I also talk about the founding of the “Misti Saghikan Historical Committee” in Cumberland House, which is still to this day a fledgling project. In Chapter 1: Methodology in Motion, I examine how my thinking about curatorial work has been influenced by a number of Aboriginal educators and cultural theorists, including Marie Battiste, Linda Tuhiwai Smith, Graham Hingangaroa Smith, and the cultural workers who participated in the Making a Noise conference and publication, among others. In Chapter 2: The Red Shift, I talk about co-founding The Red Shift Gallery with Joi Arcand and I discuss selected exhibits that I have curated and programmed as director of this gallery and as an independent curator. In chapter 3: Othered Women, I discuss an exhibition I curated—Othered Women (2008)—that examine the discursive and material violence of imperialism and its impacts on the lives of Aboriginal women, past and present. In 2008, I was awarded a Canada Council for the Arts Aboriginal Curatorial Residency at aka gallery, Saskatoon. As part of this residency, I developed a… Advisors/Committee Members: Bell, Lynne, Lee, Deborah, Bell, Keith, Findlay, Isobel, Purdue, Peter, Battiste, Marie.

Subjects/Keywords: Aboriginal curating; Aboriginal art; Post-colonial strategy

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gay, F. D. (2011). The red shift : a contemporary Aboriginal curatorial praxis. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-06302011-093701

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gay, Felicia Deirdre. “The red shift : a contemporary Aboriginal curatorial praxis.” 2011. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-06302011-093701.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gay, Felicia Deirdre. “The red shift : a contemporary Aboriginal curatorial praxis.” 2011. Web. 18 Apr 2021.

Vancouver:

Gay FD. The red shift : a contemporary Aboriginal curatorial praxis. [Internet] [Thesis]. University of Saskatchewan; 2011. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-06302011-093701.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gay FD. The red shift : a contemporary Aboriginal curatorial praxis. [Thesis]. University of Saskatchewan; 2011. Available from: http://hdl.handle.net/10388/etd-06302011-093701

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Bischoff, Susan Colette. Music, growth and wisdom : the educational thought of Carl Orff and Alfred North Whitehead.

Degree: 2009, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-04092009-123506

► This thesis demonstrates how an interdisciplinary, organic music program built on the theory of Alfred North Whitehead and the practice of Carl Orff fosters freedom,… (more)

Subjects/Keywords: education; Orff-Schulwerk; romance; rhythmic cycles of growth; discipline; freedom; interdisciplinary; organic; precision; generalization; arts; aesthetics

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bischoff, S. C. (2009). Music, growth and wisdom : the educational thought of Carl Orff and Alfred North Whitehead. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-04092009-123506

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bischoff, Susan Colette. “Music, growth and wisdom : the educational thought of Carl Orff and Alfred North Whitehead.” 2009. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-04092009-123506.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bischoff, Susan Colette. “Music, growth and wisdom : the educational thought of Carl Orff and Alfred North Whitehead.” 2009. Web. 18 Apr 2021.

Vancouver:

Bischoff SC. Music, growth and wisdom : the educational thought of Carl Orff and Alfred North Whitehead. [Internet] [Thesis]. University of Saskatchewan; 2009. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-04092009-123506.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bischoff SC. Music, growth and wisdom : the educational thought of Carl Orff and Alfred North Whitehead. [Thesis]. University of Saskatchewan; 2009. Available from: http://hdl.handle.net/10388/etd-04092009-123506

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Bilyk, Donna. Traces.

Degree: 2013, University of Saskatchewan

URL: http://hdl.handle.net/10388/ETD-2013-03-975

► We live and we die…that much holds true. What we do in between becomes our TRACES… My thesis exhibition is comprised of acrylic paintings, silkscreen… (more)

Subjects/Keywords: Traces; Donna Bilyk

11 more images…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bilyk, D. (2013). Traces. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2013-03-975

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bilyk, Donna. “Traces.” 2013. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/ETD-2013-03-975.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bilyk, Donna. “Traces.” 2013. Web. 18 Apr 2021.

Vancouver:

Bilyk D. Traces. [Internet] [Thesis]. University of Saskatchewan; 2013. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/ETD-2013-03-975.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bilyk D. Traces. [Thesis]. University of Saskatchewan; 2013. Available from: http://hdl.handle.net/10388/ETD-2013-03-975

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Browning, Mackenzie. A Suburb Sinner.

Degree: Master, 2014, University of Saskatchewan

URL: http://hdl.handle.net/10388/ETD-2014-09-1746

Master of Fine Arts thesis by Mackenzie Browning Advisors/Committee Members: Nowlin, Tim, Shantz, Susan, Norlen, Alison, Graham, John D., Crane, Jennifer, Purdue, Peter.

Subjects/Keywords: Printmaking; Installation; Sculpture; Suburbs; Suburbia; Printstallation; Dominique Pétrin; Handmade; Decorative; Design; Mitch Mitchell

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Browning, M. (2014). A Suburb Sinner. (Masters Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2014-09-1746

Chicago Manual of Style (16^th Edition):

Browning, Mackenzie. “A Suburb Sinner.” 2014. Masters Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/ETD-2014-09-1746.

MLA Handbook (7^th Edition):

Browning, Mackenzie. “A Suburb Sinner.” 2014. Web. 18 Apr 2021.

Vancouver:

Browning M. A Suburb Sinner. [Internet] [Masters thesis]. University of Saskatchewan; 2014. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/ETD-2014-09-1746.

Council of Science Editors:

Browning M. A Suburb Sinner. [Masters Thesis]. University of Saskatchewan; 2014. Available from: http://hdl.handle.net/10388/ETD-2014-09-1746

University of Saskatchewan

6. Hare, James Edward. The breakfast series.

Degree: 2007, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-12032007-213328

► The purpose of this project was to produce visual work that examined a possible nostalgia that unfolds around the breakfast meal. The method of examination… (more)

Subjects/Keywords: two; art; long; took; way; photography

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hare, J. E. (2007). The breakfast series. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-12032007-213328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hare, James Edward. “The breakfast series.” 2007. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-12032007-213328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hare, James Edward. “The breakfast series.” 2007. Web. 18 Apr 2021.

Vancouver:

Hare JE. The breakfast series. [Internet] [Thesis]. University of Saskatchewan; 2007. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-12032007-213328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hare JE. The breakfast series. [Thesis]. University of Saskatchewan; 2007. Available from: http://hdl.handle.net/10388/etd-12032007-213328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

7. Pilling, Rick A. Self/portrait.

Degree: 2008, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-04142008-145740

► SELF/PORTRAIT is an exploration of the creative process. Based in the genre of portraiture, this collection of work seeks to reveal the ways in which… (more)

Subjects/Keywords: figurative painting; acrylic; self-portait; Rick Pilling; Rick A Pilling; Richard A Pilling; painting; portraiture; portait

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pilling, R. A. (2008). Self/portrait. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-04142008-145740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pilling, Rick A. “Self/portrait.” 2008. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-04142008-145740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pilling, Rick A. “Self/portrait.” 2008. Web. 18 Apr 2021.

Vancouver:

Pilling RA. Self/portrait. [Internet] [Thesis]. University of Saskatchewan; 2008. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-04142008-145740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pilling RA. Self/portrait. [Thesis]. University of Saskatchewan; 2008. Available from: http://hdl.handle.net/10388/etd-04142008-145740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

8. Young, Patrick S. An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan.

Degree: 2006, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-03092009-082736

► Recent archaeological surveys on Peter Pond Lake have provided an opportunity to better elucidate the Late Woodland period of occupation in the upper Churchill River… (more)

▼ Recent archaeological surveys on Peter Pond Lake have provided an opportunity to better elucidate the Late Woodland period of occupation in the upper Churchill River basin of northwestern Saskatchewan. Previous studies identified two pottery-bearing cultures in the region. This included the Kisis complex of the well-documented Selkirk composite, which is characterized by Winnipeg Fabric-impressed ware and dates from approximately A.D. 1300 through to the historic period. The second was a lesser-known archaeological entity represented by limited pottery recoveries from just two sites in the region. Early interpretations proposed this latter "Narrows" pottery represented an incursion of the plains adapted Old Women's phase into the region, with a suggested age of approximately A.D. 1000 to 1300. Through a comprehensive analysis of pottery assemblages recently recovered from over twenty sites in the Peter Pond Lake region, this study was able to further validate the original description of the Kisis complex, but more significantly, propose a new pottery ware and complex for the enigmatic Narrows pottery assemblages. As a result, this pottery is now formally classified as Narrows Fabric-impressed ware and is considered characteristic of the Buffalo Lake complex. This complex is centered on Peter Pond Lake and appears to have an extensive presence in the region. Recently obtained radiocarbon dates indicate it is slightly younger than originally believed, and spanned from approximately A.D 1200 to 1500. Unlike previous interpretations, which suggest this pottery represents a plains influence in the region, the Buffalo Lake complex is considered a boreal forest manifestation, with origins that lie in the woodlands to the southeast. The pottery shares particular affinities with contemporaneous Sandy Lake ware that has a distribution extending from east-central Saskatchewan through to northwestern Ontario and Minnesota, with additional influences evident from Winnipeg Fabric-impressed ware found throughout northern Saskatchewan, Manitoba and Ontario. Advisors/Committee Members: Meyer, David, Walker, Ernest G., Hanna, Margaret, Purdue, Peter.

Subjects/Keywords: pottery; Late Woodland; Peter Pond Lake; Buffalo Lake complex; Narrows Fabric-impressed ware

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Young, P. S. (2006). An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-03092009-082736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Young, Patrick S. “An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan.” 2006. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-03092009-082736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Young, Patrick S. “An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan.” 2006. Web. 18 Apr 2021.

Vancouver:

Young PS. An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan. [Internet] [Thesis]. University of Saskatchewan; 2006. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-03092009-082736.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Young PS. An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan. [Thesis]. University of Saskatchewan; 2006. Available from: http://hdl.handle.net/10388/etd-03092009-082736

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

9. MacLean, Laura L. Analysis of textile impressions from pottery of the Selkirk composite.

Degree: 1995, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-10082009-075822

► The boreal forest regions of Saskatchewan and Manitoba are characterized by Late Woodland period archaeological assemblages. Although the pottery associated with these assemblages exhibit textile… (more)

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

MacLean, L. L. (1995). Analysis of textile impressions from pottery of the Selkirk composite. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-10082009-075822

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

MacLean, Laura L. “Analysis of textile impressions from pottery of the Selkirk composite.” 1995. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-10082009-075822.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

MacLean, Laura L. “Analysis of textile impressions from pottery of the Selkirk composite.” 1995. Web. 18 Apr 2021.

Vancouver:

MacLean LL. Analysis of textile impressions from pottery of the Selkirk composite. [Internet] [Thesis]. University of Saskatchewan; 1995. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-10082009-075822.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacLean LL. Analysis of textile impressions from pottery of the Selkirk composite. [Thesis]. University of Saskatchewan; 1995. Available from: http://hdl.handle.net/10388/etd-10082009-075822

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

10. Velkova, Biliana. Biliana Velkova : the musical.

Degree: 2010, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-09162010-121036

► Biliana Velkova-The Musical is a personal story about coming of age within two distinct ideologies, communism and capitalism and the impact of immigration and assimilation.… (more)

Subjects/Keywords: Bulgaria; performance art; musicals; Post communist theory

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Velkova, B. (2010). Biliana Velkova : the musical. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-09162010-121036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Velkova, Biliana. “Biliana Velkova : the musical.” 2010. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-09162010-121036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Velkova, Biliana. “Biliana Velkova : the musical.” 2010. Web. 18 Apr 2021.

Vancouver:

Velkova B. Biliana Velkova : the musical. [Internet] [Thesis]. University of Saskatchewan; 2010. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-09162010-121036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Velkova B. Biliana Velkova : the musical. [Thesis]. University of Saskatchewan; 2010. Available from: http://hdl.handle.net/10388/etd-09162010-121036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

11. Schwab, Jordan Leo David. How to get things done.

Degree: 2009, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-09282009-082526

A thesis dedicated to getting things done. Advisors/Committee Members: Ringness, Charles, Purdue, Peter, Nowlin, Tim, Brenner, Dwayne.

Subjects/Keywords: Entropy; efficiency; dirt

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Schwab, J. L. D. (2009). How to get things done. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-09282009-082526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Schwab, Jordan Leo David. “How to get things done.” 2009. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-09282009-082526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Schwab, Jordan Leo David. “How to get things done.” 2009. Web. 18 Apr 2021.

Vancouver:

Schwab JLD. How to get things done. [Internet] [Thesis]. University of Saskatchewan; 2009. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-09282009-082526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schwab JLD. How to get things done. [Thesis]. University of Saskatchewan; 2009. Available from: http://hdl.handle.net/10388/etd-09282009-082526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

12. Mokelki, Lorie Lynn. Vickers focus and mortlach-examining cultural connections in the Makotchi-Ded Dontipi locale.

Degree: 2007, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-05312007-110134

► Many of the pre-contact and early contact cultures of the Northern Plains have been the subjects of debate in archaeological circles. Mortlach and Vickers focus… (more)

▼ Many of the pre-contact and early contact cultures of the Northern Plains have been the subjects of debate in archaeological circles. Mortlach and Vickers focus are no exception. One of the issues to date is the possible relationship between these two groups. A key to understanding this relationship lies in the Makotchi-Ded Dontipi locale in Manitoba’s Lauder Sandhills. This unique “ecological island” is home to a great number of sites (Hamilton and Nicholson1999), including neighboring Vickers focus and Mortlach sites.This study offers the results of a comprehensive analysis of the pottery assemblages recovered from the Jackson, Vera, Twin Fawns, Schuddemat and Hollow B sites of the Makotchi-Ded Dontipi locale. In addition, it examines the prior cultural affiliation of these sites. Though in many ways different from eastern Vickers focus assemblages, Jackson and Vera assemblages should be considered Vickers focus. Many of the discrepancies are due to the changing nature of the sites over time in conjunction with contact with neighboring Mortlach groups. Schuddemat and Twin Fawns also differ from typical Mortlach assemblages. These differences can be attributed to their location on the eastern periphery of the Mortlach spatial distribution where they came in contact with, and were likely joined by Vickers focus people.Mortlach, Vickers focus and Wascana ware are likely all a part of a larger phenomenon of eastern Woodlands migration onto the Canadian Plains. These cultures became distinct over time through interaction with neighboring groups and exploitation of territorial resource bases. Though distinct, they share a number of similarities reflecting common ancestors. These similarities culminate in the Makotchi-Ded Dontipi locale where interaction between Mortlach and Vickers focus people likely resulted in the amalgamation of Vickers focus into Mortlach. This amalgamation is reflected in the pottery assemblages of Twin Fawns and Schuddemat which seem to represent a Vickers variant of the Lake Midden subphase of Mortlach. Advisors/Committee Members: Purdue, Peter, Nicholson, Bev A., Meyer, David, Kennedy, Margaret A..

Subjects/Keywords: pottery; Late Woodland; Vickers focus; Mortlach

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mokelki, L. L. (2007). Vickers focus and mortlach-examining cultural connections in the Makotchi-Ded Dontipi locale. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-05312007-110134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mokelki, Lorie Lynn. “Vickers focus and mortlach-examining cultural connections in the Makotchi-Ded Dontipi locale.” 2007. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-05312007-110134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mokelki, Lorie Lynn. “Vickers focus and mortlach-examining cultural connections in the Makotchi-Ded Dontipi locale.” 2007. Web. 18 Apr 2021.

Vancouver:

Mokelki LL. Vickers focus and mortlach-examining cultural connections in the Makotchi-Ded Dontipi locale. [Internet] [Thesis]. University of Saskatchewan; 2007. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-05312007-110134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mokelki LL. Vickers focus and mortlach-examining cultural connections in the Makotchi-Ded Dontipi locale. [Thesis]. University of Saskatchewan; 2007. Available from: http://hdl.handle.net/10388/etd-05312007-110134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

13. Brandzin-Low, Vera. The distribution and characteristics of Laurel ceramics from northern Manitoba : a comparative study.

Degree: 1997, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-07282009-130948

► This thesis presents a synthesis of information regarding Laurel ceramics recovered in northern Manitoba and Saskatchewan. The major goal of the project was to present… (more)

▼ This thesis presents a synthesis of information regarding Laurel ceramics recovered in northern Manitoba and Saskatchewan. The major goal of the project was to present the information within a holistic context of the entire Laurel ceramic framework. To accomplish this goal, the known Laurel ceramic assemblages from the northern Manitoba study area and from Saskatchewan were compared with selected assemblages from southeastern Manitoba, northwestern Ontario and northern Minnesota. Modification of existing typological systems allowed for the classification of the northern Manitoba ceramic sample. However, it was found these Minnesota derived systems decrease in applicability away from the northern Minnesota/Rainy River region. The need for modified systems that take into account the regionalism of Laurel and reflect the distinctive assemblages within Manitoba was evident during the classification process. The site distribution and recovery densities do not suggest independent development of Laurel in Saskatchewan or northern Manitoba. The available evidence is interpreted as representing seasonal excursions into these areas. Suggestion for the addition of a new composite to encompass these regions is rejected. Similarities between idiosyncratic vessels in the study area assemblage and vessels from southeastern Manitoba and northwestern Ontario suggest a direct correlation of specific groups or potters. Distinctive vessels found within the study region also suggest the presence of a specific potter at several sites. The results of the ceramic analysis imply a long discontinuous representation of Laurel in northern Manitoba beginning in approximately the second century A.D. and ending in the very latest stages of the Laurel existence around A.D. 1200. It is suggested that Laurel was present in Saskatchewan slightly later than in the study area. Occupation of both northern Manitoba and Saskatchewan is restricted during the earliest and latest stages and appears to be concentrated during the middle periods of the Laurel developmental sequence. Advisors/Committee Members: Purdue, Peter, Meyer, David, Linnamae, Urve, Walker, Ernest G..

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Brandzin-Low, V. (1997). The distribution and characteristics of Laurel ceramics from northern Manitoba : a comparative study. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-07282009-130948

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brandzin-Low, Vera. “The distribution and characteristics of Laurel ceramics from northern Manitoba : a comparative study.” 1997. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-07282009-130948.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brandzin-Low, Vera. “The distribution and characteristics of Laurel ceramics from northern Manitoba : a comparative study.” 1997. Web. 18 Apr 2021.

Vancouver:

Brandzin-Low V. The distribution and characteristics of Laurel ceramics from northern Manitoba : a comparative study. [Internet] [Thesis]. University of Saskatchewan; 1997. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-07282009-130948.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brandzin-Low V. The distribution and characteristics of Laurel ceramics from northern Manitoba : a comparative study. [Thesis]. University of Saskatchewan; 1997. Available from: http://hdl.handle.net/10388/etd-07282009-130948

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

14. Young, Patrick S. An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan.

Degree: 2006, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-02202008-155901

► Recent archaeological surveys on Peter Pond Lake have provided an opportunity to better elucidate the Late Woodland period of occupation in the upper Churchill River… (more)

▼ Recent archaeological surveys on Peter Pond Lake have provided an opportunity to better elucidate the Late Woodland period of occupation in the upper Churchill River basin of northwestern Saskatchewan. Previous studies identified two pottery-bearing cultures in the region. This included the Kisis complex of the well-documented Selkirk composite, which is characterized by Winnipeg Fabric-impressed ware and dates from approximately A.D. 1300 through to the historic period. The second was a lesser-known archaeological entity represented by limited pottery recoveries from just two sites in the region. Early interpretations proposed this latter “Narrows” pottery represented an incursion of the plains adapted Old Women’s phase into the region, with a suggested age of approximately A.D. 1000 to 1300. Through a comprehensive analysis of pottery assemblages recently recovered from over twenty sites in the Peter Pond Lake region, this study was able to further validate the original description of the Kisis complex, but more significantly, propose a new pottery ware and complex for the enigmatic Narrows pottery assemblages. As a result, this pottery is now formally classified as Narrows Fabric-impressed ware and is considered characteristic of the Buffalo Lake complex. This complex is centered on Peter Pond Lake and appears to have an extensive presence in the region. Recently obtained radiocarbon dates indicate it is slightly younger than originally believed, and spanned from approximately A.D 1200 to 1500. Unlike previous interpretations, which suggest this pottery represents a plains influence in the region, the Buffalo Lake complex is considered a boreal forest manifestation, with origins that lie in the woodlands to the southeast. The pottery shares particular affinities with contemporaneous Sandy Lake ware that has a distribution extending from east-central Saskatchewan through to northwestern Ontario and Minnesota, with additional influences evident from Winnipeg Fabric-impressed ware found throughout northern Saskatchewan, Manitoba and Ontario. Advisors/Committee Members: Meyer, David, Purdue, Peter, Hanna, Margaret, Walker, Ernest G..

Subjects/Keywords: Narrows Fabric-impressed ware; Buffalo Lake complex; Late Woodland; Peter Pond Lake; pottery

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Young, P. S. (2006). An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-02202008-155901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Young, Patrick S. “An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan.” 2006. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-02202008-155901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Young, Patrick S. “An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan.” 2006. Web. 18 Apr 2021.

Vancouver:

Young PS. An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan. [Internet] [Thesis]. University of Saskatchewan; 2006. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-02202008-155901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Young PS. An analysis of Late Woodland ceramics from Peter Pond Lake, Saskatchewan. [Thesis]. University of Saskatchewan; 2006. Available from: http://hdl.handle.net/10388/etd-02202008-155901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

15. Duncan, Chai Stephen. The privilege of being solid.

Degree: 2006, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-06152006-160921

► My thesis exhibition entitled The Privilege of Being Solid is an exploration of the tension that is generated by our desire for an ultimate corporeal… (more)

▼ My thesis exhibition entitled The Privilege of Being Solid is an exploration of the tension that is generated by our desire for an ultimate corporeal security and the realization that nothing is permanent. This tension expresses itself in the world in varying degrees through programs of repression oscillating with periods of chaos. We live in a post-modern era of fragmentation and uncertainty, although modernist attitudes concerned with universals, certainties and a manic desire to control largely guide many of our institutions, political and otherwise. I believe that this desire to control creates cultural anxiety due to the virtual unattainability of certainty and control. This denial of our inherent insecurity, vulnerability and ultimate mortality generates a violence that feeds back into our collective anxiety. The loop perpetuates itself in a cycle of fear, denial and arrogance that fuels a raft of industries devoted to security, feeding off of our communal angst. The very human characteristic that has enabled these circumstances is the subject of this exhibition.It is my intention to reflect some of the contradictions found in our current condition by generating a dialogue between fragility and strength; beauty and the abject; certainty and doubt; liquid and solid; as well as humor and emotional gravity. These contradictions extend to my material of choice as well. With the exception of a two channel video installation, all the works in the exhibition employ encaustic (wax) processes. Although wax appears to be solid, it is in fact classified as a liquid. It is always in flux and unless conditions are ideal, wax remains in a precariously unstable condition. It also reflects in its materiality, a sensuality that is of primary importance to me as an artist, both in terms of the processes in which I engage in my studio, as well as the objects I create for a potential viewer.Through sculptural processes of casting, pouring and melting, encaustic mark making and digital manipulations of physical theater, I want to contrast the forces at work within our lives that seek to control our environment with notions of surrender to the natural state of impermanence in which we reside. I want to reflect the oscillation between the collective desire for security and the knowledge of our inherent fragility and vulnerability. Advisors/Committee Members: Shantz, Susan, Sarty, Gordon E., Purdue, Peter, Fowler, Graham.

Subjects/Keywords: encaustic; buddhism; video; impermanence; rites of passage; surrealism; art; sculpture

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Duncan, C. S. (2006). The privilege of being solid. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-06152006-160921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Duncan, Chai Stephen. “The privilege of being solid.” 2006. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-06152006-160921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Duncan, Chai Stephen. “The privilege of being solid.” 2006. Web. 18 Apr 2021.

Vancouver:

Duncan CS. The privilege of being solid. [Internet] [Thesis]. University of Saskatchewan; 2006. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-06152006-160921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duncan CS. The privilege of being solid. [Thesis]. University of Saskatchewan; 2006. Available from: http://hdl.handle.net/10388/etd-06152006-160921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Saskatchewan

16. Matheson, Elizabeth Mavis. The perfect home for the imbalanced : visual culture and the built space of the asylum in early twentieth century and post war Saskatchewan.

Degree: 2010, University of Saskatchewan

URL: http://hdl.handle.net/10388/etd-07162010-122638

► In the dominant North American imagination, the asylum has always been a place of the “other” in society. Stories of Saskatchewan asylums and their reincarnations… (more)

Subjects/Keywords: Eugenics; Spatial Practices; Institutional Architecture; Saskatchewan Mental Hospitals

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Matheson, E. M. (2010). The perfect home for the imbalanced : visual culture and the built space of the asylum in early twentieth century and post war Saskatchewan. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-07162010-122638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Matheson, Elizabeth Mavis. “The perfect home for the imbalanced : visual culture and the built space of the asylum in early twentieth century and post war Saskatchewan.” 2010. Thesis, University of Saskatchewan. Accessed April 18, 2021. http://hdl.handle.net/10388/etd-07162010-122638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Matheson, Elizabeth Mavis. “The perfect home for the imbalanced : visual culture and the built space of the asylum in early twentieth century and post war Saskatchewan.” 2010. Web. 18 Apr 2021.

Vancouver:

Matheson EM. The perfect home for the imbalanced : visual culture and the built space of the asylum in early twentieth century and post war Saskatchewan. [Internet] [Thesis]. University of Saskatchewan; 2010. [cited 2021 Apr 18]. Available from: http://hdl.handle.net/10388/etd-07162010-122638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Matheson EM. The perfect home for the imbalanced : visual culture and the built space of the asylum in early twentieth century and post war Saskatchewan. [Thesis]. University of Saskatchewan; 2010. Available from: http://hdl.handle.net/10388/etd-07162010-122638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

		in
And / Or
		in
And / Or
		in
And / Or
		in

Open Access Theses and Dissertations