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You searched for +publisher:"University of Notre Dame" +contributor:("Kathleen Pyne, Committee Chair"). Showing records 1 – 6 of 6 total matches.

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University of Notre Dame

1. Quinn Darlington. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.

Degree: MA, Art, Art History and Design, 2012, University of Notre Dame

  Carrie Stettheimer’s Dollhouse was created over the course of almost twenty years (from 1916-1935) and was inspired in part by the Stettheimers’ luxurious homes,… (more)

Subjects/Keywords: domesticity; avant-garde; art; femininity

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APA (6th Edition):

Darlington, Q. (2012). Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/n296ww74n5t

Chicago Manual of Style (16th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Masters Thesis, University of Notre Dame. Accessed January 23, 2020. https://curate.nd.edu/show/n296ww74n5t.

MLA Handbook (7th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Web. 23 Jan 2020.

Vancouver:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2012. [cited 2020 Jan 23]. Available from: https://curate.nd.edu/show/n296ww74n5t.

Council of Science Editors:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Masters Thesis]. University of Notre Dame; 2012. Available from: https://curate.nd.edu/show/n296ww74n5t


University of Notre Dame

2. Anna G O'Meara. Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>.

Degree: MA, Art, Art History, and Design, 2013, University of Notre Dame

  It is very easy to misuse words when describing Debord and what he has produced. We should not refer to Debord as an “artist,”… (more)

Subjects/Keywords: Guy Debord; Religion; In Girum Imus Nocte et Consumimur Igni; Hegel; The Society of the Spectacle; Heresy; Marx; Diabolical

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APA (6th Edition):

O'Meara, A. G. (2013). Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/7h149p30z8s

Chicago Manual of Style (16th Edition):

O'Meara, Anna G. “Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>.” 2013. Masters Thesis, University of Notre Dame. Accessed January 23, 2020. https://curate.nd.edu/show/7h149p30z8s.

MLA Handbook (7th Edition):

O'Meara, Anna G. “Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>.” 2013. Web. 23 Jan 2020.

Vancouver:

O'Meara AG. Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2013. [cited 2020 Jan 23]. Available from: https://curate.nd.edu/show/7h149p30z8s.

Council of Science Editors:

O'Meara AG. Speaking the Language of Religion for the Last Time: Guy Debord's Critique of Religion in The Society of the Spectacle and In Girum Imus Nocte et Consumimur Igni</h1>. [Masters Thesis]. University of Notre Dame; 2013. Available from: https://curate.nd.edu/show/7h149p30z8s


University of Notre Dame

3. Erica Elaine Hansen. Static Renderings, Shifting Identities:.

Degree: MA, Art, Art History, and Design, 2009, University of Notre Dame

  The paintings of Elbridge Ayer Burbank (1858Ì¢�âÂ"1949) were admired in his lifetime, especially but not exclusively by the anthropological community of collectors and museum… (more)

Subjects/Keywords: identity; painting; anthropology; hybridity; ethnology; drawing; art; native

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APA (6th Edition):

Hansen, E. E. (2009). Static Renderings, Shifting Identities:. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/7w62f76431f

Chicago Manual of Style (16th Edition):

Hansen, Erica Elaine. “Static Renderings, Shifting Identities:.” 2009. Masters Thesis, University of Notre Dame. Accessed January 23, 2020. https://curate.nd.edu/show/7w62f76431f.

MLA Handbook (7th Edition):

Hansen, Erica Elaine. “Static Renderings, Shifting Identities:.” 2009. Web. 23 Jan 2020.

Vancouver:

Hansen EE. Static Renderings, Shifting Identities:. [Internet] [Masters thesis]. University of Notre Dame; 2009. [cited 2020 Jan 23]. Available from: https://curate.nd.edu/show/7w62f76431f.

Council of Science Editors:

Hansen EE. Static Renderings, Shifting Identities:. [Masters Thesis]. University of Notre Dame; 2009. Available from: https://curate.nd.edu/show/7w62f76431f


University of Notre Dame

4. Shannon M. Kephart. Picturing Locales of Resistance: Photographic Representations of the French-Algerian War</h1>.

Degree: MA, Art, Art History, and Design, 2008, University of Notre Dame

  This paper will address the boundary of recognized identity in the French-Algerian colonial relations. During the Algerian War of Independence, a challenge to the… (more)

Subjects/Keywords: Monique Hervo; 1961; Algerian Independence War; bidonvilles; October 17; Frantz Fanon; Georges Azenstarck; hybridity; boundary

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APA (6th Edition):

Kephart, S. M. (2008). Picturing Locales of Resistance: Photographic Representations of the French-Algerian War</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/6395w66522w

Chicago Manual of Style (16th Edition):

Kephart, Shannon M.. “Picturing Locales of Resistance: Photographic Representations of the French-Algerian War</h1>.” 2008. Masters Thesis, University of Notre Dame. Accessed January 23, 2020. https://curate.nd.edu/show/6395w66522w.

MLA Handbook (7th Edition):

Kephart, Shannon M.. “Picturing Locales of Resistance: Photographic Representations of the French-Algerian War</h1>.” 2008. Web. 23 Jan 2020.

Vancouver:

Kephart SM. Picturing Locales of Resistance: Photographic Representations of the French-Algerian War</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2008. [cited 2020 Jan 23]. Available from: https://curate.nd.edu/show/6395w66522w.

Council of Science Editors:

Kephart SM. Picturing Locales of Resistance: Photographic Representations of the French-Algerian War</h1>. [Masters Thesis]. University of Notre Dame; 2008. Available from: https://curate.nd.edu/show/6395w66522w


University of Notre Dame

5. Allison Ann Muscolino. Negotiating the Gendered Margins of Modernity: Tamara de Lempicka and Her Iconic Female Forms</h1>.

Degree: MA, Art, Art History, and Design, 2008, University of Notre Dame

  In its entirety, the vibrant life of Tamara de Lempicka reads like a screenplay for a major motion picture produced during the Golden Years… (more)

Subjects/Keywords: modernity; bisexual; identity; lesbian; gender; art; lempicka

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APA (6th Edition):

Muscolino, A. A. (2008). Negotiating the Gendered Margins of Modernity: Tamara de Lempicka and Her Iconic Female Forms</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/2r36tx33j92

Chicago Manual of Style (16th Edition):

Muscolino, Allison Ann. “Negotiating the Gendered Margins of Modernity: Tamara de Lempicka and Her Iconic Female Forms</h1>.” 2008. Masters Thesis, University of Notre Dame. Accessed January 23, 2020. https://curate.nd.edu/show/2r36tx33j92.

MLA Handbook (7th Edition):

Muscolino, Allison Ann. “Negotiating the Gendered Margins of Modernity: Tamara de Lempicka and Her Iconic Female Forms</h1>.” 2008. Web. 23 Jan 2020.

Vancouver:

Muscolino AA. Negotiating the Gendered Margins of Modernity: Tamara de Lempicka and Her Iconic Female Forms</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2008. [cited 2020 Jan 23]. Available from: https://curate.nd.edu/show/2r36tx33j92.

Council of Science Editors:

Muscolino AA. Negotiating the Gendered Margins of Modernity: Tamara de Lempicka and Her Iconic Female Forms</h1>. [Masters Thesis]. University of Notre Dame; 2008. Available from: https://curate.nd.edu/show/2r36tx33j92


University of Notre Dame

6. Caroline Christie Maloney. Art in the Third Space: Hybridity and Proteanism in the Life and Paintings of Pamela Colman Smith</h1>.

Degree: MA, Art, Art History, and Design, 2013, University of Notre Dame

Subjects/Keywords: shape-shifting; Spiritualism; obeah; identity; mysticism; British Empire; Irish Literary Revival; folklore

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maloney, C. C. (2013). Art in the Third Space: Hybridity and Proteanism in the Life and Paintings of Pamela Colman Smith</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/pg15bc40j7s

Chicago Manual of Style (16th Edition):

Maloney, Caroline Christie. “Art in the Third Space: Hybridity and Proteanism in the Life and Paintings of Pamela Colman Smith</h1>.” 2013. Masters Thesis, University of Notre Dame. Accessed January 23, 2020. https://curate.nd.edu/show/pg15bc40j7s.

MLA Handbook (7th Edition):

Maloney, Caroline Christie. “Art in the Third Space: Hybridity and Proteanism in the Life and Paintings of Pamela Colman Smith</h1>.” 2013. Web. 23 Jan 2020.

Vancouver:

Maloney CC. Art in the Third Space: Hybridity and Proteanism in the Life and Paintings of Pamela Colman Smith</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2013. [cited 2020 Jan 23]. Available from: https://curate.nd.edu/show/pg15bc40j7s.

Council of Science Editors:

Maloney CC. Art in the Third Space: Hybridity and Proteanism in the Life and Paintings of Pamela Colman Smith</h1>. [Masters Thesis]. University of Notre Dame; 2013. Available from: https://curate.nd.edu/show/pg15bc40j7s

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