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You searched for +publisher:"University of North Texas" +contributor:("Schwarz, David"). Showing records 1 – 30 of 60 total matches.

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University of North Texas

1. Falterman, David James. Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens.

Degree: 2019, University of North Texas

 One of the difficulties of nineteenth-century form studies is ambiguity in ascertaining which formal types are at work and in what ways. This can be… (more)

Subjects/Keywords: Sonata Form; Variation Form; Two-Dimensional Sonata Form; Hybridization; Nineteenth Century; Chopin; Franck; Fourth Ballade; Symphonic Variations; Music

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APA (6th Edition):

Falterman, D. J. (2019). Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Falterman, David James. “Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens.” 2019. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc1505161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Falterman, David James. “Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens.” 2019. Web. 28 Mar 2020.

Vancouver:

Falterman DJ. Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Falterman DJ. Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Kharitonov, Arsentiy. Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes.

Degree: 2017, University of North Texas

 Leo Ornstein's most significant piano oeuvre, the Seventeen Waltzes, stand out as a unique example of a pianism as a foundation for the composer's musical… (more)

Subjects/Keywords: Leo Ornstein; Seventeen Waltzes; Performance Guide; piano; avant-garde; Music

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APA (6th Edition):

Kharitonov, A. (2017). Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984226/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kharitonov, Arsentiy. “Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes.” 2017. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc984226/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kharitonov, Arsentiy. “Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes.” 2017. Web. 28 Mar 2020.

Vancouver:

Kharitonov A. Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984226/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kharitonov A. Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984226/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Potts, Elizabeth Ann. The Mozart Flute: Old and New Transcriptions of KV. 10-15.

Degree: 2017, University of North Texas

 My lecture serves as a critical examination of the Six Sonatas Op. 3, KV. 10-15 by W.A. Mozart. I will engage the variances between the… (more)

Subjects/Keywords: W.A. Mozart; Flute; Sonata KV. 10-15; Louis Moyse; Joseph Bopp; Music

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APA (6th Edition):

Potts, E. A. (2017). The Mozart Flute: Old and New Transcriptions of KV. 10-15. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984277/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Potts, Elizabeth Ann. “The Mozart Flute: Old and New Transcriptions of KV. 10-15.” 2017. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc984277/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Potts, Elizabeth Ann. “The Mozart Flute: Old and New Transcriptions of KV. 10-15.” 2017. Web. 28 Mar 2020.

Vancouver:

Potts EA. The Mozart Flute: Old and New Transcriptions of KV. 10-15. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984277/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Potts EA. The Mozart Flute: Old and New Transcriptions of KV. 10-15. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984277/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Greenfield, Leah Luke. Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature.

Degree: 2017, University of North Texas

 Arnold Schoenberg's String Quartet No. 1, Op. 7 stands out as being the first chamber music piece to use a vast number and variety of… (more)

Subjects/Keywords: Arnold Schoenberg; chamber music; string quartet; sul ponticello; tremolo; sul tasto; harmonics; con sordino; extended string techniques; Music

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APA (6th Edition):

Greenfield, L. L. (2017). Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Greenfield, Leah Luke. “Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature.” 2017. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc1011750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Greenfield, Leah Luke. “Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature.” 2017. Web. 28 Mar 2020.

Vancouver:

Greenfield LL. Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature. [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Greenfield LL. Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Stroud, Cara. “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet.

Degree: 2012, University of North Texas

 This thesis illustrates how I hear processes of expansion organizing musical materials in the First String Quartet. By employing a flexible approach to expansion and… (more)

Subjects/Keywords: Sofia Gubaidulina; wedge expansion; rhythmic augmentation

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APA (6th Edition):

Stroud, C. (2012). “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc149671/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stroud, Cara. ““A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet.” 2012. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc149671/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stroud, Cara. ““A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet.” 2012. Web. 28 Mar 2020.

Vancouver:

Stroud C. “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet. [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc149671/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stroud C. “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc149671/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Beard, Cynthia C. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).

Degree: 2011, University of North Texas

 Francis Poulenc’s three-act opera Dialogues des Carmélites (1953-1956) depicts the struggles of the novice nun Blanche de la Force during the Reign of Terror of… (more)

Subjects/Keywords: Opera; Poulenc; liturgy; French Revolution

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APA (6th Edition):

Beard, C. C. (2011). Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Web. 28 Mar 2020.

Vancouver:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Hung, Shuo Hui. An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors.

Degree: 2018, University of North Texas

 The purpose of this dissertation is to offer a pedagogical guide to Woodsprite and Waterbug Collection (1977) by Dan Beaty (1937-2002) through an analysis of… (more)

Subjects/Keywords: Dan Beaty; Woodsprite and Waterbug Collection; piano; intermediate level; Music

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APA (6th Edition):

Hung, S. H. (2018). An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1404626/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hung, Shuo Hui. “An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors.” 2018. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc1404626/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hung, Shuo Hui. “An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors.” 2018. Web. 28 Mar 2020.

Vancouver:

Hung SH. An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors. [Internet] [Thesis]. University of North Texas; 2018. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1404626/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hung SH. An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1404626/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Schnitzius, Michael P. Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1.

Degree: 2012, University of North Texas

David Lewin, in his 1986 article “Music Theory, Phenomenology, and Modes of Perception,” offers a promising methodological approach for the analysis of tonal music from… (more)

Subjects/Keywords: Webern; phenomenology; atonality; eidetics; Lewin; Husserl

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APA (6th Edition):

Schnitzius, M. P. (2012). Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc149660/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schnitzius, Michael P. “Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1.” 2012. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc149660/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schnitzius, Michael P. “Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1.” 2012. Web. 28 Mar 2020.

Vancouver:

Schnitzius MP. Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1. [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc149660/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schnitzius MP. Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc149660/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Cain, Joren. Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis.

Degree: 2010, University of North Texas

 French composer Fernande Decruck (1896-1954) composed over forty works for the saxophone, but her music fell into obscurity soon after her death. In recent years,… (more)

Subjects/Keywords: Music; analysis; sonata; Decruck; saxophone; Decruck, Fernande, 1896-1954. Concertos, saxophone, orchestra, C♯ major.

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APA (6th Edition):

Cain, J. (2010). Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28401/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cain, Joren. “Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis.” 2010. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc28401/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cain, Joren. “Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis.” 2010. Web. 28 Mar 2020.

Vancouver:

Cain J. Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28401/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cain J. Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28401/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Krämer, Reiner. X, An Analytical Approach to John Chowning's Phoné.

Degree: 2010, University of North Texas

 The analysis of computer music presents new challenges to the field of music theory. This study examines the fixed media composition Phoné by John Chowning… (more)

Subjects/Keywords: Music theory; programming; computer music; analysis; Chowning, John M. Phoné.

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APA (6th Edition):

Krämer, R. (2010). X, An Analytical Approach to John Chowning's Phoné. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28445/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krämer, Reiner. “X, An Analytical Approach to John Chowning's Phoné.” 2010. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc28445/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krämer, Reiner. “X, An Analytical Approach to John Chowning's Phoné.” 2010. Web. 28 Mar 2020.

Vancouver:

Krämer R. X, An Analytical Approach to John Chowning's Phoné. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28445/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krämer R. X, An Analytical Approach to John Chowning's Phoné. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28445/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Bradfield, Ann. An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano.

Degree: 2010, University of North Texas

 Ruggiero's contributions to contemporary music are noteworthy. They include 27 works written for solo instruments, voice, as well as chamber groups and large ensembles. This… (more)

Subjects/Keywords: Ruggiero; bibliography; saxophone; Interplay; Ruggiero, Charles H.  – Bibliography.; Ruggiero, Charles H. Saxophone music.; Ruggiero, Charles H. Interplay.

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APA (6th Edition):

Bradfield, A. (2010). An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28397/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bradfield, Ann. “An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano.” 2010. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc28397/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bradfield, Ann. “An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano.” 2010. Web. 28 Mar 2020.

Vancouver:

Bradfield A. An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28397/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bradfield A. An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28397/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Dribus, John Alexander. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.

Degree: 2010, University of North Texas

 This dissertation examines the role of noise in shaping the form of several recent musical compositions. This study demonstrates how the contrast of noisy sounds… (more)

Subjects/Keywords: Noise; Urban Structure; Chreode; Chain 1; Lontano; FFT; Electronic music  – History and criticism.; Noise music  – History and criticism.; Music  – Acoustics and physics.; Composition (Music)

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APA (6th Edition):

Dribus, J. A. (2010). Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Web. 28 Mar 2020.

Vancouver:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. McConnell, Sarah E. The Key to Unlocking the Secret Window.

Degree: 2010, University of North Texas

David Koepp's Secret Window was released by Columbia Pictures in 2004. The film's score was written by Philip Glass and Geoff Zanelli. This thesis analyzes… (more)

Subjects/Keywords: Film music; centricity; transcription; class; pitch; Secret window (Motion picture); Motion picture music  – United States  – History and criticism.; Zanelli, Geoff, 1974- Secret window.; Glass, Philip. Secret window.; Koepp, David.

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APA (6th Edition):

McConnell, S. E. (2010). The Key to Unlocking the Secret Window. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33226/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McConnell, Sarah E. “The Key to Unlocking the Secret Window.” 2010. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc33226/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McConnell, Sarah E. “The Key to Unlocking the Secret Window.” 2010. Web. 28 Mar 2020.

Vancouver:

McConnell SE. The Key to Unlocking the Secret Window. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33226/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McConnell SE. The Key to Unlocking the Secret Window. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33226/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Shin, Dong Jin. Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch.

Degree: 2010, University of North Texas

 In a Romantic song cycle or songbook, songs tend to share many common ideas because they are used to set to the poems from one… (more)

Subjects/Keywords: Hugo Wolf; songbook; Italienisches Liederbuch; Wolf, Hugo, 1860-1903. Italienisches Liederbuch. Selections.; Heyse, Paul, 1830-1914  – Musical settings  – History and criticism.

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APA (6th Edition):

Shin, D. J. (2010). Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33202/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shin, Dong Jin. “Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch.” 2010. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc33202/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shin, Dong Jin. “Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch.” 2010. Web. 28 Mar 2020.

Vancouver:

Shin DJ. Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33202/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shin DJ. Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33202/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Huff, David. Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte.

Degree: 2010, University of North Texas

 Prolongation in post-tonal music is a topic that music theorists have engaged for several decades now. The problems of applying Schenkerian analytical techniques to post-tonal… (more)

Subjects/Keywords: Schenker; post-tonal; theory; prolongation; music; Berg; Berg, Alban, 1885-1935. Lieder, op. 2. Warm die Lüfte.; Schenkerian analysis.; Atonality.

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APA (6th Edition):

Huff, D. (2010). Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33168/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huff, David. “Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte.” 2010. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc33168/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huff, David. “Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte.” 2010. Web. 28 Mar 2020.

Vancouver:

Huff D. Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33168/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huff D. Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33168/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Lee, WoongHee. A Comparative Study of Two Single-Subject Keyboard Ricercare by Johann Jacob Froberger: Projections of Sixteenth-Century Practice Combined with Features that Forecast Baroque Practice.

Degree: 2011, University of North Texas

 This study is focused on an analysis of two single-subject ricercare in the keyboard music of Johann Jacob Froberger and examines possible pathways to the… (more)

Subjects/Keywords: Johann Jacob Froberger; ricecares; single-subject ricercare

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, W. (2011). A Comparative Study of Two Single-Subject Keyboard Ricercare by Johann Jacob Froberger: Projections of Sixteenth-Century Practice Combined with Features that Forecast Baroque Practice. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68000/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, WoongHee. “A Comparative Study of Two Single-Subject Keyboard Ricercare by Johann Jacob Froberger: Projections of Sixteenth-Century Practice Combined with Features that Forecast Baroque Practice.” 2011. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc68000/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, WoongHee. “A Comparative Study of Two Single-Subject Keyboard Ricercare by Johann Jacob Froberger: Projections of Sixteenth-Century Practice Combined with Features that Forecast Baroque Practice.” 2011. Web. 28 Mar 2020.

Vancouver:

Lee W. A Comparative Study of Two Single-Subject Keyboard Ricercare by Johann Jacob Froberger: Projections of Sixteenth-Century Practice Combined with Features that Forecast Baroque Practice. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68000/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee W. A Comparative Study of Two Single-Subject Keyboard Ricercare by Johann Jacob Froberger: Projections of Sixteenth-Century Practice Combined with Features that Forecast Baroque Practice. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68000/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Davenport, Jennifer Tish. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.

Degree: 2011, University of North Texas

 The oratorio August 4, 1964 is a twelve-movement work for orchestra, chorus, and four soloists written by Steven Stucky. The premise for the libretto, adapted… (more)

Subjects/Keywords: O Vos Omnes; We Shall Overcome; remembrance; cultural meaning; commentary; continuum; Scheer; Stucky; unity; quotation

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APA (6th Edition):

Davenport, J. T. (2011). Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67973/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davenport, Jennifer Tish. “Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.” 2011. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc67973/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davenport, Jennifer Tish. “Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.” 2011. Web. 28 Mar 2020.

Vancouver:

Davenport JT. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67973/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davenport JT. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67973/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?.

Degree: 2014, University of North Texas

 Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of… (more)

Subjects/Keywords: Honegger; cello concerto; Lex Six; simplicity

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APA (6th Edition):

Kleinmann, D. L. (2014). An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500189/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kleinmann, Denika Lam. “An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?.” 2014. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc500189/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kleinmann, Denika Lam. “An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?.” 2014. Web. 28 Mar 2020.

Vancouver:

Kleinmann DL. An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500189/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kleinmann DL. An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc500189/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Bloss, Laura L. A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent.

Degree: 2014, University of North Texas

 Jet travel and the widespread availability of recordings are factors that have led to an increasingly homogenous sound concept in American trumpet playing; this is… (more)

Subjects/Keywords: Trumpet; pedagogy; brass

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APA (6th Edition):

Bloss, L. L. (2014). A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc700006/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bloss, Laura L. “A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent.” 2014. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc700006/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bloss, Laura L. “A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent.” 2014. Web. 28 Mar 2020.

Vancouver:

Bloss LL. A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc700006/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bloss LL. A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc700006/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Peringer, Patrick Edward. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.

Degree: 2014, University of North Texas

 Babel is a work for rock ‘n’ roll band (two electric guitars, electric bass, drum set), four soprano singers, and a twenty-one instrument mixed chamber… (more)

Subjects/Keywords: Dissertations; rock music; chamber ensemble

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APA (6th Edition):

Peringer, P. E. (2014). Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc700023/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peringer, Patrick Edward. “Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.” 2014. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc700023/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peringer, Patrick Edward. “Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.” 2014. Web. 28 Mar 2020.

Vancouver:

Peringer PE. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc700023/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peringer PE. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc700023/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Dewhirst, Kristan K. Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide.

Degree: 2014, University of North Texas

 Charles Wuorinen’s contributions to contemporary music are significant. He has produced more than 260 compositions in a wide array of genres including pieces for orchestra,… (more)

Subjects/Keywords: Wuorinen; flute variations II; analysis

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APA (6th Edition):

Dewhirst, K. K. (2014). Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699941/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dewhirst, Kristan K. “Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide.” 2014. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc699941/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dewhirst, Kristan K. “Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide.” 2014. Web. 28 Mar 2020.

Vancouver:

Dewhirst KK. Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699941/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dewhirst KK. Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc699941/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Ro, Sophia M. Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms.

Degree: 2014, University of North Texas

 Korean-German composer Isang Yun received international recognition as one of the successful and leading twentieth-century composers. Despite Yun’s lasting fame, some of his works remain… (more)

Subjects/Keywords: Yun’s concerto no. 3

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APA (6th Edition):

Ro, S. M. (2014). Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc700034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ro, Sophia M. “Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms.” 2014. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc700034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ro, Sophia M. “Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms.” 2014. Web. 28 Mar 2020.

Vancouver:

Ro SM. Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc700034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ro SM. Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc700034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Chambo, Wayla Joy Ewart. The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute.

Degree: 2015, University of North Texas

 Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem presents mental, physical, and musical challenges that go beyond the usual expectations of an instrumentalist, extending and redefining… (more)

Subjects/Keywords: performance practice; authenticity; agency; virtuosity; intermedia; creativity; flute; Stockhausen; contemporary music; twentieth-century music; interpretation

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APA (6th Edition):

Chambo, W. J. E. (2015). The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc799513/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chambo, Wayla Joy Ewart. “The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute.” 2015. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc799513/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chambo, Wayla Joy Ewart. “The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute.” 2015. Web. 28 Mar 2020.

Vancouver:

Chambo WJE. The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc799513/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chambo WJE. The Devil and the Details: Negotiating Virtuosity, Agency, and Authenticity in Karlheinz Stockhausen’s Kathinkas Gesang als Luzifers Requiem for Solo Flute. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc799513/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Tramte, Daniel Albert. Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd.

Degree: 2015, University of North Texas

 tA/v\Am (the Audio/Video Analysis Machine) is an interactive analysis engine optimized for audio/visual mediums, such as film, video games, and music. I designed tA/v\Am to… (more)

Subjects/Keywords: tA/v\Am; G®¡ND; multimedia; analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tramte, D. A. (2015). Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc801904/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tramte, Daniel Albert. “Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd.” 2015. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc801904/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tramte, Daniel Albert. “Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd.” 2015. Web. 28 Mar 2020.

Vancouver:

Tramte DA. Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc801904/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tramte DA. Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc801904/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Krämer, Reiner. Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”.

Degree: 2015, University of North Texas

 The use of algorithms in compositional practice has been in use for centuries. With the advent of computers, formalized procedures have become an important part… (more)

Subjects/Keywords: Music theory; composition; algorithm; machine learning; computational music analysis; statistics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Krämer, R. (2015). Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc801959/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krämer, Reiner. “Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”.” 2015. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc801959/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krämer, Reiner. “Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”.” 2015. Web. 28 Mar 2020.

Vancouver:

Krämer R. Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc801959/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krämer R. Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc801959/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Lee, Hsuan-Yu. A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards.

Degree: 2015, University of North Texas

 Bright Sheng (b. 1955) has won international acclaim for successfully fusing disparate musical elements in his works. Listeners can trace Chinese pentatonic scales and instrumental… (more)

Subjects/Keywords: Hybrid style; orchestration; Bright Sheng

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APA (6th Edition):

Lee, H. (2015). A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc804979/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Hsuan-Yu. “A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards.” 2015. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc804979/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Hsuan-Yu. “A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards.” 2015. Web. 28 Mar 2020.

Vancouver:

Lee H. A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc804979/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee H. A Study on Hybrid Style and Orchestration in Bright Sheng’s Postcards. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc804979/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Lovern, Kenneth R. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.

Degree: 2015, University of North Texas

 Alberto Ginastera completed his ballet Panambí in 1937. The ballet was arranged as a symphonic suite, and was performed the same year at the Teatro… (more)

Subjects/Keywords: Ginasteva; Debussy; Starvinsky

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APA (6th Edition):

Lovern, K. R. (2015). The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lovern, Kenneth R. “The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.” 2015. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc822749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lovern, Kenneth R. “The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps.” 2015. Web. 28 Mar 2020.

Vancouver:

Lovern KR. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lovern KR. The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

28. Kahler, Elyse T. Brass Band History and Idiomatic Writing in Brass Music.

Degree: 2013, University of North Texas

 The purpose of this research was to explore historical perspective of brass music. There is a brief history of brass bands in Britain. Furthermore, the… (more)

Subjects/Keywords: Music; brass; Ewazen; Koetsier; composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kahler, E. T. (2013). Brass Band History and Idiomatic Writing in Brass Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271838/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kahler, Elyse T. “Brass Band History and Idiomatic Writing in Brass Music.” 2013. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc271838/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kahler, Elyse T. “Brass Band History and Idiomatic Writing in Brass Music.” 2013. Web. 28 Mar 2020.

Vancouver:

Kahler ET. Brass Band History and Idiomatic Writing in Brass Music. [Internet] [Thesis]. University of North Texas; 2013. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271838/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kahler ET. Brass Band History and Idiomatic Writing in Brass Music. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271838/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Kongwattananon, Oranit. Arvo Pärt and Three Types of His Tintinnabuli Technique.

Degree: 2013, University of North Texas

 Arvo Pärt, an Estonian composer, was born in 1935. Most of the works at the beginning of his career were for piano in the neo-classical… (more)

Subjects/Keywords: Arvo Pärt; Tintannabuli; Für Alina; Cantus in Memory of Benjamin Britten; Missa Sillabica; Cantate Domino; Stabat Mater; Es sang vor langen Jahren

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kongwattananon, O. (2013). Arvo Pärt and Three Types of His Tintinnabuli Technique. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271844/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kongwattananon, Oranit. “Arvo Pärt and Three Types of His Tintinnabuli Technique.” 2013. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc271844/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kongwattananon, Oranit. “Arvo Pärt and Three Types of His Tintinnabuli Technique.” 2013. Web. 28 Mar 2020.

Vancouver:

Kongwattananon O. Arvo Pärt and Three Types of His Tintinnabuli Technique. [Internet] [Thesis]. University of North Texas; 2013. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271844/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kongwattananon O. Arvo Pärt and Three Types of His Tintinnabuli Technique. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271844/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Hall, David Porter. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.

Degree: 2013, University of North Texas

 This dissertation and accompanying lecture recital explore the unique textural features in the works of Steven Mackey as exhibited in See Ya Thursday (1993).A rigorous… (more)

Subjects/Keywords: Mackey; percussion; marimba

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hall, D. P. (2013). Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc283817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hall, David Porter. “Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.” 2013. Thesis, University of North Texas. Accessed March 28, 2020. https://digital.library.unt.edu/ark:/67531/metadc283817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hall, David Porter. “Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.” 2013. Web. 28 Mar 2020.

Vancouver:

Hall DP. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. [Internet] [Thesis]. University of North Texas; 2013. [cited 2020 Mar 28]. Available from: https://digital.library.unt.edu/ark:/67531/metadc283817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hall DP. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc283817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.