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You searched for +publisher:"University of North Texas" +contributor:("Nelson, Jon"). Showing records 1 – 30 of 68 total matches.

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University of North Texas

1. Shafer, Seth N. Recent Approaches to Real-Time Notation.

Degree: 2017, University of North Texas

 This paper discusses several compositions that use the computer screen to present music notation to performers. Three of these compositions, Law of Fives (2015), Polytera… (more)

Subjects/Keywords: notation; interactivity; VizScore; Bach; Max; MaxMSP; Max/MSP; cartographic composition; performance practice; Music; Computer Science; Art History

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APA (6th Edition):

Shafer, S. N. (2017). Recent Approaches to Real-Time Notation. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984210/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shafer, Seth N. “Recent Approaches to Real-Time Notation.” 2017. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc984210/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shafer, Seth N. “Recent Approaches to Real-Time Notation.” 2017. Web. 15 Nov 2019.

Vancouver:

Shafer SN. Recent Approaches to Real-Time Notation. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984210/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shafer SN. Recent Approaches to Real-Time Notation. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984210/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Lucas, Stephen L. "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video.

Degree: 2017, University of North Texas

 Virtual Stage is a project to use Virtual Reality (VR) technology as an audiovisual performance interface. The depth of control, modularity of design, and user… (more)

Subjects/Keywords: computer music; multimedia; composition; virtual reality; digital art; physical modeling; Music; Musical Performances; Computer Science

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APA (6th Edition):

Lucas, S. L. (2017). "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984124/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Stephen L. “"Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video.” 2017. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc984124/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Stephen L. “"Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video.” 2017. Web. 15 Nov 2019.

Vancouver:

Lucas SL. "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984124/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas SL. "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984124/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Xin, Hua. Evocative Foreshadowing: The Motivic Construction in "The Legend of Two Rings".

Degree: 2017, University of North Texas

In this thesis, I demonstrate how I use leitmotif in a programmatic context in my original orchestral suite, The Legend of Two Rings. Advisors/Committee Members: Nelson, Jon C, Broberg, Kirsten, Couturiaux, Clay.

Subjects/Keywords: ring; orchestral suite; Music

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APA (6th Edition):

Xin, H. (2017). Evocative Foreshadowing: The Motivic Construction in "The Legend of Two Rings". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011770/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Xin, Hua. “Evocative Foreshadowing: The Motivic Construction in "The Legend of Two Rings".” 2017. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1011770/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Xin, Hua. “Evocative Foreshadowing: The Motivic Construction in "The Legend of Two Rings".” 2017. Web. 15 Nov 2019.

Vancouver:

Xin H. Evocative Foreshadowing: The Motivic Construction in "The Legend of Two Rings". [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011770/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Xin H. Evocative Foreshadowing: The Motivic Construction in "The Legend of Two Rings". [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011770/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Vaughn, Mark. "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics".

Degree: 2017, University of North Texas

 Reference to a regular pulse is one of the most common ways of measuring time in music. As the basis for tempo, meter, subdivisions, and… (more)

Subjects/Keywords: Mark Vaughn; Pulse; Steve Reich; György Ligeti; Conlon Nancarrow; MIDI piano; electronics; Pierrot ensemble; composition; Music

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APA (6th Edition):

Vaughn, M. (2017). "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011853/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaughn, Mark. “"Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics".” 2017. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1011853/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaughn, Mark. “"Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics".” 2017. Web. 15 Nov 2019.

Vancouver:

Vaughn M. "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics". [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011853/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaughn M. "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics". [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011853/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Poovey, Christopher A. Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis.

Degree: 2018, University of North Texas

 Act one of The Metamorphosis is based on the novella by Franza Kafka of the same title. In the writing of the act, George Benjamin's… (more)

Subjects/Keywords: Opera; Metamorphosis

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APA (6th Edition):

Poovey, C. A. (2018). Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1157611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Poovey, Christopher A. “Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1157611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Poovey, Christopher A. “Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis.” 2018. Web. 15 Nov 2019.

Vancouver:

Poovey CA. Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Poovey CA. Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Price, Lee Scott. Ocean of Forms: for Soprano and Computer.

Degree: 2012, University of North Texas

 Ocean of Forms is a cycle of five songs for solo soprano voice and electronic/computer music accompaniment on poems by noted Bengali poet, musician, philosopher,… (more)

Subjects/Keywords: Voice; computer; song cycle; algorithmic music; live electronics; acousmastic music; computer music; soprano

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APA (6th Edition):

Price, L. S. (2012). Ocean of Forms: for Soprano and Computer. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc115141/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Price, Lee Scott. “Ocean of Forms: for Soprano and Computer.” 2012. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc115141/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Price, Lee Scott. “Ocean of Forms: for Soprano and Computer.” 2012. Web. 15 Nov 2019.

Vancouver:

Price LS. Ocean of Forms: for Soprano and Computer. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc115141/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Price LS. Ocean of Forms: for Soprano and Computer. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc115141/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Johansen, Benjamin David. Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics.

Degree: 2012, University of North Texas

 relent is a sacred work within the genre of interactive electronic music. the 20-minute composition is a multi-movement piece for four instrumentalists (saxophone, double bass,… (more)

Subjects/Keywords: Interactive; music; composition; computer; Christianity; electronics

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APA (6th Edition):

Johansen, B. D. (2012). Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc115100/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johansen, Benjamin David. “Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics.” 2012. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc115100/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johansen, Benjamin David. “Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics.” 2012. Web. 15 Nov 2019.

Vancouver:

Johansen BD. Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc115100/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johansen BD. Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc115100/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Dixon, Gregory Hart. Fractures for Clarinet and Computer.

Degree: 2012, University of North Texas

 Fractures for Clarinet and Computer is a piece for live interactive performance using custom software designed in Max/MSP. the work explores musical borrowing and transformation… (more)

Subjects/Keywords: Max/MSP; synthesizer; composition; interactive; musical borrowing; quotation

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APA (6th Edition):

Dixon, G. H. (2012). Fractures for Clarinet and Computer. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc115070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dixon, Gregory Hart. “Fractures for Clarinet and Computer.” 2012. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc115070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dixon, Gregory Hart. “Fractures for Clarinet and Computer.” 2012. Web. 15 Nov 2019.

Vancouver:

Dixon GH. Fractures for Clarinet and Computer. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc115070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dixon GH. Fractures for Clarinet and Computer. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc115070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Oliveiro, Mark A. Compositional approaches within new media paradigms.

Degree: 2016, University of North Texas

 "Compositional Approaches to New Media Paradigms" is the discursive accompaniment to the original composition BoMoH, (a new media chamber opera. A variety of new media… (more)

Subjects/Keywords: New Media; Interactivity; Computer Music; Musical Performances

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APA (6th Edition):

Oliveiro, M. A. (2016). Compositional approaches within new media paradigms. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveiro, Mark A. “Compositional approaches within new media paradigms.” 2016. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc849618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveiro, Mark A. “Compositional approaches within new media paradigms.” 2016. Web. 15 Nov 2019.

Vancouver:

Oliveiro MA. Compositional approaches within new media paradigms. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveiro MA. Compositional approaches within new media paradigms. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Campbell, Andrew. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .

Degree: 2016, University of North Texas

 This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore… (more)

Subjects/Keywords: Music; Composition; Collage; Super Tempo; John Zorn; George Rochberg; Charles Ives; For Your Eyes Only; Cat O' Nine Tails; Tempered Confetti; Venni, Viddi,  –; Music

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APA (6th Edition):

Campbell, A. (2016). Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Web. 15 Nov 2019.

Vancouver:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Wen, Bihe. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.

Degree: 2018, University of North Texas

 This paper presents the history and the theoretical study of mixed music and focuses on two piano solo works and two mixed electroacoustic compositions for… (more)

Subjects/Keywords: Piano; Mixed electroacoustic music; Music

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APA (6th Edition):

Wen, B. (2018). Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Web. 15 Nov 2019.

Vancouver:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Smith, Jayson. Metric Dissonance in Non-Isochronous Meters.

Degree: 2018, University of North Texas

 Although music of the twentieth and twenty-first centuries makes frequent use of non-isochronous meter (meters involving beats of different length, such as 5/4 and 7/8),… (more)

Subjects/Keywords: Meter; Rhythm; Metric Dissonance; Ligeti; Holst; Music

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APA (6th Edition):

Smith, J. (2018). Metric Dissonance in Non-Isochronous Meters. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248499/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Jayson. “Metric Dissonance in Non-Isochronous Meters.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248499/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Jayson. “Metric Dissonance in Non-Isochronous Meters.” 2018. Web. 15 Nov 2019.

Vancouver:

Smith J. Metric Dissonance in Non-Isochronous Meters. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248499/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith J. Metric Dissonance in Non-Isochronous Meters. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248499/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Difalco, Elaine Celleste. Cosmophonia: Musical Expressions of Astronomy and Cosmology.

Degree: 2018, University of North Texas

 Astronomy and music are both fundamental to cultural identity in the form of various musical styles and calendrical systems. However, since both are governed by… (more)

Subjects/Keywords: Music of the Spheres; Music Composition; Archaeoastronomy; Oliveros; Astronomy; Cosmology; Helioseismology; Music; Physics, Astronomy and Astrophysics; Anthropology, Archaeology

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APA (6th Edition):

Difalco, E. C. (2018). Cosmophonia: Musical Expressions of Astronomy and Cosmology. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1259404/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Difalco, Elaine Celleste. “Cosmophonia: Musical Expressions of Astronomy and Cosmology.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1259404/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Difalco, Elaine Celleste. “Cosmophonia: Musical Expressions of Astronomy and Cosmology.” 2018. Web. 15 Nov 2019.

Vancouver:

Difalco EC. Cosmophonia: Musical Expressions of Astronomy and Cosmology. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1259404/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Difalco EC. Cosmophonia: Musical Expressions of Astronomy and Cosmology. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1259404/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Smith, Michael S. Strategies for the Creation of Spatial Audio in Electroacoustic Music.

Degree: 2018, University of North Texas

 This paper discusses technical and conceptual approaches to incorporate 3D spatial movement in electroacoustic music. The Ambisonic spatial audio format attempts to recreate a full… (more)

Subjects/Keywords: spatial audio; virtual reality; Ambisonics; 3D audio; immersive sound; electroacoustic

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APA (6th Edition):

Smith, M. S. (2018). Strategies for the Creation of Spatial Audio in Electroacoustic Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1404593/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Michael S. “Strategies for the Creation of Spatial Audio in Electroacoustic Music.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1404593/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Michael S. “Strategies for the Creation of Spatial Audio in Electroacoustic Music.” 2018. Web. 15 Nov 2019.

Vancouver:

Smith MS. Strategies for the Creation of Spatial Audio in Electroacoustic Music. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1404593/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith MS. Strategies for the Creation of Spatial Audio in Electroacoustic Music. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1404593/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Harris, Joshua Kimball. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.

Degree: 2013, University of North Texas

 Sunken Monadnock is a scripted combination of three modular musical surfaces. The word “surface” is borrowed from Morton Feldman, who compared the aural surface of… (more)

Subjects/Keywords: Indeterminancy; counterpoint; circle; visual metaphor; Feldman

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APA (6th Edition):

Harris, J. K. (2013). “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Web. 15 Nov 2019.

Vancouver:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Fieldsteel, Eli Mulvey. Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process.

Degree: 2010, University of North Texas

 Fractus I is a composition for trumpet in C and live electronic sound. The electronics were primarily created using SuperCollider, an environment and programming language… (more)

Subjects/Keywords: Trumpet; solo; electronic; brass; SuperCollider; music; electroacoustic; Trumpet and electronic music  – Scores.

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APA (6th Edition):

Fieldsteel, E. M. (2010). Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28418/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fieldsteel, Eli Mulvey. “Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc28418/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fieldsteel, Eli Mulvey. “Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process.” 2010. Web. 15 Nov 2019.

Vancouver:

Fieldsteel EM. Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28418/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fieldsteel EM. Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28418/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Bober, Nicholas Bradburn. This Creature, Bride of Christ.

Degree: 2010, University of North Texas

 This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the… (more)

Subjects/Keywords: Margery Kempe; digital signal processing; Wagner; Parsifal; computer music; Songs (High voice) with instrumental ensemble  – Scores.; Electronic music.; Kempe, Margery, b. ca. 1373  – Musical settings.

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APA (6th Edition):

Bober, N. B. (2010). This Creature, Bride of Christ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Web. 15 Nov 2019.

Vancouver:

Bober NB. This Creature, Bride of Christ. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bober NB. This Creature, Bride of Christ. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Dribus, John Alexander. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.

Degree: 2010, University of North Texas

 This dissertation examines the role of noise in shaping the form of several recent musical compositions. This study demonstrates how the contrast of noisy sounds… (more)

Subjects/Keywords: Noise; Urban Structure; Chreode; Chain 1; Lontano; FFT; Electronic music  – History and criticism.; Noise music  – History and criticism.; Music  – Acoustics and physics.; Composition (Music)

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APA (6th Edition):

Dribus, J. A. (2010). Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Web. 15 Nov 2019.

Vancouver:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Rostovtsev, Ilya Y. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.

Degree: 2010, University of North Texas

 Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical… (more)

Subjects/Keywords: Electroacoustic music; compositional aesthetics; composition; faktura; singing bowl; accordion; percussion; violin; clarinet; acoustic instruments; fixed media; Rostov︠t︡sev, Ilya Y. Understatements.; Composition (Music); Electronic music  – History and criticism.

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APA (6th Edition):

Rostovtsev, I. Y. (2010). Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Web. 15 Nov 2019.

Vancouver:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Lucas, Stephen. Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music.

Degree: 2010, University of North Texas

 Pleroma is a digital drama: a work composed of digital animation combined with electroacoustic music, presenting an original dramatic narrative. Pleroma's dramatic elements evoke both… (more)

Subjects/Keywords: Computer music; computer animation; composition; digital drama; tragedy; Lucas, Stephen, 1985- Pleroma.; Electronic music.; Mixed media (Music); Composition (Music)

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APA (6th Edition):

Lucas, S. (2010). Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33228/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Stephen. “Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc33228/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Stephen. “Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music.” 2010. Web. 15 Nov 2019.

Vancouver:

Lucas S. Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33228/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas S. Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33228/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Kim, Chol-Ho. A-Bu-GE: A Composition for Organ and Percussion.

Degree: 2010, University of North Texas

 Keyphrases describe a document in a coherent and simple way, giving the prospective reader a way to quickly determine whether the document satisfies their information… (more)

Subjects/Keywords: Organ; numerology in music; Oh-Um-Bae-Sok; Korean borrowed tune; percussion

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APA (6th Edition):

Kim, C. (2010). A-Bu-GE: A Composition for Organ and Percussion. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67940/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Chol-Ho. “A-Bu-GE: A Composition for Organ and Percussion.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc67940/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Chol-Ho. “A-Bu-GE: A Composition for Organ and Percussion.” 2010. Web. 15 Nov 2019.

Vancouver:

Kim C. A-Bu-GE: A Composition for Organ and Percussion. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67940/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim C. A-Bu-GE: A Composition for Organ and Percussion. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc67940/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Lockhart, Adam. A Pattern Oriented Data Structure for Interactive Computer Music.

Degree: 2011, University of North Texas

 This essay describes a pattern oriented data structure, or PODS, as a system for storing computer music data. It organizes input by sequences or patterns… (more)

Subjects/Keywords: Music; data; computer

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APA (6th Edition):

Lockhart, A. (2011). A Pattern Oriented Data Structure for Interactive Computer Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68002/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lockhart, Adam. “A Pattern Oriented Data Structure for Interactive Computer Music.” 2011. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc68002/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lockhart, Adam. “A Pattern Oriented Data Structure for Interactive Computer Music.” 2011. Web. 15 Nov 2019.

Vancouver:

Lockhart A. A Pattern Oriented Data Structure for Interactive Computer Music. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68002/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lockhart A. A Pattern Oriented Data Structure for Interactive Computer Music. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68002/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Choi, Da Jeong. Dream of a Thousand Keys: A Concerto for Piano and Orchestra.

Degree: 2011, University of North Texas

 Dream of a Thousand Keys is a concerto for piano and orchestra, which consists of four movements presenting multiple dimensional meanings as suggested by the… (more)

Subjects/Keywords: Concerto; Fibonacci series; piano and orchestra

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APA (6th Edition):

Choi, D. J. (2011). Dream of a Thousand Keys: A Concerto for Piano and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Web. 15 Nov 2019.

Vancouver:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Lloyd, S. Andrew. Études: Five Compositional and Technical Studies for Solo Organ.

Degree: 2014, University of North Texas

 Études was composed as a set of five interrelated movements in the followingorder: Prelude, Introduction and Fugue, Triptych, Chorale, and Response. The pieces are compositional… (more)

Subjects/Keywords: Etude; composition and performance; prelude and fugue; chorale; toccata; religious symbolism

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APA (6th Edition):

Lloyd, S. A. (2014). Études: Five Compositional and Technical Studies for Solo Organ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Web. 15 Nov 2019.

Vancouver:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Peringer, Patrick Edward. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.

Degree: 2014, University of North Texas

 Babel is a work for rock ‘n’ roll band (two electric guitars, electric bass, drum set), four soprano singers, and a twenty-one instrument mixed chamber… (more)

Subjects/Keywords: Dissertations; rock music; chamber ensemble

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APA (6th Edition):

Peringer, P. E. (2014). Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc700023/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peringer, Patrick Edward. “Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.” 2014. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc700023/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peringer, Patrick Edward. “Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.” 2014. Web. 15 Nov 2019.

Vancouver:

Peringer PE. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc700023/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peringer PE. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc700023/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Tramte, Daniel Albert. Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd.

Degree: 2015, University of North Texas

 tA/v\Am (the Audio/Video Analysis Machine) is an interactive analysis engine optimized for audio/visual mediums, such as film, video games, and music. I designed tA/v\Am to… (more)

Subjects/Keywords: tA/v\Am; G®¡ND; multimedia; analysis

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APA (6th Edition):

Tramte, D. A. (2015). Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc801904/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tramte, Daniel Albert. “Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd.” 2015. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc801904/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tramte, Daniel Albert. “Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd.” 2015. Web. 15 Nov 2019.

Vancouver:

Tramte DA. Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc801904/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tramte DA. Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc801904/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Shirey, Benjamin A. Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera.

Degree: 2016, University of North Texas

 This paper explores various technologies available to the modern composer and utilized in recent modern opera, providing creative approaches to producing aural, visual, and theatrical… (more)

Subjects/Keywords: Opera; Digital Opera; Transhumanism; Posthuman; Cyborgs; Motion Capture; MIDI Controlers; Composition; Dance; Music; Dance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shirey, B. A. (2016). Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849752/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shirey, Benjamin A. “Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera.” 2016. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc849752/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shirey, Benjamin A. “Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera.” 2016. Web. 15 Nov 2019.

Vancouver:

Shirey BA. Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849752/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shirey BA. Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849752/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

28. Kahler, Elyse T. Brass Band History and Idiomatic Writing in Brass Music.

Degree: 2013, University of North Texas

 The purpose of this research was to explore historical perspective of brass music. There is a brief history of brass bands in Britain. Furthermore, the… (more)

Subjects/Keywords: Music; brass; Ewazen; Koetsier; composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kahler, E. T. (2013). Brass Band History and Idiomatic Writing in Brass Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271838/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kahler, Elyse T. “Brass Band History and Idiomatic Writing in Brass Music.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc271838/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kahler, Elyse T. “Brass Band History and Idiomatic Writing in Brass Music.” 2013. Web. 15 Nov 2019.

Vancouver:

Kahler ET. Brass Band History and Idiomatic Writing in Brass Music. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271838/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kahler ET. Brass Band History and Idiomatic Writing in Brass Music. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271838/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Fick, Jason. Transfantasies for Flauto Traverso, Computer Music, and Dance.

Degree: 2013, University of North Texas

 TransFantasies is an interdisciplinary composition for Baroque flute (flauto traverso), computer music, and dance. A crucial component of the work is an interactive hardware and… (more)

Subjects/Keywords: Baroque flute; dance; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fick, J. (2013). Transfantasies for Flauto Traverso, Computer Music, and Dance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fick, Jason. “Transfantasies for Flauto Traverso, Computer Music, and Dance.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc271813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fick, Jason. “Transfantasies for Flauto Traverso, Computer Music, and Dance.” 2013. Web. 15 Nov 2019.

Vancouver:

Fick J. Transfantasies for Flauto Traverso, Computer Music, and Dance. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fick J. Transfantasies for Flauto Traverso, Computer Music, and Dance. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Sonnabaum, Mark. Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice.

Degree: 2013, University of North Texas

 approached previously by both Harry Partch and Ben Johnston, and proposes the decoupling of interface and sound production as a way forward. The design and… (more)

Subjects/Keywords: Tuning; just intonation; physical computing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sonnabaum, M. (2013). Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271901/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sonnabaum, Mark. “Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc271901/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sonnabaum, Mark. “Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice.” 2013. Web. 15 Nov 2019.

Vancouver:

Sonnabaum M. Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271901/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sonnabaum M. Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271901/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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