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You searched for +publisher:"University of North Texas" +contributor:("Nelson, Jon Christopher"). Showing records 1 – 13 of 13 total matches.

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University of North Texas

1. Wen, Bihe. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.

Degree: 2018, University of North Texas

 This paper presents the history and the theoretical study of mixed music and focuses on two piano solo works and two mixed electroacoustic compositions for… (more)

Subjects/Keywords: Piano; Mixed electroacoustic music; Music

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APA (6th Edition):

Wen, B. (2018). Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Web. 15 Nov 2019.

Vancouver:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Harris, Joshua Kimball. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.

Degree: 2013, University of North Texas

 Sunken Monadnock is a scripted combination of three modular musical surfaces. The word “surface” is borrowed from Morton Feldman, who compared the aural surface of… (more)

Subjects/Keywords: Indeterminancy; counterpoint; circle; visual metaphor; Feldman

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APA (6th Edition):

Harris, J. K. (2013). “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Web. 15 Nov 2019.

Vancouver:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Bober, Nicholas Bradburn. This Creature, Bride of Christ.

Degree: 2010, University of North Texas

 This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the… (more)

Subjects/Keywords: Margery Kempe; digital signal processing; Wagner; Parsifal; computer music; Songs (High voice) with instrumental ensemble  – Scores.; Electronic music.; Kempe, Margery, b. ca. 1373  – Musical settings.

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APA (6th Edition):

Bober, N. B. (2010). This Creature, Bride of Christ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Web. 15 Nov 2019.

Vancouver:

Bober NB. This Creature, Bride of Christ. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bober NB. This Creature, Bride of Christ. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Dribus, John Alexander. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.

Degree: 2010, University of North Texas

 This dissertation examines the role of noise in shaping the form of several recent musical compositions. This study demonstrates how the contrast of noisy sounds… (more)

Subjects/Keywords: Noise; Urban Structure; Chreode; Chain 1; Lontano; FFT; Electronic music  – History and criticism.; Noise music  – History and criticism.; Music  – Acoustics and physics.; Composition (Music)

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APA (6th Edition):

Dribus, J. A. (2010). Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Web. 15 Nov 2019.

Vancouver:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Rostovtsev, Ilya Y. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.

Degree: 2010, University of North Texas

 Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical… (more)

Subjects/Keywords: Electroacoustic music; compositional aesthetics; composition; faktura; singing bowl; accordion; percussion; violin; clarinet; acoustic instruments; fixed media; Rostov︠t︡sev, Ilya Y. Understatements.; Composition (Music); Electronic music  – History and criticism.

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APA (6th Edition):

Rostovtsev, I. Y. (2010). Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Web. 15 Nov 2019.

Vancouver:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Sonnabaum, Mark. Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice.

Degree: 2013, University of North Texas

 approached previously by both Harry Partch and Ben Johnston, and proposes the decoupling of interface and sound production as a way forward. The design and… (more)

Subjects/Keywords: Tuning; just intonation; physical computing

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APA (6th Edition):

Sonnabaum, M. (2013). Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc271901/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sonnabaum, Mark. “Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc271901/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sonnabaum, Mark. “Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice.” 2013. Web. 15 Nov 2019.

Vancouver:

Sonnabaum M. Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc271901/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sonnabaum M. Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc271901/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Welch, Chapman. Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré.

Degree: 2008, University of North Texas

 Three Pieces for Musicians and Computer implements a modular formal structure that allows the performers to experiment with the order and number of movements to… (more)

Subjects/Keywords: electro-acoustic music; Interactive; flute; clarinet; percussion; computer; chamber music; electronic music; Bass flute and computer music.; Computer and percussion music.; Clarinet and computer music.

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APA (6th Edition):

Welch, C. (2008). Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9723/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Welch, Chapman. “Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré.” 2008. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc9723/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Welch, Chapman. “Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré.” 2008. Web. 15 Nov 2019.

Vancouver:

Welch C. Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9723/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welch C. Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9723/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Lee, Terry Alan. GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo.

Degree: 2009, University of North Texas

 GranCloud is new application for the generation of real-time granular synthesis in the SuperCollider programming environment. Although the software was initially programmed for use in… (more)

Subjects/Keywords: Granular synthesis; algorithmic composition; interactive music; older people; computer music; super collider; Quintets (Piano, flute, horn, electronics, violin)  – Scores.

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APA (6th Edition):

Lee, T. A. (2009). GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc12151/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Terry Alan. “GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo.” 2009. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc12151/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Terry Alan. “GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo.” 2009. Web. 15 Nov 2019.

Vancouver:

Lee TA. GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo. [Internet] [Thesis]. University of North Texas; 2009. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc12151/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee TA. GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo. [Thesis]. University of North Texas; 2009. Available from: https://digital.library.unt.edu/ark:/67531/metadc12151/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Barber, Carol H. (Carol Hansell). Practices of English Diction for Singers 1900-1971.

Degree: 1991, University of North Texas

 Specialized training in English diction for singers became increasingly prevalent in the twentieth century. Along with this growth, a small but significant literature on the… (more)

Subjects/Keywords: American singers; acoustical research; diction; Singing  – Diction.; English language  – Pronunciation.

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APA (6th Edition):

Barber, C. H. (. H. (1991). Practices of English Diction for Singers 1900-1971. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500330/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barber, Carol H (Carol Hansell). “Practices of English Diction for Singers 1900-1971.” 1991. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc500330/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barber, Carol H (Carol Hansell). “Practices of English Diction for Singers 1900-1971.” 1991. Web. 15 Nov 2019.

Vancouver:

Barber CH(H. Practices of English Diction for Singers 1900-1971. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500330/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barber CH(H. Practices of English Diction for Singers 1900-1971. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc500330/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Tan, Chee-Tick. Piano Quintet.

Degree: 1997, University of North Texas

 The thesis is a traditional piano quintet in the manner of Bartok, incorporating compositional techniques such as golden ratio and using folk materials. Special effects… (more)

Subjects/Keywords: Piano quintets  – Scores.; Bartok, Bela; folk materials; golden ratio

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tan, C. (1997). Piano Quintet. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277681/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tan, Chee-Tick. “Piano Quintet.” 1997. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc277681/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tan, Chee-Tick. “Piano Quintet.” 1997. Web. 15 Nov 2019.

Vancouver:

Tan C. Piano Quintet. [Internet] [Thesis]. University of North Texas; 1997. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277681/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tan C. Piano Quintet. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc277681/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Morgan, Christopher R. (Christopher Robert). Circumfusion: a Composition for Real-Time Computer Music Spatialization System.

Degree: 1998, University of North Texas

 Two of the leading methodologies for spatializing audio over multiple channels include non-real-time multi-track tape and variations of real-time systems that often involve complex configurations… (more)

Subjects/Keywords: Electronic music; Spatialized audio; Computer music.

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APA (6th Edition):

Morgan, C. R. (. R. (1998). Circumfusion: a Composition for Real-Time Computer Music Spatialization System. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277632/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morgan, Christopher R (Christopher Robert). “Circumfusion: a Composition for Real-Time Computer Music Spatialization System.” 1998. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc277632/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morgan, Christopher R (Christopher Robert). “Circumfusion: a Composition for Real-Time Computer Music Spatialization System.” 1998. Web. 15 Nov 2019.

Vancouver:

Morgan CR(R. Circumfusion: a Composition for Real-Time Computer Music Spatialization System. [Internet] [Thesis]. University of North Texas; 1998. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277632/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morgan CR(R. Circumfusion: a Composition for Real-Time Computer Music Spatialization System. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc277632/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Rickwood, Christopher M. Persistence: for Wind Ensemble.

Degree: 1997, University of North Texas

 Persistence is a composition scored for piccolo, 2 flutes, 2 oboes, English horn, 2 bassoons, E-flat clarinet, 3 1st B-flat clarinets, 3 2nd B-flat clarinets,… (more)

Subjects/Keywords: wind ensemble; music; Band music  – Scores.

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APA (6th Edition):

Rickwood, C. M. (1997). Persistence: for Wind Ensemble. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278876/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rickwood, Christopher M. “Persistence: for Wind Ensemble.” 1997. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc278876/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rickwood, Christopher M. “Persistence: for Wind Ensemble.” 1997. Web. 15 Nov 2019.

Vancouver:

Rickwood CM. Persistence: for Wind Ensemble. [Internet] [Thesis]. University of North Texas; 1997. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278876/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rickwood CM. Persistence: for Wind Ensemble. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278876/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Crafton, Elizabeth B. Preferential Strategies in Elliott Carter's String Quartet No. 2.

Degree: 1999, University of North Texas

 For the purposes of expressive intent, Carter developed compositional strategies that possess qualities congruent with the musical language in his Second Quartet (1959). He employed… (more)

Subjects/Keywords: string quartets; Elliott Carter; music theory; Carter, Elliott, 1908-2012.  – Quartets, strings, no. 2.

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APA (6th Edition):

Crafton, E. B. (1999). Preferential Strategies in Elliott Carter's String Quartet No. 2. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278805/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crafton, Elizabeth B. “Preferential Strategies in Elliott Carter's String Quartet No. 2.” 1999. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc278805/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crafton, Elizabeth B. “Preferential Strategies in Elliott Carter's String Quartet No. 2.” 1999. Web. 15 Nov 2019.

Vancouver:

Crafton EB. Preferential Strategies in Elliott Carter's String Quartet No. 2. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278805/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crafton EB. Preferential Strategies in Elliott Carter's String Quartet No. 2. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc278805/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.