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You searched for +publisher:"University of North Texas" +contributor:("Klein, Joseph"). Showing records 1 – 30 of 104 total matches.

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University of North Texas

1. Ahn-Kim, Yong Hee. Rhapsody for Piano and Small Orchestra.

Degree: 2001, University of North Texas

 Rhapsody for Piano and Small Orchestra is a one-movement composition in a concerto fashion for seventeen players, and is about nine minutes in duration. The… (more)

Subjects/Keywords: Piano with chamber orchestra  – Scores.; Ahn-Kim; Fibonacci; golden section

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APA (6th Edition):

Ahn-Kim, Y. H. (2001). Rhapsody for Piano and Small Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3071/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahn-Kim, Yong Hee. “Rhapsody for Piano and Small Orchestra.” 2001. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc3071/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahn-Kim, Yong Hee. “Rhapsody for Piano and Small Orchestra.” 2001. Web. 14 Nov 2019.

Vancouver:

Ahn-Kim YH. Rhapsody for Piano and Small Orchestra. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3071/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahn-Kim YH. Rhapsody for Piano and Small Orchestra. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc3071/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Aldag, Daniel J. The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone.

Degree: 2002, University of North Texas

 A significant body of solo literature for the trombone has been written in the last fifty years that draws as much from the jazz tradition… (more)

Subjects/Keywords: Trombone music.; Suderburg, Robert. Chamber music, no. 3.; Peaslee, Richard. Arrows of time.; Jazz  – History and criticism.; Timbre; jazz; trombone; Night Set (Chamber Music III); Arrows of Time; Robert Suderberg; Richard Peaslee

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APA (6th Edition):

Aldag, D. J. (2002). The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3361/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aldag, Daniel J. “The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone.” 2002. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc3361/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aldag, Daniel J. “The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone.” 2002. Web. 14 Nov 2019.

Vancouver:

Aldag DJ. The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone. [Internet] [Thesis]. University of North Texas; 2002. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3361/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aldag DJ. The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3361/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Allen, John Clay. An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition.

Degree: 2015, University of North Texas

 Beginning in the 1970s, and aided by the advancement and an increased prevalence of computers, spectral music emerged as an important development in twentieth century… (more)

Subjects/Keywords: spectral music; Saariaho; Axiom Unearthed; Grisey; Murail

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APA (6th Edition):

Allen, J. C. (2015). An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc799510/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allen, John Clay. “An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition.” 2015. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc799510/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allen, John Clay. “An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition.” 2015. Web. 14 Nov 2019.

Vancouver:

Allen JC. An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc799510/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allen JC. An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc799510/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Anderson, Jonathan Douglas. The Creative Process in Cross-Influential Composition.

Degree: 2010, University of North Texas

 This dissertation describes a compositional model rooted in cross-influential methodology between complementary musical compositions that share generative source material. In their simultaneous construction, two composition… (more)

Subjects/Keywords: Creative process composition; electronic cross-influential; electroacoustic; MAX/MSP; Composition (Music); Piano music.; Piano and electronic music  – Scores.; Double bass and electronic music  – Scores.; String orchestra music  – Scores.

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APA (6th Edition):

Anderson, J. D. (2010). The Creative Process in Cross-Influential Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Jonathan Douglas. “The Creative Process in Cross-Influential Composition.” 2010. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc28386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Jonathan Douglas. “The Creative Process in Cross-Influential Composition.” 2010. Web. 14 Nov 2019.

Vancouver:

Anderson JD. The Creative Process in Cross-Influential Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson JD. The Creative Process in Cross-Influential Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Anderson, Stephen Reg. Heart of the Fathers, for Wind Symphony.

Degree: 2000, University of North Texas

 Heart of the Fathers is a programmatic, seven movement work for wind symphony depicting my ancestors and their role as part of the history of… (more)

Subjects/Keywords: Symphonic poems (Band)  – Scores.; Church of Jesus Christ of Latter-day Saints  – Songs and music.; Latter-day Saints; programmatic music

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APA (6th Edition):

Anderson, S. R. (2000). Heart of the Fathers, for Wind Symphony. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2546/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Stephen Reg. “Heart of the Fathers, for Wind Symphony.” 2000. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc2546/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Stephen Reg. “Heart of the Fathers, for Wind Symphony.” 2000. Web. 14 Nov 2019.

Vancouver:

Anderson SR. Heart of the Fathers, for Wind Symphony. [Internet] [Thesis]. University of North Texas; 2000. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2546/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson SR. Heart of the Fathers, for Wind Symphony. [Thesis]. University of North Texas; 2000. Available from: https://digital.library.unt.edu/ark:/67531/metadc2546/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Anderson, Stephen Reg. Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band.

Degree: 2005, University of North Texas

 Concerto for Solo Percussion and Concert Band was commissioned by Staff Sergeant Rone Sparrow, a percussionist with the West Point Military Academy Band. Funding for… (more)

Subjects/Keywords: Percussion with band  – Scores.; percussion concerto; band music; concerto/percussion/band; postmodernism

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APA (6th Edition):

Anderson, S. R. (2005). Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4980/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Stephen Reg. “Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band.” 2005. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc4980/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Stephen Reg. “Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band.” 2005. Web. 14 Nov 2019.

Vancouver:

Anderson SR. Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band. [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4980/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson SR. Aesthetic Models and Structural Features in Concerto for Solo Percussion and Concert Band. [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc4980/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Bernardo, Daniel. Never Odd Or Even: Using Temporal Structures In Composing Music For Dance.

Degree: 2012, University of North Texas

 This study engages the collaboration of dance and music, focusing primarily on experiences in the production of a large scale collaborative concert entitled Never Odd… (more)

Subjects/Keywords: Music composition; dance; collaboration

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APA (6th Edition):

Bernardo, D. (2012). Never Odd Or Even: Using Temporal Structures In Composing Music For Dance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc115047/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bernardo, Daniel. “Never Odd Or Even: Using Temporal Structures In Composing Music For Dance.” 2012. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc115047/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bernardo, Daniel. “Never Odd Or Even: Using Temporal Structures In Composing Music For Dance.” 2012. Web. 14 Nov 2019.

Vancouver:

Bernardo D. Never Odd Or Even: Using Temporal Structures In Composing Music For Dance. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc115047/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bernardo D. Never Odd Or Even: Using Temporal Structures In Composing Music For Dance. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc115047/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Blizzard, Amy. The Nightingale in Poetry and Music.

Degree: 2003, University of North Texas

 This thesis surveys a variety of songs and arias for high soprano which feature the nightingale; examines the musical elements that symbolize, refer to, or… (more)

Subjects/Keywords: Nightingale  – Poetry.; Nightingale  – Songs and music  – History and criticism.; Nightingale; music; poetry; soprano

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APA (6th Edition):

Blizzard, A. (2003). The Nightingale in Poetry and Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blizzard, Amy. “The Nightingale in Poetry and Music.” 2003. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc4161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blizzard, Amy. “The Nightingale in Poetry and Music.” 2003. Web. 14 Nov 2019.

Vancouver:

Blizzard A. The Nightingale in Poetry and Music. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blizzard A. The Nightingale in Poetry and Music. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Bober, Nicholas Bradburn. This Creature, Bride of Christ.

Degree: 2010, University of North Texas

 This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the… (more)

Subjects/Keywords: Margery Kempe; digital signal processing; Wagner; Parsifal; computer music; Songs (High voice) with instrumental ensemble  – Scores.; Electronic music.; Kempe, Margery, b. ca. 1373  – Musical settings.

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APA (6th Edition):

Bober, N. B. (2010). This Creature, Bride of Christ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Web. 14 Nov 2019.

Vancouver:

Bober NB. This Creature, Bride of Christ. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bober NB. This Creature, Bride of Christ. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Bonneau, Paul G. Latin Mass for Choir, Orchestra, Soprano and Mezzo-Soprano Soloists.

Degree: 2003, University of North Texas

 The Latin Mass is a musical composition in five movements, scored for large choir, standard orchestra, and two soloists. The movements are the standard parts… (more)

Subjects/Keywords: Masses  – Scores.; Bonneau; Latin Mass

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APA (6th Edition):

Bonneau, P. G. (2003). Latin Mass for Choir, Orchestra, Soprano and Mezzo-Soprano Soloists. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4234/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bonneau, Paul G. “Latin Mass for Choir, Orchestra, Soprano and Mezzo-Soprano Soloists.” 2003. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc4234/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bonneau, Paul G. “Latin Mass for Choir, Orchestra, Soprano and Mezzo-Soprano Soloists.” 2003. Web. 14 Nov 2019.

Vancouver:

Bonneau PG. Latin Mass for Choir, Orchestra, Soprano and Mezzo-Soprano Soloists. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4234/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bonneau PG. Latin Mass for Choir, Orchestra, Soprano and Mezzo-Soprano Soloists. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4234/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Bonneau, Paul G. (Paul Gregory). A Capella Eletronnica.

Degree: 1995, University of North Texas

 The intent of A capella Eletronnica is to explore the possibility of the human voice as the most versatile of musical instruments. The voice, capable… (more)

Subjects/Keywords: Vocal music; Electronic music; Vocal quartets with electronics.

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APA (6th Edition):

Bonneau, P. G. (. G. (1995). A Capella Eletronnica. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279371/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bonneau, Paul G (Paul Gregory). “A Capella Eletronnica.” 1995. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc279371/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bonneau, Paul G (Paul Gregory). “A Capella Eletronnica.” 1995. Web. 14 Nov 2019.

Vancouver:

Bonneau PG(G. A Capella Eletronnica. [Internet] [Thesis]. University of North Texas; 1995. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279371/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bonneau PG(G. A Capella Eletronnica. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc279371/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Boutwell, Brett N. "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage.

Degree: 1999, University of North Texas

 John Cage’s Concerto for Prepared Piano and Chamber Orchestra (1950-51) holds a unique position within the composer’s oeuvre as the first work based in part… (more)

Subjects/Keywords: Cage, John. Concerto, piano, orchestra.; aesthetics of music; chance-derived compositional procedures

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APA (6th Edition):

Boutwell, B. N. (1999). "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2260/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boutwell, Brett N. “"Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage.” 1999. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc2260/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boutwell, Brett N. “"Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage.” 1999. Web. 14 Nov 2019.

Vancouver:

Boutwell BN. "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2260/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boutwell BN. "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2260/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Bryant, Steven 1972-. Loose Id for Orchestra.

Degree: 1996, University of North Texas

 Loose Id, scored for orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, B-flat contrabass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 3… (more)

Subjects/Keywords: id; music; orchestra; composition; Orchestral music  – Scores.; Id (Psychology)  – Songs and music.

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APA (6th Edition):

Bryant, S. 1. (1996). Loose Id for Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278090/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bryant, Steven 1972-. “Loose Id for Orchestra.” 1996. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc278090/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bryant, Steven 1972-. “Loose Id for Orchestra.” 1996. Web. 14 Nov 2019.

Vancouver:

Bryant S1. Loose Id for Orchestra. [Internet] [Thesis]. University of North Texas; 1996. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278090/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bryant S1. Loose Id for Orchestra. [Thesis]. University of North Texas; 1996. Available from: https://digital.library.unt.edu/ark:/67531/metadc278090/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Buehler, Alex R. Critical Essay and Musical Score Accompanying the Original Music Composition, "East is East, and West is West [and Never the Twain Shall Meet]".

Degree: 2019, University of North Texas

 This document accompanies and explains the concepts used in the development of the composition, East is East, and West is West, (and Never the Twain… (more)

Subjects/Keywords: composition; modular; quotation; borrowing; extractable; recombinate

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APA (6th Edition):

Buehler, A. R. (2019). Critical Essay and Musical Score Accompanying the Original Music Composition, "East is East, and West is West [and Never the Twain Shall Meet]". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1538813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Buehler, Alex R. “Critical Essay and Musical Score Accompanying the Original Music Composition, "East is East, and West is West [and Never the Twain Shall Meet]".” 2019. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Buehler, Alex R. “Critical Essay and Musical Score Accompanying the Original Music Composition, "East is East, and West is West [and Never the Twain Shall Meet]".” 2019. Web. 14 Nov 2019.

Vancouver:

Buehler AR. Critical Essay and Musical Score Accompanying the Original Music Composition, "East is East, and West is West [and Never the Twain Shall Meet]". [Internet] [Thesis]. University of North Texas; 2019. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1538813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Buehler AR. Critical Essay and Musical Score Accompanying the Original Music Composition, "East is East, and West is West [and Never the Twain Shall Meet]". [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1538813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Butterfield, Craig. The improvisational language of Niels-Henning Ørsted Pedersen: A performance study.

Degree: 2008, University of North Texas

 Thirteen original transcriptions and subsequent analysis of improvised solos performed by Niels-Henning Ørsted Pedersen. The transcriptions are analyzed in three categories: harmonic vocabulary, technical devices,… (more)

Subjects/Keywords: Niels Pedersen; jazz; transcription; double bass; Ørsted Pedersen, Niels Henning, 1946-2005.; Jazz musicians  – Denmark.; Double bassists  – Denmark.; Improvisation (Music)

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APA (6th Edition):

Butterfield, C. (2008). The improvisational language of Niels-Henning Ørsted Pedersen: A performance study. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9790/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Butterfield, Craig. “The improvisational language of Niels-Henning Ørsted Pedersen: A performance study.” 2008. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc9790/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Butterfield, Craig. “The improvisational language of Niels-Henning Ørsted Pedersen: A performance study.” 2008. Web. 14 Nov 2019.

Vancouver:

Butterfield C. The improvisational language of Niels-Henning Ørsted Pedersen: A performance study. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9790/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Butterfield C. The improvisational language of Niels-Henning Ørsted Pedersen: A performance study. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9790/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Campbell, Andrew. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .

Degree: 2016, University of North Texas

 This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore… (more)

Subjects/Keywords: Music; Composition; Collage; Super Tempo; John Zorn; George Rochberg; Charles Ives; For Your Eyes Only; Cat O' Nine Tails; Tempered Confetti; Venni, Viddi,  –; Music

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APA (6th Edition):

Campbell, A. (2016). Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Web. 14 Nov 2019.

Vancouver:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Choi, Da Jeong. Dream of a Thousand Keys: A Concerto for Piano and Orchestra.

Degree: 2011, University of North Texas

 Dream of a Thousand Keys is a concerto for piano and orchestra, which consists of four movements presenting multiple dimensional meanings as suggested by the… (more)

Subjects/Keywords: Concerto; Fibonacci series; piano and orchestra

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APA (6th Edition):

Choi, D. J. (2011). Dream of a Thousand Keys: A Concerto for Piano and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Web. 14 Nov 2019.

Vancouver:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Chong, Lok-Shing. The Last Seven Words.

Degree: 1993, University of North Texas

 The Last Seven Words is an orchestral piece with double woodwind, double brass, and two sets of timpani. The duration of the work is seventeen… (more)

Subjects/Keywords: orchestral music; musical composition; Orchestral music  – Scores.

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APA (6th Edition):

Chong, L. (1993). The Last Seven Words. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500283/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chong, Lok-Shing. “The Last Seven Words.” 1993. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc500283/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chong, Lok-Shing. “The Last Seven Words.” 1993. Web. 14 Nov 2019.

Vancouver:

Chong L. The Last Seven Words. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500283/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chong L. The Last Seven Words. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc500283/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Colaruotolo, John. RevealingReveilingReveling.

Degree: 2005, University of North Texas

 This thesis explores the possibilities of communication in the context of a sound composition. In RevealingReveilingReveling, a series of questions concerning communication posed by John… (more)

Subjects/Keywords: Aleatory music.; Heidegger; philosophy; John Cage; musique concrete

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APA (6th Edition):

Colaruotolo, J. (2005). RevealingReveilingReveling. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4782/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Colaruotolo, John. “RevealingReveilingReveling.” 2005. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc4782/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Colaruotolo, John. “RevealingReveilingReveling.” 2005. Web. 14 Nov 2019.

Vancouver:

Colaruotolo J. RevealingReveilingReveling. [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4782/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colaruotolo J. RevealingReveilingReveling. [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc4782/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Davenport, Jennifer Tish. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.

Degree: 2011, University of North Texas

 The oratorio August 4, 1964 is a twelve-movement work for orchestra, chorus, and four soloists written by Steven Stucky. The premise for the libretto, adapted… (more)

Subjects/Keywords: O Vos Omnes; We Shall Overcome; remembrance; cultural meaning; commentary; continuum; Scheer; Stucky; unity; quotation

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APA (6th Edition):

Davenport, J. T. (2011). Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67973/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davenport, Jennifer Tish. “Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.” 2011. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc67973/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davenport, Jennifer Tish. “Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.” 2011. Web. 14 Nov 2019.

Vancouver:

Davenport JT. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67973/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davenport JT. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67973/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Davidson, Clayton Simmons. "Natural Disasters".

Degree: 2019, University of North Texas

 "Natural Disasters" is a cycle of five extractable movements for septet, conductor and computer. Each movement in the cycle is inspired by the ways that… (more)

Subjects/Keywords: composition; natural disaster; sonification; taxonomy; spectromorphology; wildfire; extra-planetary; geological; hydrological; meteorological; Into The Black; Perturbations; Synoptic Interference; Gleaning; Deluge; l’Histoire; septet; Music

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APA (6th Edition):

Davidson, C. S. (2019). "Natural Disasters". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1538761/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davidson, Clayton Simmons. “"Natural Disasters".” 2019. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538761/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davidson, Clayton Simmons. “"Natural Disasters".” 2019. Web. 14 Nov 2019.

Vancouver:

Davidson CS. "Natural Disasters". [Internet] [Thesis]. University of North Texas; 2019. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1538761/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davidson CS. "Natural Disasters". [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1538761/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Difalco, Elaine Celleste. Cosmophonia: Musical Expressions of Astronomy and Cosmology.

Degree: 2018, University of North Texas

 Astronomy and music are both fundamental to cultural identity in the form of various musical styles and calendrical systems. However, since both are governed by… (more)

Subjects/Keywords: Music of the Spheres; Music Composition; Archaeoastronomy; Oliveros; Astronomy; Cosmology; Helioseismology; Music; Physics, Astronomy and Astrophysics; Anthropology, Archaeology

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APA (6th Edition):

Difalco, E. C. (2018). Cosmophonia: Musical Expressions of Astronomy and Cosmology. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1259404/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Difalco, Elaine Celleste. “Cosmophonia: Musical Expressions of Astronomy and Cosmology.” 2018. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc1259404/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Difalco, Elaine Celleste. “Cosmophonia: Musical Expressions of Astronomy and Cosmology.” 2018. Web. 14 Nov 2019.

Vancouver:

Difalco EC. Cosmophonia: Musical Expressions of Astronomy and Cosmology. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1259404/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Difalco EC. Cosmophonia: Musical Expressions of Astronomy and Cosmology. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1259404/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Douglass, Mark. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.

Degree: 2016, University of North Texas

 This dissertation considers the use of orchestra bells as a solo instrument. I use three examples taken from chamber literature (Drumming by Steve Reich, Why… (more)

Subjects/Keywords: Orchestra Bells; Glockenspiel; Music

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APA (6th Edition):

Douglass, M. (2016). Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Douglass, Mark. “Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.” 2016. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc849634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Douglass, Mark. “Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.” 2016. Web. 14 Nov 2019.

Vancouver:

Douglass M. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Douglass M. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Doyle, James Joseph. Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera.

Degree: 2014, University of North Texas

 When the dust settles, John Adams’s Nixon in China and Philip Glass’s Einstein on the Beach may stand as the most important operas of the… (more)

Subjects/Keywords: Minimalism; opera; music

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APA (6th Edition):

Doyle, J. J. (2014). Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doyle, James Joseph. “Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera.” 2014. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc699885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doyle, James Joseph. “Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera.” 2014. Web. 14 Nov 2019.

Vancouver:

Doyle JJ. Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doyle JJ. Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc699885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Dribus, John Alexander. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.

Degree: 2010, University of North Texas

 This dissertation examines the role of noise in shaping the form of several recent musical compositions. This study demonstrates how the contrast of noisy sounds… (more)

Subjects/Keywords: Noise; Urban Structure; Chreode; Chain 1; Lontano; FFT; Electronic music  – History and criticism.; Noise music  – History and criticism.; Music  – Acoustics and physics.; Composition (Music)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dribus, J. A. (2010). Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Web. 14 Nov 2019.

Vancouver:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Esperilla Garcia, Efrain Ernesto. La Primavera: Concertino for English Horn and Chamber Orchestra.

Degree: 2002, University of North Texas

 La Primavera: Concertino for English Horn and Chamber Orchestra is a work in a traditional chamber orchestra instrumentation: single woodwinds (flute, oboe, clarinet, and bassoon),… (more)

Subjects/Keywords: Concertos (English horn) with chamber orchestra  – Scores.; Concertina; English horn; La Primavera

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APA (6th Edition):

Esperilla Garcia, E. E. (2002). La Primavera: Concertino for English Horn and Chamber Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3148/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Esperilla Garcia, Efrain Ernesto. “La Primavera: Concertino for English Horn and Chamber Orchestra.” 2002. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc3148/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Esperilla Garcia, Efrain Ernesto. “La Primavera: Concertino for English Horn and Chamber Orchestra.” 2002. Web. 14 Nov 2019.

Vancouver:

Esperilla Garcia EE. La Primavera: Concertino for English Horn and Chamber Orchestra. [Internet] [Thesis]. University of North Texas; 2002. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3148/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Esperilla Garcia EE. La Primavera: Concertino for English Horn and Chamber Orchestra. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3148/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Espinel Pulgar, Miguel Angel. Replenishment: A Musical Narrative Inspired by Sleep.

Degree: 2017, University of North Texas

 The Replenishment cycle contains five works that allude to the experience of sleep, beginning with awake drowsiness and ending with the piece inspired by rapid… (more)

Subjects/Keywords: composition; intermedia; biofeedback; graphic notation; chamber ensemble; painting; video; eeg; ekg; Music; Musical Performances; Fine Arts

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APA (6th Edition):

Espinel Pulgar, M. A. (2017). Replenishment: A Musical Narrative Inspired by Sleep. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1062888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Espinel Pulgar, Miguel Angel. “Replenishment: A Musical Narrative Inspired by Sleep.” 2017. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc1062888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Espinel Pulgar, Miguel Angel. “Replenishment: A Musical Narrative Inspired by Sleep.” 2017. Web. 14 Nov 2019.

Vancouver:

Espinel Pulgar MA. Replenishment: A Musical Narrative Inspired by Sleep. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Espinel Pulgar MA. Replenishment: A Musical Narrative Inspired by Sleep. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

28. Fakhouri, Fouad K. Memento mori: Concert for Violoncello and Orchestra.

Degree: 2006, University of North Texas

 Death, as a subject, has been treated extensively throughout history, both in literature as well as in music. The focus of Memento mori is to… (more)

Subjects/Keywords: Violoncello with orchestra  – Scores.; Death  – Songs and music.; Memento mori; concert

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APA (6th Edition):

Fakhouri, F. K. (2006). Memento mori: Concert for Violoncello and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc5413/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fakhouri, Fouad K. “Memento mori: Concert for Violoncello and Orchestra.” 2006. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc5413/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fakhouri, Fouad K. “Memento mori: Concert for Violoncello and Orchestra.” 2006. Web. 14 Nov 2019.

Vancouver:

Fakhouri FK. Memento mori: Concert for Violoncello and Orchestra. [Internet] [Thesis]. University of North Texas; 2006. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc5413/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fakhouri FK. Memento mori: Concert for Violoncello and Orchestra. [Thesis]. University of North Texas; 2006. Available from: https://digital.library.unt.edu/ark:/67531/metadc5413/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Feezell, Mark Brandon. The Light, for Two Narrators and Chamber Ensemble.

Degree: 2003, University of North Texas

 The Light is a twenty-four minute composition for two narrators and chamber orchestra. The two narrators perform the roles of the Apostle John and Moses.… (more)

Subjects/Keywords: Sacred monologues with music (Chamber orchestra)  – Scores.; Chamber orchestra; melodrama; narrator; narration; Moses; John; Genesis; Revelation; motivic development

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Feezell, M. B. (2003). The Light, for Two Narrators and Chamber Ensemble. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feezell, Mark Brandon. “The Light, for Two Narrators and Chamber Ensemble.” 2003. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc4220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feezell, Mark Brandon. “The Light, for Two Narrators and Chamber Ensemble.” 2003. Web. 14 Nov 2019.

Vancouver:

Feezell MB. The Light, for Two Narrators and Chamber Ensemble. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feezell MB. The Light, for Two Narrators and Chamber Ensemble. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Figg, Graham Elliot. Just Intonation and the Revitalization of Neoclassicism: Three Works for Baroque Instruments.

Degree: 2008, University of North Texas

 For a composer of today, the relationship between new music and music from many centuries past remains problematic. In order to create something new, it… (more)

Subjects/Keywords: music of the past; Just tuning; new music; relationship; Music  – Baroque influences.; Just intonation.; Harpsichord music.; Violoncello and harpsichord music  – Scores.; Songs (High voice) with instrumental ensemble  – Scores.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Figg, G. E. (2008). Just Intonation and the Revitalization of Neoclassicism: Three Works for Baroque Instruments. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc6113/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Figg, Graham Elliot. “Just Intonation and the Revitalization of Neoclassicism: Three Works for Baroque Instruments.” 2008. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc6113/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Figg, Graham Elliot. “Just Intonation and the Revitalization of Neoclassicism: Three Works for Baroque Instruments.” 2008. Web. 14 Nov 2019.

Vancouver:

Figg GE. Just Intonation and the Revitalization of Neoclassicism: Three Works for Baroque Instruments. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc6113/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Figg GE. Just Intonation and the Revitalization of Neoclassicism: Three Works for Baroque Instruments. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc6113/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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