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You searched for +publisher:"University of North Texas" +contributor:("Klein, Joseph"). Showing records 1 – 30 of 104 total matches.

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University of North Texas

1. Raviotta, Benjamin p. Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia.

Degree: 2016, University of North Texas

 Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia explores the need for curriculum modifications, accommodations,… (more)

Subjects/Keywords: ADHD; dyslexia; specific learning disorder; SLD; 504 plan; Individual Education Program; learning disabilities; music education; music remediation; private teacher; band director

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raviotta, B. p. (2016). Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc955082/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Raviotta, Benjamin p. “Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia.” 2016. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc955082/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Raviotta, Benjamin p. “Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia.” 2016. Web. 18 Oct 2019.

Vancouver:

Raviotta Bp. Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc955082/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Raviotta Bp. Strategies for Developing Individual Education Programs for Public School Music Students with Attention Deficit Hyperactivity Disorder and Dyslexia. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc955082/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Lucas, Stephen L. "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video.

Degree: 2017, University of North Texas

 Virtual Stage is a project to use Virtual Reality (VR) technology as an audiovisual performance interface. The depth of control, modularity of design, and user… (more)

Subjects/Keywords: computer music; multimedia; composition; virtual reality; digital art; physical modeling; Music; Musical Performances; Computer Science

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APA (6th Edition):

Lucas, S. L. (2017). "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984124/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Stephen L. “"Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video.” 2017. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc984124/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Stephen L. “"Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video.” 2017. Web. 18 Oct 2019.

Vancouver:

Lucas SL. "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984124/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas SL. "Virtual Stage": Merging Virtual Reality Technologies and Interactive Audio/Video. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984124/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Harenda, Timothy. Interactive Networks in "Forgotten Lyres": Critical Analysis and Original Composition.

Degree: 2017, University of North Texas

 Forgotten Lyres is a musical response to Percy Bysshe Shelley's poem Mutability, which depicts the fragility and unpredictable nature of human life. Four independent chamber… (more)

Subjects/Keywords: Forgotten Lyres; Percy Bysshe Shelley; Mutability; Chamber Ensembles; Coordination; Mel Powell; Modules; Toru Takemitsu; Rain Spell; Witold Lutoslawski; String Quartet; Pierre Boulez; Rituel; Music; Musical Performances

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APA (6th Edition):

Harenda, T. (2017). Interactive Networks in "Forgotten Lyres": Critical Analysis and Original Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011829/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harenda, Timothy. “Interactive Networks in "Forgotten Lyres": Critical Analysis and Original Composition.” 2017. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc1011829/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harenda, Timothy. “Interactive Networks in "Forgotten Lyres": Critical Analysis and Original Composition.” 2017. Web. 18 Oct 2019.

Vancouver:

Harenda T. Interactive Networks in "Forgotten Lyres": Critical Analysis and Original Composition. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011829/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harenda T. Interactive Networks in "Forgotten Lyres": Critical Analysis and Original Composition. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011829/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Espinel Pulgar, Miguel Angel. Replenishment: A Musical Narrative Inspired by Sleep.

Degree: 2017, University of North Texas

 The Replenishment cycle contains five works that allude to the experience of sleep, beginning with awake drowsiness and ending with the piece inspired by rapid… (more)

Subjects/Keywords: composition; intermedia; biofeedback; graphic notation; chamber ensemble; painting; video; eeg; ekg; Music; Musical Performances; Fine Arts

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APA (6th Edition):

Espinel Pulgar, M. A. (2017). Replenishment: A Musical Narrative Inspired by Sleep. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1062888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Espinel Pulgar, Miguel Angel. “Replenishment: A Musical Narrative Inspired by Sleep.” 2017. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc1062888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Espinel Pulgar, Miguel Angel. “Replenishment: A Musical Narrative Inspired by Sleep.” 2017. Web. 18 Oct 2019.

Vancouver:

Espinel Pulgar MA. Replenishment: A Musical Narrative Inspired by Sleep. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Espinel Pulgar MA. Replenishment: A Musical Narrative Inspired by Sleep. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Snow, Kyle G. Music on the Edge of Silence.

Degree: 2018, University of North Texas

 This paper presents a discussion of functional silence in contemporary classical music with a particular focus on the music of Salvatore Sciarrino and Jürg Frey,… (more)

Subjects/Keywords: Music; Contemporary Music; Silence; Functional Silence; Sciarrino; Let me die before I wake; Allegoria della notte; Infinito Nero; Frey; Streichquarttet III; Snow; A Moment on the In-between; Music

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APA (6th Edition):

Snow, K. G. (2018). Music on the Edge of Silence. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1157610/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Snow, Kyle G. “Music on the Edge of Silence.” 2018. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc1157610/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Snow, Kyle G. “Music on the Edge of Silence.” 2018. Web. 18 Oct 2019.

Vancouver:

Snow KG. Music on the Edge of Silence. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157610/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Snow KG. Music on the Edge of Silence. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157610/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Bernardo, Daniel. Never Odd Or Even: Using Temporal Structures In Composing Music For Dance.

Degree: 2012, University of North Texas

 This study engages the collaboration of dance and music, focusing primarily on experiences in the production of a large scale collaborative concert entitled Never Odd… (more)

Subjects/Keywords: Music composition; dance; collaboration

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APA (6th Edition):

Bernardo, D. (2012). Never Odd Or Even: Using Temporal Structures In Composing Music For Dance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc115047/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bernardo, Daniel. “Never Odd Or Even: Using Temporal Structures In Composing Music For Dance.” 2012. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc115047/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bernardo, Daniel. “Never Odd Or Even: Using Temporal Structures In Composing Music For Dance.” 2012. Web. 18 Oct 2019.

Vancouver:

Bernardo D. Never Odd Or Even: Using Temporal Structures In Composing Music For Dance. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc115047/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bernardo D. Never Odd Or Even: Using Temporal Structures In Composing Music For Dance. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc115047/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Price, Lee Scott. Ocean of Forms: for Soprano and Computer.

Degree: 2012, University of North Texas

 Ocean of Forms is a cycle of five songs for solo soprano voice and electronic/computer music accompaniment on poems by noted Bengali poet, musician, philosopher,… (more)

Subjects/Keywords: Voice; computer; song cycle; algorithmic music; live electronics; acousmastic music; computer music; soprano

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APA (6th Edition):

Price, L. S. (2012). Ocean of Forms: for Soprano and Computer. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc115141/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Price, Lee Scott. “Ocean of Forms: for Soprano and Computer.” 2012. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc115141/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Price, Lee Scott. “Ocean of Forms: for Soprano and Computer.” 2012. Web. 18 Oct 2019.

Vancouver:

Price LS. Ocean of Forms: for Soprano and Computer. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc115141/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Price LS. Ocean of Forms: for Soprano and Computer. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc115141/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Walls, Jay Alan. Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn.

Degree: 2011, University of North Texas

 Galileo's Eyeglass is a celebratory work for full orchestra with standard instrumentation commemorating Galileo Galilei's discoveries of the four largest moons of Jupiter and the… (more)

Subjects/Keywords: Orchestra; telescope; neo-romantic; Saturn, lute; Galileo; Jupiter

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APA (6th Edition):

Walls, J. A. (2011). Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc84298/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walls, Jay Alan. “Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn.” 2011. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc84298/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walls, Jay Alan. “Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn.” 2011. Web. 18 Oct 2019.

Vancouver:

Walls JA. Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc84298/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walls JA. Galileo's Eyeglass: An Orchestral Work Celebrating the Discovery of the Moons of Jupiter and the Rings of Saturn. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc84298/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Oliveiro, Mark A. Compositional approaches within new media paradigms.

Degree: 2016, University of North Texas

 "Compositional Approaches to New Media Paradigms" is the discursive accompaniment to the original composition BoMoH, (a new media chamber opera. A variety of new media… (more)

Subjects/Keywords: New Media; Interactivity; Computer Music; Musical Performances

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APA (6th Edition):

Oliveiro, M. A. (2016). Compositional approaches within new media paradigms. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveiro, Mark A. “Compositional approaches within new media paradigms.” 2016. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc849618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveiro, Mark A. “Compositional approaches within new media paradigms.” 2016. Web. 18 Oct 2019.

Vancouver:

Oliveiro MA. Compositional approaches within new media paradigms. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveiro MA. Compositional approaches within new media paradigms. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Underriner, Charles Francis. The Sound-Poetry of the Instability of Reality: Mimesis in Music, Literature, and Visual Art.

Degree: 2016, University of North Texas

 This paper uses the concept of mimesis to clarify the debate concerning the representation of reality in music. Specifically, this study defines the audio reality… (more)

Subjects/Keywords: mimesis; experimental music; landscape; soundscape; reality effect; Music; Art History; Literature, General

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APA (6th Edition):

Underriner, C. F. (2016). The Sound-Poetry of the Instability of Reality: Mimesis in Music, Literature, and Visual Art. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849623/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Underriner, Charles Francis. “The Sound-Poetry of the Instability of Reality: Mimesis in Music, Literature, and Visual Art.” 2016. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc849623/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Underriner, Charles Francis. “The Sound-Poetry of the Instability of Reality: Mimesis in Music, Literature, and Visual Art.” 2016. Web. 18 Oct 2019.

Vancouver:

Underriner CF. The Sound-Poetry of the Instability of Reality: Mimesis in Music, Literature, and Visual Art. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849623/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Underriner CF. The Sound-Poetry of the Instability of Reality: Mimesis in Music, Literature, and Visual Art. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849623/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Douglass, Mark. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.

Degree: 2016, University of North Texas

 This dissertation considers the use of orchestra bells as a solo instrument. I use three examples taken from chamber literature (Drumming by Steve Reich, Why… (more)

Subjects/Keywords: Orchestra Bells; Glockenspiel; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Douglass, M. (2016). Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Douglass, Mark. “Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.” 2016. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc849634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Douglass, Mark. “Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.” 2016. Web. 18 Oct 2019.

Vancouver:

Douglass M. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Douglass M. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Robin, Bradley G. Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design.

Degree: 2016, University of North Texas

 This dissertation explores the analysis and creation of compositions from the standpoint of texture and momentum. It is comprised of four chapters. The first presents… (more)

Subjects/Keywords: Brad Robin; music; new music; stochastic composition; timbral music; algorithmic composition; extended techniques; Gerard Grisey; Brian Ferneyhough; Partiels; Periodes; Lemma-Icon-Epigram; Phase; Music; Fine Arts; Musical Performances

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APA (6th Edition):

Robin, B. G. (2016). Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862829/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robin, Bradley G. “Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design.” 2016. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc862829/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robin, Bradley G. “Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design.” 2016. Web. 18 Oct 2019.

Vancouver:

Robin BG. Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862829/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robin BG. Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862829/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Polgar, Eva. Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility.

Degree: 2016, University of North Texas

 In the case of Concerto for Orchestra, Béla Bartók transcribed one of his most emblematic orchestral compositions to his own solo instrument, the piano. This… (more)

Subjects/Keywords: Piano Arrangements; Béla Bartók; György Sándor; Logan Skelton; Concerto for Orchestra; Music

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APA (6th Edition):

Polgar, E. (2016). Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862794/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Polgar, Eva. “Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility.” 2016. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc862794/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Polgar, Eva. “Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility.” 2016. Web. 18 Oct 2019.

Vancouver:

Polgar E. Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862794/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Polgar E. Two Piano Editions of the Third and Fifth Movements of Bartók's Concerto for Orchestra: Their Textual Fidelity and Technical Accessibility. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862794/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Campbell, Andrew. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .

Degree: 2016, University of North Texas

 This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore… (more)

Subjects/Keywords: Music; Composition; Collage; Super Tempo; John Zorn; George Rochberg; Charles Ives; For Your Eyes Only; Cat O' Nine Tails; Tempered Confetti; Venni, Viddi,  –; Music

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APA (6th Edition):

Campbell, A. (2016). Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Andrew. “Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – .” 2016. Web. 18 Oct 2019.

Vancouver:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell A. Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi,  – . [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Wen, Bihe. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.

Degree: 2018, University of North Texas

 This paper presents the history and the theoretical study of mixed music and focuses on two piano solo works and two mixed electroacoustic compositions for… (more)

Subjects/Keywords: Piano; Mixed electroacoustic music; Music

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APA (6th Edition):

Wen, B. (2018). Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Web. 18 Oct 2019.

Vancouver:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Difalco, Elaine Celleste. Cosmophonia: Musical Expressions of Astronomy and Cosmology.

Degree: 2018, University of North Texas

 Astronomy and music are both fundamental to cultural identity in the form of various musical styles and calendrical systems. However, since both are governed by… (more)

Subjects/Keywords: Music of the Spheres; Music Composition; Archaeoastronomy; Oliveros; Astronomy; Cosmology; Helioseismology; Music; Physics, Astronomy and Astrophysics; Anthropology, Archaeology

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APA (6th Edition):

Difalco, E. C. (2018). Cosmophonia: Musical Expressions of Astronomy and Cosmology. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1259404/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Difalco, Elaine Celleste. “Cosmophonia: Musical Expressions of Astronomy and Cosmology.” 2018. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc1259404/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Difalco, Elaine Celleste. “Cosmophonia: Musical Expressions of Astronomy and Cosmology.” 2018. Web. 18 Oct 2019.

Vancouver:

Difalco EC. Cosmophonia: Musical Expressions of Astronomy and Cosmology. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1259404/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Difalco EC. Cosmophonia: Musical Expressions of Astronomy and Cosmology. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1259404/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Harris, Joshua Kimball. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.

Degree: 2013, University of North Texas

 Sunken Monadnock is a scripted combination of three modular musical surfaces. The word “surface” is borrowed from Morton Feldman, who compared the aural surface of… (more)

Subjects/Keywords: Indeterminancy; counterpoint; circle; visual metaphor; Feldman

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APA (6th Edition):

Harris, J. K. (2013). “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harris, Joshua Kimball. ““Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer.” 2013. Web. 18 Oct 2019.

Vancouver:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harris JK. “Sunken Monadnock”: a Composition for Flute, Clarinet, Bassoon, Violin, Violoncello, Electric Guitar, Piano, Percussion, Three Female Vocalists, and Computer. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc407859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Sturman, Esra. Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide.

Degree: 2014, University of North Texas

 Penderecki made a tremendous variety of contributions to the cello repertoire. His profound respect for tradition and for his past is deeply appreciated by both… (more)

Subjects/Keywords: Kryzysztof Penderecki; Divertimento; Suite for Cello Solo

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APA (6th Edition):

Sturman, E. (2014). Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500083/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sturman, Esra. “Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide.” 2014. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc500083/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sturman, Esra. “Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide.” 2014. Web. 18 Oct 2019.

Vancouver:

Sturman E. Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500083/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sturman E. Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc500083/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Rusnak, Christina S. 161 Glass: Site Specific Music in an Artistic Context.

Degree: 2010, University of North Texas

 The composition 161 Glass is a 17-minute musical work with percussion, wind and brass instruments in which the intersection of mid-century architecture, and the art… (more)

Subjects/Keywords: Site specific; composition; artistic; music; Sextets (Clarinet, trombone, percussion)  – Scores.; Composition (Music)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rusnak, C. S. (2010). 161 Glass: Site Specific Music in an Artistic Context. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28472/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rusnak, Christina S. “161 Glass: Site Specific Music in an Artistic Context.” 2010. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc28472/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rusnak, Christina S. “161 Glass: Site Specific Music in an Artistic Context.” 2010. Web. 18 Oct 2019.

Vancouver:

Rusnak CS. 161 Glass: Site Specific Music in an Artistic Context. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28472/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rusnak CS. 161 Glass: Site Specific Music in an Artistic Context. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28472/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Bober, Nicholas Bradburn. This Creature, Bride of Christ.

Degree: 2010, University of North Texas

 This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the… (more)

Subjects/Keywords: Margery Kempe; digital signal processing; Wagner; Parsifal; computer music; Songs (High voice) with instrumental ensemble  – Scores.; Electronic music.; Kempe, Margery, b. ca. 1373  – Musical settings.

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APA (6th Edition):

Bober, N. B. (2010). This Creature, Bride of Christ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bober, Nicholas Bradburn. “This Creature, Bride of Christ.” 2010. Web. 18 Oct 2019.

Vancouver:

Bober NB. This Creature, Bride of Christ. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bober NB. This Creature, Bride of Christ. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28395/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Anderson, Jonathan Douglas. The Creative Process in Cross-Influential Composition.

Degree: 2010, University of North Texas

 This dissertation describes a compositional model rooted in cross-influential methodology between complementary musical compositions that share generative source material. In their simultaneous construction, two composition… (more)

Subjects/Keywords: Creative process composition; electronic cross-influential; electroacoustic; MAX/MSP; Composition (Music); Piano music.; Piano and electronic music  – Scores.; Double bass and electronic music  – Scores.; String orchestra music  – Scores.

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APA (6th Edition):

Anderson, J. D. (2010). The Creative Process in Cross-Influential Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Jonathan Douglas. “The Creative Process in Cross-Influential Composition.” 2010. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc28386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Jonathan Douglas. “The Creative Process in Cross-Influential Composition.” 2010. Web. 18 Oct 2019.

Vancouver:

Anderson JD. The Creative Process in Cross-Influential Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson JD. The Creative Process in Cross-Influential Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Wang, Hsiao-Lan. Aesthetic and Technical Analysis on Soar!.

Degree: 2010, University of North Texas

 Soar! is a musical composition written for wind ensemble and computer music. The total duration of the work is approximately 10 minutes. Flocking behavior of… (more)

Subjects/Keywords: Wind ensemble; birds; migration; aleatoric; tape; computer music; Band music  – Scores.; Electronic music  – Scores.; Electronics with band  – Scores.

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APA (6th Edition):

Wang, H. (2010). Aesthetic and Technical Analysis on Soar!. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30522/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Hsiao-Lan. “Aesthetic and Technical Analysis on Soar!.” 2010. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc30522/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Hsiao-Lan. “Aesthetic and Technical Analysis on Soar!.” 2010. Web. 18 Oct 2019.

Vancouver:

Wang H. Aesthetic and Technical Analysis on Soar!. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30522/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang H. Aesthetic and Technical Analysis on Soar!. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30522/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Dribus, John Alexander. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.

Degree: 2010, University of North Texas

 This dissertation examines the role of noise in shaping the form of several recent musical compositions. This study demonstrates how the contrast of noisy sounds… (more)

Subjects/Keywords: Noise; Urban Structure; Chreode; Chain 1; Lontano; FFT; Electronic music  – History and criticism.; Noise music  – History and criticism.; Music  – Acoustics and physics.; Composition (Music)

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APA (6th Edition):

Dribus, J. A. (2010). Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dribus, John Alexander. “Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition.” 2010. Web. 18 Oct 2019.

Vancouver:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dribus JA. Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30427/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Rostovtsev, Ilya Y. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.

Degree: 2010, University of North Texas

 Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical… (more)

Subjects/Keywords: Electroacoustic music; compositional aesthetics; composition; faktura; singing bowl; accordion; percussion; violin; clarinet; acoustic instruments; fixed media; Rostov︠t︡sev, Ilya Y. Understatements.; Composition (Music); Electronic music  – History and criticism.

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APA (6th Edition):

Rostovtsev, I. Y. (2010). Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Web. 18 Oct 2019.

Vancouver:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Lucas, Stephen. Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music.

Degree: 2010, University of North Texas

 Pleroma is a digital drama: a work composed of digital animation combined with electroacoustic music, presenting an original dramatic narrative. Pleroma's dramatic elements evoke both… (more)

Subjects/Keywords: Computer music; computer animation; composition; digital drama; tragedy; Lucas, Stephen, 1985- Pleroma.; Electronic music.; Mixed media (Music); Composition (Music)

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APA (6th Edition):

Lucas, S. (2010). Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33228/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Stephen. “Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music.” 2010. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc33228/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Stephen. “Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music.” 2010. Web. 18 Oct 2019.

Vancouver:

Lucas S. Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33228/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas S. Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33228/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Davenport, Jennifer Tish. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.

Degree: 2011, University of North Texas

 The oratorio August 4, 1964 is a twelve-movement work for orchestra, chorus, and four soloists written by Steven Stucky. The premise for the libretto, adapted… (more)

Subjects/Keywords: O Vos Omnes; We Shall Overcome; remembrance; cultural meaning; commentary; continuum; Scheer; Stucky; unity; quotation

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APA (6th Edition):

Davenport, J. T. (2011). Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67973/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davenport, Jennifer Tish. “Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.” 2011. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc67973/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davenport, Jennifer Tish. “Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity.” 2011. Web. 18 Oct 2019.

Vancouver:

Davenport JT. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67973/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davenport JT. Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum: Cultural, Commentary, Remembrance, and Unity. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67973/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Hernandez, Brian. Nihilism and the Formulation of a Philosophy of Art.

Degree: 2011, University of North Texas

 Nihilism is often associated with feelings of despair, hopelessness and meaningless. It is certainly true that once the implications of this philosophy become apparent that… (more)

Subjects/Keywords: Nihilism; music; art; philosophy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hernandez, B. (2011). Nihilism and the Formulation of a Philosophy of Art. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67991/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hernandez, Brian. “Nihilism and the Formulation of a Philosophy of Art.” 2011. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc67991/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hernandez, Brian. “Nihilism and the Formulation of a Philosophy of Art.” 2011. Web. 18 Oct 2019.

Vancouver:

Hernandez B. Nihilism and the Formulation of a Philosophy of Art. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67991/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hernandez B. Nihilism and the Formulation of a Philosophy of Art. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67991/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

28. Choi, Da Jeong. Dream of a Thousand Keys: A Concerto for Piano and Orchestra.

Degree: 2011, University of North Texas

 Dream of a Thousand Keys is a concerto for piano and orchestra, which consists of four movements presenting multiple dimensional meanings as suggested by the… (more)

Subjects/Keywords: Concerto; Fibonacci series; piano and orchestra

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APA (6th Edition):

Choi, D. J. (2011). Dream of a Thousand Keys: A Concerto for Piano and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Choi, Da Jeong. “Dream of a Thousand Keys: A Concerto for Piano and Orchestra.” 2011. Web. 18 Oct 2019.

Vancouver:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Choi DJ. Dream of a Thousand Keys: A Concerto for Piano and Orchestra. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc67968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Thomas, Paul David. The Fallow Ground: A Composition for Pierrot Ensemble with Percussion and Male Voice.

Degree: 2011, University of North Texas

 The inspiration for The Fallow Ground is the time period of the Second Great Awakening (1790-1840s) and, in particular, the life and impact of one… (more)

Subjects/Keywords: Music chamber ensemble; male voice

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APA (6th Edition):

Thomas, P. D. (2011). The Fallow Ground: A Composition for Pierrot Ensemble with Percussion and Male Voice. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68054/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thomas, Paul David. “The Fallow Ground: A Composition for Pierrot Ensemble with Percussion and Male Voice.” 2011. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc68054/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thomas, Paul David. “The Fallow Ground: A Composition for Pierrot Ensemble with Percussion and Male Voice.” 2011. Web. 18 Oct 2019.

Vancouver:

Thomas PD. The Fallow Ground: A Composition for Pierrot Ensemble with Percussion and Male Voice. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68054/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thomas PD. The Fallow Ground: A Composition for Pierrot Ensemble with Percussion and Male Voice. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68054/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Doyle, James Joseph. Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera.

Degree: 2014, University of North Texas

 When the dust settles, John Adams’s Nixon in China and Philip Glass’s Einstein on the Beach may stand as the most important operas of the… (more)

Subjects/Keywords: Minimalism; opera; music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Doyle, J. J. (2014). Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doyle, James Joseph. “Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera.” 2014. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc699885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doyle, James Joseph. “Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera.” 2014. Web. 18 Oct 2019.

Vancouver:

Doyle JJ. Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doyle JJ. Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc699885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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