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You searched for +publisher:"University of North Texas" +contributor:("Hayes, Eileen M."). Showing records 1 – 7 of 7 total matches.

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University of North Texas

1. Harris, Myranda Leigh. Performing the “Classical”: the Gurukula System in Karnatic Music Society.

Degree: 2012, University of North Texas

 Recent scholarship has revealed that the representation of Karnatic music as a “classical” art form in South Indian society was a complicated process bound to… (more)

Subjects/Keywords: Gurukula; tani avartanam; Karnatic music; classical music of South India; Karnatic drum solo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harris, M. L. (2012). Performing the “Classical”: the Gurukula System in Karnatic Music Society. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc149599/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harris, Myranda Leigh. “Performing the “Classical”: the Gurukula System in Karnatic Music Society.” 2012. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc149599/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harris, Myranda Leigh. “Performing the “Classical”: the Gurukula System in Karnatic Music Society.” 2012. Web. 18 Oct 2019.

Vancouver:

Harris ML. Performing the “Classical”: the Gurukula System in Karnatic Music Society. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc149599/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harris ML. Performing the “Classical”: the Gurukula System in Karnatic Music Society. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc149599/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Beard, Cynthia C. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).

Degree: 2011, University of North Texas

 Francis Poulenc’s three-act opera Dialogues des Carmélites (1953-1956) depicts the struggles of the novice nun Blanche de la Force during the Reign of Terror of… (more)

Subjects/Keywords: Opera; Poulenc; liturgy; French Revolution

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APA (6th Edition):

Beard, C. C. (2011). Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Web. 18 Oct 2019.

Vancouver:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Govind, Arathi. It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa.

Degree: 2012, University of North Texas

 This thesis concerns the performance of identity in the music of Indian American jazz musicians Rudresh Mahanthappa and Vijay Iyer. In combining the use of… (more)

Subjects/Keywords: Jazz; hybrid; fusion; Indian diaspora; Iyer; Mahanthappa

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APA (6th Edition):

Govind, A. (2012). It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc177203/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Govind, Arathi. “It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa.” 2012. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc177203/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Govind, Arathi. “It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa.” 2012. Web. 18 Oct 2019.

Vancouver:

Govind A. It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc177203/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Govind A. It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc177203/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Breckenridge, Mark A. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.

Degree: 2012, University of North Texas

 In “Sounds for Adventurous Listeners,” I argue that Conover’s role in the dissemination of jazz through the Music USA Jazz Hour was more influential on… (more)

Subjects/Keywords: Conover; avant-garde; jazz

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Breckenridge, M. A. (2012). “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc149564/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Breckenridge, Mark A. ““Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.” 2012. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc149564/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Breckenridge, Mark A. ““Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.” 2012. Web. 18 Oct 2019.

Vancouver:

Breckenridge MA. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. [Internet] [Thesis]. University of North Texas; 2012. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc149564/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Breckenridge MA. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc149564/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Cooper, Amy Nicole. Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics.

Degree: 2011, University of North Texas

 Critics who discuss Beethoven’s Pastoral Symphony often write about aspects that run counter to their conception of what a symphony should be, such as this… (more)

Subjects/Keywords: England; United States; 19th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cooper, A. N. (2011). Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cooper, Amy Nicole. “Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics.” 2011. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc103304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cooper, Amy Nicole. “Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics.” 2011. Web. 18 Oct 2019.

Vancouver:

Cooper AN. Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cooper AN. Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Licata, Julie M. Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds.

Degree: 2009, University of North Texas

 Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization was composed in 1995 by Pulitzer prize-winning composer Roger Reynolds. This work is a 25-minute choreographed… (more)

Subjects/Keywords: Multiple-percussion; instrument families; computer spatialization; Steven Schick; Roger Reynolds; Reynolds, Roger, 1934- Watershed. no. 1.; Reynolds, Roger, 1934- Watershed. no. 4.

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APA (6th Edition):

Licata, J. M. (2009). Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc12153/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Licata, Julie M. “Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds.” 2009. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc12153/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Licata, Julie M. “Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds.” 2009. Web. 18 Oct 2019.

Vancouver:

Licata JM. Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds. [Internet] [Thesis]. University of North Texas; 2009. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc12153/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Licata JM. Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds. [Thesis]. University of North Texas; 2009. Available from: https://digital.library.unt.edu/ark:/67531/metadc12153/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. West, Aaron J. Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.

Degree: 2008, University of North Texas

 In Caught Between Jazz and Pop, I challenge the prevalent marginalization and malignment of smooth jazz in the standard jazz narrative. Furthermore, I question the… (more)

Subjects/Keywords: pop; Jazz; smooth jazz; criticism; popular music; Jazz  – History and criticism.; Popular music  – History and criticism.; Performance practice (Music)  – History  – 20th century.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

West, A. J. (2008). Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

West, Aaron J. “Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.” 2008. Thesis, University of North Texas. Accessed October 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc9722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

West, Aaron J. “Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.” 2008. Web. 18 Oct 2019.

Vancouver:

West AJ. Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Oct 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

West AJ. Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.