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You searched for +publisher:"University of North Texas" +contributor:("Ford, Mark"). Showing records 1 – 23 of 23 total matches.

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University of North Texas

1. Feerst, Timothy A. A Motivic Analysis and Performance Practices of "Akrodha" (1998) by Kevin Volans, including Comparative Analyses of "She Who Sleeps with a Small Blanket" (1985) and "Asanga" (1997).

Degree: 2017, University of North Texas

 This dissertation presents an analysis of Akrodha (1998), a multiple percussion solo in two movements, composed by Kevin Volans. The analysis is focused on the… (more)

Subjects/Keywords: Music; Percussion; Kevin Volans; Volans; Akrodha; She Who Sleeps with a Small Blanket; Asanga; Jonny Axelsson; Robyn Schulkowsky; UNT; College of Music; Multiple Percussion; Dissertation; Feerst; Timothy Feerst; Timothy A. Feerst

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APA (6th Edition):

Feerst, T. A. (2017). A Motivic Analysis and Performance Practices of "Akrodha" (1998) by Kevin Volans, including Comparative Analyses of "She Who Sleeps with a Small Blanket" (1985) and "Asanga" (1997). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984254/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feerst, Timothy A. “A Motivic Analysis and Performance Practices of "Akrodha" (1998) by Kevin Volans, including Comparative Analyses of "She Who Sleeps with a Small Blanket" (1985) and "Asanga" (1997).” 2017. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc984254/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feerst, Timothy A. “A Motivic Analysis and Performance Practices of "Akrodha" (1998) by Kevin Volans, including Comparative Analyses of "She Who Sleeps with a Small Blanket" (1985) and "Asanga" (1997).” 2017. Web. 15 Nov 2019.

Vancouver:

Feerst TA. A Motivic Analysis and Performance Practices of "Akrodha" (1998) by Kevin Volans, including Comparative Analyses of "She Who Sleeps with a Small Blanket" (1985) and "Asanga" (1997). [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984254/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feerst TA. A Motivic Analysis and Performance Practices of "Akrodha" (1998) by Kevin Volans, including Comparative Analyses of "She Who Sleeps with a Small Blanket" (1985) and "Asanga" (1997). [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984254/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. McWilliams, Christopher Wayne. "Drum Music": A Performance Guide and Discussion of John Mackey's Influential Concerto for the Modern Percussionist.

Degree: 2017, University of North Texas

 John Mackey is an influential and prolific composer of wind band literature. His focus on and exploration of the percussion section are defining characteristics of… (more)

Subjects/Keywords: John Mackey; percussion; concertos; wind band; Drum Music; wind ensemble; Music; Musical Performances

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APA (6th Edition):

McWilliams, C. W. (2017). "Drum Music": A Performance Guide and Discussion of John Mackey's Influential Concerto for the Modern Percussionist. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011831/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McWilliams, Christopher Wayne. “"Drum Music": A Performance Guide and Discussion of John Mackey's Influential Concerto for the Modern Percussionist.” 2017. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1011831/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McWilliams, Christopher Wayne. “"Drum Music": A Performance Guide and Discussion of John Mackey's Influential Concerto for the Modern Percussionist.” 2017. Web. 15 Nov 2019.

Vancouver:

McWilliams CW. "Drum Music": A Performance Guide and Discussion of John Mackey's Influential Concerto for the Modern Percussionist. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011831/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McWilliams CW. "Drum Music": A Performance Guide and Discussion of John Mackey's Influential Concerto for the Modern Percussionist. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011831/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Douglass, Mark. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.

Degree: 2016, University of North Texas

 This dissertation considers the use of orchestra bells as a solo instrument. I use three examples taken from chamber literature (Drumming by Steve Reich, Why… (more)

Subjects/Keywords: Orchestra Bells; Glockenspiel; Music

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APA (6th Edition):

Douglass, M. (2016). Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Douglass, Mark. “Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.” 2016. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc849634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Douglass, Mark. “Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell.” 2016. Web. 15 Nov 2019.

Vancouver:

Douglass M. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Douglass M. Orchestra Bells as a Chamber and Solo Instrument: A Survey of Works by Steve Reich, Morton Feldman, Franco Donatoni, Robert Morris, Marta Ptaszyńska, Will Ogdon, Stuart Saunders Smith, Lafayette Gilchrist and Roscoe Mitchell. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Robinson, Corey Richard. Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos.

Degree: 2018, University of North Texas

 The primary purpose of this study is to provide connections between a formal motivic analysis and the programmatic content of David Maslanka's three works for… (more)

Subjects/Keywords: David; Maslanka; marimba; Variations on Lost Love; My Lady White; A Solemn Music; analysis; depiction; depicting; depict; percussion; keyboard; Music; Musical Performances

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APA (6th Edition):

Robinson, C. R. (2018). Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248403/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robinson, Corey Richard. “Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248403/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robinson, Corey Richard. “Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos.” 2018. Web. 15 Nov 2019.

Vancouver:

Robinson CR. Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248403/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinson CR. Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248403/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Davis, Adam Benjamin. The Art of Marimba Articulation: A Guide for Composers, Conductors, and Percussionists on the Expressive Capabilities of the Marimba.

Degree: 2018, University of North Texas

 Articulation is an element of musical performance that affects the attack, sustain, and the decay of each sound. Musical articulation facilitates the degree of clarity… (more)

Subjects/Keywords: Music; Articulation; Musical Articulation; Percussion; Percussion Articulation; Marimba; Marimba Articulation; Composers; Conductors; Legato; Staccato; Tenuto; Marcato; Portato; Accent; Music; Education, Music

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APA (6th Edition):

Davis, A. B. (2018). The Art of Marimba Articulation: A Guide for Composers, Conductors, and Percussionists on the Expressive Capabilities of the Marimba. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248483/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davis, Adam Benjamin. “The Art of Marimba Articulation: A Guide for Composers, Conductors, and Percussionists on the Expressive Capabilities of the Marimba.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248483/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davis, Adam Benjamin. “The Art of Marimba Articulation: A Guide for Composers, Conductors, and Percussionists on the Expressive Capabilities of the Marimba.” 2018. Web. 15 Nov 2019.

Vancouver:

Davis AB. The Art of Marimba Articulation: A Guide for Composers, Conductors, and Percussionists on the Expressive Capabilities of the Marimba. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248483/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davis AB. The Art of Marimba Articulation: A Guide for Composers, Conductors, and Percussionists on the Expressive Capabilities of the Marimba. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248483/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Yakas, James. Investigation, Interpretation, and Internalization in Milton Babbitt's Concerto Piccolino for Vibraphone.

Degree: 2018, University of North Texas

 Written in 1999, Concerto Piccolino is a part of the Composer's Guild of New Jersey Vibraphone Commission, which contains a collection of twelve soli written… (more)

Subjects/Keywords: Vibraphone; Babbitt; Concerto; Music; Musical Performances

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APA (6th Edition):

Yakas, J. (2018). Investigation, Interpretation, and Internalization in Milton Babbitt's Concerto Piccolino for Vibraphone. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1404603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yakas, James. “Investigation, Interpretation, and Internalization in Milton Babbitt's Concerto Piccolino for Vibraphone.” 2018. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc1404603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yakas, James. “Investigation, Interpretation, and Internalization in Milton Babbitt's Concerto Piccolino for Vibraphone.” 2018. Web. 15 Nov 2019.

Vancouver:

Yakas J. Investigation, Interpretation, and Internalization in Milton Babbitt's Concerto Piccolino for Vibraphone. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1404603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yakas J. Investigation, Interpretation, and Internalization in Milton Babbitt's Concerto Piccolino for Vibraphone. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1404603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Goto, Akiko. Yoichi Hiraoka: His Artistic Life and His Influence on the Art of Xylophone Performance.

Degree: 2013, University of North Texas

 Yoichi Hiraoka was an amazing Japanese xylophone player who had significant influence on the development of the xylophone as a solo instrument. The purpose of… (more)

Subjects/Keywords: Yoichi Hiraoka; xylophone; Japanese xylophonist

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APA (6th Edition):

Goto, A. (2013). Yoichi Hiraoka: His Artistic Life and His Influence on the Art of Xylophone Performance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goto, Akiko. “Yoichi Hiraoka: His Artistic Life and His Influence on the Art of Xylophone Performance.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc500161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goto, Akiko. “Yoichi Hiraoka: His Artistic Life and His Influence on the Art of Xylophone Performance.” 2013. Web. 15 Nov 2019.

Vancouver:

Goto A. Yoichi Hiraoka: His Artistic Life and His Influence on the Art of Xylophone Performance. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goto A. Yoichi Hiraoka: His Artistic Life and His Influence on the Art of Xylophone Performance. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc500161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Roberts, John Francis. The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice.

Degree: 2010, University of North Texas

 The Khan Variations is the first work for solo marimba by Argentinean composer Alejandro Viñao (b.1951). Since publication in 2001, Khan Variations has been performed… (more)

Subjects/Keywords: Khan Variations; marimba; Alejandro Viñao; Viñao, Alejandro, 1951- Khan variations.

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APA (6th Edition):

Roberts, J. F. (2010). The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28467/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, John Francis. “The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice.” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc28467/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, John Francis. “The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice.” 2010. Web. 15 Nov 2019.

Vancouver:

Roberts JF. The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28467/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts JF. The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28467/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Willie, Eric Jason. Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993).

Degree: 2010, University of North Texas

 This dissertation provides insight into the compositional characteristics of Paul Lansky's instrumental works as demonstrated in Hop (1993). As well, this document intends to make… (more)

Subjects/Keywords: Paul Lansky; Hop; Marimolin; Lansky, Paul, 1944- Hop.; Zeltsman, Nancy, 1958-; Composers  – Interviews.

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APA (6th Edition):

Willie, E. J. (2010). Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33214/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Willie, Eric Jason. “Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993).” 2010. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc33214/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Willie, Eric Jason. “Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993).” 2010. Web. 15 Nov 2019.

Vancouver:

Willie EJ. Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993). [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33214/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Willie EJ. Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993). [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33214/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Suen, Ming-Jen. An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut.

Degree: 2011, University of North Texas

 Four Rotations Pour Marimba (1996) by Eric Sammut has become one of the most important marimba compositions in serious concert solo marimba literature. Four Rotations… (more)

Subjects/Keywords: Four Rotations Pour Marimba; Ming-Jen Suen; Eric Sammut

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APA (6th Edition):

Suen, M. (2011). An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68050/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Suen, Ming-Jen. “An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut.” 2011. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc68050/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Suen, Ming-Jen. “An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut.” 2011. Web. 15 Nov 2019.

Vancouver:

Suen M. An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68050/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Suen M. An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68050/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Liu, Yi-Jan. Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis.

Degree: 2014, University of North Texas

 This dissertation will focus on the concepts of musical time of two solo multiple-percussion compositions, Thirteen Drums (1985) by Maki Ishii and Rebond A (1987-1989)… (more)

Subjects/Keywords: Ishii; Xenakis; Thirteen Drums; Rebonds; multi-percussion

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APA (6th Edition):

Liu, Y. (2014). Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699961/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liu, Yi-Jan. “Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis.” 2014. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc699961/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liu, Yi-Jan. “Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis.” 2014. Web. 15 Nov 2019.

Vancouver:

Liu Y. Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699961/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liu Y. Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc699961/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Hampton, Walter Ellis. Rhythmic Consonance and Dissonance in Eckhard Kopetzki’s Works for Solo Percussion: Topf-tanz and Canned Heat.

Degree: 2014, University of North Texas

 This study examines the compositional devices Eckhard Kopetzki used to create consonance and dissonance throughout his two works for solo percussion, Topf-Tanz and Canned Heat.… (more)

Subjects/Keywords: Multi-percussion; rhythmic dissonance; Eckard Kopetzki; solo percussion; Canned Heat; Topf-Tanz

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APA (6th Edition):

Hampton, W. E. (2014). Rhythmic Consonance and Dissonance in Eckhard Kopetzki’s Works for Solo Percussion: Topf-tanz and Canned Heat. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc700056/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hampton, Walter Ellis. “Rhythmic Consonance and Dissonance in Eckhard Kopetzki’s Works for Solo Percussion: Topf-tanz and Canned Heat.” 2014. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc700056/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hampton, Walter Ellis. “Rhythmic Consonance and Dissonance in Eckhard Kopetzki’s Works for Solo Percussion: Topf-tanz and Canned Heat.” 2014. Web. 15 Nov 2019.

Vancouver:

Hampton WE. Rhythmic Consonance and Dissonance in Eckhard Kopetzki’s Works for Solo Percussion: Topf-tanz and Canned Heat. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc700056/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hampton WE. Rhythmic Consonance and Dissonance in Eckhard Kopetzki’s Works for Solo Percussion: Topf-tanz and Canned Heat. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc700056/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. O’Neal, John Micheal. Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre.

Degree: 2015, University of North Texas

 This dissertation and accompanying lecture recital explores the musical elements present in Áskell Másson’s three solos for snare drum, PRÍM (1984), KÍM (2001) and B2B:… (more)

Subjects/Keywords: Masson; snare; drum

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APA (6th Edition):

O’Neal, J. M. (2015). Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822754/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O’Neal, John Micheal. “Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre.” 2015. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc822754/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O’Neal, John Micheal. “Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre.” 2015. Web. 15 Nov 2019.

Vancouver:

O’Neal JM. Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822754/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O’Neal JM. Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822754/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Hall, David Porter. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.

Degree: 2013, University of North Texas

 This dissertation and accompanying lecture recital explore the unique textural features in the works of Steven Mackey as exhibited in See Ya Thursday (1993).A rigorous… (more)

Subjects/Keywords: Mackey; percussion; marimba

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APA (6th Edition):

Hall, D. P. (2013). Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc283817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hall, David Porter. “Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.” 2013. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc283817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hall, David Porter. “Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba.” 2013. Web. 15 Nov 2019.

Vancouver:

Hall DP. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. [Internet] [Thesis]. University of North Texas; 2013. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc283817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hall DP. Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc283817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Baker, Jason Colby. The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others.

Degree: 2004, University of North Texas

 This dissertation discusses the potential of the snare drum as a solo concert instrument. Four pieces from a collection entitled The Noble Snare are used… (more)

Subjects/Keywords: Snare drum music  – History and criticism.; Babbitt, Milton, 1916- Homily.; Senn, Dan, 1951- Peeping Tom.; Cage, John. c ̳Composed improvisation, snare drum.; Smith, Stuart, 1948- Noble snare.; snare drum; Milton Babbitt; John Cage; Dan Senn; Stuart Saunders Smith

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APA (6th Edition):

Baker, J. C. (2004). The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baker, Jason Colby. “The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others.” 2004. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc4721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baker, Jason Colby. “The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others.” 2004. Web. 15 Nov 2019.

Vancouver:

Baker JC. The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baker JC. The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Fang, I-Jen. The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works.

Degree: 2005, University of North Texas

 The marimba is rapidly achieving greater importance as a solo percussion instrument. Solo compositions for the marimba have been commissioned and performed only in the… (more)

Subjects/Keywords: Druckman, Jacob, 1928-1996. Reflections on the nature of water.; Schwantner, Joseph C. Velocities.; National Endowment for the Arts.; marimba; Druckman; Schwantner; NEA; Velocities,; 1986

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APA (6th Edition):

Fang, I. (2005). The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4879/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fang, I-Jen. “The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works.” 2005. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc4879/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fang, I-Jen. “The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works.” 2005. Web. 15 Nov 2019.

Vancouver:

Fang I. The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works. [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4879/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fang I. The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works. [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc4879/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Smith, Joshua D. Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane.

Degree: 2008, University of North Texas

 Vibraphone performance continues to be an expanding field of music. Earliest accounts of the presence of the vibraphone and vibraphone players can be found in… (more)

Subjects/Keywords: harmonic(s); Vibraphone; Christopher Deane; performance techniques; solo concert; extended music; pitch blending; bowing; Deane, Christopher. Mourning dove sonnet.; Deane, Christopher. Apocryphal still life.; Deane, Christopher. Dis qui etude.; Vibraphone  – Performance.

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APA (6th Edition):

Smith, J. D. (2008). Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9030/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Joshua D. “Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane.” 2008. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc9030/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Joshua D. “Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane.” 2008. Web. 15 Nov 2019.

Vancouver:

Smith JD. Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9030/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith JD. Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9030/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Àlamo Santos, Juan Manuel. A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra.

Degree: 2008, University of North Texas

 Keiko Abe's contributions to the contemporary marimba repertoire have been a milestone in the development of the marimba as a solo concert instrument. Besides the… (more)

Subjects/Keywords: Music; percussion; marimba; Keiko Abe; Abe, Keiko, 1937- Marinba damōre.; Abe, Keiko, 1937- Prism rhapsody. no. 1.; Marimba music  – History and criticism.; Marimba with orchestra  – History and cirticism.

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APA (6th Edition):

Àlamo Santos, J. M. (2008). A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9803/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Àlamo Santos, Juan Manuel. “A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra.” 2008. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc9803/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Àlamo Santos, Juan Manuel. “A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra.” 2008. Web. 15 Nov 2019.

Vancouver:

Àlamo Santos JM. A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9803/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Àlamo Santos JM. A Performance Guide and Theorical Study of Keiko Abe's Marimba d'Amore and Prism Rhapsody for Marimba and Orchestra. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9803/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Hart, Shawn Michael. An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra.

Degree: 2008, University of North Texas

 This analysis of Schwantner's Concerto is focused primarily on the pitch organization within the work, using terminology and concepts borrowed from those designed by Allen… (more)

Subjects/Keywords: Schwantner; percussion; Concerto; Schwantner, Joseph C. Concertos, percussion, orchestra.

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APA (6th Edition):

Hart, S. M. (2008). An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9772/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hart, Shawn Michael. “An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra.” 2008. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc9772/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hart, Shawn Michael. “An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra.” 2008. Web. 15 Nov 2019.

Vancouver:

Hart SM. An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9772/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hart SM. An Analysis of Joseph Schwantner's Concerto for Percussion and Orchestra. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9772/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Zator, Brian Edward. A Comparative Analysis of Minoru Miki's Time For Marimba and Concerto for Marimba and Orchestra.

Degree: 2008, University of North Texas

 Minoru Miki's first two marimba compositions, Time for Marimba (1968) and Concerto for Marimba and Orchestra (1969) were composed at a revolutionary time-period for the… (more)

Subjects/Keywords: Marimba; Japan; concerto; Keiko Abe; percussion; Minoru Miki; Miki, Minoru, 1930- Toki.; Miki, Minoru, 1930- Concertos, marimba, orchestra.

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APA (6th Edition):

Zator, B. E. (2008). A Comparative Analysis of Minoru Miki's Time For Marimba and Concerto for Marimba and Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9716/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zator, Brian Edward. “A Comparative Analysis of Minoru Miki's Time For Marimba and Concerto for Marimba and Orchestra.” 2008. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc9716/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zator, Brian Edward. “A Comparative Analysis of Minoru Miki's Time For Marimba and Concerto for Marimba and Orchestra.” 2008. Web. 15 Nov 2019.

Vancouver:

Zator BE. A Comparative Analysis of Minoru Miki's Time For Marimba and Concerto for Marimba and Orchestra. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9716/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zator BE. A Comparative Analysis of Minoru Miki's Time For Marimba and Concerto for Marimba and Orchestra. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9716/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Nicholson, Jason Eugene. Selected works for solo frame drums by B. Michael Williams.

Degree: 2009, University of North Texas

 In 1993, American percussionist and composer B. Michael Williams published Four Solos for Frame Drums. This collection is considered the first work written exclusively for… (more)

Subjects/Keywords: Michael Williams; solo drum works; solo frame drums; Williams, Barry Michael. Solos, frame drums. Selections.; Williams, Barry Michael. Another new riq.; Williams, Barry Michael. Rhythmic journey no. 1.; Frame drum music.

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APA (6th Edition):

Nicholson, J. E. (2009). Selected works for solo frame drums by B. Michael Williams. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc11019/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nicholson, Jason Eugene. “Selected works for solo frame drums by B. Michael Williams.” 2009. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc11019/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nicholson, Jason Eugene. “Selected works for solo frame drums by B. Michael Williams.” 2009. Web. 15 Nov 2019.

Vancouver:

Nicholson JE. Selected works for solo frame drums by B. Michael Williams. [Internet] [Thesis]. University of North Texas; 2009. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc11019/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nicholson JE. Selected works for solo frame drums by B. Michael Williams. [Thesis]. University of North Texas; 2009. Available from: https://digital.library.unt.edu/ark:/67531/metadc11019/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Licata, Julie M. Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds.

Degree: 2009, University of North Texas

 Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization was composed in 1995 by Pulitzer prize-winning composer Roger Reynolds. This work is a 25-minute choreographed… (more)

Subjects/Keywords: Multiple-percussion; instrument families; computer spatialization; Steven Schick; Roger Reynolds; Reynolds, Roger, 1934- Watershed. no. 1.; Reynolds, Roger, 1934- Watershed. no. 4.

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APA (6th Edition):

Licata, J. M. (2009). Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc12153/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Licata, Julie M. “Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds.” 2009. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc12153/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Licata, Julie M. “Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds.” 2009. Web. 15 Nov 2019.

Vancouver:

Licata JM. Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds. [Internet] [Thesis]. University of North Texas; 2009. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc12153/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Licata JM. Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds. [Thesis]. University of North Texas; 2009. Available from: https://digital.library.unt.edu/ark:/67531/metadc12153/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. White, Marc M. Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham.

Degree: 2001, University of North Texas

 While many composers of wind ensemble literature have utilized percussion extensively in their compositions, Jared Spears and David Gillingham are renowned wind ensemble composers who… (more)

Subjects/Keywords: Spears, Jared. Instrumental music.; Gillingham, David. Instrumental music.; Instrumentation and orchestration (Band); Percussion; Spears; Gillingham; scoring practices.; orchestration techniques

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APA (6th Edition):

White, M. M. (2001). Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2860/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

White, Marc M. “Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham.” 2001. Thesis, University of North Texas. Accessed November 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc2860/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

White, Marc M. “Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham.” 2001. Web. 15 Nov 2019.

Vancouver:

White MM. Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 Nov 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2860/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White MM. Percussion scoring and orchestration in the wind and percussion ensemble literature of Jared Spears and David Gillingham. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2860/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.