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You searched for +publisher:"University of North Texas" +contributor:("Eschbach, Jesse E."). Showing records 1 – 14 of 14 total matches.

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University of North Texas

1. Dellosa, Lerie Grace. Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”.

Degree: 2015, University of North Texas

 One of the most important ways to understand Olivier Messiaen’s musical language is through the lens of the theological ideas that many of his works… (more)

Subjects/Keywords: Messiaen’s Musical Language; Les Corps glorieux; “Combat de la mort de la vie; ” Messiaen’s Theological works; Messiaen’s organ works; music symbolism; number symbolism; toccata analysis; idiosyncratic music

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APA (6th Edition):

Dellosa, L. G. (2015). Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822769/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dellosa, Lerie Grace. “Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”.” 2015. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc822769/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dellosa, Lerie Grace. “Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”.” 2015. Web. 24 Oct 2020.

Vancouver:

Dellosa LG. Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822769/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dellosa LG. Messiaen’s Musical Language: Technique and Theological Symbolism in Les Corps Glorieux, “Combat De La Mort Et De La Vie”. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822769/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Gordon, Gary (Gary Adrian). Four Evening Service Settings of Joel Martinson: An American's Contribution to Anglican Evensong Repertoire.

Degree: 2019, University of North Texas

 The Evening Service settings of great British composers like Charles Stanford, A. Herbert Brewer, Charles Wood and Herbert Howells are well known and performed often… (more)

Subjects/Keywords: Anglican music; Evening Service; Joel Martinson; American composers; Scott Dettra; Mary Ann Livengood; St. Mark's School of Texas; Martinson, Joel.; Evening service music.; Composers  – United States.; Academic theses

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APA (6th Edition):

Gordon, G. (. A. (2019). Four Evening Service Settings of Joel Martinson: An American's Contribution to Anglican Evensong Repertoire. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505135/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gordon, Gary (Gary Adrian). “Four Evening Service Settings of Joel Martinson: An American's Contribution to Anglican Evensong Repertoire.” 2019. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc1505135/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gordon, Gary (Gary Adrian). “Four Evening Service Settings of Joel Martinson: An American's Contribution to Anglican Evensong Repertoire.” 2019. Web. 24 Oct 2020.

Vancouver:

Gordon G(A. Four Evening Service Settings of Joel Martinson: An American's Contribution to Anglican Evensong Repertoire. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505135/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gordon G(A. Four Evening Service Settings of Joel Martinson: An American's Contribution to Anglican Evensong Repertoire. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505135/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Van Rooyen, Petrus Hendrik. The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists.

Degree: 2019, University of North Texas

 This dissertation provides comprehensive performance perspectives for the interpretation of the published keyboard toccatas by Michelangelo Rossi (ca.1602-1656) in his collection, Toccate e Correnti d'Intavolatura… (more)

Subjects/Keywords: Michelangelo Rossi; toccata; keyboard; organ; performance

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APA (6th Edition):

Van Rooyen, P. H. (2019). The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1609112/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van Rooyen, Petrus Hendrik. “The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists.” 2019. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc1609112/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van Rooyen, Petrus Hendrik. “The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists.” 2019. Web. 24 Oct 2020.

Vancouver:

Van Rooyen PH. The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1609112/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van Rooyen PH. The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1609112/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Kwon, Wonjung. Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach.

Degree: 2011, University of North Texas

 Numerous scholars have studied the Clavierübung III, but their studies mainly focused on the relationship between the chorale text and Bach♠s response in music. Analysis… (more)

Subjects/Keywords: Fugal; chorale preludes; Clavierübung III

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APA (6th Edition):

Kwon, W. (2011). Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103348/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kwon, Wonjung. “Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach.” 2011. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc103348/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kwon, Wonjung. “Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach.” 2011. Web. 24 Oct 2020.

Vancouver:

Kwon W. Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103348/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kwon W. Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103348/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Marshall, Eldred. Conducting from the Piano? A Tradition Worth Reviving?.

Degree: 2018, University of North Texas

 Is conducting from the piano "real conducting?" Does one need formal orchestral conducting training in order to conduct classical-era piano concertos from the piano? Do… (more)

Subjects/Keywords: Orchestral conducting; Piano performance; Wolfgang Amadeus Mozart; Mozart, Wolfgang Amadeus, 1756-1791. Concertos, piano, orchestra.; Conducting.; Piano  – Performance.; Academic theses.

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APA (6th Edition):

Marshall, E. (2018). Conducting from the Piano? A Tradition Worth Reviving?. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1157619/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marshall, Eldred. “Conducting from the Piano? A Tradition Worth Reviving?.” 2018. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc1157619/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marshall, Eldred. “Conducting from the Piano? A Tradition Worth Reviving?.” 2018. Web. 24 Oct 2020.

Vancouver:

Marshall E. Conducting from the Piano? A Tradition Worth Reviving?. [Internet] [Thesis]. University of North Texas; 2018. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157619/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marshall E. Conducting from the Piano? A Tradition Worth Reviving?. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157619/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Spritzer, Damin. Overview and Introduction to the Organ Music of Alsatian-american Composer René Louis Becker (1882-1956).

Degree: 2012, University of North Texas

 This dissertation provides the first biographical overview and annotated catalog of the organ music of Alsatian-American organist and composer René Louis Becker. Born and educated… (more)

Subjects/Keywords: Organ; Becker; American

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APA (6th Edition):

Spritzer, D. (2012). Overview and Introduction to the Organ Music of Alsatian-american Composer René Louis Becker (1882-1956). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc115165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spritzer, Damin. “Overview and Introduction to the Organ Music of Alsatian-american Composer René Louis Becker (1882-1956).” 2012. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc115165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spritzer, Damin. “Overview and Introduction to the Organ Music of Alsatian-american Composer René Louis Becker (1882-1956).” 2012. Web. 24 Oct 2020.

Vancouver:

Spritzer D. Overview and Introduction to the Organ Music of Alsatian-american Composer René Louis Becker (1882-1956). [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc115165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spritzer D. Overview and Introduction to the Organ Music of Alsatian-american Composer René Louis Becker (1882-1956). [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc115165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Lloyd, S. Andrew. Études: Five Compositional and Technical Studies for Solo Organ.

Degree: 2014, University of North Texas

 Études was composed as a set of five interrelated movements in the followingorder: Prelude, Introduction and Fugue, Triptych, Chorale, and Response. The pieces are compositional… (more)

Subjects/Keywords: Etude; composition and performance; prelude and fugue; chorale; toccata; religious symbolism

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APA (6th Edition):

Lloyd, S. A. (2014). Études: Five Compositional and Technical Studies for Solo Organ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Web. 24 Oct 2020.

Vancouver:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Carrasco Curíntzita, Laura A. José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance.

Degree: 2012, University of North Texas

 José Antonio Gómez is an important figure in Mexican music history and his works are considered representative of the beginning of Mexico´s Independent era. Some musicians… (more)

Subjects/Keywords: Gomez; Mexico; organ; music

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APA (6th Edition):

Carrasco Curíntzita, L. A. (2012). José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc283837/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carrasco Curíntzita, Laura A. “José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance.” 2012. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc283837/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carrasco Curíntzita, Laura A. “José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance.” 2012. Web. 24 Oct 2020.

Vancouver:

Carrasco Curíntzita LA. José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance. [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc283837/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carrasco Curíntzita LA. José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc283837/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Lee, Hyun Kyung (Organist). Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices.

Degree: 2016, University of North Texas

 The purpose of this research is to document how Claude Debussy’s compositional style was used in Louis Vierne’s organ music in the early twentieth century.… (more)

Subjects/Keywords: Louis Vierne; Organ music; Claude Debussy; Musical style; 19th-century music; Nineteenth-century music; Vierne, Louis, 1870-1937  – Criticism and interpretation.; Vierne, Louis, 1870-1937. Pièces de fantaisie.; Musical analysis.; Style, Musical.; Music  – 19th century.; Academic theses.

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APA (6th Edition):

Lee, H. K. (. (2016). Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849666/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Hyun Kyung (Organist). “Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices.” 2016. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc849666/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Hyun Kyung (Organist). “Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices.” 2016. Web. 24 Oct 2020.

Vancouver:

Lee HK(. Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices. [Internet] [Thesis]. University of North Texas; 2016. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849666/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee HK(. Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849666/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Lee, Ju Yeon. Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988).

Degree: 2008, University of North Texas

 In 1988, Jean Guillou composed Hyperion on a commission from the French oil company, Société Nationale Elf Aquitaine, to celebrate its discovery of oil. He… (more)

Subjects/Keywords: contemporary music; Jean Guillou; rhythm, music theory; French organ; Guillou, Jean, 1930 Apr. 18- Hypérion. Agni-Ignis.

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APA (6th Edition):

Lee, J. Y. (2008). Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9067/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Ju Yeon. “Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988).” 2008. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc9067/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Ju Yeon. “Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988).” 2008. Web. 24 Oct 2020.

Vancouver:

Lee JY. Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988). [Internet] [Thesis]. University of North Texas; 2008. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9067/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee JY. Rhythmic structure in the music of Jean Guillou: "Agni-Ignis" from Hyperion (1988). [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9067/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Malan, Petronel. Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe.

Degree: 2001, University of North Texas

 In the new generation of artists emerging in South Africa, Alexander Johnson is considered the most prolific young composer of his day. In a recent… (more)

Subjects/Keywords: Johnson, Alexander, 1968- Niš concerto.; Concerto no. 1 for Piano and Orchestra; influences

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APA (6th Edition):

Malan, P. (2001). Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malan, Petronel. “Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe.” 2001. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc2839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malan, Petronel. “Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe.” 2001. Web. 24 Oct 2020.

Vancouver:

Malan P. Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe. [Internet] [Thesis]. University of North Texas; 2001. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malan P. Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Ahn, Joel, 1957-. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.

Degree: 1988, University of North Texas

 Charles Valentin Alkan (1813-1888), one of the great genii in music history, was widely misunderstood by his contemporaries because of his highly idiosyncratic ideas. From… (more)

Subjects/Keywords: piano music; piano performance; Charles Valentin Alkan; Alkan, Charles-Valentin, 1813-1888.  – Piano music.; Piano music  – Analysis, appreciation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ahn, Joel, 1. (1988). A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332384/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahn, Joel, 1957-. “A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.” 1988. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc332384/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahn, Joel, 1957-. “A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos.” 1988. Web. 24 Oct 2020.

Vancouver:

Ahn, Joel 1. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. [Internet] [Thesis]. University of North Texas; 1988. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332384/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahn, Joel 1. A Stylistic Evaluation of Charles Valentin Alkan's Piano Music: a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, Beethoven, Brahms, Liszt, Schumann, and Villa-Lobos. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc332384/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Fan-Long, Grace (Chun Grace). A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China.

Degree: 1991, University of North Texas

 This study demonstrated that the piano, a typical Western instrument, became the Chinese composer's tool for expressing the sound ideals and tone qualities that are… (more)

Subjects/Keywords: piano compositions; cultural revolution; People's Republic of China; Music  – China  – 20th century.; Piano music  – 20th century  – History and criticism.; China  – Politics and government  – 1945-

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fan-Long, G. (. G. (1991). A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fan-Long, Grace (Chun Grace). “A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China.” 1991. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc278304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fan-Long, Grace (Chun Grace). “A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China.” 1991. Web. 24 Oct 2020.

Vancouver:

Fan-Long G(G. A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China. [Internet] [Thesis]. University of North Texas; 1991. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fan-Long G(G. A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc278304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Mulvey, Margaret N. The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others.

Degree: 1994, University of North Texas

 This study focuses on the central role which fugue d'ecole, as defined and taught by the post-revolutionary Conservatoire de Paris, played in re-establishing standards of… (more)

Subjects/Keywords: Music  – France|y  – 19th century  – History and criticism.; Composers  – France  – 19th century.; Organ music  – History and criticism.; Fugue.; fugue; French symphonic school

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mulvey, M. N. (1994). The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278639/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mulvey, Margaret N. “The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others.” 1994. Thesis, University of North Texas. Accessed October 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc278639/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mulvey, Margaret N. “The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others.” 1994. Web. 24 Oct 2020.

Vancouver:

Mulvey MN. The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. [Internet] [Thesis]. University of North Texas; 1994. [cited 2020 Oct 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278639/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mulvey MN. The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc278639/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.