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You searched for +publisher:"University of North Texas" +contributor:("Cho, Gene J."). Showing records 1 – 30 of 41 total matches.

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University of North Texas

1. Treber, Stefan L. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.

Degree: 2010, University of North Texas

 This thesis examines the history and origins of Beethoven's E minor Piano Sonata and examines the possibility of the programmatic conception of the work. Dedicated… (more)

Subjects/Keywords: Schenkerian analysis.; E minor sonata; piano sonata; Beethoven; Beethoven, Ludwig van, 1770-1827. Sonatas, piano no. 27, op. 90, E minor.

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APA (6th Edition):

Treber, S. L. (2010). A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Treber, Stefan L. “A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90.” 2010. Web. 21 Mar 2019.

Vancouver:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Treber SL. A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc28486/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Dobbs, Benjamin Michael. Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'.

Degree: 2010, University of North Texas

 Although Magdeburg cantor Heinrich Grimm was frequently listed among prominent musical figures of the early seventeenth century such as Heinrich Schütz, Johann Hermann Schein, and… (more)

Subjects/Keywords: Baroque; Renaissance; Motets.; theory; analysis; Germany; Heinrich Grimm; Grimm, Heinrich, 1593-1637. Christliches leich Gesänglein.; Motets  – History and criticism.; Funeral music  – History and criticism.; Funeral music.

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APA (6th Edition):

Dobbs, B. M. (2010). Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33142/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dobbs, Benjamin Michael. “Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'.” 2010. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc33142/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dobbs, Benjamin Michael. “Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'.” 2010. Web. 21 Mar 2019.

Vancouver:

Dobbs BM. Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33142/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dobbs BM. Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33142/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Morris, Timothy Lane. Atmosphantoms.

Degree: 1988, University of North Texas

 This work for harp and string orchestra uses musical materials derived from a chord taken from the lydian mode. The three major formal divisions are… (more)

Subjects/Keywords: harp music; Harp with string orchestra  – Scores.; string orchestra; music composition

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APA (6th Edition):

Morris, T. L. (1988). Atmosphantoms. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morris, Timothy Lane. “Atmosphantoms.” 1988. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc500255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morris, Timothy Lane. “Atmosphantoms.” 1988. Web. 21 Mar 2019.

Vancouver:

Morris TL. Atmosphantoms. [Internet] [Thesis]. University of North Texas; 1988. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500255/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morris TL. Atmosphantoms. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc500255/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Leung, Chi Cheung. Symphonic Poem "New Life" for Orchestra and Yang-Chin.

Degree: 1990, University of North Texas

 Symphonic Poem New Life is a composition in one movement for orchestra and yang-chin. The work is divided into six continuous sections. It is written… (more)

Subjects/Keywords: yang-chin; orchestra composition; Symphonic poems  – Scores.

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APA (6th Edition):

Leung, C. C. (1990). Symphonic Poem "New Life" for Orchestra and Yang-Chin. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leung, Chi Cheung. “Symphonic Poem "New Life" for Orchestra and Yang-Chin.” 1990. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc500859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leung, Chi Cheung. “Symphonic Poem "New Life" for Orchestra and Yang-Chin.” 1990. Web. 21 Mar 2019.

Vancouver:

Leung CC. Symphonic Poem "New Life" for Orchestra and Yang-Chin. [Internet] [Thesis]. University of North Texas; 1990. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500859/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leung CC. Symphonic Poem "New Life" for Orchestra and Yang-Chin. [Thesis]. University of North Texas; 1990. Available from: https://digital.library.unt.edu/ark:/67531/metadc500859/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Rudnick, Isidore L. Explorations: a Composition for Eighteen-Piece Jazz Ensemble.

Degree: 1992, University of North Texas

 Explorations is a three-movement experimental work for eighteen-piece jazz ensemble consisting of the following instruments: soprano saxophone, alto saxophone, two tenor saxophones, baritone saxophone, two… (more)

Subjects/Keywords: jazz ensemble; jazz composition; Jazz  – 1991-2000.

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APA (6th Edition):

Rudnick, I. L. (1992). Explorations: a Composition for Eighteen-Piece Jazz Ensemble. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500898/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rudnick, Isidore L. “Explorations: a Composition for Eighteen-Piece Jazz Ensemble.” 1992. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc500898/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rudnick, Isidore L. “Explorations: a Composition for Eighteen-Piece Jazz Ensemble.” 1992. Web. 21 Mar 2019.

Vancouver:

Rudnick IL. Explorations: a Composition for Eighteen-Piece Jazz Ensemble. [Internet] [Thesis]. University of North Texas; 1992. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500898/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rudnick IL. Explorations: a Composition for Eighteen-Piece Jazz Ensemble. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc500898/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Patterson, Yumi Uchikoda. French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others.

Degree: 1993, University of North Texas

 In mid-eighteenth-century France, a type of ensemble music was introduced for harpsichord and another instrument(s) in which the harpsichord part is completely written out, instead… (more)

Subjects/Keywords: Mondonville, Jean Joseph Cassanea de, 1711-1772.  – Pièces de clavecin en sonates.; Mondonville, Jean Joseph Cassanea de, 1711-1772.  – Pièces de clavecin avec voix ou violon.; keyboard music; harpsichord

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APA (6th Edition):

Patterson, Y. U. (1993). French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277662/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Yumi Uchikoda. “French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others.” 1993. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc277662/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Yumi Uchikoda. “French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others.” 1993. Web. 21 Mar 2019.

Vancouver:

Patterson YU. French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277662/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson YU. French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc277662/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Tan, Chee-Tick. Piano Quintet.

Degree: 1997, University of North Texas

 The thesis is a traditional piano quintet in the manner of Bartok, incorporating compositional techniques such as golden ratio and using folk materials. Special effects… (more)

Subjects/Keywords: Piano quintets  – Scores.; Bartok, Bela; folk materials; golden ratio

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APA (6th Edition):

Tan, C. (1997). Piano Quintet. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277681/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tan, Chee-Tick. “Piano Quintet.” 1997. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc277681/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tan, Chee-Tick. “Piano Quintet.” 1997. Web. 21 Mar 2019.

Vancouver:

Tan C. Piano Quintet. [Internet] [Thesis]. University of North Texas; 1997. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277681/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tan C. Piano Quintet. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc277681/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. DiGiallonardo, Richard L. (Richard Lee). Musical Borrowing: Referential Treatment in American Popular Music.

Degree: 1998, University of North Texas

 This thesis examines the relationships between popular contemporary musical styles and classic-era art music. Analysis of pop-rock songs, and their referential treatment in art rock,… (more)

Subjects/Keywords: pop-rock musicians; popular music; classical music; musical borrowing; Music  – 20th century.; Popular music  – United States  – History and criticism.

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APA (6th Edition):

DiGiallonardo, R. L. (. L. (1998). Musical Borrowing: Referential Treatment in American Popular Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

DiGiallonardo, Richard L (Richard Lee). “Musical Borrowing: Referential Treatment in American Popular Music.” 1998. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc277911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

DiGiallonardo, Richard L (Richard Lee). “Musical Borrowing: Referential Treatment in American Popular Music.” 1998. Web. 21 Mar 2019.

Vancouver:

DiGiallonardo RL(L. Musical Borrowing: Referential Treatment in American Popular Music. [Internet] [Thesis]. University of North Texas; 1998. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

DiGiallonardo RL(L. Musical Borrowing: Referential Treatment in American Popular Music. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc277911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Chou, Kwong-Yan Godwin. Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2.

Degree: 1994, University of North Texas

 The purpose of this study is to examine Sonata No. 2 in detail from many analytical perspectives including melodies, rhythms, harmonic progressions, tonal plans, voice… (more)

Subjects/Keywords: Felix Mendelssohn-Bartholdy; organ sonatas; musical analysis; music theory; Mendelssohn-Bartholdy, Felix, 1809-1847.  – Sonatas, organ, op. 65. No. 2.

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APA (6th Edition):

Chou, K. G. (1994). Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278131/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chou, Kwong-Yan Godwin. “Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2.” 1994. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278131/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chou, Kwong-Yan Godwin. “Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2.” 1994. Web. 21 Mar 2019.

Vancouver:

Chou KG. Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2. [Internet] [Thesis]. University of North Texas; 1994. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278131/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chou KG. Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc278131/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Tseng, Yu-Chung, 1960-. Song of Pi-Pa.

Degree: 1994, University of North Texas

 Sona of Pi-Pa is a composition set to a poem to be performed by soprano and mixed instrumental ensemble. The formal plan is through-composed and… (more)

Subjects/Keywords: music; composition; pipa; Bai, Juyi, 772-846  – Musical settings.; Songs (High voice) with instrumental ensemble  – Scores.

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APA (6th Edition):

Tseng, Yu-Chung, 1. (1994). Song of Pi-Pa. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279013/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tseng, Yu-Chung, 1960-. “Song of Pi-Pa.” 1994. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc279013/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tseng, Yu-Chung, 1960-. “Song of Pi-Pa.” 1994. Web. 21 Mar 2019.

Vancouver:

Tseng, Yu-Chung 1. Song of Pi-Pa. [Internet] [Thesis]. University of North Texas; 1994. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279013/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tseng, Yu-Chung 1. Song of Pi-Pa. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc279013/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Lee, Tze Fung Alfred. Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study.

Degree: 1994, University of North Texas

 This study is an investigation of tonal structures in selected preludes of Shostakovich's Op.34. Explanations and analytic perspectives provide support of tonality oriented interpretation for… (more)

Subjects/Keywords: Dmitri Shostakovich; piano preludes; tonality; Shostakovich, Dmitriĭ Dmitrievich, 1906-1975.  – Preludes, piano, op. 34. No. 1.; Shostakovich, Dmitriĭ Dmitrievich, 1906-1975.  – Preludes, piano, op. 34. No. 3.; Shostakovich, Dmitriĭ Dmitrievich, 1906-1975.  – Preludes, piano, op. 34. No. 6.; Shostakovich, Dmitriĭ Dmitrievich, 1906-1975.  – Preludes, piano, op. 34. No. 14.; Shostakovich, Dmitriĭ Dmitrievich, 1906-1975.  – Preludes, piano, op. 34. No. 24.

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APA (6th Edition):

Lee, T. F. A. (1994). Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Tze Fung Alfred. “Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study.” 1994. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Tze Fung Alfred. “Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study.” 1994. Web. 21 Mar 2019.

Vancouver:

Lee TFA. Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study. [Internet] [Thesis]. University of North Texas; 1994. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278786/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee TFA. Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc278786/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Moran, David W. (David Wayne). Chaos, Cosmos, and Communion: Three Movements for String Quartet.

Degree: 1994, University of North Texas

 The three movements of this piece are related proportionally in that movements one and two represent three-fifths of the length of the whole. Movement three… (more)

Subjects/Keywords: string quartets; music composition; String quartets  – Scores and parts.

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APA (6th Edition):

Moran, D. W. (. W. (1994). Chaos, Cosmos, and Communion: Three Movements for String Quartet. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278804/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moran, David W (David Wayne). “Chaos, Cosmos, and Communion: Three Movements for String Quartet.” 1994. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278804/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moran, David W (David Wayne). “Chaos, Cosmos, and Communion: Three Movements for String Quartet.” 1994. Web. 21 Mar 2019.

Vancouver:

Moran DW(W. Chaos, Cosmos, and Communion: Three Movements for String Quartet. [Internet] [Thesis]. University of North Texas; 1994. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278804/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moran DW(W. Chaos, Cosmos, and Communion: Three Movements for String Quartet. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc278804/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Lewis, Michael E. (Michael Edward), 1952-. Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others.

Degree: 1989, University of North Texas

 This study investigates and documents tenor/bass trombone solo performances at the Gewandhaus, Leipzig, East Germany, between 1821 and 1876. Included is the discussion of a… (more)

Subjects/Keywords: trombone solos; Gewandhaus; Friedrich August Belcke; Carl Traugott Quelsser; Leipzig; Trombone music  – 19th century  – History and criticism.

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APA (6th Edition):

Lewis, Michael E. (Michael Edward), 1. (1989). Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331410/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lewis, Michael E. (Michael Edward), 1952-. “Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others.” 1989. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc331410/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lewis, Michael E. (Michael Edward), 1952-. “Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others.” 1989. Web. 21 Mar 2019.

Vancouver:

Lewis, Michael E. (Michael Edward) 1. Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others. [Internet] [Thesis]. University of North Texas; 1989. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331410/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lewis, Michael E. (Michael Edward) 1. Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc331410/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Martina, Aileen. The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition.

Degree: 1993, University of North Texas

 Disputes concerning the origin of the term bambuco persist among scholars in Colombia, as well as controversies regarding the process of notating the traditional bambuco… (more)

Subjects/Keywords: musicology; bambuco; folk music; Colombian music; Párraga, Manuel María, approximately 1820-approximately 1890.; Uribe Holguín, Guillermo, 1880-1971.; Valencia, Antonio María, 1902-1952.; Mejía, Adolfo, 1905-1973.; Folk music  – Colombia.; Bambuco (Dance)

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APA (6th Edition):

Martina, A. (1993). The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500243/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martina, Aileen. “The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition.” 1993. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc500243/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martina, Aileen. “The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition.” 1993. Web. 21 Mar 2019.

Vancouver:

Martina A. The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500243/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martina A. The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc500243/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Lang, Adelheid K. A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form.

Degree: 1993, University of North Texas

 The third volume of A.B. Marx's theory treatise Die Lehre von der musikalischen Komposition is discussed. His definitions of rondo and sonata formal types are… (more)

Subjects/Keywords: Die Lehre von der musikalischen Komposition; music theory; A.B. Marx; Marx, Adolf Bernhard, 1795-1866  – Lehre von der musikalischen Komposition.

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APA (6th Edition):

Lang, A. K. (1993). A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500789/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lang, Adelheid K. “A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form.” 1993. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc500789/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lang, Adelheid K. “A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form.” 1993. Web. 21 Mar 2019.

Vancouver:

Lang AK. A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500789/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lang AK. A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc500789/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Walczyk, Kevin, 1964-. Two Movements from the Delphic Suite: A Composition for Orchestra.

Degree: 1991, University of North Texas

 Delphic Suite is a composition for orchestra that depicts specific events narrated in Homer's epic tale, Odyssey. For the purpose of this thesis the second… (more)

Subjects/Keywords: Delphic Suite; music composition; orchestral music; Odyssey; Suites (Orchestra)  – Excerpts  – Scores.; Homer. Odyssey.

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APA (6th Edition):

Walczyk, Kevin, 1. (1991). Two Movements from the Delphic Suite: A Composition for Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501059/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walczyk, Kevin, 1964-. “Two Movements from the Delphic Suite: A Composition for Orchestra.” 1991. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc501059/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walczyk, Kevin, 1964-. “Two Movements from the Delphic Suite: A Composition for Orchestra.” 1991. Web. 21 Mar 2019.

Vancouver:

Walczyk, Kevin 1. Two Movements from the Delphic Suite: A Composition for Orchestra. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501059/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walczyk, Kevin 1. Two Movements from the Delphic Suite: A Composition for Orchestra. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc501059/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Criswell, Madeleine L. Animations: A Composition for Percussion and Computer Music on Tape.

Degree: 1993, University of North Texas

 Animations is a composition in six movements (Fish, Seals, Birds, Cats, Zebras, Snakes) for percussion and computer music on tape. One percussionist performs on various… (more)

Subjects/Keywords: musical composition; computer music; Computer and percussion music  – Scores.

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APA (6th Edition):

Criswell, M. L. (1993). Animations: A Composition for Percussion and Computer Music on Tape. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500962/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Criswell, Madeleine L. “Animations: A Composition for Percussion and Computer Music on Tape.” 1993. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc500962/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Criswell, Madeleine L. “Animations: A Composition for Percussion and Computer Music on Tape.” 1993. Web. 21 Mar 2019.

Vancouver:

Criswell ML. Animations: A Composition for Percussion and Computer Music on Tape. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500962/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Criswell ML. Animations: A Composition for Percussion and Computer Music on Tape. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc500962/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Pang, Law Ma Rome Anne. Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble.

Degree: 1992, University of North Texas

 The composition is scored for the following instruments: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons and a large percussion section requiring 7 performers. Beneath… (more)

Subjects/Keywords: musical composition; percussion ensembles; Beneath the Dancing Moon; programmatic piece; Percussion ensembles with woodwind octet  – Scores.

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APA (6th Edition):

Pang, L. M. R. A. (1992). Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501224/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pang, Law Ma Rome Anne. “Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble.” 1992. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc501224/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pang, Law Ma Rome Anne. “Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble.” 1992. Web. 21 Mar 2019.

Vancouver:

Pang LMRA. Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble. [Internet] [Thesis]. University of North Texas; 1992. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501224/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pang LMRA. Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc501224/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Yang, Chuan-Tsing. The Crucifixion.

Degree: 1993, University of North Texas

 The Crucifixion, a composition for three vocal soloists, four-part mixed chorus, and instrumental ensemble, is a setting of passages taken from the four Gospels of… (more)

Subjects/Keywords: The Crucifixion; vocal performance; vocal techniques; instrumental techniques; Choruses, Sacred (Mixed voices) with instrumental ensemble  – Scores.; Passion music.

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APA (6th Edition):

Yang, C. (1993). The Crucifixion. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Chuan-Tsing. “The Crucifixion.” 1993. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc501140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Chuan-Tsing. “The Crucifixion.” 1993. Web. 21 Mar 2019.

Vancouver:

Yang C. The Crucifixion. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang C. The Crucifixion. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc501140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Engstrom, Larry M. (Larry Milton). Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg.

Degree: 1991, University of North Texas

 This study discusses how cultural and social aspects of contemporary Swedish society impact the musical arts. It contains biographical information on representative Swedish composers, and… (more)

Subjects/Keywords: Swedish music; trumpet; mixed chamber ensembles; Bo Nilsson; Folke Rabe; Tommy Zwedberg; Nilsson, Bo. Infrastruktur.; Rabe, Folke, 1935- Shazam.; Zwedberg, Tommy. Face the music.; Music  – Sweden  – 20th century.; Trumpet music  – 20th century  – Analysis, appreciation.

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APA (6th Edition):

Engstrom, L. M. (. M. (1991). Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277573/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Engstrom, Larry M (Larry Milton). “Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg.” 1991. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc277573/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Engstrom, Larry M (Larry Milton). “Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg.” 1991. Web. 21 Mar 2019.

Vancouver:

Engstrom LM(M. Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277573/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Engstrom LM(M. Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc277573/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Sánchez, Noé. The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959).

Degree: 1999, University of North Texas

 The Fourteen Seréstas of Heitor Villa-Lobos comprise a group of songs that expresses Villa-Lobos's compositional technique for the voice. These songs are challenging as a… (more)

Subjects/Keywords: Heitor Villa-Lobos; songs; vocal music; seréstas; Villa-Lobos, Heitor.  – Serestas.

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APA (6th Edition):

Sánchez, N. (1999). The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278354/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sánchez, Noé. “The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959).” 1999. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278354/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sánchez, Noé. “The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959).” 1999. Web. 21 Mar 2019.

Vancouver:

Sánchez N. The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959). [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278354/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sánchez N. The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959). [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc278354/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Fan-Long, Grace (Chun Grace). A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China.

Degree: 1991, University of North Texas

 This study demonstrated that the piano, a typical Western instrument, became the Chinese composer's tool for expressing the sound ideals and tone qualities that are… (more)

Subjects/Keywords: piano compositions; cultural revolution; People's Republic of China; Music  – China  – 20th century.; Piano music  – 20th century  – History and criticism.; China  – Politics and government  – 1945-

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APA (6th Edition):

Fan-Long, G. (. G. (1991). A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fan-Long, Grace (Chun Grace). “A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China.” 1991. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fan-Long, Grace (Chun Grace). “A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China.” 1991. Web. 21 Mar 2019.

Vancouver:

Fan-Long G(G. A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fan-Long G(G. A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc278304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Kim, Koo-Hyun. Prospects of Korean Reunification: Analysis of Factors Affecting National Integration.

Degree: 1992, University of North Texas

 This study examined the prospects of Korean reunification. The study explores how the factors of integration affect North and South Korea after the country was… (more)

Subjects/Keywords: Korea; reunification; Korean reunification question (1945- ); Korea (South)  – Politics and government.; Korea (North)  – Politics and government.

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APA (6th Edition):

Kim, K. (1992). Prospects of Korean Reunification: Analysis of Factors Affecting National Integration. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277979/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Koo-Hyun. “Prospects of Korean Reunification: Analysis of Factors Affecting National Integration.” 1992. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc277979/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Koo-Hyun. “Prospects of Korean Reunification: Analysis of Factors Affecting National Integration.” 1992. Web. 21 Mar 2019.

Vancouver:

Kim K. Prospects of Korean Reunification: Analysis of Factors Affecting National Integration. [Internet] [Thesis]. University of North Texas; 1992. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277979/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim K. Prospects of Korean Reunification: Analysis of Factors Affecting National Integration. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc277979/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Carson, Michael, 1959-. Riders to the Sea.

Degree: 1993, University of North Texas

 Riders to the Sea is a chamber opera in one act of approximately 40 minutes in duration. The single act is divided into six scenes… (more)

Subjects/Keywords: chamber operas; music; composition; John Millington Synge; Operas  – Scores.

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APA (6th Edition):

Carson, Michael, 1. (1993). Riders to the Sea. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277892/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carson, Michael, 1959-. “Riders to the Sea.” 1993. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc277892/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carson, Michael, 1959-. “Riders to the Sea.” 1993. Web. 21 Mar 2019.

Vancouver:

Carson, Michael 1. Riders to the Sea. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277892/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carson, Michael 1. Riders to the Sea. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc277892/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Stirzaker, Kim E. (Kim Elizabeth). Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958)  – a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others.

Degree: 1992, University of North Texas

 The lecture was presented on November 18, 1991. This presentation focused on the only two compositions for solo flute and orchestra by Ernest Bloch. Written… (more)

Subjects/Keywords: Bloch, Ernest; Flute music; Bloch, Ernest, 1880-1959.  – Suite modale.; Block, Ernest, 1880-1959.  – Last poems (maybe  – ); Flute with orchestra  – Analysis, appreciation.

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APA (6th Edition):

Stirzaker, K. E. (. E. (1992). Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958)  – a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278196/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stirzaker, Kim E (Kim Elizabeth). “Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958)  – a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others.” 1992. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278196/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stirzaker, Kim E (Kim Elizabeth). “Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958)  – a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others.” 1992. Web. 21 Mar 2019.

Vancouver:

Stirzaker KE(E. Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958)  – a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others. [Internet] [Thesis]. University of North Texas; 1992. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278196/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stirzaker KE(E. Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958)  – a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc278196/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Thompson, Phil A. A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others.

Degree: 1993, University of North Texas

 Four works are selected to demonstrate the stature and demands of this craft and to represent a pinnacle in the art of contemporary woodwind doubling.… (more)

Subjects/Keywords: Filas, Thomas J.  – Concerto for doubles.; Kibbe, Michael.  – Concerto tri-chroma.; Fischer, Clare.  – Rhapsody nova.; Smith, Claude Thomas.  – Suites,  – flute, clarinet, saxophone.; Woodwind instruments  – Performance.; instrument doubling; woodwind

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APA (6th Edition):

Thompson, P. A. (1993). A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278544/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thompson, Phil A. “A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others.” 1993. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278544/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thompson, Phil A. “A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others.” 1993. Web. 21 Mar 2019.

Vancouver:

Thompson PA. A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278544/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thompson PA. A Historical Survey of Woodwind Doubling and A Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital together with Three Recitals of Selected Works by W.A. Mozart. A. Glazounov. P. Tate. A. Szalowski. A. Copland and Others. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc278544/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Cranford, Dennis R. (Dennis Ray). Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck.

Degree: 1992, University of North Texas

 This study examines the five late keyboard works of Cesar Franck: the Prelude, Chorale, and Fugue and the Prelude. Aria, and Finale for piano, and… (more)

Subjects/Keywords: Franck, César, 1822-1890.  – Keyboard music.; Franck, César, 1822-1890  – Criticism and interpretation.; harmonics; contrapuntal techniques

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APA (6th Edition):

Cranford, D. R. (. R. (1992). Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279361/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cranford, Dennis R (Dennis Ray). “Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck.” 1992. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc279361/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cranford, Dennis R (Dennis Ray). “Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck.” 1992. Web. 21 Mar 2019.

Vancouver:

Cranford DR(R. Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck. [Internet] [Thesis]. University of North Texas; 1992. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279361/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cranford DR(R. Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc279361/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

28. Beckman, Bradley J. (Bradley John). Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others.

Degree: 1994, University of North Texas

 This paper investigates Ronald Stevenson's unique treatment of large-scaled structure in his Passacaglia on D S C H. This piece's unusual eighty-minute length, use of… (more)

Subjects/Keywords: Ronald Stevenson; piano music; passacaglias; Stevenson, Ronald, 1928-  – Passacaglia on DSCH.

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APA (6th Edition):

Beckman, B. J. (. J. (1994). Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279229/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beckman, Bradley J (Bradley John). “Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others.” 1994. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc279229/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beckman, Bradley J (Bradley John). “Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others.” 1994. Web. 21 Mar 2019.

Vancouver:

Beckman BJ(J. Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others. [Internet] [Thesis]. University of North Texas; 1994. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279229/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beckman BJ(J. Ronald Stevenson's Passacaglia on DSCH: Understanding the Composer's Unique Approach to Large-Scaled Structure, a Lecture Recital, together with Three Recitals of Selected Works of L.V. Beethoven, J. Brahms, F. Liszt, F. Mendelssohn, B. Bartók and Others. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc279229/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Whitworth, Clifford K. (Clifford Kirk). Mobiles.

Degree: 1997, University of North Texas

 Mobiles is a composition for an ensemble consisting of 12 instruments. The piece, in one movement, incorporates intuition, chance, and twelve tone techniques and reflects… (more)

Subjects/Keywords: Instrumental ensembles  – Scores.; chaos motif; echo motif

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APA (6th Edition):

Whitworth, C. K. (. K. (1997). Mobiles. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whitworth, Clifford K (Clifford Kirk). “Mobiles.” 1997. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc278749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whitworth, Clifford K (Clifford Kirk). “Mobiles.” 1997. Web. 21 Mar 2019.

Vancouver:

Whitworth CK(K. Mobiles. [Internet] [Thesis]. University of North Texas; 1997. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278749/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whitworth CK(K. Mobiles. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278749/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Humm, Mary Mosher. Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano.

Degree: 1990, University of North Texas

 The purpose of this study is to identify some of the performance problems associated with contemporary piano music, using the Sonata No. 2 for Piano… (more)

Subjects/Keywords: performance problems; contemporary piano music; Karel Husa; Husa, Karel, 1921- Sonatas, piano, no. 2.; Piano  – Performance.

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APA (6th Edition):

Humm, M. M. (1990). Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Humm, Mary Mosher. “Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano.” 1990. Thesis, University of North Texas. Accessed March 21, 2019. https://digital.library.unt.edu/ark:/67531/metadc330721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Humm, Mary Mosher. “Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano.” 1990. Web. 21 Mar 2019.

Vancouver:

Humm MM. Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano. [Internet] [Thesis]. University of North Texas; 1990. [cited 2019 Mar 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Humm MM. Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano. [Thesis]. University of North Texas; 1990. Available from: https://digital.library.unt.edu/ark:/67531/metadc330721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

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