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You searched for +publisher:"University of North Texas" +contributor:("Bush, Deanna D."). Showing records 1 – 30 of 43 total matches.

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University of North Texas

1. Beard, Cynthia C. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).

Degree: 2011, University of North Texas

 Francis Poulenc’s three-act opera Dialogues des Carmélites (1953-1956) depicts the struggles of the novice nun Blanche de la Force during the Reign of Terror of… (more)

Subjects/Keywords: Opera; Poulenc; liturgy; French Revolution

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APA (6th Edition):

Beard, C. C. (2011). Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Web. 23 Feb 2020.

Vancouver:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Patterson, Jason. The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story.

Degree: 2011, University of North Texas

 Mahler's Ninth Symphony, since its premier in 1912, has sparked much debate about its programmatic meaning. This thesis provides an in-depth analysis of the Adagio… (more)

Subjects/Keywords: Mahler; farewell; Ninth Symphony

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APA (6th Edition):

Patterson, J. (2011). The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68028/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Jason. “The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story.” 2011. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc68028/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Jason. “The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story.” 2011. Web. 23 Feb 2020.

Vancouver:

Patterson J. The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68028/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson J. The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68028/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Begnaud, Edward M. C. Musical Aesthetics: An Objective Approach to "Music Appreciation" for American Public Education.

Degree: 1988, University of North Texas

 The specific problem prompting this investigation is the creation of a method of music criticism. The purposes for the investigation are three in number. First… (more)

Subjects/Keywords: music criticism; Paideia Group.; School music  – Instruction and study  – United States.; Music  – Philosophy and aesthetics.; Musical criticism.; music education; Paideia curriculum

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APA (6th Edition):

Begnaud, E. M. C. (1988). Musical Aesthetics: An Objective Approach to "Music Appreciation" for American Public Education. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500415/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Begnaud, Edward M C. “Musical Aesthetics: An Objective Approach to "Music Appreciation" for American Public Education.” 1988. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc500415/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Begnaud, Edward M C. “Musical Aesthetics: An Objective Approach to "Music Appreciation" for American Public Education.” 1988. Web. 23 Feb 2020.

Vancouver:

Begnaud EMC. Musical Aesthetics: An Objective Approach to "Music Appreciation" for American Public Education. [Internet] [Thesis]. University of North Texas; 1988. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500415/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Begnaud EMC. Musical Aesthetics: An Objective Approach to "Music Appreciation" for American Public Education. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc500415/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Cogswell, Michael. Melodic Organization in Four Solos by Ornette Coleman.

Degree: 1989, University of North Texas

 The thesis presents annotated transcriptions and detailed analyses of four improvised solos by jazz saxophonist Ornette Coleman, a leading figure within the free jazz movement.… (more)

Subjects/Keywords: jazz saxophonists; musicology; melodic organization; Ornette Coleman; Coleman, Ornette.; Jazz  – Analysis, appreciation.; Melodic analysis.

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APA (6th Edition):

Cogswell, M. (1989). Melodic Organization in Four Solos by Ornette Coleman. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501207/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cogswell, Michael. “Melodic Organization in Four Solos by Ornette Coleman.” 1989. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc501207/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cogswell, Michael. “Melodic Organization in Four Solos by Ornette Coleman.” 1989. Web. 23 Feb 2020.

Vancouver:

Cogswell M. Melodic Organization in Four Solos by Ornette Coleman. [Internet] [Thesis]. University of North Texas; 1989. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501207/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cogswell M. Melodic Organization in Four Solos by Ornette Coleman. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc501207/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Hamrick, David (David Russell). Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice".

Degree: 1992, University of North Texas

 De preceptis is considered a major source of information on the origins of fauxbourdon, despite its being regarded as a disorganized compilation of multiple authorship,… (more)

Subjects/Keywords: fauxbourdon; De preceptis artis musice; Guillaume Garnier; Guilielmus, Monachus  – 15th cent. De preceptis artis musicae.

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APA (6th Edition):

Hamrick, D. (. R. (1992). Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hamrick, David (David Russell). “Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice".” 1992. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc501070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hamrick, David (David Russell). “Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice".” 1992. Web. 23 Feb 2020.

Vancouver:

Hamrick D(R. Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice". [Internet] [Thesis]. University of North Texas; 1992. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hamrick D(R. Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice". [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc501070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. McBride, Melissa Lyn. For Unto Us….

Degree: 1989, University of North Texas

 For Unto Us is a one movement work for soprano and orchestra. The text, by the composer, describes the thoughts and feelings of Mary, the… (more)

Subjects/Keywords: music composition; orchestra music; soprano music; Sacred songs (High voice) with orchestra  – Scores.; Mary, Blessed Virgin, Saint  – Songs and music.; Passion music.

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APA (6th Edition):

McBride, M. L. (1989). For Unto Us…. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501092/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McBride, Melissa Lyn. “For Unto Us….” 1989. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc501092/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McBride, Melissa Lyn. “For Unto Us….” 1989. Web. 23 Feb 2020.

Vancouver:

McBride ML. For Unto Us…. [Internet] [Thesis]. University of North Texas; 1989. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501092/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McBride ML. For Unto Us…. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc501092/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Kim, Hae-Jeong. The Keyboard Suites of Matthew Locke and Henry Purcell.

Degree: 1989, University of North Texas

 This work largely concerns the roles of Matthew Locke and Henry Purcell in the history of English keyboard music as reflected in their keyboard suites.… (more)

Subjects/Keywords: keyboard music; keyboard suites; music composition; Locke, Matthew, 1621 or 1622-1677. Keyboard music.; Purcell, Henry, 1659-1695. Keyboard music.; Suites (Keyboard instrument)  – Analysis, appreciation.

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APA (6th Edition):

Kim, H. (1989). The Keyboard Suites of Matthew Locke and Henry Purcell. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501040/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Hae-Jeong. “The Keyboard Suites of Matthew Locke and Henry Purcell.” 1989. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc501040/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Hae-Jeong. “The Keyboard Suites of Matthew Locke and Henry Purcell.” 1989. Web. 23 Feb 2020.

Vancouver:

Kim H. The Keyboard Suites of Matthew Locke and Henry Purcell. [Internet] [Thesis]. University of North Texas; 1989. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501040/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim H. The Keyboard Suites of Matthew Locke and Henry Purcell. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc501040/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Spicer, Mark Stuart. The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music.

Degree: 1990, University of North Texas

 This thesis provides evidence that a particular "topos" from the high Baroque's exalted style, the so-called chaconne bass, made a profound impact on a considerable… (more)

Subjects/Keywords: topos; Mozart; chaconne bass; fantasia style; Mozart, Wolfgang Amadeus, 1756-1791.  – Fantasien.; Ground bass.; Fantasia.

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APA (6th Edition):

Spicer, M. S. (1990). The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500498/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spicer, Mark Stuart. “The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music.” 1990. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc500498/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spicer, Mark Stuart. “The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music.” 1990. Web. 23 Feb 2020.

Vancouver:

Spicer MS. The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music. [Internet] [Thesis]. University of North Texas; 1990. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500498/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spicer MS. The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music. [Thesis]. University of North Texas; 1990. Available from: https://digital.library.unt.edu/ark:/67531/metadc500498/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Wyatt, Susan Beth Masters. Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others.

Degree: 1993, University of North Texas

 During World War II the composer Kurt Weill was in America writing for the Broadway stage. On August 27, 1943, he became an American citizen… (more)

Subjects/Keywords: Kurt Weill; World War II; propaganda; songs; Weill, Kurt, 1900-1950. Walt Whitman songs. Selections.; Weill, Kurt, 1900-1950. Propaganda songs. Selections.

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APA (6th Edition):

Wyatt, S. B. M. (1993). Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wyatt, Susan Beth Masters. “Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others.” 1993. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc277791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wyatt, Susan Beth Masters. “Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others.” 1993. Web. 23 Feb 2020.

Vancouver:

Wyatt SBM. Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. [Internet] [Thesis]. University of North Texas; 1993. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wyatt SBM. Kurt Weill: a Song Composer in Wartime with Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc277791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Alcorn-Oppedahl, Allison A. (Allison Ann). Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936.

Degree: 1997, University of North Texas

 Founded in 1879 by John L. Hinners, the Hinners Organ Company developed a number of stock models of small mechanical-action instruments that were advertised throughout… (more)

Subjects/Keywords: pipe organs; Hinners Organ Company; Hinners family.; Hinners, John L., 1846-1906.; Hinners, Albert W., 1873-1955.; Hinners Organ Company.; Hinners & Albertson (Firm); Hinners Organ Company  – Catalogs.; Hinners & Albertson (Firm)  – Catalogs.; Organ-builders  – Illinois  – Pekin.; Organ (Musical instrument)  – North Dakota.

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APA (6th Edition):

Alcorn-Oppedahl, A. A. (. A. (1997). Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278307/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alcorn-Oppedahl, Allison A (Allison Ann). “Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936.” 1997. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc278307/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alcorn-Oppedahl, Allison A (Allison Ann). “Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936.” 1997. Web. 23 Feb 2020.

Vancouver:

Alcorn-Oppedahl AA(A. Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936. [Internet] [Thesis]. University of North Texas; 1997. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278307/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alcorn-Oppedahl AA(A. Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278307/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Miller, Harry A. W. (Harry Alfred Werner). Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music.

Degree: 1993, University of North Texas

 The musicians in E. T. A. Hoffmann's tales and essays demonstrate traits remarkably similar to those of shamans. Hoffmann uses the same imagery to describe… (more)

Subjects/Keywords: E. T. A. Hoffmann; shamans; musicology; Hoffmann, E. T. A. (Ernst Theodor Amadeus), 1776-1822.; Shamanism.

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APA (6th Edition):

Miller, H. A. W. (. A. W. (1993). Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277978/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Harry A W (Harry Alfred Werner). “Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music.” 1993. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc277978/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Harry A W (Harry Alfred Werner). “Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music.” 1993. Web. 23 Feb 2020.

Vancouver:

Miller HAW(AW. Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music. [Internet] [Thesis]. University of North Texas; 1993. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277978/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller HAW(AW. Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc277978/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Tarpenning, Emily. Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms.

Degree: 1997, University of North Texas

 This thesis is a study of four compositions written by Fanny Mendelssohn Hensel, older sister of Felix Mendelssohn. Her music is compared with four pieces… (more)

Subjects/Keywords: Fanny Mendelssohn Hensel; compositions; Hensel, Fanny Mendelssohn, 1805-1847.; Mendelssohn-Bartholdy, Felix, 1809-1847.; Brahms, Johannes, 1833-1897.

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APA (6th Edition):

Tarpenning, E. (1997). Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278182/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tarpenning, Emily. “Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms.” 1997. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc278182/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tarpenning, Emily. “Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms.” 1997. Web. 23 Feb 2020.

Vancouver:

Tarpenning E. Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms. [Internet] [Thesis]. University of North Texas; 1997. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278182/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tarpenning E. Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278182/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams.

Degree: 1996, University of North Texas

 The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass.… (more)

Subjects/Keywords: Mary Lou Williams; mass settings; Roman Catholic Church; Williams, Mary Lou, 1910-1981. Mary Lou's mass.

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APA (6th Edition):

Fledderus, F. (1996). The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278129/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fledderus, France. “The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams.” 1996. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc278129/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fledderus, France. “The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams.” 1996. Web. 23 Feb 2020.

Vancouver:

Fledderus F. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. [Internet] [Thesis]. University of North Texas; 1996. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278129/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fledderus F. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. [Thesis]. University of North Texas; 1996. Available from: https://digital.library.unt.edu/ark:/67531/metadc278129/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Leong, Jeremy. A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor.

Degree: 1997, University of North Texas

 The thesis speculates on the possible influence of Mozart's Requiem on Cherubini's Requiem in D Minor, concluding that Cherubini's setting of the Sequence ("Dies irae")… (more)

Subjects/Keywords: Dies Irae; Requiems; Mozart, Wolfgang Amadeus; Cherubini, Luigi; Dies irae (Music)  – History and criticism.; Mozart, Wolfgang Amadeus, 1756-1791.  – Requiem, K. 626, D minor (Süssmayr).  – Dies irae.; Cherubini, Luigi, 1760-1842.  – Requiems, no. 2, D minor.  – Dies irae.

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APA (6th Edition):

Leong, J. (1997). A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leong, Jeremy. “A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor.” 1997. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc278634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leong, Jeremy. “A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor.” 1997. Web. 23 Feb 2020.

Vancouver:

Leong J. A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor. [Internet] [Thesis]. University of North Texas; 1997. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278634/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leong J. A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278634/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Thomas, Barbara E. (Barbara Elaine). Jean Millet's L'Art de bien Chanter (1666): a Translation and Study.

Degree: 1998, University of North Texas

 Jean Millet's L Art de bien chanter (1666), describes the air de cour and its ornamentation as it existed in France during the first half… (more)

Subjects/Keywords: L'Art de bien chanter; Air de cour; Vocal ornamentation; Millet, Jean, 1618-1684.  – Belle methode.

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APA (6th Edition):

Thomas, B. E. (. E. (1998). Jean Millet's L'Art de bien Chanter (1666): a Translation and Study. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278452/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thomas, Barbara E (Barbara Elaine). “Jean Millet's L'Art de bien Chanter (1666): a Translation and Study.” 1998. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc278452/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thomas, Barbara E (Barbara Elaine). “Jean Millet's L'Art de bien Chanter (1666): a Translation and Study.” 1998. Web. 23 Feb 2020.

Vancouver:

Thomas BE(E. Jean Millet's L'Art de bien Chanter (1666): a Translation and Study. [Internet] [Thesis]. University of North Texas; 1998. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278452/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thomas BE(E. Jean Millet's L'Art de bien Chanter (1666): a Translation and Study. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc278452/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Finnegan, Sean Justin. Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950.

Degree: 1995, University of North Texas

 Although Schoenberg viewed his twelve-tone method as an extension of the Germanic musical evolution from Bach to Brahms, one group of writers in America identified… (more)

Subjects/Keywords: Schoenberg; polyphony; mode; twelve-tone method; Krenek, Ernst, 1900-1991.; Perle, George, 1915-2009.; Hill, Richard S. (Richard Synyer), 1901-1961.; Twelve-tone system.

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APA (6th Edition):

Finnegan, S. J. (1995). Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279380/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Finnegan, Sean Justin. “Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950.” 1995. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc279380/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Finnegan, Sean Justin. “Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950.” 1995. Web. 23 Feb 2020.

Vancouver:

Finnegan SJ. Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950. [Internet] [Thesis]. University of North Texas; 1995. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279380/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Finnegan SJ. Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc279380/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Bolthouse, Colleen R. Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others.

Degree: 1995, University of North Texas

 Because of the lack of information concerning the success or failure of Schubert's bilingual edition and concerning the relationship between the English texts and Schubert's… (more)

Subjects/Keywords: Schubert, Franz, 1797-1828.  – Songs. Selections.; Shakespeare, William, 1564-1616.; Scott, Walter, 1771-1832.  – Lady of the lake.; Ossian, active 3rd century.; English text; translation

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APA (6th Edition):

Bolthouse, C. R. (1995). Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279276/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bolthouse, Colleen R. “Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others.” 1995. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc279276/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bolthouse, Colleen R. “Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others.” 1995. Web. 23 Feb 2020.

Vancouver:

Bolthouse CR. Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others. [Internet] [Thesis]. University of North Texas; 1995. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279276/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bolthouse CR. Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc279276/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Schindler, Karl W. (Karl Wayne). The War Poems: An Intermedia Composition for Chamber Orchestra and Chorus.

Degree: 1997, University of North Texas

 Expanding on the concept of Richard Wagner's Gesamptkunstwerk, The War Poems was written to combine various elements for an intermedia composition, including music, five slide… (more)

Subjects/Keywords: World War I; War poetry; Choruses, Secular (Mixed voices) with chamber orchestra  – Scores.; Mixed media (Music); World War, 1914-1918  – Songs and music.; Sassoon, Siegfried, 1886-1967  – Musical settings.

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APA (6th Edition):

Schindler, K. W. (. W. (1997). The War Poems: An Intermedia Composition for Chamber Orchestra and Chorus. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schindler, Karl W (Karl Wayne). “The War Poems: An Intermedia Composition for Chamber Orchestra and Chorus.” 1997. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc278847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schindler, Karl W (Karl Wayne). “The War Poems: An Intermedia Composition for Chamber Orchestra and Chorus.” 1997. Web. 23 Feb 2020.

Vancouver:

Schindler KW(W. The War Poems: An Intermedia Composition for Chamber Orchestra and Chorus. [Internet] [Thesis]. University of North Texas; 1997. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schindler KW(W. The War Poems: An Intermedia Composition for Chamber Orchestra and Chorus. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Hunt, Janet Evelyn. The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others.

Degree: 1995, University of North Texas

 The harpsichord concertos of Wilhelm Friedemann Bach (1710-1784) have suffered undeserved neglect. The four authenticated solo concertos remain in manuscript, with the result that his… (more)

Subjects/Keywords: harpsichord; concertos; Wilhelm Friedemann Bach; music; Bach, Wilhelm Friedemann, 1710-1784.  – Concertos, harpsichord, orchestra.

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APA (6th Edition):

Hunt, J. E. (1995). The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hunt, Janet Evelyn. “The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others.” 1995. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc278911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hunt, Janet Evelyn. “The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others.” 1995. Web. 23 Feb 2020.

Vancouver:

Hunt JE. The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others. [Internet] [Thesis]. University of North Texas; 1995. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hunt JE. The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc278911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Švalbe, Erika Lynn. Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works.

Degree: 1997, University of North Texas

 This thesis presents a study of Andrejs Jurjāns' significant symphonic works as informed by a native musicologist, Professor Jānis Torgāns, and illuminates Jurjāns' role within… (more)

Subjects/Keywords: Andrejs Jurjāns; nationalism; music; folk songs; Jurjānu Andrejs, 1856-1922. Orchestra music.; Composers  – Latvia  – Biography.

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APA (6th Edition):

Švalbe, E. L. (1997). Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279409/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Švalbe, Erika Lynn. “Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works.” 1997. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc279409/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Švalbe, Erika Lynn. “Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works.” 1997. Web. 23 Feb 2020.

Vancouver:

Švalbe EL. Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works. [Internet] [Thesis]. University of North Texas; 1997. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279409/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Švalbe EL. Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc279409/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Stauffer, Kristen K. Mahler's Tristan, A Documentary Study of Reception.

Degree: 1994, University of North Texas

 Conductors are oftern associated with a specific body of work in their repertoy. Gustav Mahler's conducting repertory contained some major Wagnerian works, including Tristan und… (more)

Subjects/Keywords: Gustav Mahler; Tristan and Isolde; Opera; Mahler, Gustav, 1860-1911.; Wagner, Richard, 1813-1883. Tristan und Isolde.; Opera.

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APA (6th Edition):

Stauffer, K. K. (1994). Mahler's Tristan, A Documentary Study of Reception. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935778/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stauffer, Kristen K. “Mahler's Tristan, A Documentary Study of Reception.” 1994. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc935778/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stauffer, Kristen K. “Mahler's Tristan, A Documentary Study of Reception.” 1994. Web. 23 Feb 2020.

Vancouver:

Stauffer KK. Mahler's Tristan, A Documentary Study of Reception. [Internet] [Thesis]. University of North Texas; 1994. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935778/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stauffer KK. Mahler's Tristan, A Documentary Study of Reception. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc935778/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Rober, Russell Todd. Tonality and Harmonic Motion in Copland's Appalachian Spring.

Degree: 1993, University of North Texas

 In Appalachian Spring, Aaron Copland creates a unique tonal environment. Although often considered a tonal work, it contains many non-functional progressions and techniques that belie… (more)

Subjects/Keywords: Aaron Copland; tonality; harmonic motion; musical analysis; Copland, Aaron, 1900-1990. Appalachian spring.

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APA (6th Edition):

Rober, R. T. (1993). Tonality and Harmonic Motion in Copland's Appalachian Spring. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935698/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rober, Russell Todd. “Tonality and Harmonic Motion in Copland's Appalachian Spring.” 1993. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc935698/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rober, Russell Todd. “Tonality and Harmonic Motion in Copland's Appalachian Spring.” 1993. Web. 23 Feb 2020.

Vancouver:

Rober RT. Tonality and Harmonic Motion in Copland's Appalachian Spring. [Internet] [Thesis]. University of North Texas; 1993. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935698/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rober RT. Tonality and Harmonic Motion in Copland's Appalachian Spring. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc935698/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Waldrop, Michael Van. Alec Wilder's music for marimba: a performance guide, a lecture recital, together with three recitals of selected works of G. Stout, N. Zivkovic, D. Erb, W. Kraft, K. Abe, W. Penn and others.

Degree: 1999, University of North Texas

 The intent of this dissertation is to provide a reference guide for any prospective performer of Alec Wilder's four works for marimba: Suite for Solo… (more)

Subjects/Keywords: Alec Wilder; performance guide; marimba; Wilder, Alec.  – Chamber music.

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APA (6th Edition):

Waldrop, M. V. (1999). Alec Wilder's music for marimba: a performance guide, a lecture recital, together with three recitals of selected works of G. Stout, N. Zivkovic, D. Erb, W. Kraft, K. Abe, W. Penn and others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Waldrop, Michael Van. “Alec Wilder's music for marimba: a performance guide, a lecture recital, together with three recitals of selected works of G. Stout, N. Zivkovic, D. Erb, W. Kraft, K. Abe, W. Penn and others.” 1999. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc935712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Waldrop, Michael Van. “Alec Wilder's music for marimba: a performance guide, a lecture recital, together with three recitals of selected works of G. Stout, N. Zivkovic, D. Erb, W. Kraft, K. Abe, W. Penn and others.” 1999. Web. 23 Feb 2020.

Vancouver:

Waldrop MV. Alec Wilder's music for marimba: a performance guide, a lecture recital, together with three recitals of selected works of G. Stout, N. Zivkovic, D. Erb, W. Kraft, K. Abe, W. Penn and others. [Internet] [Thesis]. University of North Texas; 1999. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Waldrop MV. Alec Wilder's music for marimba: a performance guide, a lecture recital, together with three recitals of selected works of G. Stout, N. Zivkovic, D. Erb, W. Kraft, K. Abe, W. Penn and others. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc935712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Beard-Stradley, Cloyce (Cloyce May). A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others.

Degree: 1999, University of North Texas

 A little-known chamber work by Benjamin Britten is the dramatic cantata Phaedra, op.93, for mezzo-soprano and small orchestra. Among his chamber works, the solo cantata… (more)

Subjects/Keywords: Benjamin Britten; music analysis; opera; Britten, Benjamin, 1913-1976.  – Phaedra.

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APA (6th Edition):

Beard-Stradley, C. (. M. (1999). A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935558/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beard-Stradley, Cloyce (Cloyce May). “A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others.” 1999. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc935558/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beard-Stradley, Cloyce (Cloyce May). “A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others.” 1999. Web. 23 Feb 2020.

Vancouver:

Beard-Stradley C(M. A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others. [Internet] [Thesis]. University of North Texas; 1999. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935558/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beard-Stradley C(M. A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc935558/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Bedford, Don Michael. Healey Willan's Introduction, Passacaglia and Fugue: English Style with German Overtones, with Three Recitals of Selected Works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and Others.

Degree: 1998, University of North Texas

 This document consists of the following elements: (1) an examination of Healey Willan's background in the English Cathedral tradition; (2) a study of the formation… (more)

Subjects/Keywords: music analysis; passacaglia; fugue; Willan, Healey, 1880-1968.  – Introduction, passacaglia and fugue,  – organ.

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APA (6th Edition):

Bedford, D. M. (1998). Healey Willan's Introduction, Passacaglia and Fugue: English Style with German Overtones, with Three Recitals of Selected Works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bedford, Don Michael. “Healey Willan's Introduction, Passacaglia and Fugue: English Style with German Overtones, with Three Recitals of Selected Works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and Others.” 1998. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc935654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bedford, Don Michael. “Healey Willan's Introduction, Passacaglia and Fugue: English Style with German Overtones, with Three Recitals of Selected Works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and Others.” 1998. Web. 23 Feb 2020.

Vancouver:

Bedford DM. Healey Willan's Introduction, Passacaglia and Fugue: English Style with German Overtones, with Three Recitals of Selected Works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and Others. [Internet] [Thesis]. University of North Texas; 1998. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bedford DM. Healey Willan's Introduction, Passacaglia and Fugue: English Style with German Overtones, with Three Recitals of Selected Works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and Others. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc935654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Fose, Luanne Eris. The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary.

Degree: 1992, University of North Texas

 This dissertation contains the first complete Latin-English translation of one of the most controversial music theory treatises of the fifteenth-century: the Musica Practica (Bologna, 1942)… (more)

Subjects/Keywords: Bartolomeo Ramos de Pareja; Musica Practica; music history; music theory; Ramos de Pareja, Bartolomeo, 1440?- Musica Practica.

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APA (6th Edition):

Fose, L. E. (1992). The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332628/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fose, Luanne Eris. “The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary.” 1992. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc332628/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fose, Luanne Eris. “The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary.” 1992. Web. 23 Feb 2020.

Vancouver:

Fose LE. The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary. [Internet] [Thesis]. University of North Texas; 1992. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332628/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fose LE. The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc332628/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Parsons, James, 1956-. Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony.

Degree: 1992, University of North Texas

 This study examines the finale of Beethoven's choral symphony and focuses on its inspirations and aims to invoke critical theories involving genre, namely genre's "horizon… (more)

Subjects/Keywords: Ludwig van Beethoven; Beethoven's choral symphony; music history; music theory; Beethoven, Ludwig van, 1770-1827.  – Symphonies,  – no. 9, op. 125, D minor.  – An die Freude.; Schiller, Friedrich, 1759-1805.  – An die Freude.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parsons, James, 1. (1992). Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935728/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Parsons, James, 1956-. “Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony.” 1992. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc935728/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Parsons, James, 1956-. “Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony.” 1992. Web. 23 Feb 2020.

Vancouver:

Parsons, James 1. Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony. [Internet] [Thesis]. University of North Texas; 1992. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935728/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parsons, James 1. Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony. [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc935728/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

28. Stroeher, Vicki Pierce. Form and meaning in Benjamin Britten's sonnet cycles.

Degree: 1994, University of North Texas

 This study examines the relationship between sonnet form and musical form in Benjamin Britten's sonnet cycles with a view toward identifying the musico-poetic form how… (more)

Subjects/Keywords: Benjamin Britten; musical analysis; sonnet cycles; musico-poetic form; Britten, Benjamin, 1913-1976.  – Sonnets of Michelangelo.; Britten, Benjamin, 1913-1976.  – Holy sonnets of John Donne.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stroeher, V. P. (1994). Form and meaning in Benjamin Britten's sonnet cycles. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935804/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stroeher, Vicki Pierce. “Form and meaning in Benjamin Britten's sonnet cycles.” 1994. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc935804/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stroeher, Vicki Pierce. “Form and meaning in Benjamin Britten's sonnet cycles.” 1994. Web. 23 Feb 2020.

Vancouver:

Stroeher VP. Form and meaning in Benjamin Britten's sonnet cycles. [Internet] [Thesis]. University of North Texas; 1994. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935804/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stroeher VP. Form and meaning in Benjamin Britten's sonnet cycles. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc935804/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Penney, Diane Holloway. Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions.

Degree: 1989, University of North Texas

 Arnold Schoenberg's atonal monodrama, Erwartune. Op. 17 (1909). has been viewed as an unanalyzable athematic aberration, without any discernible form. Recognizing Erwartune's forward-looking aspect, this… (more)

Subjects/Keywords: Schoenberg, Arnold, 1874-1951  – Erwartung.; Schoenberg, Arnold; lied music; Erwartune; melodrama in music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Penney, D. H. (1989). Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Penney, Diane Holloway. “Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions.” 1989. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc330712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Penney, Diane Holloway. “Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions.” 1989. Web. 23 Feb 2020.

Vancouver:

Penney DH. Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions. [Internet] [Thesis]. University of North Texas; 1989. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Penney DH. Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc330712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Humm, Mary Mosher. Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano.

Degree: 1990, University of North Texas

 The purpose of this study is to identify some of the performance problems associated with contemporary piano music, using the Sonata No. 2 for Piano… (more)

Subjects/Keywords: performance problems; contemporary piano music; Karel Husa; Husa, Karel, 1921- Sonatas, piano, no. 2.; Piano  – Performance.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Humm, M. M. (1990). Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Humm, Mary Mosher. “Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano.” 1990. Thesis, University of North Texas. Accessed February 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc330721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Humm, Mary Mosher. “Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano.” 1990. Web. 23 Feb 2020.

Vancouver:

Humm MM. Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano. [Internet] [Thesis]. University of North Texas; 1990. [cited 2020 Feb 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Humm MM. Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano. [Thesis]. University of North Texas; 1990. Available from: https://digital.library.unt.edu/ark:/67531/metadc330721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.