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You searched for +publisher:"University of North Texas" +contributor:("Brothers, Lester"). Showing records 1 – 30 of 70 total matches.

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University of North Texas

1. Salfen, Kevin McGregor. Paintings and Palaces, or the Lament of the Burger Flipper.

Degree: 1999, University of North Texas

 The opera is scored for chamber orchestra consisting of one oboe, two Bb clarinets, two horns in F, one trumpet in C, one tenor trombone,… (more)

Subjects/Keywords: Operas.; fast food; opera

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APA (6th Edition):

Salfen, K. M. (1999). Paintings and Palaces, or the Lament of the Burger Flipper. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2186/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salfen, Kevin McGregor. “Paintings and Palaces, or the Lament of the Burger Flipper.” 1999. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc2186/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salfen, Kevin McGregor. “Paintings and Palaces, or the Lament of the Burger Flipper.” 1999. Web. 13 Dec 2019.

Vancouver:

Salfen KM. Paintings and Palaces, or the Lament of the Burger Flipper. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2186/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salfen KM. Paintings and Palaces, or the Lament of the Burger Flipper. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2186/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Clark, R. Andrew. American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies.

Degree: 2001, University of North Texas

 This study examines two of the smaller American choral societies that together existed for just over 30 years, 1888 to 1919: The Gounod and New… (more)

Subjects/Keywords: Gounod Society.; New Haven Oratorio society.; Choral societies  – Connecticut  – New Haven  – History  – 19th century.; choral music; American choral music; Yale University; New Haven; Horatio Parker

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APA (6th Edition):

Clark, R. A. (2001). American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clark, R Andrew. “American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies.” 2001. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc2813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clark, R Andrew. “American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies.” 2001. Web. 13 Dec 2019.

Vancouver:

Clark RA. American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2813/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clark RA. American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2813/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Volcansek, Frederick Wallace. he Essercizii musici: A Study of the Late Baroque Sonata.

Degree: 2001, University of North Texas

 Telemann's Essercizii musici is a seminal publication of the 1730's representative of the state of the sonata in Germany at that time. Telemann's music has… (more)

Subjects/Keywords: Telemann, Georg Philipp, 1681-1767. Essercizii musici.; Quantz, Johann Joachim, 1697-1773. Versuch einer Anweisung die Flöte traversiere zu spielen.; Sonata.; Music  – 17th century  – History and criticism.; Music  – 18th century  – History and criticism.; Essercizii Musici; Telemann; sonata

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APA (6th Edition):

Volcansek, F. W. (2001). he Essercizii musici: A Study of the Late Baroque Sonata. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2772/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Volcansek, Frederick Wallace. “he Essercizii musici: A Study of the Late Baroque Sonata.” 2001. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc2772/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Volcansek, Frederick Wallace. “he Essercizii musici: A Study of the Late Baroque Sonata.” 2001. Web. 13 Dec 2019.

Vancouver:

Volcansek FW. he Essercizii musici: A Study of the Late Baroque Sonata. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2772/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Volcansek FW. he Essercizii musici: A Study of the Late Baroque Sonata. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2772/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Murray, Lauren Baker. The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides.

Degree: 2002, University of North Texas

 Music written for oboe and orchestra in the nineteenth century falls into three categories: Classical Concerto, Opera Fantasy, and Concertino. The classical, or standard, three… (more)

Subjects/Keywords: Weber, Carl Maria von, 1786-1826. Concertinos, oboe, instrumental ensemble.; Klughardt, August, 1847-1902. Concertino, oboe, orchestra, op. 18.; Concertos (Oboe)  – 19th century  – History and criticism.; Concertino; oboe; Carl Maria von Weber; August Klughardt

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APA (6th Edition):

Murray, L. B. (2002). The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3225/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murray, Lauren Baker. “The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides.” 2002. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc3225/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murray, Lauren Baker. “The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides.” 2002. Web. 13 Dec 2019.

Vancouver:

Murray LB. The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides. [Internet] [Thesis]. University of North Texas; 2002. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3225/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray LB. The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3225/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Dribus, John Alexander. Breaking Through: A Composition for Symphony Orchestra.

Degree: 2002, University of North Texas

 Breaking Through is a single-movement composition for symphony orchestra based on a fourteen-note melody. Every harmonic and melodic figure except the bass line is derived… (more)

Subjects/Keywords: Orchestral music  – Scores.; symphony; consonance; palindrome

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APA (6th Edition):

Dribus, J. A. (2002). Breaking Through: A Composition for Symphony Orchestra. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3186/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dribus, John Alexander. “Breaking Through: A Composition for Symphony Orchestra.” 2002. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc3186/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dribus, John Alexander. “Breaking Through: A Composition for Symphony Orchestra.” 2002. Web. 13 Dec 2019.

Vancouver:

Dribus JA. Breaking Through: A Composition for Symphony Orchestra. [Internet] [Thesis]. University of North Texas; 2002. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3186/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dribus JA. Breaking Through: A Composition for Symphony Orchestra. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3186/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Cifelli, Cheryl. A Study of Selected Clarinet Music of Brian Israel.

Degree: 2004, University of North Texas

 It is the goal of this document to bring to the attention of the public the compositions of Brian Israel, an American Jewish composer who… (more)

Subjects/Keywords: Israel, Brian, 1951-1986 Instrumental music.; Israel; voice; clarinet

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APA (6th Edition):

Cifelli, C. (2004). A Study of Selected Clarinet Music of Brian Israel. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4630/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cifelli, Cheryl. “A Study of Selected Clarinet Music of Brian Israel.” 2004. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4630/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cifelli, Cheryl. “A Study of Selected Clarinet Music of Brian Israel.” 2004. Web. 13 Dec 2019.

Vancouver:

Cifelli C. A Study of Selected Clarinet Music of Brian Israel. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4630/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cifelli C. A Study of Selected Clarinet Music of Brian Israel. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4630/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

7. Kinnett, Forest Randolph. Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897).

Degree: 2004, University of North Texas

 Engelbert Humperdinck (1854-1921), who was considered a Wagnerian due to to his past work in Bayreuth and the Wagnerian traits of his Hänsel und Gretel,… (more)

Subjects/Keywords: Humperdinck, Engelbert, 1854-1921. Königskinder.; Humperdinck; Königskinder; melodrama

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APA (6th Edition):

Kinnett, F. R. (2004). Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4548/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kinnett, Forest Randolph. “Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897).” 2004. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4548/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kinnett, Forest Randolph. “Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897).” 2004. Web. 13 Dec 2019.

Vancouver:

Kinnett FR. Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897). [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4548/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kinnett FR. Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897). [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4548/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

8. Chung, Kyung-Young. Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640.

Degree: 2004, University of North Texas

 Scholars have considered Italian chamber recitative laments only a transitional phenomenon between madrigal laments and laments organized on the descending tetrachord bass. However, the recitative… (more)

Subjects/Keywords: Vocal music  – Italy  – 17th century  – History and criticism.; music; text; lament

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APA (6th Edition):

Chung, K. (2004). Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4668/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chung, Kyung-Young. “Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640.” 2004. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4668/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chung, Kyung-Young. “Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640.” 2004. Web. 13 Dec 2019.

Vancouver:

Chung K. Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4668/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chung K. Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4668/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

9. Straughn, Gregory. Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet.

Degree: 2004, University of North Texas

 Over the last quarter-century, scholars have taken a unified approach in discussing form in Italian and French opera of the nineteenth century. This approach centers… (more)

Subjects/Keywords: Massenet, Jules, 1842-1912. Operas.; Massenet; opera; form; nineteenth century

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APA (6th Edition):

Straughn, G. (2004). Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4651/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Straughn, Gregory. “Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet.” 2004. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4651/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Straughn, Gregory. “Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet.” 2004. Web. 13 Dec 2019.

Vancouver:

Straughn G. Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4651/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Straughn G. Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4651/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

10. Sequera, Héctor J. Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary.

Degree: 2004, University of North Texas

 Paris . Rés. Vmd. Ms. 27, known as Tl.1, or the Thibault Manuscript, is one of the earliest extant sources of lute music, containing twenty-four… (more)

Subjects/Keywords: Bibliothèque nationale de France. Manuscript. Réserve Vmd 27.; Lute music  – 16th century  – History and criticism.; Songs with lute  – 16th century  – History and criticism.; TL.1; Thibault manuscript; Rés. Vmd. Ms. 27; lute music

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APA (6th Edition):

Sequera, H. J. (2004). Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4652/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sequera, Héctor J. “Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary.” 2004. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4652/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sequera, Héctor J. “Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary.” 2004. Web. 13 Dec 2019.

Vancouver:

Sequera HJ. Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4652/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sequera HJ. Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4652/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Hale Harris, Kimberly Coulter. Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710.

Degree: 2005, University of North Texas

 The special relationship of patrons, librettists, and composers, in the Accademia degli'Arcadia in Rome from 1700-1710 appears in Alessandro Scarlatti's settings of Antonio Ottoboni's cantata… (more)

Subjects/Keywords: Scarlatti, Alessandro, 1660-1725. Cantatas.; Accademia degli Arcadi.; Alessandro Scarlatti; chamber cantatas; Arcadian Academy

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APA (6th Edition):

Hale Harris, K. C. (2005). Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hale Harris, Kimberly Coulter. “Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710.” 2005. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hale Harris, Kimberly Coulter. “Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710.” 2005. Web. 13 Dec 2019.

Vancouver:

Hale Harris KC. Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710. [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hale Harris KC. Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710. [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc4776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Carpenter, Jennifer. The Recorder Tutors in 't Uitnement Kabinet.

Degree: 2005, University of North Texas

 Paulus Matthysz, a prominent music printer in Amsterdam during the seventeenth century, published Jacob van Eyck's Der Fluyten Lust-hof and a collection entitled 't Uitnement… (more)

Subjects/Keywords: 't Uitnement kabinet.; Recorder music  – History and criticism.; Eyck, Jacob van. Fluyten lust-hof.; Matthysz, Paul, 1613 or 14-1684.; Matthysz; Blanckenburgh; t Uitnement Kabinet; recorder tutor; Vertoninge; Onderwyzinge

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APA (6th Edition):

Carpenter, J. (2005). The Recorder Tutors in 't Uitnement Kabinet. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4895/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, Jennifer. “The Recorder Tutors in 't Uitnement Kabinet.” 2005. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4895/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, Jennifer. “The Recorder Tutors in 't Uitnement Kabinet.” 2005. Web. 13 Dec 2019.

Vancouver:

Carpenter J. The Recorder Tutors in 't Uitnement Kabinet. [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4895/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter J. The Recorder Tutors in 't Uitnement Kabinet. [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc4895/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Rutland, John Paul. Violin and voice as partners in three early twentieth-century English works for voice and violin.

Degree: 2005, University of North Texas

 The purpose of this study is to examine three works for the unusual combination of violin and voice. Chamber music for violin and keyboard and… (more)

Subjects/Keywords: Songs with violin  – History and criticism.; Holst, Gustav, 1874-1934. Songs, violin acc. op. 35.; Vaughan Williams, Ralph, 1872-1958. Along the field.; Clarke, Rebecca, 1886-1979. Old English songs.; violin; voice; twentieth century; Gustav Holst; Ralph Vaughan Williams; Rebecca Clarke

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APA (6th Edition):

Rutland, J. P. (2005). Violin and voice as partners in three early twentieth-century English works for voice and violin. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rutland, John Paul. “Violin and voice as partners in three early twentieth-century English works for voice and violin.” 2005. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rutland, John Paul. “Violin and voice as partners in three early twentieth-century English works for voice and violin.” 2005. Web. 13 Dec 2019.

Vancouver:

Rutland JP. Violin and voice as partners in three early twentieth-century English works for voice and violin. [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rutland JP. Violin and voice as partners in three early twentieth-century English works for voice and violin. [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc4935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Chang, Young-Shim. Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718).

Degree: 2005, University of North Texas

 The purpose of this dissertation is two-fold: one is to analyze the narratives of Acis and Galatea written by Ovid, and the two libretti by… (more)

Subjects/Keywords: Handel, George Frideric, 1685-1759. Acis and Galatea.; Giuvo, Nicola, b. ca. 1680.; Gay, John, 1685-1732.; Pope, Alexander, 1688-1744.; Hughes, John, 1677-1720.; Handel; opera; theater

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APA (6th Edition):

Chang, Y. (2005). Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc5582/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chang, Young-Shim. “Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718).” 2005. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc5582/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chang, Young-Shim. “Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718).” 2005. Web. 13 Dec 2019.

Vancouver:

Chang Y. Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718). [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc5582/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chang Y. Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718). [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc5582/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Lamb, Earnest. Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy.".

Degree: 2005, University of North Texas

 William Grant Still's musical achievements are legion. Because he was the first African American to break the color line in America's concert halls, Still earned… (more)

Subjects/Keywords: Still, William Grant, 1895-1978. Symphonies. no. 1.; Still, William Grant, 1895-1978. Symphonies. no. 2, G minor.; Still, William Grant, 1895-1978. Symphonies. no. 3.; William Grant Still

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APA (6th Edition):

Lamb, E. (2005). Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy.". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc5578/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lamb, Earnest. “Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy.".” 2005. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc5578/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lamb, Earnest. “Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy.".” 2005. Web. 13 Dec 2019.

Vancouver:

Lamb E. Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy.". [Internet] [Thesis]. University of North Texas; 2005. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc5578/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lamb E. Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy.". [Thesis]. University of North Texas; 2005. Available from: https://digital.library.unt.edu/ark:/67531/metadc5578/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Gill, Sarah M. The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing.

Degree: 1999, University of North Texas

 Hector Berlioz's Messe solennelle, his first publicly performed work, was important to his establishment in Paris as a composer. Although he later destroyed the Mass,… (more)

Subjects/Keywords: Berlioz, Hector, 1803-1869. Messe solennelle. Resurrexit.; Resurrexit.

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APA (6th Edition):

Gill, S. M. (1999). The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2249/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gill, Sarah M. “The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing.” 1999. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc2249/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gill, Sarah M. “The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing.” 1999. Web. 13 Dec 2019.

Vancouver:

Gill SM. The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2249/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gill SM. The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2249/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Pollard, Carol J. Nobody's Fool: A Study of the Yrodivy in Boris Godunov.

Degree: 1999, University of North Texas

 Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds… (more)

Subjects/Keywords: Mussorgsky, Modest Petrovich, 1839-1881. Boris Godunov (1872).; opera; russian history; Musorgsky

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APA (6th Edition):

Pollard, C. J. (1999). Nobody's Fool: A Study of the Yrodivy in Boris Godunov. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pollard, Carol J. “Nobody's Fool: A Study of the Yrodivy in Boris Godunov.” 1999. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc2242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pollard, Carol J. “Nobody's Fool: A Study of the Yrodivy in Boris Godunov.” 1999. Web. 13 Dec 2019.

Vancouver:

Pollard CJ. Nobody's Fool: A Study of the Yrodivy in Boris Godunov. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pollard CJ. Nobody's Fool: A Study of the Yrodivy in Boris Godunov. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Hellner, Jean Marie. Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony.

Degree: 2003, University of North Texas

 Robert Schumann's D-minor Symphony endured harsh criticism during the second half of the nineteenth century because of misunderstandings regarding his compositional approach to the genre… (more)

Subjects/Keywords: Schumann, Robert, 1810-1856. Symphonies, no. 4, op. 120, D minor.; Robert Schumann; Symphony in D Minor; symphonies; orchestration; performance practice; aesthetics

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APA (6th Edition):

Hellner, J. M. (2003). Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4214/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hellner, Jean Marie. “Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony.” 2003. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc4214/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hellner, Jean Marie. “Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony.” 2003. Web. 13 Dec 2019.

Vancouver:

Hellner JM. Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4214/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hellner JM. Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4214/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

19. Rober, Russell Todd. Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony.

Degree: 2003, University of North Texas

 Gottlob Harrer (1703-1755) composed at least twenty-seven sinfonias for his patron Count Heinrich von Bruhl in Dresden from 1731-1747, placing them among the earliest concert… (more)

Subjects/Keywords: Harrer, Gottlob, 1703-1755. Symphonies.; Harrer, Gottlob, 1703-1755. Symphonies.; Dresden; Saxony; topics; patronage

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APA (6th Edition):

Rober, R. T. (2003). Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc5530/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rober, Russell Todd. “Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony.” 2003. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc5530/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rober, Russell Todd. “Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony.” 2003. Web. 13 Dec 2019.

Vancouver:

Rober RT. Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc5530/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rober RT. Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc5530/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

20. Cheney, Stuart. Dubuisson: A Study of His Music for Solo Bass Viol.

Degree: 1988, University of North Texas

 Dubuisson (fl.1666-c.1685) is the sole French viol player-composer between Nicolas Hotman (1613-1663) and Le Sieur de Sainte-Colombe (d.c.1700) whose works are extant. His four suites… (more)

Subjects/Keywords: French music; musicology; viol composers; Dubuisson, d. 1710.; Viola da gamba music  – Analysis, appreciation.; Dubuisson, d. 1710. Suites, viola da gamba. Selections. 1989.

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APA (6th Edition):

Cheney, S. (1988). Dubuisson: A Study of His Music for Solo Bass Viol. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500315/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cheney, Stuart. “Dubuisson: A Study of His Music for Solo Bass Viol.” 1988. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc500315/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cheney, Stuart. “Dubuisson: A Study of His Music for Solo Bass Viol.” 1988. Web. 13 Dec 2019.

Vancouver:

Cheney S. Dubuisson: A Study of His Music for Solo Bass Viol. [Internet] [Thesis]. University of North Texas; 1988. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500315/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cheney S. Dubuisson: A Study of His Music for Solo Bass Viol. [Thesis]. University of North Texas; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc500315/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Teal, Terri Denise. Tempo Determination in the Choral Works of Francis Poulenc.

Degree: 1989, University of North Texas

 Though Poulenc marks choral compositions with metronomic indications, there are problems concerning tempo. The purpose of this paper is to determine guidelines for dealing with… (more)

Subjects/Keywords: choral compositions; Francis Poulenc; music tempo; Poulenc, Francis, 1899-1963. Choral music.; Choral music  – Analysis, appreciation.; Tempo (Music)

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APA (6th Edition):

Teal, T. D. (1989). Tempo Determination in the Choral Works of Francis Poulenc. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500725/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Teal, Terri Denise. “Tempo Determination in the Choral Works of Francis Poulenc.” 1989. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc500725/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Teal, Terri Denise. “Tempo Determination in the Choral Works of Francis Poulenc.” 1989. Web. 13 Dec 2019.

Vancouver:

Teal TD. Tempo Determination in the Choral Works of Francis Poulenc. [Internet] [Thesis]. University of North Texas; 1989. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500725/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Teal TD. Tempo Determination in the Choral Works of Francis Poulenc. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc500725/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Cogswell, Michael. Melodic Organization in Four Solos by Ornette Coleman.

Degree: 1989, University of North Texas

 The thesis presents annotated transcriptions and detailed analyses of four improvised solos by jazz saxophonist Ornette Coleman, a leading figure within the free jazz movement.… (more)

Subjects/Keywords: jazz saxophonists; musicology; melodic organization; Ornette Coleman; Coleman, Ornette.; Jazz  – Analysis, appreciation.; Melodic analysis.

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APA (6th Edition):

Cogswell, M. (1989). Melodic Organization in Four Solos by Ornette Coleman. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501207/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cogswell, Michael. “Melodic Organization in Four Solos by Ornette Coleman.” 1989. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc501207/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cogswell, Michael. “Melodic Organization in Four Solos by Ornette Coleman.” 1989. Web. 13 Dec 2019.

Vancouver:

Cogswell M. Melodic Organization in Four Solos by Ornette Coleman. [Internet] [Thesis]. University of North Texas; 1989. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501207/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cogswell M. Melodic Organization in Four Solos by Ornette Coleman. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc501207/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Hamrick, David (David Russell). Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice".

Degree: 1992, University of North Texas

 De preceptis is considered a major source of information on the origins of fauxbourdon, despite its being regarded as a disorganized compilation of multiple authorship,… (more)

Subjects/Keywords: fauxbourdon; De preceptis artis musice; Guillaume Garnier; Guilielmus, Monachus  – 15th cent. De preceptis artis musicae.

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APA (6th Edition):

Hamrick, D. (. R. (1992). Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hamrick, David (David Russell). “Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice".” 1992. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc501070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hamrick, David (David Russell). “Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice".” 1992. Web. 13 Dec 2019.

Vancouver:

Hamrick D(R. Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice". [Internet] [Thesis]. University of North Texas; 1992. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hamrick D(R. Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice". [Thesis]. University of North Texas; 1992. Available from: https://digital.library.unt.edu/ark:/67531/metadc501070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Kim, Hae-Jeong. The Keyboard Suites of Matthew Locke and Henry Purcell.

Degree: 1989, University of North Texas

 This work largely concerns the roles of Matthew Locke and Henry Purcell in the history of English keyboard music as reflected in their keyboard suites.… (more)

Subjects/Keywords: keyboard music; keyboard suites; music composition; Locke, Matthew, 1621 or 1622-1677. Keyboard music.; Purcell, Henry, 1659-1695. Keyboard music.; Suites (Keyboard instrument)  – Analysis, appreciation.

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APA (6th Edition):

Kim, H. (1989). The Keyboard Suites of Matthew Locke and Henry Purcell. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501040/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Hae-Jeong. “The Keyboard Suites of Matthew Locke and Henry Purcell.” 1989. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc501040/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Hae-Jeong. “The Keyboard Suites of Matthew Locke and Henry Purcell.” 1989. Web. 13 Dec 2019.

Vancouver:

Kim H. The Keyboard Suites of Matthew Locke and Henry Purcell. [Internet] [Thesis]. University of North Texas; 1989. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501040/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim H. The Keyboard Suites of Matthew Locke and Henry Purcell. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc501040/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

25. Martina, Aileen. The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition.

Degree: 1993, University of North Texas

 Disputes concerning the origin of the term bambuco persist among scholars in Colombia, as well as controversies regarding the process of notating the traditional bambuco… (more)

Subjects/Keywords: musicology; bambuco; folk music; Colombian music; Párraga, Manuel María, approximately 1820-approximately 1890.; Uribe Holguín, Guillermo, 1880-1971.; Valencia, Antonio María, 1902-1952.; Mejía, Adolfo, 1905-1973.; Folk music  – Colombia.; Bambuco (Dance)

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APA (6th Edition):

Martina, A. (1993). The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500243/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martina, Aileen. “The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition.” 1993. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc500243/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martina, Aileen. “The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition.” 1993. Web. 13 Dec 2019.

Vancouver:

Martina A. The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500243/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martina A. The Traditional Bambuco in Nineteenth and Twentieth-Century Colombian Composition. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc500243/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Carnes, Tara Barker. Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason.

Degree: 1991, University of North Texas

 Ignorance of the basic principles of music reading was one of the primary obstacles to the improvement of congregational singing in nineteenth-century America. Six separate… (more)

Subjects/Keywords: music reading; numeral notation systems; Hartley Day; Day, H. W. (Hartley W.); Musical notation.; Hymns, English  – United States  – 19th century  – History and criticism.

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APA (6th Edition):

Carnes, T. B. (1991). Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500655/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carnes, Tara Barker. “Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason.” 1991. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc500655/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carnes, Tara Barker. “Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason.” 1991. Web. 13 Dec 2019.

Vancouver:

Carnes TB. Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500655/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carnes TB. Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc500655/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. McBride, Michael A. (Michael Anthony). The Warp and Weft of Fabric: A Composition for Strings.

Degree: 1999, University of North Texas

 The six-movement work is scored for two violins, a viola, and a violoncello. A new approach toward the decision making of the compositional process is… (more)

Subjects/Keywords: string compositions; violins; violas; violoncellos; String quartets  – Scores.

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APA (6th Edition):

McBride, M. A. (. A. (1999). The Warp and Weft of Fabric: A Composition for Strings. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McBride, Michael A (Michael Anthony). “The Warp and Weft of Fabric: A Composition for Strings.” 1999. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc278386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McBride, Michael A (Michael Anthony). “The Warp and Weft of Fabric: A Composition for Strings.” 1999. Web. 13 Dec 2019.

Vancouver:

McBride MA(A. The Warp and Weft of Fabric: A Composition for Strings. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McBride MA(A. The Warp and Weft of Fabric: A Composition for Strings. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc278386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

28. Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams.

Degree: 1996, University of North Texas

 The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass.… (more)

Subjects/Keywords: Mary Lou Williams; mass settings; Roman Catholic Church; Williams, Mary Lou, 1910-1981. Mary Lou's mass.

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APA (6th Edition):

Fledderus, F. (1996). The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278129/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fledderus, France. “The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams.” 1996. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc278129/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fledderus, France. “The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams.” 1996. Web. 13 Dec 2019.

Vancouver:

Fledderus F. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. [Internet] [Thesis]. University of North Texas; 1996. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278129/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fledderus F. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. [Thesis]. University of North Texas; 1996. Available from: https://digital.library.unt.edu/ark:/67531/metadc278129/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Chang, Young-Shim. Italian Influences in the Corellisirende Sonaten of Telemann.

Degree: 1995, University of North Texas

 George Philipp Telemann is often thought of an experimenter with many nationalistic styles during the course of his career. His Corellian Sonatas demonstrate this facet… (more)

Subjects/Keywords: George Philipp Telemann; Corellisirende Sonaten; Telemann, Georg Philipp, 1681-1767. Sonates Corellisantes.

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APA (6th Edition):

Chang, Y. (1995). Italian Influences in the Corellisirende Sonaten of Telemann. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chang, Young-Shim. “Italian Influences in the Corellisirende Sonaten of Telemann.” 1995. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc277885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chang, Young-Shim. “Italian Influences in the Corellisirende Sonaten of Telemann.” 1995. Web. 13 Dec 2019.

Vancouver:

Chang Y. Italian Influences in the Corellisirende Sonaten of Telemann. [Internet] [Thesis]. University of North Texas; 1995. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277885/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chang Y. Italian Influences in the Corellisirende Sonaten of Telemann. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc277885/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Nussbaum, Carolyn. The Flute: the Mechanical Improvements on the Body of the Orchestral Instrument since 1847.

Degree: 1994, University of North Texas

 This thesis uniquely explains the mechanical improvements which have occurred to the flute over the last 147 years. Theobald Boehm revolutionized the flute by changing… (more)

Subjects/Keywords: flute; Theobald Boehm; musical instruments; Flute  – History and criticism.

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APA (6th Edition):

Nussbaum, C. (1994). The Flute: the Mechanical Improvements on the Body of the Orchestral Instrument since 1847. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277877/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nussbaum, Carolyn. “The Flute: the Mechanical Improvements on the Body of the Orchestral Instrument since 1847.” 1994. Thesis, University of North Texas. Accessed December 13, 2019. https://digital.library.unt.edu/ark:/67531/metadc277877/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nussbaum, Carolyn. “The Flute: the Mechanical Improvements on the Body of the Orchestral Instrument since 1847.” 1994. Web. 13 Dec 2019.

Vancouver:

Nussbaum C. The Flute: the Mechanical Improvements on the Body of the Orchestral Instrument since 1847. [Internet] [Thesis]. University of North Texas; 1994. [cited 2019 Dec 13]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277877/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nussbaum C. The Flute: the Mechanical Improvements on the Body of the Orchestral Instrument since 1847. [Thesis]. University of North Texas; 1994. Available from: https://digital.library.unt.edu/ark:/67531/metadc277877/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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