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You searched for +publisher:"University of Newcastle" +contributor:("University of Newcastle. Faculty of Education & Arts, School of Creative Arts"). Showing records 1 – 30 of 40 total matches.

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University of Newcastle

1. Tracy, David. Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour.

Degree: MPhil, 2014, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

The purpose of this research is to explore the relationship between acoustic phenomena and their incorporation into musical… (more)

Subjects/Keywords: acoustic phenomena; acoustic phenomenon; music; composition; acoustics

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APA (6th Edition):

Tracy, D. (2014). Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1041443

Chicago Manual of Style (16th Edition):

Tracy, David. “Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour.” 2014. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1041443.

MLA Handbook (7th Edition):

Tracy, David. “Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour.” 2014. Web. 25 Nov 2020.

Vancouver:

Tracy D. Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour. [Internet] [Masters thesis]. University of Newcastle; 2014. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1041443.

Council of Science Editors:

Tracy D. Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour. [Masters Thesis]. University of Newcastle; 2014. Available from: http://hdl.handle.net/1959.13/1041443


University of Newcastle

2. Bardon, Michael Geoffrey Campbell. The investigative cellist and the informed audition.

Degree: MPhil, 2016, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

This exegesis represents the documentation of the creative process undertaken in the preparation and informed execution of cello… (more)

Subjects/Keywords: cello; orchestral auditions; performance preparation

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APA (6th Edition):

Bardon, M. G. C. (2016). The investigative cellist and the informed audition. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1311992

Chicago Manual of Style (16th Edition):

Bardon, Michael Geoffrey Campbell. “The investigative cellist and the informed audition.” 2016. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1311992.

MLA Handbook (7th Edition):

Bardon, Michael Geoffrey Campbell. “The investigative cellist and the informed audition.” 2016. Web. 25 Nov 2020.

Vancouver:

Bardon MGC. The investigative cellist and the informed audition. [Internet] [Masters thesis]. University of Newcastle; 2016. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1311992.

Council of Science Editors:

Bardon MGC. The investigative cellist and the informed audition. [Masters Thesis]. University of Newcastle; 2016. Available from: http://hdl.handle.net/1959.13/1311992


University of Newcastle

3. Lawry, Miranda Jane. Vital signs/art and wellness: the hospital as a mediated site.

Degree: PhD, 2013, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

As photographers give people an imaginary possession of a past that is unreal, they also help people to… (more)

Subjects/Keywords: arts health; "authentic experience" of site; practice as research; photomedia; hospitals as mourning sites; artist in residence; architectural space; ruins

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APA (6th Edition):

Lawry, M. J. (2013). Vital signs/art and wellness: the hospital as a mediated site. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1043162

Chicago Manual of Style (16th Edition):

Lawry, Miranda Jane. “Vital signs/art and wellness: the hospital as a mediated site.” 2013. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1043162.

MLA Handbook (7th Edition):

Lawry, Miranda Jane. “Vital signs/art and wellness: the hospital as a mediated site.” 2013. Web. 25 Nov 2020.

Vancouver:

Lawry MJ. Vital signs/art and wellness: the hospital as a mediated site. [Internet] [Doctoral dissertation]. University of Newcastle; 2013. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1043162.

Council of Science Editors:

Lawry MJ. Vital signs/art and wellness: the hospital as a mediated site. [Doctoral Dissertation]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/1043162


University of Newcastle

4. Francis, Mandy. Material poetry.

Degree: PhD, 2016, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

How to negotiate a solo sculptural practice when working with and within community? In the last 20 years… (more)

Subjects/Keywords: contemporary sculpture; public art; social sculpture; social art; site specific art; interdisciplinary art; relational aesthetics; material enquiry; participatory art; collaborative art; mindfulness; socially engaged art

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APA (6th Edition):

Francis, M. (2016). Material poetry. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1316814

Chicago Manual of Style (16th Edition):

Francis, Mandy. “Material poetry.” 2016. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1316814.

MLA Handbook (7th Edition):

Francis, Mandy. “Material poetry.” 2016. Web. 25 Nov 2020.

Vancouver:

Francis M. Material poetry. [Internet] [Doctoral dissertation]. University of Newcastle; 2016. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1316814.

Council of Science Editors:

Francis M. Material poetry. [Doctoral Dissertation]. University of Newcastle; 2016. Available from: http://hdl.handle.net/1959.13/1316814


University of Newcastle

5. Oehm, Gregory James. "Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services.

Degree: PhD, 2014, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

William Turner (1651-1740) is arguably the least recognised of the great composers of the English Restoration period, despite… (more)

Subjects/Keywords: Turner; anthems; services; editions; restoration music

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APA (6th Edition):

Oehm, G. J. (2014). "Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1041676

Chicago Manual of Style (16th Edition):

Oehm, Gregory James. “"Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services.” 2014. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1041676.

MLA Handbook (7th Edition):

Oehm, Gregory James. “"Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services.” 2014. Web. 25 Nov 2020.

Vancouver:

Oehm GJ. "Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services. [Internet] [Doctoral dissertation]. University of Newcastle; 2014. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1041676.

Council of Science Editors:

Oehm GJ. "Out of the shadows": a biographical study of William Turner (c.1651-1740), with critical editions of his anthems and services. [Doctoral Dissertation]. University of Newcastle; 2014. Available from: http://hdl.handle.net/1959.13/1041676


University of Newcastle

6. Burgess, Sandra Margaret. Plexus: an investigation of site in relation to form.

Degree: PhD, 2014, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This exegesis is titled Plexus, which means matting or plaiting, to emphasize the concept of interconnection. The history… (more)

Subjects/Keywords: Hanging Rock NSW

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APA (6th Edition):

Burgess, S. M. (2014). Plexus: an investigation of site in relation to form. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1041418

Chicago Manual of Style (16th Edition):

Burgess, Sandra Margaret. “Plexus: an investigation of site in relation to form.” 2014. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1041418.

MLA Handbook (7th Edition):

Burgess, Sandra Margaret. “Plexus: an investigation of site in relation to form.” 2014. Web. 25 Nov 2020.

Vancouver:

Burgess SM. Plexus: an investigation of site in relation to form. [Internet] [Doctoral dissertation]. University of Newcastle; 2014. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1041418.

Council of Science Editors:

Burgess SM. Plexus: an investigation of site in relation to form. [Doctoral Dissertation]. University of Newcastle; 2014. Available from: http://hdl.handle.net/1959.13/1041418


University of Newcastle

7. Hanley, Roger. Margin walker - a theatre of disembodied poetics.

Degree: PhD, 2014, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This exegesis, which is essentially an auto-ethnographic account, examines the particularities of my photographic practice, which has been… (more)

Subjects/Keywords: photography; landscape; depression; surreal; liminal

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APA (6th Edition):

Hanley, R. (2014). Margin walker - a theatre of disembodied poetics. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1042424

Chicago Manual of Style (16th Edition):

Hanley, Roger. “Margin walker - a theatre of disembodied poetics.” 2014. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1042424.

MLA Handbook (7th Edition):

Hanley, Roger. “Margin walker - a theatre of disembodied poetics.” 2014. Web. 25 Nov 2020.

Vancouver:

Hanley R. Margin walker - a theatre of disembodied poetics. [Internet] [Doctoral dissertation]. University of Newcastle; 2014. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1042424.

Council of Science Editors:

Hanley R. Margin walker - a theatre of disembodied poetics. [Doctoral Dissertation]. University of Newcastle; 2014. Available from: http://hdl.handle.net/1959.13/1042424


University of Newcastle

8. Saunders, Scott. "Towards an aesthetic of groove".

Degree: MPhil, 2015, University of Newcastle

Masters Research - Masters of Philosophy (MPhil)

The ideas expressed in the word “Groove” (also “Swing” or “Feel”) are commonly associated with the phenomenon of… (more)

Subjects/Keywords: groove; micro-timing; embodiment; swing; pulse; tactus

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APA (6th Edition):

Saunders, S. (2015). "Towards an aesthetic of groove". (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1305711

Chicago Manual of Style (16th Edition):

Saunders, Scott. “"Towards an aesthetic of groove".” 2015. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1305711.

MLA Handbook (7th Edition):

Saunders, Scott. “"Towards an aesthetic of groove".” 2015. Web. 25 Nov 2020.

Vancouver:

Saunders S. "Towards an aesthetic of groove". [Internet] [Masters thesis]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1305711.

Council of Science Editors:

Saunders S. "Towards an aesthetic of groove". [Masters Thesis]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1305711


University of Newcastle

9. Tapia, Pablo. Master painting manual: traditional painting material methodologies for the contemporary artist.

Degree: MPhil, 2015, University of Newcastle

Masters Research - Masters of Philosophy (MPhil)

Direct oil painting methodologies are simple in their application and optical effects compared to indirect layering systems, particularly… (more)

Subjects/Keywords: oil painting; traditional painting material methodologies; contemporary artists; natural materials

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APA (6th Edition):

Tapia, P. (2015). Master painting manual: traditional painting material methodologies for the contemporary artist. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1308276

Chicago Manual of Style (16th Edition):

Tapia, Pablo. “Master painting manual: traditional painting material methodologies for the contemporary artist.” 2015. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1308276.

MLA Handbook (7th Edition):

Tapia, Pablo. “Master painting manual: traditional painting material methodologies for the contemporary artist.” 2015. Web. 25 Nov 2020.

Vancouver:

Tapia P. Master painting manual: traditional painting material methodologies for the contemporary artist. [Internet] [Masters thesis]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1308276.

Council of Science Editors:

Tapia P. Master painting manual: traditional painting material methodologies for the contemporary artist. [Masters Thesis]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1308276


University of Newcastle

10. Banney, David Andrew. Symmetry and symmetry reduction in music.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

There is a significant body of literature on the subject of symmetry in music, revealing many important insights… (more)

Subjects/Keywords: symmetry; symmetry breaking; order; disorder; information theory; modified forte classification; Caglioti; periodicity; self-organisation; ambiguity; oscillating neural networks; Tristan and Isolde; symmetry reduction; clock-face diagram; music; Wagner; Webern; Ravel; Schubert; informational entropy

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APA (6th Edition):

Banney, D. A. (2015). Symmetry and symmetry reduction in music. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1309807

Chicago Manual of Style (16th Edition):

Banney, David Andrew. “Symmetry and symmetry reduction in music.” 2015. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1309807.

MLA Handbook (7th Edition):

Banney, David Andrew. “Symmetry and symmetry reduction in music.” 2015. Web. 25 Nov 2020.

Vancouver:

Banney DA. Symmetry and symmetry reduction in music. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1309807.

Council of Science Editors:

Banney DA. Symmetry and symmetry reduction in music. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1309807


University of Newcastle

11. Dunlop, Roslyn Ann. The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people.

Degree: PhD, 2016, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This thesis defines the indigenous music of East Timor and the range and variety of its musical instruments… (more)

Subjects/Keywords: traditional; indigenous; taxonomy; organology; ethnomusicology; ethnolinguistic; autochthonous; ancestors; origin; migration; occupation; lulik; East Timor; uma lulik; sacred house; dance; song; ritual; performance; lia na'in; cultural custodian; liurai; tara bandu; East Timorese; death; myth; society; culture; mores; function; musical; struck; blown; sound; music; barlake; Mau-Lelo Bui-Lelo; instruments; culture emerging; oral tradition; classification; partonomy

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APA (6th Edition):

Dunlop, R. A. (2016). The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1313493

Chicago Manual of Style (16th Edition):

Dunlop, Roslyn Ann. “The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people.” 2016. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1313493.

MLA Handbook (7th Edition):

Dunlop, Roslyn Ann. “The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people.” 2016. Web. 25 Nov 2020.

Vancouver:

Dunlop RA. The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people. [Internet] [Doctoral dissertation]. University of Newcastle; 2016. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1313493.

Council of Science Editors:

Dunlop RA. The indigenous music of East Timor and its relationship to the social and cultural mores and lulik worldview of its autochthonous people. [Doctoral Dissertation]. University of Newcastle; 2016. Available from: http://hdl.handle.net/1959.13/1313493


University of Newcastle

12. White, Greg. Towards maximal convergence: the relationship between composition, performance, and production in realtime software environments.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This thesis is in the field of music creation. It argues that realtime software environments, acting either autonomously… (more)

Subjects/Keywords: maximal convergence, realtime software, granular synthesis, music creation; realtime software; granular synthesis; music creation

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APA (6th Edition):

White, G. (2015). Towards maximal convergence: the relationship between composition, performance, and production in realtime software environments. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1312716

Chicago Manual of Style (16th Edition):

White, Greg. “Towards maximal convergence: the relationship between composition, performance, and production in realtime software environments.” 2015. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1312716.

MLA Handbook (7th Edition):

White, Greg. “Towards maximal convergence: the relationship between composition, performance, and production in realtime software environments.” 2015. Web. 25 Nov 2020.

Vancouver:

White G. Towards maximal convergence: the relationship between composition, performance, and production in realtime software environments. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1312716.

Council of Science Editors:

White G. Towards maximal convergence: the relationship between composition, performance, and production in realtime software environments. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1312716


University of Newcastle

13. Landers, Heath A. W. Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica.

Degree: MPhil, 2015, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

An understanding of the art of rhetoric was considered an essential part of a liberal arts education up… (more)

Subjects/Keywords: Mozart; rhetoric; Aristotle; drammi per musica; dramma per musica; Metastasio; oration; opera

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APA (6th Edition):

Landers, H. A. W. (2015). Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1310003

Chicago Manual of Style (16th Edition):

Landers, Heath A W. “Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica.” 2015. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1310003.

MLA Handbook (7th Edition):

Landers, Heath A W. “Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica.” 2015. Web. 25 Nov 2020.

Vancouver:

Landers HAW. Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica. [Internet] [Masters thesis]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1310003.

Council of Science Editors:

Landers HAW. Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica. [Masters Thesis]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1310003


University of Newcastle

14. Lockeridge, David. Exploring the diversity of contemporary western classical percussion repertoire: preparation techniques and how they influence performance.

Degree: MPhil, 2014, University of Newcastle

Masters Research - Masters of Philosophy (MPhil)

Percussion performance has developed as a valid genre in Western Art Music only in the last eighty years.… (more)

Subjects/Keywords: contemporary western classical percussion; preparation; techniques; performance

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APA (6th Edition):

Lockeridge, D. (2014). Exploring the diversity of contemporary western classical percussion repertoire: preparation techniques and how they influence performance. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1042301

Chicago Manual of Style (16th Edition):

Lockeridge, David. “Exploring the diversity of contemporary western classical percussion repertoire: preparation techniques and how they influence performance.” 2014. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1042301.

MLA Handbook (7th Edition):

Lockeridge, David. “Exploring the diversity of contemporary western classical percussion repertoire: preparation techniques and how they influence performance.” 2014. Web. 25 Nov 2020.

Vancouver:

Lockeridge D. Exploring the diversity of contemporary western classical percussion repertoire: preparation techniques and how they influence performance. [Internet] [Masters thesis]. University of Newcastle; 2014. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1042301.

Council of Science Editors:

Lockeridge D. Exploring the diversity of contemporary western classical percussion repertoire: preparation techniques and how they influence performance. [Masters Thesis]. University of Newcastle; 2014. Available from: http://hdl.handle.net/1959.13/1042301


University of Newcastle

15. McCarthy, Catherine Patricia. Dig a bit deeper - connection and contemporary landscape art.

Degree: MPhil, 2013, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

This paper examines how memory, knowledge and connection are imbued in place. Considering how place can inhabit self… (more)

Subjects/Keywords: contemporary landscape art; self; place; ritual; myth

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APA (6th Edition):

McCarthy, C. P. (2013). Dig a bit deeper - connection and contemporary landscape art. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/938557

Chicago Manual of Style (16th Edition):

McCarthy, Catherine Patricia. “Dig a bit deeper - connection and contemporary landscape art.” 2013. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/938557.

MLA Handbook (7th Edition):

McCarthy, Catherine Patricia. “Dig a bit deeper - connection and contemporary landscape art.” 2013. Web. 25 Nov 2020.

Vancouver:

McCarthy CP. Dig a bit deeper - connection and contemporary landscape art. [Internet] [Masters thesis]. University of Newcastle; 2013. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/938557.

Council of Science Editors:

McCarthy CP. Dig a bit deeper - connection and contemporary landscape art. [Masters Thesis]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/938557


University of Newcastle

16. Marchant, Graham John. Between the interior and exterior, between the finite and the infinite: a space for the re-enchantment of art.

Degree: PhD, 2013, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

The thesis looks at the symbolic depiction of the garden and nature as subject from medieval times to… (more)

Subjects/Keywords: art; nature; grid structure; gardens

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APA (6th Edition):

Marchant, G. J. (2013). Between the interior and exterior, between the finite and the infinite: a space for the re-enchantment of art. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/939739

Chicago Manual of Style (16th Edition):

Marchant, Graham John. “Between the interior and exterior, between the finite and the infinite: a space for the re-enchantment of art.” 2013. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/939739.

MLA Handbook (7th Edition):

Marchant, Graham John. “Between the interior and exterior, between the finite and the infinite: a space for the re-enchantment of art.” 2013. Web. 25 Nov 2020.

Vancouver:

Marchant GJ. Between the interior and exterior, between the finite and the infinite: a space for the re-enchantment of art. [Internet] [Doctoral dissertation]. University of Newcastle; 2013. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/939739.

Council of Science Editors:

Marchant GJ. Between the interior and exterior, between the finite and the infinite: a space for the re-enchantment of art. [Doctoral Dissertation]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/939739


University of Newcastle

17. Keogh, Nathan. "Is there a role for the shadow field as an artistic device for conceptual representation?".

Degree: MPhil, 2016, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

The shadow field is a potential artistic device by which the divide between the unseen and seen can… (more)

Subjects/Keywords: conceptual representation; shadow field; artistic devices; unseen and seen; shadows

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APA (6th Edition):

Keogh, N. (2016). "Is there a role for the shadow field as an artistic device for conceptual representation?". (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1314505

Chicago Manual of Style (16th Edition):

Keogh, Nathan. “"Is there a role for the shadow field as an artistic device for conceptual representation?".” 2016. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1314505.

MLA Handbook (7th Edition):

Keogh, Nathan. “"Is there a role for the shadow field as an artistic device for conceptual representation?".” 2016. Web. 25 Nov 2020.

Vancouver:

Keogh N. "Is there a role for the shadow field as an artistic device for conceptual representation?". [Internet] [Masters thesis]. University of Newcastle; 2016. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1314505.

Council of Science Editors:

Keogh N. "Is there a role for the shadow field as an artistic device for conceptual representation?". [Masters Thesis]. University of Newcastle; 2016. Available from: http://hdl.handle.net/1959.13/1314505


University of Newcastle

18. Griffith, Joelene Sara. Performance fitness: physiological benefits of aerobic exercise for performing singers.

Degree: MPhil, 2011, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

How does physical fitness affect vocal fitness and the production of a healthy vocal technique? Does an increased… (more)

Subjects/Keywords: physical fitness; vocal fitness; singing performance; aerobic training interventions

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APA (6th Edition):

Griffith, J. S. (2011). Performance fitness: physiological benefits of aerobic exercise for performing singers. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/937533

Chicago Manual of Style (16th Edition):

Griffith, Joelene Sara. “Performance fitness: physiological benefits of aerobic exercise for performing singers.” 2011. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/937533.

MLA Handbook (7th Edition):

Griffith, Joelene Sara. “Performance fitness: physiological benefits of aerobic exercise for performing singers.” 2011. Web. 25 Nov 2020.

Vancouver:

Griffith JS. Performance fitness: physiological benefits of aerobic exercise for performing singers. [Internet] [Masters thesis]. University of Newcastle; 2011. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/937533.

Council of Science Editors:

Griffith JS. Performance fitness: physiological benefits of aerobic exercise for performing singers. [Masters Thesis]. University of Newcastle; 2011. Available from: http://hdl.handle.net/1959.13/937533


University of Newcastle

19. Cairns, Susan Jane. The museum qua: the evolution of a knowledge institution in an era of pervasively networked information infrastructure.

Degree: 2015, University of Newcastle

Professional Doctorate - Doctor of Philosophy (PhD)

The introduction of digital networked technologies, including the Internet, as the fundamental basis for communication in developed societies… (more)

Subjects/Keywords: museums; knowledge; networked information infrastructure; philosophy

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APA (6th Edition):

Cairns, S. J. (2015). The museum qua: the evolution of a knowledge institution in an era of pervasively networked information infrastructure. (Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1062779

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cairns, Susan Jane. “The museum qua: the evolution of a knowledge institution in an era of pervasively networked information infrastructure.” 2015. Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1062779.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cairns, Susan Jane. “The museum qua: the evolution of a knowledge institution in an era of pervasively networked information infrastructure.” 2015. Web. 25 Nov 2020.

Vancouver:

Cairns SJ. The museum qua: the evolution of a knowledge institution in an era of pervasively networked information infrastructure. [Internet] [Thesis]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1062779.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cairns SJ. The museum qua: the evolution of a knowledge institution in an era of pervasively networked information infrastructure. [Thesis]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1062779

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

20. Osmotherly, Marika. Lightness of being.

Degree: MPhil, 2013, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

Referring back to Milan Kundera's novel The Unbearable Lightness of Being, this thesis focuses on the metaphysical question… (more)

Subjects/Keywords: contemporary sculpture; philosophy; fragility; lightness; being; existence

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APA (6th Edition):

Osmotherly, M. (2013). Lightness of being. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1039390

Chicago Manual of Style (16th Edition):

Osmotherly, Marika. “Lightness of being.” 2013. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1039390.

MLA Handbook (7th Edition):

Osmotherly, Marika. “Lightness of being.” 2013. Web. 25 Nov 2020.

Vancouver:

Osmotherly M. Lightness of being. [Internet] [Masters thesis]. University of Newcastle; 2013. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1039390.

Council of Science Editors:

Osmotherly M. Lightness of being. [Masters Thesis]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/1039390


University of Newcastle

21. Primrose, Edward. Music in context: an exploration of music and dramaturgy.

Degree: PhD, 2013, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

What is the link between music and drama, and how do the two disciplines interrelate? In response, I… (more)

Subjects/Keywords: music; dramaturgy; composition; drama

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APA (6th Edition):

Primrose, E. (2013). Music in context: an exploration of music and dramaturgy. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1051102

Chicago Manual of Style (16th Edition):

Primrose, Edward. “Music in context: an exploration of music and dramaturgy.” 2013. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1051102.

MLA Handbook (7th Edition):

Primrose, Edward. “Music in context: an exploration of music and dramaturgy.” 2013. Web. 25 Nov 2020.

Vancouver:

Primrose E. Music in context: an exploration of music and dramaturgy. [Internet] [Doctoral dissertation]. University of Newcastle; 2013. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1051102.

Council of Science Editors:

Primrose E. Music in context: an exploration of music and dramaturgy. [Doctoral Dissertation]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/1051102


University of Newcastle

22. Moelle, Eleonora A. B. Breaking symmetry: the structure and dynamics of form in ceramics.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This project examined how the structure and dynamics in ceramics could be made to implement energy and change… (more)

Subjects/Keywords: ceramics; symmetry; symmetry breaking; asymmetry; ambuiguity; non-Euclidean geometry; the fourth dimension; dilations

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APA (6th Edition):

Moelle, E. A. B. (2015). Breaking symmetry: the structure and dynamics of form in ceramics. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1309731

Chicago Manual of Style (16th Edition):

Moelle, Eleonora A B. “Breaking symmetry: the structure and dynamics of form in ceramics.” 2015. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1309731.

MLA Handbook (7th Edition):

Moelle, Eleonora A B. “Breaking symmetry: the structure and dynamics of form in ceramics.” 2015. Web. 25 Nov 2020.

Vancouver:

Moelle EAB. Breaking symmetry: the structure and dynamics of form in ceramics. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1309731.

Council of Science Editors:

Moelle EAB. Breaking symmetry: the structure and dynamics of form in ceramics. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1309731


University of Newcastle

23. Liou, Ruth (Ru-Hwa). Lotus trace III: hybrid cultural identity ~ a place to call home.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

Concepts of Identity, Culture and Home have become fluid in a contemporary globalised world. No longer can one… (more)

Subjects/Keywords: identity; cultural identity; liminality; third space; home; hybridity; home and identity

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APA (6th Edition):

Liou, R. (. (2015). Lotus trace III: hybrid cultural identity ~ a place to call home. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1310437

Chicago Manual of Style (16th Edition):

Liou, Ruth (Ru-Hwa). “Lotus trace III: hybrid cultural identity ~ a place to call home.” 2015. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1310437.

MLA Handbook (7th Edition):

Liou, Ruth (Ru-Hwa). “Lotus trace III: hybrid cultural identity ~ a place to call home.” 2015. Web. 25 Nov 2020.

Vancouver:

Liou R(. Lotus trace III: hybrid cultural identity ~ a place to call home. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1310437.

Council of Science Editors:

Liou R(. Lotus trace III: hybrid cultural identity ~ a place to call home. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1310437


University of Newcastle

24. Hamilton, Vicki. On the edge.

Degree: MPhil, 2014, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

Many artists have contributed through their artwork to the understanding of the need for a vigorous biodiversity, which… (more)

Subjects/Keywords: endangered species; artists; artwork; animals

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APA (6th Edition):

Hamilton, V. (2014). On the edge. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1040048

Chicago Manual of Style (16th Edition):

Hamilton, Vicki. “On the edge.” 2014. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1040048.

MLA Handbook (7th Edition):

Hamilton, Vicki. “On the edge.” 2014. Web. 25 Nov 2020.

Vancouver:

Hamilton V. On the edge. [Internet] [Masters thesis]. University of Newcastle; 2014. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1040048.

Council of Science Editors:

Hamilton V. On the edge. [Masters Thesis]. University of Newcastle; 2014. Available from: http://hdl.handle.net/1959.13/1040048


University of Newcastle

25. McAlpine, Louise. Hapticivism: haptic + activism: an artistic imperative in keeping the haptic sensibilities of the artist/object maker relevant.

Degree: MPhil, 2015, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

I am an art object maker and the mediums I create with, are mainly of a textile nature.… (more)

Subjects/Keywords: artist's touch; haptic studio interactions; liminal space of hapticity

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APA (6th Edition):

McAlpine, L. (2015). Hapticivism: haptic + activism: an artistic imperative in keeping the haptic sensibilities of the artist/object maker relevant. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1308097

Chicago Manual of Style (16th Edition):

McAlpine, Louise. “Hapticivism: haptic + activism: an artistic imperative in keeping the haptic sensibilities of the artist/object maker relevant.” 2015. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1308097.

MLA Handbook (7th Edition):

McAlpine, Louise. “Hapticivism: haptic + activism: an artistic imperative in keeping the haptic sensibilities of the artist/object maker relevant.” 2015. Web. 25 Nov 2020.

Vancouver:

McAlpine L. Hapticivism: haptic + activism: an artistic imperative in keeping the haptic sensibilities of the artist/object maker relevant. [Internet] [Masters thesis]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1308097.

Council of Science Editors:

McAlpine L. Hapticivism: haptic + activism: an artistic imperative in keeping the haptic sensibilities of the artist/object maker relevant. [Masters Thesis]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1308097


University of Newcastle

26. Maddox, Lucila Nalvarte. Instantiating ideas of limitless space: thinking through painting.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This PhD research project is a theoretical and studio-based investigation concerned with the problem of thinking in pictorial… (more)

Subjects/Keywords: limitlessness; time/space; invisibility/visibility; ambiguity; thinking through painting

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APA (6th Edition):

Maddox, L. N. (2015). Instantiating ideas of limitless space: thinking through painting. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1059947

Chicago Manual of Style (16th Edition):

Maddox, Lucila Nalvarte. “Instantiating ideas of limitless space: thinking through painting.” 2015. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1059947.

MLA Handbook (7th Edition):

Maddox, Lucila Nalvarte. “Instantiating ideas of limitless space: thinking through painting.” 2015. Web. 25 Nov 2020.

Vancouver:

Maddox LN. Instantiating ideas of limitless space: thinking through painting. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1059947.

Council of Science Editors:

Maddox LN. Instantiating ideas of limitless space: thinking through painting. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1059947


University of Newcastle

27. Engin, Erol. The gothic meets the weird: a critical analysis of Charlie Cheesegrater, A Weird Tale and its influences.

Degree: MCA, 2010, University of Newcastle

Masters Research - Master of Creative Arts (MCA)

This thesis for the Master of Creative Arts degree at the University of Newcastle consists of a… (more)

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APA (6th Edition):

Engin, E. (2010). The gothic meets the weird: a critical analysis of Charlie Cheesegrater, A Weird Tale and its influences. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1048495

Chicago Manual of Style (16th Edition):

Engin, Erol. “The gothic meets the weird: a critical analysis of Charlie Cheesegrater, A Weird Tale and its influences.” 2010. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1048495.

MLA Handbook (7th Edition):

Engin, Erol. “The gothic meets the weird: a critical analysis of Charlie Cheesegrater, A Weird Tale and its influences.” 2010. Web. 25 Nov 2020.

Vancouver:

Engin E. The gothic meets the weird: a critical analysis of Charlie Cheesegrater, A Weird Tale and its influences. [Internet] [Masters thesis]. University of Newcastle; 2010. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1048495.

Council of Science Editors:

Engin E. The gothic meets the weird: a critical analysis of Charlie Cheesegrater, A Weird Tale and its influences. [Masters Thesis]. University of Newcastle; 2010. Available from: http://hdl.handle.net/1959.13/1048495


University of Newcastle

28. Feltham, Carla. Preservation: resonance of the actual: an investigation of the phenomenon of 'on-the-road' photography.

Degree: MFA, 2013, University of Newcastle

Masters Research - Master of Fine Arts (MFA)

Preservation: Resonance of the Actual refers to fundamental questions and explorations regarding the phenomenon of ‘on-the-road’ photography… (more)

Subjects/Keywords: photography; field trips; place; documentation; travel

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APA (6th Edition):

Feltham, C. (2013). Preservation: resonance of the actual: an investigation of the phenomenon of 'on-the-road' photography. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1039470

Chicago Manual of Style (16th Edition):

Feltham, Carla. “Preservation: resonance of the actual: an investigation of the phenomenon of 'on-the-road' photography.” 2013. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1039470.

MLA Handbook (7th Edition):

Feltham, Carla. “Preservation: resonance of the actual: an investigation of the phenomenon of 'on-the-road' photography.” 2013. Web. 25 Nov 2020.

Vancouver:

Feltham C. Preservation: resonance of the actual: an investigation of the phenomenon of 'on-the-road' photography. [Internet] [Masters thesis]. University of Newcastle; 2013. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1039470.

Council of Science Editors:

Feltham C. Preservation: resonance of the actual: an investigation of the phenomenon of 'on-the-road' photography. [Masters Thesis]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/1039470


University of Newcastle

29. Joyce, Brian. Stories from community cultural development, apocryphal or emblematic? Mining the seams of personal practice.

Degree: MPhil, 2017, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

The practice of Community Cultural Development (CCD) is shaped by ideals, ethical standards and socially democratic values. Principles… (more)

Subjects/Keywords: community cultural development; CCD; socially engaged practice; community arts

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APA (6th Edition):

Joyce, B. (2017). Stories from community cultural development, apocryphal or emblematic? Mining the seams of personal practice. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1342453

Chicago Manual of Style (16th Edition):

Joyce, Brian. “Stories from community cultural development, apocryphal or emblematic? Mining the seams of personal practice.” 2017. Masters Thesis, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1342453.

MLA Handbook (7th Edition):

Joyce, Brian. “Stories from community cultural development, apocryphal or emblematic? Mining the seams of personal practice.” 2017. Web. 25 Nov 2020.

Vancouver:

Joyce B. Stories from community cultural development, apocryphal or emblematic? Mining the seams of personal practice. [Internet] [Masters thesis]. University of Newcastle; 2017. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1342453.

Council of Science Editors:

Joyce B. Stories from community cultural development, apocryphal or emblematic? Mining the seams of personal practice. [Masters Thesis]. University of Newcastle; 2017. Available from: http://hdl.handle.net/1959.13/1342453


University of Newcastle

30. Greenhill, Fiona. The stutter of recognition: re-visioning the baroque in contemporary painting.

Degree: PhD, 2013, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

The major theme that runs throughout my work has always been the question of representation; where to draw… (more)

Subjects/Keywords: art; painting; Gerhard Richter; Ed Ruscha; Marilyn Minter; Johannes Kahrs; George Shaw; Audrey Flack; contemporary painting; Australian art; painting and photography; Fiona Greenhill; Neo Baroque; Baroque; fine art; seventeenth century

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APA (6th Edition):

Greenhill, F. (2013). The stutter of recognition: re-visioning the baroque in contemporary painting. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1039658

Chicago Manual of Style (16th Edition):

Greenhill, Fiona. “The stutter of recognition: re-visioning the baroque in contemporary painting.” 2013. Doctoral Dissertation, University of Newcastle. Accessed November 25, 2020. http://hdl.handle.net/1959.13/1039658.

MLA Handbook (7th Edition):

Greenhill, Fiona. “The stutter of recognition: re-visioning the baroque in contemporary painting.” 2013. Web. 25 Nov 2020.

Vancouver:

Greenhill F. The stutter of recognition: re-visioning the baroque in contemporary painting. [Internet] [Doctoral dissertation]. University of Newcastle; 2013. [cited 2020 Nov 25]. Available from: http://hdl.handle.net/1959.13/1039658.

Council of Science Editors:

Greenhill F. The stutter of recognition: re-visioning the baroque in contemporary painting. [Doctoral Dissertation]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/1039658

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