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You searched for +publisher:"University of New Mexico" +contributor:("Anderson-Riedel, Susanne"). Showing records 1 – 6 of 6 total matches.

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University of New Mexico

1. Olsson, Christian W. Refocusing the Frontier: Recalling the Photography of Robert Adams and Mark Klett.

Degree: UNM Department of Art and Art History, 2016, University of New Mexico

 This thesis argues that the American West is a melting pot unprecedented by anything else in the North American continent. The natural beauty observed by… (more)

Subjects/Keywords: Mark Klett; Robert Adams

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APA (6th Edition):

Olsson, C. W. (2016). Refocusing the Frontier: Recalling the Photography of Robert Adams and Mark Klett. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/32258

Chicago Manual of Style (16th Edition):

Olsson, Christian W. “Refocusing the Frontier: Recalling the Photography of Robert Adams and Mark Klett.” 2016. Masters Thesis, University of New Mexico. Accessed April 10, 2020. http://hdl.handle.net/1928/32258.

MLA Handbook (7th Edition):

Olsson, Christian W. “Refocusing the Frontier: Recalling the Photography of Robert Adams and Mark Klett.” 2016. Web. 10 Apr 2020.

Vancouver:

Olsson CW. Refocusing the Frontier: Recalling the Photography of Robert Adams and Mark Klett. [Internet] [Masters thesis]. University of New Mexico; 2016. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1928/32258.

Council of Science Editors:

Olsson CW. Refocusing the Frontier: Recalling the Photography of Robert Adams and Mark Klett. [Masters Thesis]. University of New Mexico; 2016. Available from: http://hdl.handle.net/1928/32258


University of New Mexico

2. Schultz, Megan. Performing Graffiti: The Use of Electronically and Digitally Modified Graffiti in Activist Art Practices.

Degree: UNM Department of Art and Art History, 2011, University of New Mexico

 The role of the artist has expanded. Artworks increasingly occupy spaces not traditionally allocated for artistic practice. The materials and methods used for creative expression,… (more)

Subjects/Keywords: graffiti; Robotics in art

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APA (6th Edition):

Schultz, M. (2011). Performing Graffiti: The Use of Electronically and Digitally Modified Graffiti in Activist Art Practices. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/13110

Chicago Manual of Style (16th Edition):

Schultz, Megan. “Performing Graffiti: The Use of Electronically and Digitally Modified Graffiti in Activist Art Practices.” 2011. Masters Thesis, University of New Mexico. Accessed April 10, 2020. http://hdl.handle.net/1928/13110.

MLA Handbook (7th Edition):

Schultz, Megan. “Performing Graffiti: The Use of Electronically and Digitally Modified Graffiti in Activist Art Practices.” 2011. Web. 10 Apr 2020.

Vancouver:

Schultz M. Performing Graffiti: The Use of Electronically and Digitally Modified Graffiti in Activist Art Practices. [Internet] [Masters thesis]. University of New Mexico; 2011. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1928/13110.

Council of Science Editors:

Schultz M. Performing Graffiti: The Use of Electronically and Digitally Modified Graffiti in Activist Art Practices. [Masters Thesis]. University of New Mexico; 2011. Available from: http://hdl.handle.net/1928/13110


University of New Mexico

3. Sorensen-Clem, Sherri. FRAMES BEHIND THE THRONE: CONTEXTUALIZING THE CALOTYPE ALBUMS OF PRINCE ALBERT 1850-1859.

Degree: UNM Department of Art and Art History, 2012, University of New Mexico

 This thesis examines four extant calotype albums from the collection of Prince Albert and, contains approximately 383 images ranging in date from 1850-1859. I propose… (more)

Subjects/Keywords: Prince Albert; Calotypes; 19th Century Photography; Victorian England

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APA (6th Edition):

Sorensen-Clem, S. (2012). FRAMES BEHIND THE THRONE: CONTEXTUALIZING THE CALOTYPE ALBUMS OF PRINCE ALBERT 1850-1859. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/20790

Chicago Manual of Style (16th Edition):

Sorensen-Clem, Sherri. “FRAMES BEHIND THE THRONE: CONTEXTUALIZING THE CALOTYPE ALBUMS OF PRINCE ALBERT 1850-1859.” 2012. Masters Thesis, University of New Mexico. Accessed April 10, 2020. http://hdl.handle.net/1928/20790.

MLA Handbook (7th Edition):

Sorensen-Clem, Sherri. “FRAMES BEHIND THE THRONE: CONTEXTUALIZING THE CALOTYPE ALBUMS OF PRINCE ALBERT 1850-1859.” 2012. Web. 10 Apr 2020.

Vancouver:

Sorensen-Clem S. FRAMES BEHIND THE THRONE: CONTEXTUALIZING THE CALOTYPE ALBUMS OF PRINCE ALBERT 1850-1859. [Internet] [Masters thesis]. University of New Mexico; 2012. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1928/20790.

Council of Science Editors:

Sorensen-Clem S. FRAMES BEHIND THE THRONE: CONTEXTUALIZING THE CALOTYPE ALBUMS OF PRINCE ALBERT 1850-1859. [Masters Thesis]. University of New Mexico; 2012. Available from: http://hdl.handle.net/1928/20790


University of New Mexico

4. Parker, Erik. Neal Ambrose-Smith: The Artistic Modernity of Indianness.

Degree: UNM Department of Art and Art History, 2015, University of New Mexico

 Neal Ambrose-Smith is an artist of Cree, Metis, and Salish heritage who is at the forefront of contemporary Native American art. A thorough examination of… (more)

Subjects/Keywords: Native American art; Contemporary art; popular culture

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APA (6th Edition):

Parker, E. (2015). Neal Ambrose-Smith: The Artistic Modernity of Indianness. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/31687

Chicago Manual of Style (16th Edition):

Parker, Erik. “Neal Ambrose-Smith: The Artistic Modernity of Indianness.” 2015. Masters Thesis, University of New Mexico. Accessed April 10, 2020. http://hdl.handle.net/1928/31687.

MLA Handbook (7th Edition):

Parker, Erik. “Neal Ambrose-Smith: The Artistic Modernity of Indianness.” 2015. Web. 10 Apr 2020.

Vancouver:

Parker E. Neal Ambrose-Smith: The Artistic Modernity of Indianness. [Internet] [Masters thesis]. University of New Mexico; 2015. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1928/31687.

Council of Science Editors:

Parker E. Neal Ambrose-Smith: The Artistic Modernity of Indianness. [Masters Thesis]. University of New Mexico; 2015. Available from: http://hdl.handle.net/1928/31687


University of New Mexico

5. Martin, Kelsey. The Ideal Citoyenne: Women, Class, & The French Revolution in Philibert Louis Debucourt's Fine-Art Prints.

Degree: UNM Department of Art and Art History, 2015, University of New Mexico

 Philibert Louis Debucourt's (1755 - 1832) fête galante and domestic genre prints treated women, their social positions, and their experiences of love and relationships as… (more)

Subjects/Keywords: Eighteenth-century; France; French Revolution; 1789 Revolution; Prints; Printmaking; Reproductive Prints; Fine-Art Prints; Fête Galante Prints; Genre Prints; Women; Citoyenne; Class; Agency

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APA (6th Edition):

Martin, K. (2015). The Ideal Citoyenne: Women, Class, & The French Revolution in Philibert Louis Debucourt's Fine-Art Prints. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/30352

Chicago Manual of Style (16th Edition):

Martin, Kelsey. “The Ideal Citoyenne: Women, Class, & The French Revolution in Philibert Louis Debucourt's Fine-Art Prints.” 2015. Masters Thesis, University of New Mexico. Accessed April 10, 2020. http://hdl.handle.net/1928/30352.

MLA Handbook (7th Edition):

Martin, Kelsey. “The Ideal Citoyenne: Women, Class, & The French Revolution in Philibert Louis Debucourt's Fine-Art Prints.” 2015. Web. 10 Apr 2020.

Vancouver:

Martin K. The Ideal Citoyenne: Women, Class, & The French Revolution in Philibert Louis Debucourt's Fine-Art Prints. [Internet] [Masters thesis]. University of New Mexico; 2015. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1928/30352.

Council of Science Editors:

Martin K. The Ideal Citoyenne: Women, Class, & The French Revolution in Philibert Louis Debucourt's Fine-Art Prints. [Masters Thesis]. University of New Mexico; 2015. Available from: http://hdl.handle.net/1928/30352

6. Kloeppel, Jenna. Defying Binaries: A Critical Examination of 'Old' Versus 'New' in the Art of Pablita Velarde and Helen Hardin.

Degree: UNM Department of Art and Art History, 2013, University of New Mexico

 Santa Clara painter Pablita Velarde and her artist daughter, Helen Hardin, are often discussed in both popular and academic literature as being representative, respectively, of… (more)

Subjects/Keywords: binary; Native American painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kloeppel, J. (2013). Defying Binaries: A Critical Examination of 'Old' Versus 'New' in the Art of Pablita Velarde and Helen Hardin. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/23612

Chicago Manual of Style (16th Edition):

Kloeppel, Jenna. “Defying Binaries: A Critical Examination of 'Old' Versus 'New' in the Art of Pablita Velarde and Helen Hardin.” 2013. Masters Thesis, University of New Mexico. Accessed April 10, 2020. http://hdl.handle.net/1928/23612.

MLA Handbook (7th Edition):

Kloeppel, Jenna. “Defying Binaries: A Critical Examination of 'Old' Versus 'New' in the Art of Pablita Velarde and Helen Hardin.” 2013. Web. 10 Apr 2020.

Vancouver:

Kloeppel J. Defying Binaries: A Critical Examination of 'Old' Versus 'New' in the Art of Pablita Velarde and Helen Hardin. [Internet] [Masters thesis]. University of New Mexico; 2013. [cited 2020 Apr 10]. Available from: http://hdl.handle.net/1928/23612.

Council of Science Editors:

Kloeppel J. Defying Binaries: A Critical Examination of 'Old' Versus 'New' in the Art of Pablita Velarde and Helen Hardin. [Masters Thesis]. University of New Mexico; 2013. Available from: http://hdl.handle.net/1928/23612

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