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You searched for +publisher:"University of Michigan" +contributor:("Gazda, Elaine K."). Showing records 1 – 30 of 38 total matches.

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University of Michigan

1. High-Steskal, Nicole M. Domesticating Spectacle in the Roman Empire. Representations of Public Entertainment in Private Houses of the Roman Provinces.

Degree: PhD, Classical Art and Archaeology, 2016, University of Michigan

 Gladiatorial combats, animal fights, and public executions of criminals were parts of the munus – public spectacles that took place over the course of multiple… (more)

Subjects/Keywords: Roman Art; Archaeology; Gladiator; Munus; Spectacle; Mosaic; Classical Studies; Humanities

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APA (6th Edition):

High-Steskal, N. M. (2016). Domesticating Spectacle in the Roman Empire. Representations of Public Entertainment in Private Houses of the Roman Provinces. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/120698

Chicago Manual of Style (16th Edition):

High-Steskal, Nicole M. “Domesticating Spectacle in the Roman Empire. Representations of Public Entertainment in Private Houses of the Roman Provinces.” 2016. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/120698.

MLA Handbook (7th Edition):

High-Steskal, Nicole M. “Domesticating Spectacle in the Roman Empire. Representations of Public Entertainment in Private Houses of the Roman Provinces.” 2016. Web. 24 Jan 2021.

Vancouver:

High-Steskal NM. Domesticating Spectacle in the Roman Empire. Representations of Public Entertainment in Private Houses of the Roman Provinces. [Internet] [Doctoral dissertation]. University of Michigan; 2016. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/120698.

Council of Science Editors:

High-Steskal NM. Domesticating Spectacle in the Roman Empire. Representations of Public Entertainment in Private Houses of the Roman Provinces. [Doctoral Dissertation]. University of Michigan; 2016. Available from: http://hdl.handle.net/2027.42/120698


University of Michigan

2. Kreiger, Jenny. The Business of Commemoration: A Comparative Study of Italian Catacombs.

Degree: PhD, Classical Art & Archaeology, 2017, University of Michigan

 Late antique funerary workers shaped the material forms of burial and commemoration and played influential roles in the social world of the cemetery. In this… (more)

Subjects/Keywords: catacombs; late antiquity; funerary labor; social networks; Classical Studies; History (General); Humanities (General); Humanities

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APA (6th Edition):

Kreiger, J. (2017). The Business of Commemoration: A Comparative Study of Italian Catacombs. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/138452

Chicago Manual of Style (16th Edition):

Kreiger, Jenny. “The Business of Commemoration: A Comparative Study of Italian Catacombs.” 2017. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/138452.

MLA Handbook (7th Edition):

Kreiger, Jenny. “The Business of Commemoration: A Comparative Study of Italian Catacombs.” 2017. Web. 24 Jan 2021.

Vancouver:

Kreiger J. The Business of Commemoration: A Comparative Study of Italian Catacombs. [Internet] [Doctoral dissertation]. University of Michigan; 2017. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/138452.

Council of Science Editors:

Kreiger J. The Business of Commemoration: A Comparative Study of Italian Catacombs. [Doctoral Dissertation]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/138452


University of Michigan

3. Tohm, Shonda K. Contesting Masculinity: Locating the Male Body in Roman Elegy.

Degree: PhD, Classical Studies, 2011, University of Michigan

 As the question stands now in the study of Roman elegy, there exists no comprehensive examination of the poetic construction of the male body set… (more)

Subjects/Keywords: Masculinity in Roman Elegy; Classical Studies; Humanities

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APA (6th Edition):

Tohm, S. K. (2011). Contesting Masculinity: Locating the Male Body in Roman Elegy. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/91608

Chicago Manual of Style (16th Edition):

Tohm, Shonda K. “Contesting Masculinity: Locating the Male Body in Roman Elegy.” 2011. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/91608.

MLA Handbook (7th Edition):

Tohm, Shonda K. “Contesting Masculinity: Locating the Male Body in Roman Elegy.” 2011. Web. 24 Jan 2021.

Vancouver:

Tohm SK. Contesting Masculinity: Locating the Male Body in Roman Elegy. [Internet] [Doctoral dissertation]. University of Michigan; 2011. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/91608.

Council of Science Editors:

Tohm SK. Contesting Masculinity: Locating the Male Body in Roman Elegy. [Doctoral Dissertation]. University of Michigan; 2011. Available from: http://hdl.handle.net/2027.42/91608

4. Sachs, Emma. Style and Variety in the Art of the Roman Domestic Sphere.

Degree: PhD, Classical Art & Archaeology, 2019, University of Michigan

 My dissertation has several aims: first, to address the use and validity of August Mau’s Four-Style system as a methodological tool for analyzing Campanian wall… (more)

Subjects/Keywords: Roman wall painting; Roman villa; style; Roman domestic sphere; Classical Studies; Humanities

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APA (6th Edition):

Sachs, E. (2019). Style and Variety in the Art of the Roman Domestic Sphere. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/149994

Chicago Manual of Style (16th Edition):

Sachs, Emma. “Style and Variety in the Art of the Roman Domestic Sphere.” 2019. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/149994.

MLA Handbook (7th Edition):

Sachs, Emma. “Style and Variety in the Art of the Roman Domestic Sphere.” 2019. Web. 24 Jan 2021.

Vancouver:

Sachs E. Style and Variety in the Art of the Roman Domestic Sphere. [Internet] [Doctoral dissertation]. University of Michigan; 2019. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/149994.

Council of Science Editors:

Sachs E. Style and Variety in the Art of the Roman Domestic Sphere. [Doctoral Dissertation]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/149994


University of Michigan

5. McFerrin, Neville. The Art of Power: Ambiguity, Adornment, and the Performance of Social Position in the Pompeian House.

Degree: PhD, Classical Art and Archaeology, 2015, University of Michigan

 In the tumultuous period between 80 BCE and 79 CE, social actors in the Italian Peninsula struggled to effectively articulate their positions in connection to… (more)

Subjects/Keywords: Pompeii; Wall Painting; Adornment; Fashion Theory; Art History; Classical Studies; Arts; Humanities

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APA (6th Edition):

McFerrin, N. (2015). The Art of Power: Ambiguity, Adornment, and the Performance of Social Position in the Pompeian House. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/116772

Chicago Manual of Style (16th Edition):

McFerrin, Neville. “The Art of Power: Ambiguity, Adornment, and the Performance of Social Position in the Pompeian House.” 2015. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/116772.

MLA Handbook (7th Edition):

McFerrin, Neville. “The Art of Power: Ambiguity, Adornment, and the Performance of Social Position in the Pompeian House.” 2015. Web. 24 Jan 2021.

Vancouver:

McFerrin N. The Art of Power: Ambiguity, Adornment, and the Performance of Social Position in the Pompeian House. [Internet] [Doctoral dissertation]. University of Michigan; 2015. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/116772.

Council of Science Editors:

McFerrin N. The Art of Power: Ambiguity, Adornment, and the Performance of Social Position in the Pompeian House. [Doctoral Dissertation]. University of Michigan; 2015. Available from: http://hdl.handle.net/2027.42/116772


University of Michigan

6. Brock, Andrea L. Rome at Its Core: Reconstructing the Environment and Topography of the Forum Boarium.

Degree: PhD, Classical Art & Archaeology, 2017, University of Michigan

 This dissertation presents the results of a recent geoarchaeological investigation in the heart of Rome. Using an interdisciplinary approach with underutilized methodologies, namely coring survey… (more)

Subjects/Keywords: Roman Archaeology; Environmental Reconstruction; Prehistoric Rome; Classical Studies; History (General); Humanities; Social Sciences

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APA (6th Edition):

Brock, A. L. (2017). Rome at Its Core: Reconstructing the Environment and Topography of the Forum Boarium. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/138718

Chicago Manual of Style (16th Edition):

Brock, Andrea L. “Rome at Its Core: Reconstructing the Environment and Topography of the Forum Boarium.” 2017. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/138718.

MLA Handbook (7th Edition):

Brock, Andrea L. “Rome at Its Core: Reconstructing the Environment and Topography of the Forum Boarium.” 2017. Web. 24 Jan 2021.

Vancouver:

Brock AL. Rome at Its Core: Reconstructing the Environment and Topography of the Forum Boarium. [Internet] [Doctoral dissertation]. University of Michigan; 2017. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/138718.

Council of Science Editors:

Brock AL. Rome at Its Core: Reconstructing the Environment and Topography of the Forum Boarium. [Doctoral Dissertation]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/138718


University of Michigan

7. Herring-Harrington, Lydia A. Strategies of Communication in the Shrines of Pompeii.

Degree: PhD, Classical Art & Archaeology, 2011, University of Michigan

 The Roman city was a landscape of shrines. Located in houses, bars, streets, workshops, and markets, they represented religious practice in every sphere of life.… (more)

Subjects/Keywords: Pompeii; Shrines; Roman Empire; Patrons; Visual Communication; Urban Space; Art History; Arts

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APA (6th Edition):

Herring-Harrington, L. A. (2011). Strategies of Communication in the Shrines of Pompeii. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/84594

Chicago Manual of Style (16th Edition):

Herring-Harrington, Lydia A. “Strategies of Communication in the Shrines of Pompeii.” 2011. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/84594.

MLA Handbook (7th Edition):

Herring-Harrington, Lydia A. “Strategies of Communication in the Shrines of Pompeii.” 2011. Web. 24 Jan 2021.

Vancouver:

Herring-Harrington LA. Strategies of Communication in the Shrines of Pompeii. [Internet] [Doctoral dissertation]. University of Michigan; 2011. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/84594.

Council of Science Editors:

Herring-Harrington LA. Strategies of Communication in the Shrines of Pompeii. [Doctoral Dissertation]. University of Michigan; 2011. Available from: http://hdl.handle.net/2027.42/84594


University of Michigan

8. Diffendale, Daniel. The Roman Middle Republic at Sant'Omobono.

Degree: PhD, Classical Art & Archaeology, 2017, University of Michigan

 This dissertation presents the results of an analysis of the middle Republican (ca. 4th–3rd c. BCE) architectural remains of the Roman temples of Fortuna and… (more)

Subjects/Keywords: Roman archaeology; Temples of Fortuna and Mater Matuta; Roman architecture; Roman religious practice during the Middle Republic; Roman use of tuff (tufo); Roman temples; Architecture; Art History; Classical Studies; History (General); Humanities (General); Anthropology and Archaeology; Arts; Humanities; Social Sciences

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APA (6th Edition):

Diffendale, D. (2017). The Roman Middle Republic at Sant'Omobono. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/138777

Chicago Manual of Style (16th Edition):

Diffendale, Daniel. “The Roman Middle Republic at Sant'Omobono.” 2017. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/138777.

MLA Handbook (7th Edition):

Diffendale, Daniel. “The Roman Middle Republic at Sant'Omobono.” 2017. Web. 24 Jan 2021.

Vancouver:

Diffendale D. The Roman Middle Republic at Sant'Omobono. [Internet] [Doctoral dissertation]. University of Michigan; 2017. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/138777.

Council of Science Editors:

Diffendale D. The Roman Middle Republic at Sant'Omobono. [Doctoral Dissertation]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/138777


University of Michigan

9. Zapelloni Pavia, Arianna. Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE.

Degree: PhD, Classical Art & Archaeology, 2020, University of Michigan

 This dissertation examines the architecture and votive deposits from Umbrian sanctuaries between the sixth and early first century BCE. In line with traditional approaches to… (more)

Subjects/Keywords: Pre-Roman Italy; Sacred places; Roman expansion; Archaeology of religion; Classical Studies; Humanities

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APA (6th Edition):

Zapelloni Pavia, A. (2020). Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/155029

Chicago Manual of Style (16th Edition):

Zapelloni Pavia, Arianna. “Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE.” 2020. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/155029.

MLA Handbook (7th Edition):

Zapelloni Pavia, Arianna. “Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE.” 2020. Web. 24 Jan 2021.

Vancouver:

Zapelloni Pavia A. Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE. [Internet] [Doctoral dissertation]. University of Michigan; 2020. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/155029.

Council of Science Editors:

Zapelloni Pavia A. Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE. [Doctoral Dissertation]. University of Michigan; 2020. Available from: http://hdl.handle.net/2027.42/155029


University of Michigan

10. Fertik, Harriet H. Publicity, Privacy, and Power in Neronian Rome.

Degree: PhD, Classical Studies, 2014, University of Michigan

 I examine Roman ideas of public and private and their relationship to the conception of absolute power. My study synthesizes a wide range of literary… (more)

Subjects/Keywords: Roman Political Culture; Nero; Seneca; Lucan; Roman Visual Culture; Public and Private; Classical Studies; Humanities

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APA (6th Edition):

Fertik, H. H. (2014). Publicity, Privacy, and Power in Neronian Rome. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/109041

Chicago Manual of Style (16th Edition):

Fertik, Harriet H. “Publicity, Privacy, and Power in Neronian Rome.” 2014. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/109041.

MLA Handbook (7th Edition):

Fertik, Harriet H. “Publicity, Privacy, and Power in Neronian Rome.” 2014. Web. 24 Jan 2021.

Vancouver:

Fertik HH. Publicity, Privacy, and Power in Neronian Rome. [Internet] [Doctoral dissertation]. University of Michigan; 2014. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/109041.

Council of Science Editors:

Fertik HH. Publicity, Privacy, and Power in Neronian Rome. [Doctoral Dissertation]. University of Michigan; 2014. Available from: http://hdl.handle.net/2027.42/109041


University of Michigan

11. Banducci, Laura M. Foodways and Cultural Identity in Roman Republican Italy.

Degree: PhD, Classical Art and Archaeology, 2013, University of Michigan

 Foodways – the methods of production, preparation, and consumption of food and drink – are credited with reflecting and constituting expressions of identity throughout history.… (more)

Subjects/Keywords: Roman Cultural Contact in Republican Italy; Roman Foodways; Ceramic Analysis and Quantitative Archaeology; Republican Literature on Roman Food; Ceramic Use Alteration; Faunal Analysis; Classical Studies; Anthropology and Archaeology; Humanities; Social Sciences

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APA (6th Edition):

Banducci, L. M. (2013). Foodways and Cultural Identity in Roman Republican Italy. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/102484

Chicago Manual of Style (16th Edition):

Banducci, Laura M. “Foodways and Cultural Identity in Roman Republican Italy.” 2013. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/102484.

MLA Handbook (7th Edition):

Banducci, Laura M. “Foodways and Cultural Identity in Roman Republican Italy.” 2013. Web. 24 Jan 2021.

Vancouver:

Banducci LM. Foodways and Cultural Identity in Roman Republican Italy. [Internet] [Doctoral dissertation]. University of Michigan; 2013. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/102484.

Council of Science Editors:

Banducci LM. Foodways and Cultural Identity in Roman Republican Italy. [Doctoral Dissertation]. University of Michigan; 2013. Available from: http://hdl.handle.net/2027.42/102484


University of Michigan

12. Perry, Ellen Eva. Artistic imitation and the Roman patron with a study of imitation in the ideal sculptures of Herodes Atticus.

Degree: PhD, Social Sciences, 1995, University of Michigan

 This dissertation contributes to the long-standing debate concerning Roman artistic imitation, a category that includes, but is not limited to, 'exact' copies of Greek prototypes.… (more)

Subjects/Keywords: Art; Artistic; Atticus; Herodes; Ideal; Imitation; Patron; Roman; Sculptures; Study

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APA (6th Edition):

Perry, E. E. (1995). Artistic imitation and the Roman patron with a study of imitation in the ideal sculptures of Herodes Atticus. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/129560

Chicago Manual of Style (16th Edition):

Perry, Ellen Eva. “Artistic imitation and the Roman patron with a study of imitation in the ideal sculptures of Herodes Atticus.” 1995. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/129560.

MLA Handbook (7th Edition):

Perry, Ellen Eva. “Artistic imitation and the Roman patron with a study of imitation in the ideal sculptures of Herodes Atticus.” 1995. Web. 24 Jan 2021.

Vancouver:

Perry EE. Artistic imitation and the Roman patron with a study of imitation in the ideal sculptures of Herodes Atticus. [Internet] [Doctoral dissertation]. University of Michigan; 1995. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/129560.

Council of Science Editors:

Perry EE. Artistic imitation and the Roman patron with a study of imitation in the ideal sculptures of Herodes Atticus. [Doctoral Dissertation]. University of Michigan; 1995. Available from: http://hdl.handle.net/2027.42/129560


University of Michigan

13. Conlin, Diane Atnally. The large processional friezes on the Ara Pacis Augustae: Early Augustan sculptural styles and workshop traditions.

Degree: PhD, Social Sciences, 1993, University of Michigan

 The long-standing assumption that the large processional friezes on the Ara Pacis Augustae were designed and carved by anonymous Greek master sculptors is based on… (more)

Subjects/Keywords: Ara; Augustae; Augustan; Early; Friezes; Italy; Large; Pacis; Processional; Rome; Sculptural; Styles; Traditions; Workshop

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APA (6th Edition):

Conlin, D. A. (1993). The large processional friezes on the Ara Pacis Augustae: Early Augustan sculptural styles and workshop traditions. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/129057

Chicago Manual of Style (16th Edition):

Conlin, Diane Atnally. “The large processional friezes on the Ara Pacis Augustae: Early Augustan sculptural styles and workshop traditions.” 1993. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/129057.

MLA Handbook (7th Edition):

Conlin, Diane Atnally. “The large processional friezes on the Ara Pacis Augustae: Early Augustan sculptural styles and workshop traditions.” 1993. Web. 24 Jan 2021.

Vancouver:

Conlin DA. The large processional friezes on the Ara Pacis Augustae: Early Augustan sculptural styles and workshop traditions. [Internet] [Doctoral dissertation]. University of Michigan; 1993. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/129057.

Council of Science Editors:

Conlin DA. The large processional friezes on the Ara Pacis Augustae: Early Augustan sculptural styles and workshop traditions. [Doctoral Dissertation]. University of Michigan; 1993. Available from: http://hdl.handle.net/2027.42/129057


University of Michigan

14. Trimble, Jennifer Ferol. The aesthetics of sameness: A contextual analysis of the large and small Herculaneum woman statue types in the Roman Empire.

Degree: PhD, Social Sciences, 1999, University of Michigan

 What explains patterns of visual homogeneity in a diverse society? An emphasis on visual uniformity in the early and middle Roman empire seems to contradict… (more)

Subjects/Keywords: Aesthetics; Analysis; Contextual; Herculaneum Woman; Large; Portrait Statues; Roman Empire; Sameness; Sculpture; Small; Statue Types; Women

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APA (6th Edition):

Trimble, J. F. (1999). The aesthetics of sameness: A contextual analysis of the large and small Herculaneum woman statue types in the Roman Empire. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/132019

Chicago Manual of Style (16th Edition):

Trimble, Jennifer Ferol. “The aesthetics of sameness: A contextual analysis of the large and small Herculaneum woman statue types in the Roman Empire.” 1999. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/132019.

MLA Handbook (7th Edition):

Trimble, Jennifer Ferol. “The aesthetics of sameness: A contextual analysis of the large and small Herculaneum woman statue types in the Roman Empire.” 1999. Web. 24 Jan 2021.

Vancouver:

Trimble JF. The aesthetics of sameness: A contextual analysis of the large and small Herculaneum woman statue types in the Roman Empire. [Internet] [Doctoral dissertation]. University of Michigan; 1999. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/132019.

Council of Science Editors:

Trimble JF. The aesthetics of sameness: A contextual analysis of the large and small Herculaneum woman statue types in the Roman Empire. [Doctoral Dissertation]. University of Michigan; 1999. Available from: http://hdl.handle.net/2027.42/132019


University of Michigan

15. Longfellow, Brenda J. Imperial patronage and urban display of Roman monumental fountains and nymphaea.

Degree: PhD, Social Sciences, 2005, University of Michigan

 This dissertation considers the monumental urban fountains and nymphaea dedicated by or to ancient Roman emperors in Italy, Greece, and Turkey. Spanning the first through… (more)

Subjects/Keywords: Display; Greece; Imperial Patronage; Italy; Monumental Fountains; Nymphaea; Roman Empire; Turkey; Urban Art

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APA (6th Edition):

Longfellow, B. J. (2005). Imperial patronage and urban display of Roman monumental fountains and nymphaea. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/125152

Chicago Manual of Style (16th Edition):

Longfellow, Brenda J. “Imperial patronage and urban display of Roman monumental fountains and nymphaea.” 2005. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/125152.

MLA Handbook (7th Edition):

Longfellow, Brenda J. “Imperial patronage and urban display of Roman monumental fountains and nymphaea.” 2005. Web. 24 Jan 2021.

Vancouver:

Longfellow BJ. Imperial patronage and urban display of Roman monumental fountains and nymphaea. [Internet] [Doctoral dissertation]. University of Michigan; 2005. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/125152.

Council of Science Editors:

Longfellow BJ. Imperial patronage and urban display of Roman monumental fountains and nymphaea. [Doctoral Dissertation]. University of Michigan; 2005. Available from: http://hdl.handle.net/2027.42/125152


University of Michigan

16. Powers, Jessica Davis. Patrons, houses and viewers in Pompeii: Reconsidering the House of the Gilded Cupids.

Degree: PhD, Social Sciences, 2006, University of Michigan

 This dissertation explores the creation and reception of the decorative assemblages displayed in Roman houses. My research contributes both to the ongoing re-analysis of material… (more)

Subjects/Keywords: Decorative Assemblages; House Of The Gilded Cupids; Houses; Italy; Patrons; Pompeii; Reconsidering; Viewers

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APA (6th Edition):

Powers, J. D. (2006). Patrons, houses and viewers in Pompeii: Reconsidering the House of the Gilded Cupids. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/125738

Chicago Manual of Style (16th Edition):

Powers, Jessica Davis. “Patrons, houses and viewers in Pompeii: Reconsidering the House of the Gilded Cupids.” 2006. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/125738.

MLA Handbook (7th Edition):

Powers, Jessica Davis. “Patrons, houses and viewers in Pompeii: Reconsidering the House of the Gilded Cupids.” 2006. Web. 24 Jan 2021.

Vancouver:

Powers JD. Patrons, houses and viewers in Pompeii: Reconsidering the House of the Gilded Cupids. [Internet] [Doctoral dissertation]. University of Michigan; 2006. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/125738.

Council of Science Editors:

Powers JD. Patrons, houses and viewers in Pompeii: Reconsidering the House of the Gilded Cupids. [Doctoral Dissertation]. University of Michigan; 2006. Available from: http://hdl.handle.net/2027.42/125738


University of Michigan

17. Grunow, Melanie Dara. Architectural images in Roman state reliefs, coins, and medallions: Imperial ritual, ideology, and the topography of Rome.

Degree: PhD, Social Sciences, 2002, University of Michigan

 Depictions of architecture in the official state reliefs, coins, and medallions of the Roman emperors have much to reveal about how the Romans conceptualized and… (more)

Subjects/Keywords: Architectural Images; Coins; Ideology; Imperial; Medallions; Ritual; Roman Empire; Rome; State Reliefs; Topography

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APA (6th Edition):

Grunow, M. D. (2002). Architectural images in Roman state reliefs, coins, and medallions: Imperial ritual, ideology, and the topography of Rome. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/129533

Chicago Manual of Style (16th Edition):

Grunow, Melanie Dara. “Architectural images in Roman state reliefs, coins, and medallions: Imperial ritual, ideology, and the topography of Rome.” 2002. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/129533.

MLA Handbook (7th Edition):

Grunow, Melanie Dara. “Architectural images in Roman state reliefs, coins, and medallions: Imperial ritual, ideology, and the topography of Rome.” 2002. Web. 24 Jan 2021.

Vancouver:

Grunow MD. Architectural images in Roman state reliefs, coins, and medallions: Imperial ritual, ideology, and the topography of Rome. [Internet] [Doctoral dissertation]. University of Michigan; 2002. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/129533.

Council of Science Editors:

Grunow MD. Architectural images in Roman state reliefs, coins, and medallions: Imperial ritual, ideology, and the topography of Rome. [Doctoral Dissertation]. University of Michigan; 2002. Available from: http://hdl.handle.net/2027.42/129533


University of Michigan

18. de Grummond, Elizabeth Chambless. Sacred sites and religion in early Rome eighth to sixth centuries BC.

Degree: PhD, Social Sciences, 2005, University of Michigan

 Modern studies of early Roman religion have generally been based upon the works of ancient authors such as Livy, Dionysius of Halicarnassus, and Varro – authors… (more)

Subjects/Keywords: Bc; Centuries; Early; Eighth Century Bce; Religion; Roman Republic; Rome; Sacred Sites; Sixth Century Bce

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APA (6th Edition):

de Grummond, E. C. (2005). Sacred sites and religion in early Rome eighth to sixth centuries BC. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/125339

Chicago Manual of Style (16th Edition):

de Grummond, Elizabeth Chambless. “Sacred sites and religion in early Rome eighth to sixth centuries BC.” 2005. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/125339.

MLA Handbook (7th Edition):

de Grummond, Elizabeth Chambless. “Sacred sites and religion in early Rome eighth to sixth centuries BC.” 2005. Web. 24 Jan 2021.

Vancouver:

de Grummond EC. Sacred sites and religion in early Rome eighth to sixth centuries BC. [Internet] [Doctoral dissertation]. University of Michigan; 2005. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/125339.

Council of Science Editors:

de Grummond EC. Sacred sites and religion in early Rome eighth to sixth centuries BC. [Doctoral Dissertation]. University of Michigan; 2005. Available from: http://hdl.handle.net/2027.42/125339


University of Michigan

19. Ng, Diana Yi-man. Manipulation of memory: Public buildings and decorative programs in Roman cities of Asia Minor.

Degree: PhD, Social Sciences, 2007, University of Michigan

 This dissertation investigates sculptural programs that ornamented public buildings in four cities in Asia Minor in the second and third centuries AD. Departing from the… (more)

Subjects/Keywords: Asia Minor; Cities; Decorative; Ephesos; Hierapolis; Manipulation; Memory; Nysa; Perge; Programs; Public Buildings; Roman Empire; Sculpture

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APA (6th Edition):

Ng, D. Y. (2007). Manipulation of memory: Public buildings and decorative programs in Roman cities of Asia Minor. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/126785

Chicago Manual of Style (16th Edition):

Ng, Diana Yi-man. “Manipulation of memory: Public buildings and decorative programs in Roman cities of Asia Minor.” 2007. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/126785.

MLA Handbook (7th Edition):

Ng, Diana Yi-man. “Manipulation of memory: Public buildings and decorative programs in Roman cities of Asia Minor.” 2007. Web. 24 Jan 2021.

Vancouver:

Ng DY. Manipulation of memory: Public buildings and decorative programs in Roman cities of Asia Minor. [Internet] [Doctoral dissertation]. University of Michigan; 2007. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/126785.

Council of Science Editors:

Ng DY. Manipulation of memory: Public buildings and decorative programs in Roman cities of Asia Minor. [Doctoral Dissertation]. University of Michigan; 2007. Available from: http://hdl.handle.net/2027.42/126785


University of Michigan

20. Motz, Timothy Allen. The Roman freestanding portrait bust: Origins, context, and early history. (Volumes I and II).

Degree: PhD, Social Sciences, 1993, University of Michigan

 The freestanding bust consists of a head, neck, shoulders, and chest raised up from its resting surface by a squared undersupport. It was a common… (more)

Subjects/Keywords: Bust; Context; Early; Freestanding; History; Ii; Origins; Portrait; Roman; Volumes

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APA (6th Edition):

Motz, T. A. (1993). The Roman freestanding portrait bust: Origins, context, and early history. (Volumes I and II). (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/129142

Chicago Manual of Style (16th Edition):

Motz, Timothy Allen. “The Roman freestanding portrait bust: Origins, context, and early history. (Volumes I and II).” 1993. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/129142.

MLA Handbook (7th Edition):

Motz, Timothy Allen. “The Roman freestanding portrait bust: Origins, context, and early history. (Volumes I and II).” 1993. Web. 24 Jan 2021.

Vancouver:

Motz TA. The Roman freestanding portrait bust: Origins, context, and early history. (Volumes I and II). [Internet] [Doctoral dissertation]. University of Michigan; 1993. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/129142.

Council of Science Editors:

Motz TA. The Roman freestanding portrait bust: Origins, context, and early history. (Volumes I and II). [Doctoral Dissertation]. University of Michigan; 1993. Available from: http://hdl.handle.net/2027.42/129142

21. Long, Leah Emilia. Urbanism, Art, and Economy: The Marble Quarrying Industries of Aphrodisias and Roman Asia Minor.

Degree: PhD, Classical Art & Archaeology, 2012, University of Michigan

 This dissertation examines the quarrying industries of Roman Asia Minor, and highlights the activities of private individuals, institutions, and municipalities and the connections between the… (more)

Subjects/Keywords: Urbanism, Art, and Economy: the Marble Quarrying Industries of Aphrodisias and Roman Asia Minor; Classical Studies; Humanities

…conducted from 2005-2009 under the aegis of New York University and the University of Michigan… …Stearns, research associate of the 5 Kelsey Museum of Archaeology at the University of… …Michigan, carried out the geological investigation. The chapter also presents the results of… 

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APA (6th Edition):

Long, L. E. (2012). Urbanism, Art, and Economy: The Marble Quarrying Industries of Aphrodisias and Roman Asia Minor. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/93911

Chicago Manual of Style (16th Edition):

Long, Leah Emilia. “Urbanism, Art, and Economy: The Marble Quarrying Industries of Aphrodisias and Roman Asia Minor.” 2012. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/93911.

MLA Handbook (7th Edition):

Long, Leah Emilia. “Urbanism, Art, and Economy: The Marble Quarrying Industries of Aphrodisias and Roman Asia Minor.” 2012. Web. 24 Jan 2021.

Vancouver:

Long LE. Urbanism, Art, and Economy: The Marble Quarrying Industries of Aphrodisias and Roman Asia Minor. [Internet] [Doctoral dissertation]. University of Michigan; 2012. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/93911.

Council of Science Editors:

Long LE. Urbanism, Art, and Economy: The Marble Quarrying Industries of Aphrodisias and Roman Asia Minor. [Doctoral Dissertation]. University of Michigan; 2012. Available from: http://hdl.handle.net/2027.42/93911

22. Raff, Katharine A. Painted Decoration in the Apartments of Roman Ostia: Standardization, Social Status, and Visual Experience.

Degree: PhD, History of Art, 2011, University of Michigan

 This dissertation investigates the use of domestic decorations and architecture in the construction of social status in apartments at Ostia, the major port of Rome… (more)

Subjects/Keywords: Ostia; Mural Painting; Mosaics; Domestic Architecture; Roman; Social Status; Art History; Classical Studies; Arts; Humanities

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APA (6th Edition):

Raff, K. A. (2011). Painted Decoration in the Apartments of Roman Ostia: Standardization, Social Status, and Visual Experience. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/86355

Chicago Manual of Style (16th Edition):

Raff, Katharine A. “Painted Decoration in the Apartments of Roman Ostia: Standardization, Social Status, and Visual Experience.” 2011. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/86355.

MLA Handbook (7th Edition):

Raff, Katharine A. “Painted Decoration in the Apartments of Roman Ostia: Standardization, Social Status, and Visual Experience.” 2011. Web. 24 Jan 2021.

Vancouver:

Raff KA. Painted Decoration in the Apartments of Roman Ostia: Standardization, Social Status, and Visual Experience. [Internet] [Doctoral dissertation]. University of Michigan; 2011. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/86355.

Council of Science Editors:

Raff KA. Painted Decoration in the Apartments of Roman Ostia: Standardization, Social Status, and Visual Experience. [Doctoral Dissertation]. University of Michigan; 2011. Available from: http://hdl.handle.net/2027.42/86355

23. Farr, Jason Michael. Lapis Gabinus: Tufo and the Economy of Urban Construction in Ancient Rome.

Degree: PhD, Classical Art and Archaeology, 2014, University of Michigan

 In this dissertation I consider the role which tufo quarries played in the economy of urban construction at Rome by analyzing, in detail, one such… (more)

Subjects/Keywords: Ancient Stone Quarries; Roman Construction Industry; Tufo/Tuff; Gabii; Classical Studies; History (General); Anthropology and Archaeology; Humanities; Social Sciences

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APA (6th Edition):

Farr, J. M. (2014). Lapis Gabinus: Tufo and the Economy of Urban Construction in Ancient Rome. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/108799

Chicago Manual of Style (16th Edition):

Farr, Jason Michael. “Lapis Gabinus: Tufo and the Economy of Urban Construction in Ancient Rome.” 2014. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/108799.

MLA Handbook (7th Edition):

Farr, Jason Michael. “Lapis Gabinus: Tufo and the Economy of Urban Construction in Ancient Rome.” 2014. Web. 24 Jan 2021.

Vancouver:

Farr JM. Lapis Gabinus: Tufo and the Economy of Urban Construction in Ancient Rome. [Internet] [Doctoral dissertation]. University of Michigan; 2014. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/108799.

Council of Science Editors:

Farr JM. Lapis Gabinus: Tufo and the Economy of Urban Construction in Ancient Rome. [Doctoral Dissertation]. University of Michigan; 2014. Available from: http://hdl.handle.net/2027.42/108799

24. Dicus, Kevin D'Arcy. Actors and Agents in Ritual Behavior: The Sanctuary at Grasceta dei Cavallari as a Case-Study of the E-L-C Votive Tradition in Republican Italy.

Degree: PhD, Classical Art & Archaeology, 2012, University of Michigan

 This dissertation uses the southern Etrurian sanctuary of Grasceta dei Cavallari in the Tolfa Mountains as a case-study to re-evaluate and challenge prevailing scholarship concerning… (more)

Subjects/Keywords: Identity and Republican Religion in Italy; Classical Studies; Humanities

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APA (6th Edition):

Dicus, K. D. (2012). Actors and Agents in Ritual Behavior: The Sanctuary at Grasceta dei Cavallari as a Case-Study of the E-L-C Votive Tradition in Republican Italy. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/91529

Chicago Manual of Style (16th Edition):

Dicus, Kevin D'Arcy. “Actors and Agents in Ritual Behavior: The Sanctuary at Grasceta dei Cavallari as a Case-Study of the E-L-C Votive Tradition in Republican Italy.” 2012. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/91529.

MLA Handbook (7th Edition):

Dicus, Kevin D'Arcy. “Actors and Agents in Ritual Behavior: The Sanctuary at Grasceta dei Cavallari as a Case-Study of the E-L-C Votive Tradition in Republican Italy.” 2012. Web. 24 Jan 2021.

Vancouver:

Dicus KD. Actors and Agents in Ritual Behavior: The Sanctuary at Grasceta dei Cavallari as a Case-Study of the E-L-C Votive Tradition in Republican Italy. [Internet] [Doctoral dissertation]. University of Michigan; 2012. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/91529.

Council of Science Editors:

Dicus KD. Actors and Agents in Ritual Behavior: The Sanctuary at Grasceta dei Cavallari as a Case-Study of the E-L-C Votive Tradition in Republican Italy. [Doctoral Dissertation]. University of Michigan; 2012. Available from: http://hdl.handle.net/2027.42/91529

25. Ossi, Adrian John. The Roman Honorific Arches of Pisidian Antioch: Reconstruction and Contextualization.

Degree: PhD, Classical Art & Archaeology, 2009, University of Michigan

 This study consists of a detailed architectural and historical assessment of the remains of two Roman-era honorific arches at the imperial colony of Pisidian Antioch,… (more)

Subjects/Keywords: Roman Honorific Arch; Asia Minor; Architecture; Anthropology and Archaeology; Social Sciences

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APA (6th Edition):

Ossi, A. J. (2009). The Roman Honorific Arches of Pisidian Antioch: Reconstruction and Contextualization. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/64598

Chicago Manual of Style (16th Edition):

Ossi, Adrian John. “The Roman Honorific Arches of Pisidian Antioch: Reconstruction and Contextualization.” 2009. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/64598.

MLA Handbook (7th Edition):

Ossi, Adrian John. “The Roman Honorific Arches of Pisidian Antioch: Reconstruction and Contextualization.” 2009. Web. 24 Jan 2021.

Vancouver:

Ossi AJ. The Roman Honorific Arches of Pisidian Antioch: Reconstruction and Contextualization. [Internet] [Doctoral dissertation]. University of Michigan; 2009. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/64598.

Council of Science Editors:

Ossi AJ. The Roman Honorific Arches of Pisidian Antioch: Reconstruction and Contextualization. [Doctoral Dissertation]. University of Michigan; 2009. Available from: http://hdl.handle.net/2027.42/64598

26. Rubin, Benjamin B. (Re)presenting Empire: The Roman Imperial Cult in Asia Minor, 31 BC - AD 68.

Degree: PhD, Classical Art & Archaeology, 2008, University of Michigan

 This dissertation examines the sculptural and architectural ornamentation of Roman imperial cult temples in Asia Minor. I argue that the imperial cult was not an… (more)

Subjects/Keywords: Roman Art and Achaeology; The Roman Imperial Cult in Asia Minor; Achaemenid Art and Ideology; Roman Relations With Parthia; Roman Colonialism and Ideology; Anthropology and Archaeology; Classical Studies; Humanities; Social Sciences

…of the George Cameron Archive, Kelsey Museum of Archaeology, University of Michigan. 162… …Archaeology, University of Michigan. 163 Figure 42. Naqsh-i Rustam, panoramic view of cliff… 

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APA (6th Edition):

Rubin, B. B. (2008). (Re)presenting Empire: The Roman Imperial Cult in Asia Minor, 31 BC - AD 68. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/61783

Chicago Manual of Style (16th Edition):

Rubin, Benjamin B. “(Re)presenting Empire: The Roman Imperial Cult in Asia Minor, 31 BC - AD 68.” 2008. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/61783.

MLA Handbook (7th Edition):

Rubin, Benjamin B. “(Re)presenting Empire: The Roman Imperial Cult in Asia Minor, 31 BC - AD 68.” 2008. Web. 24 Jan 2021.

Vancouver:

Rubin BB. (Re)presenting Empire: The Roman Imperial Cult in Asia Minor, 31 BC - AD 68. [Internet] [Doctoral dissertation]. University of Michigan; 2008. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/61783.

Council of Science Editors:

Rubin BB. (Re)presenting Empire: The Roman Imperial Cult in Asia Minor, 31 BC - AD 68. [Doctoral Dissertation]. University of Michigan; 2008. Available from: http://hdl.handle.net/2027.42/61783

27. Nagel, Alexander. Colors, Gilding and Painted Motifs in Persepolis: Approaching the Polychromy of Achaemenid Persian Architectural Sculpture, c. 520-330 BCE.

Degree: PhD, Classical Art & Archaeology, 2010, University of Michigan

 This dissertation is about aspects of polychromy preserved on the monuments of the Achaemenid palaces at Persepolis and Susa, in Iran. It first offers an… (more)

Subjects/Keywords: Persepolis; Polychromy; Classical Studies; Humanities

…Travel grants and financial support from the University of Michigan included a grant from the… …as du e t o a number of ve ry supportive colleagues from the University of Michigan, in… 

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APA (6th Edition):

Nagel, A. (2010). Colors, Gilding and Painted Motifs in Persepolis: Approaching the Polychromy of Achaemenid Persian Architectural Sculpture, c. 520-330 BCE. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/78868

Chicago Manual of Style (16th Edition):

Nagel, Alexander. “Colors, Gilding and Painted Motifs in Persepolis: Approaching the Polychromy of Achaemenid Persian Architectural Sculpture, c. 520-330 BCE.” 2010. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/78868.

MLA Handbook (7th Edition):

Nagel, Alexander. “Colors, Gilding and Painted Motifs in Persepolis: Approaching the Polychromy of Achaemenid Persian Architectural Sculpture, c. 520-330 BCE.” 2010. Web. 24 Jan 2021.

Vancouver:

Nagel A. Colors, Gilding and Painted Motifs in Persepolis: Approaching the Polychromy of Achaemenid Persian Architectural Sculpture, c. 520-330 BCE. [Internet] [Doctoral dissertation]. University of Michigan; 2010. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/78868.

Council of Science Editors:

Nagel A. Colors, Gilding and Painted Motifs in Persepolis: Approaching the Polychromy of Achaemenid Persian Architectural Sculpture, c. 520-330 BCE. [Doctoral Dissertation]. University of Michigan; 2010. Available from: http://hdl.handle.net/2027.42/78868

28. Mogetta, Marcello. The Origins of Concrete in Rome and Pompeii.

Degree: PhD, Classical Art and Archaeology, 2013, University of Michigan

 This dissertation presents an analysis of early concrete architecture in Rome and Pompeii. In the past, scholars of Roman building techniques have looked to these… (more)

Subjects/Keywords: Roman Republican Archaeology; Roman Architecture and Building Techniques; Central Italy; Technological Innovation; Architecture; Classical Studies; Arts; Humanities

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APA (6th Edition):

Mogetta, M. (2013). The Origins of Concrete in Rome and Pompeii. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/97928

Chicago Manual of Style (16th Edition):

Mogetta, Marcello. “The Origins of Concrete in Rome and Pompeii.” 2013. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/97928.

MLA Handbook (7th Edition):

Mogetta, Marcello. “The Origins of Concrete in Rome and Pompeii.” 2013. Web. 24 Jan 2021.

Vancouver:

Mogetta M. The Origins of Concrete in Rome and Pompeii. [Internet] [Doctoral dissertation]. University of Michigan; 2013. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/97928.

Council of Science Editors:

Mogetta M. The Origins of Concrete in Rome and Pompeii. [Doctoral Dissertation]. University of Michigan; 2013. Available from: http://hdl.handle.net/2027.42/97928

29. Cakmak, Lisa Ayla. Mixed Signals: Androgyny, Identity, and Iconography on the Graeco-Phoenician Sealings from Tel Kedesh, Israel.

Degree: PhD, Classical Art & Archaeology, 2009, University of Michigan

 This dissertation presents an analysis of the Aphrodite and Apollo seal impressions from the Hellenistic administrative building at Tel Kedesh. A significant amount of this… (more)

Subjects/Keywords: Aphrodite; Apollo; Hellenistic; Androgyny; Seals and Seal Impressions; Classical Studies; Humanities

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APA (6th Edition):

Cakmak, L. A. (2009). Mixed Signals: Androgyny, Identity, and Iconography on the Graeco-Phoenician Sealings from Tel Kedesh, Israel. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/64800

Chicago Manual of Style (16th Edition):

Cakmak, Lisa Ayla. “Mixed Signals: Androgyny, Identity, and Iconography on the Graeco-Phoenician Sealings from Tel Kedesh, Israel.” 2009. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/64800.

MLA Handbook (7th Edition):

Cakmak, Lisa Ayla. “Mixed Signals: Androgyny, Identity, and Iconography on the Graeco-Phoenician Sealings from Tel Kedesh, Israel.” 2009. Web. 24 Jan 2021.

Vancouver:

Cakmak LA. Mixed Signals: Androgyny, Identity, and Iconography on the Graeco-Phoenician Sealings from Tel Kedesh, Israel. [Internet] [Doctoral dissertation]. University of Michigan; 2009. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/64800.

Council of Science Editors:

Cakmak LA. Mixed Signals: Androgyny, Identity, and Iconography on the Graeco-Phoenician Sealings from Tel Kedesh, Israel. [Doctoral Dissertation]. University of Michigan; 2009. Available from: http://hdl.handle.net/2027.42/64800

30. McAlpine, Lynley J. Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting.

Degree: PhD, Classical Art and Archaeology, 2014, University of Michigan

 This dissertation explores developments in the use of decorative marble and other stone and their representation in wall paintings from Roman domestic buildings in Campania… (more)

Subjects/Keywords: Roman Art; Roman Archaeology; Wall Painting; Pompeii; Memory Studies; Identity; Art History; Classical Studies; History (General); Anthropology and Archaeology; Arts; Humanities; Social Sciences

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APA (6th Edition):

McAlpine, L. J. (2014). Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/107074

Chicago Manual of Style (16th Edition):

McAlpine, Lynley J. “Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting.” 2014. Doctoral Dissertation, University of Michigan. Accessed January 24, 2021. http://hdl.handle.net/2027.42/107074.

MLA Handbook (7th Edition):

McAlpine, Lynley J. “Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting.” 2014. Web. 24 Jan 2021.

Vancouver:

McAlpine LJ. Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting. [Internet] [Doctoral dissertation]. University of Michigan; 2014. [cited 2021 Jan 24]. Available from: http://hdl.handle.net/2027.42/107074.

Council of Science Editors:

McAlpine LJ. Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting. [Doctoral Dissertation]. University of Michigan; 2014. Available from: http://hdl.handle.net/2027.42/107074

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