Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for +publisher:"University of Michigan" +contributor:("Benamou, Catherine L."). Showing records 1 – 10 of 10 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University of Michigan

1. Gentry, Charles Eugene. The Othello Effect: The Performance of Black Masculinity in Mid-Century Cinema.

Degree: PhD, American Culture, 2011, University of Michigan

 This dissertation attempts to theorize the performance of black masculinity in the mid-twentieth century as a cultural process, by analyzing films with narratives that creatively… (more)

Subjects/Keywords: Black Masculinity; Performance Studies; Cinema Studies; Paul Robeson; Harry Belafonte; Sidney Poitier; Film and Video Studies; Theatre and Drama; African-American Studies; American and Canadian Studies; History (General); Humanities (General); Latin American and Caribbean Studies; Arts; Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gentry, C. E. (2011). The Othello Effect: The Performance of Black Masculinity in Mid-Century Cinema. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/86466

Chicago Manual of Style (16th Edition):

Gentry, Charles Eugene. “The Othello Effect: The Performance of Black Masculinity in Mid-Century Cinema.” 2011. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/86466.

MLA Handbook (7th Edition):

Gentry, Charles Eugene. “The Othello Effect: The Performance of Black Masculinity in Mid-Century Cinema.” 2011. Web. 25 Oct 2020.

Vancouver:

Gentry CE. The Othello Effect: The Performance of Black Masculinity in Mid-Century Cinema. [Internet] [Doctoral dissertation]. University of Michigan; 2011. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/86466.

Council of Science Editors:

Gentry CE. The Othello Effect: The Performance of Black Masculinity in Mid-Century Cinema. [Doctoral Dissertation]. University of Michigan; 2011. Available from: http://hdl.handle.net/2027.42/86466

2. Miguez, Cristina. Changing Aesthetics, Ethics, and Politics in Latin American Crime Cinema and Narrative. Narrative.

Degree: PhD, Romance Languages & Literatures: Spanish, 2009, University of Michigan

 This dissertation analyzes the shifting role of crime as a symptom of transformation in Latin America from 1990’s. My research begins exploring gang-related drug trafficking… (more)

Subjects/Keywords: Latin American Crime Narrative; Latin American Crime Cinema; Arts; Humanities

Page 1 Page 2 Page 3 Page 4 Page 5 Sample image

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miguez, C. (2009). Changing Aesthetics, Ethics, and Politics in Latin American Crime Cinema and Narrative. Narrative. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/63686

Chicago Manual of Style (16th Edition):

Miguez, Cristina. “Changing Aesthetics, Ethics, and Politics in Latin American Crime Cinema and Narrative. Narrative.” 2009. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/63686.

MLA Handbook (7th Edition):

Miguez, Cristina. “Changing Aesthetics, Ethics, and Politics in Latin American Crime Cinema and Narrative. Narrative.” 2009. Web. 25 Oct 2020.

Vancouver:

Miguez C. Changing Aesthetics, Ethics, and Politics in Latin American Crime Cinema and Narrative. Narrative. [Internet] [Doctoral dissertation]. University of Michigan; 2009. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/63686.

Council of Science Editors:

Miguez C. Changing Aesthetics, Ethics, and Politics in Latin American Crime Cinema and Narrative. Narrative. [Doctoral Dissertation]. University of Michigan; 2009. Available from: http://hdl.handle.net/2027.42/63686

3. Marsh, Leslie Louise. Embodying Citizenship in Brazilian Women's Film, Video, and Literature, 1971 to 1988.

Degree: PhD, Romance Languages & Literatures: Spanish, 2008, University of Michigan

 This project considers the ways in which various women artists sought to transform society and politics in Brazil during the military regime and during the… (more)

Subjects/Keywords: Brazilian Cinema; Alternative Media; Humanities

…x28;Ann Arbor: University of Michigan Press, 1993), 334-348. 6 Flora Sussekind… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marsh, L. L. (2008). Embodying Citizenship in Brazilian Women's Film, Video, and Literature, 1971 to 1988. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/61637

Chicago Manual of Style (16th Edition):

Marsh, Leslie Louise. “Embodying Citizenship in Brazilian Women's Film, Video, and Literature, 1971 to 1988.” 2008. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/61637.

MLA Handbook (7th Edition):

Marsh, Leslie Louise. “Embodying Citizenship in Brazilian Women's Film, Video, and Literature, 1971 to 1988.” 2008. Web. 25 Oct 2020.

Vancouver:

Marsh LL. Embodying Citizenship in Brazilian Women's Film, Video, and Literature, 1971 to 1988. [Internet] [Doctoral dissertation]. University of Michigan; 2008. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/61637.

Council of Science Editors:

Marsh LL. Embodying Citizenship in Brazilian Women's Film, Video, and Literature, 1971 to 1988. [Doctoral Dissertation]. University of Michigan; 2008. Available from: http://hdl.handle.net/2027.42/61637

4. McManus, Stanton Carroll. Democracy in Transición: Politics, Melodrama, History.

Degree: PhD, Comparative Literature, 2008, University of Michigan

 This dissertation approaches the Spanish transición, from Franco’s death in 1975 until the socialist party’s election in 1982, as terrain on which to map out… (more)

Subjects/Keywords: Spanish Transition; Melodrama; Culture & Politics; Almodovar, Pedro; De La Iglesia, Eloy; Haro Tecglen, Eduardo; Film and Video Studies; General and Comparative Literature; Romance Languages and Literature; Arts; Humanities

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McManus, S. C. (2008). Democracy in Transición: Politics, Melodrama, History. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/61758

Chicago Manual of Style (16th Edition):

McManus, Stanton Carroll. “Democracy in Transición: Politics, Melodrama, History.” 2008. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/61758.

MLA Handbook (7th Edition):

McManus, Stanton Carroll. “Democracy in Transición: Politics, Melodrama, History.” 2008. Web. 25 Oct 2020.

Vancouver:

McManus SC. Democracy in Transición: Politics, Melodrama, History. [Internet] [Doctoral dissertation]. University of Michigan; 2008. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/61758.

Council of Science Editors:

McManus SC. Democracy in Transición: Politics, Melodrama, History. [Doctoral Dissertation]. University of Michigan; 2008. Available from: http://hdl.handle.net/2027.42/61758


University of Michigan

5. Scott, Ellen Christine. Race and the Struggle for Cinematic Meaning: Film Production, Censorship, and African American Reception, 1940-1960.

Degree: PhD, American Culture, 2007, University of Michigan

 Using Stuart Hall’s encoding/decoding model, this dissertation traces the discursive channels for creating racial meaning in cinema, starting with reception and moving backward to production.… (more)

Subjects/Keywords: African American Studies/History; Motion Picture Censorship; Film Reception/Spectatorship; Cultural Studies; Film History; Hollywood Film Production; American Culture; Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scott, E. C. (2007). Race and the Struggle for Cinematic Meaning: Film Production, Censorship, and African American Reception, 1940-1960. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/57696

Chicago Manual of Style (16th Edition):

Scott, Ellen Christine. “Race and the Struggle for Cinematic Meaning: Film Production, Censorship, and African American Reception, 1940-1960.” 2007. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/57696.

MLA Handbook (7th Edition):

Scott, Ellen Christine. “Race and the Struggle for Cinematic Meaning: Film Production, Censorship, and African American Reception, 1940-1960.” 2007. Web. 25 Oct 2020.

Vancouver:

Scott EC. Race and the Struggle for Cinematic Meaning: Film Production, Censorship, and African American Reception, 1940-1960. [Internet] [Doctoral dissertation]. University of Michigan; 2007. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/57696.

Council of Science Editors:

Scott EC. Race and the Struggle for Cinematic Meaning: Film Production, Censorship, and African American Reception, 1940-1960. [Doctoral Dissertation]. University of Michigan; 2007. Available from: http://hdl.handle.net/2027.42/57696


University of Michigan

6. Ros, Ana. Inheritance: Living Memory, Leaving Countries. Uruguayan and Argentinean Fictionalization at the Turn of the Millennium.

Degree: PhD, Romance Languages & Literatures: Spanish, 2008, University of Michigan

 My research considers how contemporary film and literature in Argentina and Uruguay reflects the postdictatorship generation’s inheritance of the past. I examine a series of… (more)

Subjects/Keywords: Rio De La Plata Contemporary Film and Literature; Memory; Postmemory; Political Exile; Economic Exile; Romance Languages and Literature; Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ros, A. (2008). Inheritance: Living Memory, Leaving Countries. Uruguayan and Argentinean Fictionalization at the Turn of the Millennium. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/61780

Chicago Manual of Style (16th Edition):

Ros, Ana. “Inheritance: Living Memory, Leaving Countries. Uruguayan and Argentinean Fictionalization at the Turn of the Millennium.” 2008. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/61780.

MLA Handbook (7th Edition):

Ros, Ana. “Inheritance: Living Memory, Leaving Countries. Uruguayan and Argentinean Fictionalization at the Turn of the Millennium.” 2008. Web. 25 Oct 2020.

Vancouver:

Ros A. Inheritance: Living Memory, Leaving Countries. Uruguayan and Argentinean Fictionalization at the Turn of the Millennium. [Internet] [Doctoral dissertation]. University of Michigan; 2008. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/61780.

Council of Science Editors:

Ros A. Inheritance: Living Memory, Leaving Countries. Uruguayan and Argentinean Fictionalization at the Turn of the Millennium. [Doctoral Dissertation]. University of Michigan; 2008. Available from: http://hdl.handle.net/2027.42/61780


University of Michigan

7. Julyk, David P. "The Trouble With Machines Is People." The Computer as Icon in Post-War America: 1946-1970.

Degree: PhD, American Culture, 2008, University of Michigan

 This dissertation examines the changing interface between media culture and computer technology from 1946 to 1970 as a reflection of post-war and cold war anxieties… (more)

Subjects/Keywords: History of Technology; Media Studies; American Culture; Computers and American Culture; American and Canadian Studies; Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Julyk, D. P. (2008). "The Trouble With Machines Is People." The Computer as Icon in Post-War America: 1946-1970. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/60808

Chicago Manual of Style (16th Edition):

Julyk, David P. “"The Trouble With Machines Is People." The Computer as Icon in Post-War America: 1946-1970.” 2008. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/60808.

MLA Handbook (7th Edition):

Julyk, David P. “"The Trouble With Machines Is People." The Computer as Icon in Post-War America: 1946-1970.” 2008. Web. 25 Oct 2020.

Vancouver:

Julyk DP. "The Trouble With Machines Is People." The Computer as Icon in Post-War America: 1946-1970. [Internet] [Doctoral dissertation]. University of Michigan; 2008. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/60808.

Council of Science Editors:

Julyk DP. "The Trouble With Machines Is People." The Computer as Icon in Post-War America: 1946-1970. [Doctoral Dissertation]. University of Michigan; 2008. Available from: http://hdl.handle.net/2027.42/60808


University of Michigan

8. Jurado, Kathy. Alienated Citizens: "Hispanophobia" and the Mexican Im/Migrant Body.

Degree: PhD, American Culture, 2008, University of Michigan

 ABSTRACT Alienated Citizens: “Hispanophobia” and the Mexican Im/migrant Body by Kathy Jurado Chair: María E. Cotera This dissertation analyzes 20th century representations and discursive constructions… (more)

Subjects/Keywords: Mexican American Representations; Chicana/O Literature; Bracero Program; Proposition 187; Alex Rivera and Lalo Alcaraz; Under the Feet of Jesus and the Adventures of Don Chipote; American and Canadian Studies; Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jurado, K. (2008). Alienated Citizens: "Hispanophobia" and the Mexican Im/Migrant Body. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/58455

Chicago Manual of Style (16th Edition):

Jurado, Kathy. “Alienated Citizens: "Hispanophobia" and the Mexican Im/Migrant Body.” 2008. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/58455.

MLA Handbook (7th Edition):

Jurado, Kathy. “Alienated Citizens: "Hispanophobia" and the Mexican Im/Migrant Body.” 2008. Web. 25 Oct 2020.

Vancouver:

Jurado K. Alienated Citizens: "Hispanophobia" and the Mexican Im/Migrant Body. [Internet] [Doctoral dissertation]. University of Michigan; 2008. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/58455.

Council of Science Editors:

Jurado K. Alienated Citizens: "Hispanophobia" and the Mexican Im/Migrant Body. [Doctoral Dissertation]. University of Michigan; 2008. Available from: http://hdl.handle.net/2027.42/58455


University of Michigan

9. Kimchi, Rami N. A Shtetl in Disguise: Israeli Bourekas Films and their Origins in Classical Yiddish Literature.

Degree: PhD, Near Eastern Studies, 2008, University of Michigan

 This study examines Bourekas films – a cycle of highly popular Israeli comedies and melodramas that were produced during the 1960s and ‘70s – which… (more)

Subjects/Keywords: Israeli Cinema; Classical Yiddish Literature; Mizrahim in Israel; Ashkenazim in Israel; Sallah; Arts; Humanities; Social Sciences

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kimchi, R. N. (2008). A Shtetl in Disguise: Israeli Bourekas Films and their Origins in Classical Yiddish Literature. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/61565

Chicago Manual of Style (16th Edition):

Kimchi, Rami N. “A Shtetl in Disguise: Israeli Bourekas Films and their Origins in Classical Yiddish Literature.” 2008. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/61565.

MLA Handbook (7th Edition):

Kimchi, Rami N. “A Shtetl in Disguise: Israeli Bourekas Films and their Origins in Classical Yiddish Literature.” 2008. Web. 25 Oct 2020.

Vancouver:

Kimchi RN. A Shtetl in Disguise: Israeli Bourekas Films and their Origins in Classical Yiddish Literature. [Internet] [Doctoral dissertation]. University of Michigan; 2008. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/61565.

Council of Science Editors:

Kimchi RN. A Shtetl in Disguise: Israeli Bourekas Films and their Origins in Classical Yiddish Literature. [Doctoral Dissertation]. University of Michigan; 2008. Available from: http://hdl.handle.net/2027.42/61565


University of Michigan

10. Marinescu, Andreea. Dialoguing Across Catastrophes: Chilean Post-Coup and Post-Dictatorship Cultural Production in the Works of Roberto Bolano and Raul Ruiz.

Degree: PhD, Romance Languages & Literatures: Spanish, 2010, University of Michigan

 This dissertation examines how the works of Chilean diasporic artists, novelist Roberto Bolaño and Raúl Ruiz, question old forms of representation and their underlying assumptions… (more)

Subjects/Keywords: Roberto BolañO; RaúL Ruiz; Surrealist Documentary; Testimonio; Maternal Ethics; Chile; Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marinescu, A. (2010). Dialoguing Across Catastrophes: Chilean Post-Coup and Post-Dictatorship Cultural Production in the Works of Roberto Bolano and Raul Ruiz. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/78743

Chicago Manual of Style (16th Edition):

Marinescu, Andreea. “Dialoguing Across Catastrophes: Chilean Post-Coup and Post-Dictatorship Cultural Production in the Works of Roberto Bolano and Raul Ruiz.” 2010. Doctoral Dissertation, University of Michigan. Accessed October 25, 2020. http://hdl.handle.net/2027.42/78743.

MLA Handbook (7th Edition):

Marinescu, Andreea. “Dialoguing Across Catastrophes: Chilean Post-Coup and Post-Dictatorship Cultural Production in the Works of Roberto Bolano and Raul Ruiz.” 2010. Web. 25 Oct 2020.

Vancouver:

Marinescu A. Dialoguing Across Catastrophes: Chilean Post-Coup and Post-Dictatorship Cultural Production in the Works of Roberto Bolano and Raul Ruiz. [Internet] [Doctoral dissertation]. University of Michigan; 2010. [cited 2020 Oct 25]. Available from: http://hdl.handle.net/2027.42/78743.

Council of Science Editors:

Marinescu A. Dialoguing Across Catastrophes: Chilean Post-Coup and Post-Dictatorship Cultural Production in the Works of Roberto Bolano and Raul Ruiz. [Doctoral Dissertation]. University of Michigan; 2010. Available from: http://hdl.handle.net/2027.42/78743

.