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You searched for +publisher:"University of Miami" +contributor:("William Rothman"). Showing records 1 – 22 of 22 total matches.

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University of Miami

1. Shriver-Rice, Meryl. Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging.

Degree: PhD, Communication Studies (Communication), 2011, University of Miami

 By examining the recent work by Danish writer-directors of both Dogme and New Danish Cinema from 1998 onward, this study pinpoints examples of film analysis… (more)

Subjects/Keywords: New Danish Cinema; Sexuality; Queer; Transnational; Dogme; Transgender

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APA (6th Edition):

Shriver-Rice, M. (2011). Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/598

Chicago Manual of Style (16th Edition):

Shriver-Rice, Meryl. “Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging.” 2011. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/598.

MLA Handbook (7th Edition):

Shriver-Rice, Meryl. “Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging.” 2011. Web. 26 Jun 2019.

Vancouver:

Shriver-Rice M. Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging. [Internet] [Doctoral dissertation]. University of Miami; 2011. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/598.

Council of Science Editors:

Shriver-Rice M. Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging. [Doctoral Dissertation]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/598


University of Miami

2. Tang, Funing. Acting as Being: Ingrid Bergman's Performances.

Degree: PhD, Communication Studies (Communication), 2013, University of Miami

 Starting her acting career in Sweden, Ingrid Bergman was one of Hollywood’s greatest stars of the 1940s. She went on to act in countries like… (more)

Subjects/Keywords: Ingrid Bergman; Star Studies; Screen Performance; Film Theory and Criticism; Classical Hollywood Cinema; European Cinemas

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APA (6th Edition):

Tang, F. (2013). Acting as Being: Ingrid Bergman's Performances. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1120

Chicago Manual of Style (16th Edition):

Tang, Funing. “Acting as Being: Ingrid Bergman's Performances.” 2013. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1120.

MLA Handbook (7th Edition):

Tang, Funing. “Acting as Being: Ingrid Bergman's Performances.” 2013. Web. 26 Jun 2019.

Vancouver:

Tang F. Acting as Being: Ingrid Bergman's Performances. [Internet] [Doctoral dissertation]. University of Miami; 2013. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1120.

Council of Science Editors:

Tang F. Acting as Being: Ingrid Bergman's Performances. [Doctoral Dissertation]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1120


University of Miami

3. Shapiro, Amanda J. You Only Live Twice: The Representation of the Afterlife in Film.

Degree: MA, Motion Pictures (Communication), 2011, University of Miami

 The objective of this thesis is to examine and analyze the presentation of spaces, figures, and the processes of judgment in afterlife films. American and… (more)

Subjects/Keywords: Film Studies; Afterlife; Hollywood and Foreign; Audiences; Filmmakers; Spaces Figures and Judgment

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APA (6th Edition):

Shapiro, A. J. (2011). You Only Live Twice: The Representation of the Afterlife in Film. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/280

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shapiro, Amanda J. “You Only Live Twice: The Representation of the Afterlife in Film.” 2011. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/280.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shapiro, Amanda J. “You Only Live Twice: The Representation of the Afterlife in Film.” 2011. Web. 26 Jun 2019.

Vancouver:

Shapiro AJ. You Only Live Twice: The Representation of the Afterlife in Film. [Internet] [Thesis]. University of Miami; 2011. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/280.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shapiro AJ. You Only Live Twice: The Representation of the Afterlife in Film. [Thesis]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_theses/280

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

4. Browning, David Eric. Dark Façades: Gender and the Films of Stanley Kubrick.

Degree: MA, Communication Studies (Communication), 2013, University of Miami

 The work of iconic film director Stanley Kubrick is generally studied in terms of visual style and its reliance on male protagonists. Looking past the… (more)

Subjects/Keywords: Stanley Kubrick; Gender; Nicole Kidman; Feminist Theory; Eyes Wide Shut

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APA (6th Edition):

Browning, D. E. (2013). Dark Façades: Gender and the Films of Stanley Kubrick. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Browning, David Eric. “Dark Façades: Gender and the Films of Stanley Kubrick.” 2013. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Browning, David Eric. “Dark Façades: Gender and the Films of Stanley Kubrick.” 2013. Web. 26 Jun 2019.

Vancouver:

Browning DE. Dark Façades: Gender and the Films of Stanley Kubrick. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Browning DE. Dark Façades: Gender and the Films of Stanley Kubrick. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_theses/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

5. Conine, Thomas E., III. The Dark Knight Trilogy: An Overview of Adaptation and Disqualification of Genre.

Degree: MA, Cinema and Interactive Media (Communication), 2015, University of Miami

 The objective of this thesis is to provide an overview of Christopher Nolan’s famed “Dark Knight Trilogy”, a body of three films based on the… (more)

Subjects/Keywords: dark knight trilogy

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APA (6th Edition):

Conine, Thomas E., I. (2015). The Dark Knight Trilogy: An Overview of Adaptation and Disqualification of Genre. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/584

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Conine, Thomas E., III. “The Dark Knight Trilogy: An Overview of Adaptation and Disqualification of Genre.” 2015. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/584.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Conine, Thomas E., III. “The Dark Knight Trilogy: An Overview of Adaptation and Disqualification of Genre.” 2015. Web. 26 Jun 2019.

Vancouver:

Conine, Thomas E. I. The Dark Knight Trilogy: An Overview of Adaptation and Disqualification of Genre. [Internet] [Thesis]. University of Miami; 2015. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/584.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Conine, Thomas E. I. The Dark Knight Trilogy: An Overview of Adaptation and Disqualification of Genre. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_theses/584

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

6. Kulkarni, Anagha. Frames in Harmony - A Critical Analysis of Song Sequences in the Films of Guru Dutt.

Degree: MA, Motion Pictures (Communication), 2010, University of Miami

 Guru Dutt was one of the most important filmmakers in India, who worked for a little over a decade starting in 1951. He died prematurely… (more)

Subjects/Keywords: Guru Dutt; Pyaasa; Aar Paar; Mr. And Mrs. 55; Kaagaz Ke Phool; Saahib Biwi Aur Ghulam; Indian Cinema; South Asian Cinema; Post-independence; Tradition; Modernity; Bollywood; Song And Dance Sequences

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APA (6th Edition):

Kulkarni, A. (2010). Frames in Harmony - A Critical Analysis of Song Sequences in the Films of Guru Dutt. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/27

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kulkarni, Anagha. “Frames in Harmony - A Critical Analysis of Song Sequences in the Films of Guru Dutt.” 2010. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/27.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kulkarni, Anagha. “Frames in Harmony - A Critical Analysis of Song Sequences in the Films of Guru Dutt.” 2010. Web. 26 Jun 2019.

Vancouver:

Kulkarni A. Frames in Harmony - A Critical Analysis of Song Sequences in the Films of Guru Dutt. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/27.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kulkarni A. Frames in Harmony - A Critical Analysis of Song Sequences in the Films of Guru Dutt. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_theses/27

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

7. Rezaie, Munib. Neutered Dragon: A Critical Look at the Career of Jackie Chan.

Degree: MA, Motion Pictures (Communication), 2010, University of Miami

 Jackie Chan has had a long and consistently successful career in the entertainment industry, becoming the most universally recognized Chinese performer, second only perhaps, to… (more)

Subjects/Keywords: Police Story; Rush Hour; Shinjuku Incident; Martial Arts; Hong Kong; Sexuality; Masculinity; Jackie Chan

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APA (6th Edition):

Rezaie, M. (2010). Neutered Dragon: A Critical Look at the Career of Jackie Chan. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rezaie, Munib. “Neutered Dragon: A Critical Look at the Career of Jackie Chan.” 2010. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rezaie, Munib. “Neutered Dragon: A Critical Look at the Career of Jackie Chan.” 2010. Web. 26 Jun 2019.

Vancouver:

Rezaie M. Neutered Dragon: A Critical Look at the Career of Jackie Chan. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rezaie M. Neutered Dragon: A Critical Look at the Career of Jackie Chan. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_theses/22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

8. Hayat, Sara. Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk.

Degree: MArch, Motion Pictures (Communication), 2010, University of Miami

 Critics have extensively explored filmmaker Douglas Sirkâ??s personal involvement in numerous aspects of his cinema, especially in his mise-en-scene. Sirkâ??s architectural vision however, is quite… (more)

Subjects/Keywords: Film And Architecture; Douglas Sirk; American Small Towns And Suburbia In Film; Narrative Space In Film

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APA (6th Edition):

Hayat, S. (2010). Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hayat, Sara. “Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk.” 2010. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hayat, Sara. “Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk.” 2010. Web. 26 Jun 2019.

Vancouver:

Hayat S. Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hayat S. Dream Houses Gone Wrong: Small Town, Suburbia, and Architectural Narrative in Four Films by Douglas Sirk. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_theses/394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Laramee, Michael J. Digital Zoom on the Video Boom: Close Readings of Nigerian Films.

Degree: PhD, Communication Studies (Communication), 2013, University of Miami

 Focusing on a selection of Nigerian video films— Living in Bondage (1992), Osuofia in London (2003), Saworoide (1999), Arugba (2010), Sitanda (2006), and Slave Warrior… (more)

Subjects/Keywords: Nigerian film; Nollywood; Tunde Kelani; Oliver Mbamara; excess-exhortation

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APA (6th Edition):

Laramee, M. J. (2013). Digital Zoom on the Video Boom: Close Readings of Nigerian Films. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1010

Chicago Manual of Style (16th Edition):

Laramee, Michael J. “Digital Zoom on the Video Boom: Close Readings of Nigerian Films.” 2013. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1010.

MLA Handbook (7th Edition):

Laramee, Michael J. “Digital Zoom on the Video Boom: Close Readings of Nigerian Films.” 2013. Web. 26 Jun 2019.

Vancouver:

Laramee MJ. Digital Zoom on the Video Boom: Close Readings of Nigerian Films. [Internet] [Doctoral dissertation]. University of Miami; 2013. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1010.

Council of Science Editors:

Laramee MJ. Digital Zoom on the Video Boom: Close Readings of Nigerian Films. [Doctoral Dissertation]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1010

10. Pettigrew, Ian D. Reclaiming Realities: The Boom, Post-Boom and History Films Set in the 20th Century of Ermanno Olmi.

Degree: PhD, Cinema and Interactive Media (Communication), 2014, University of Miami

 The self-evident reasons for a work needing to be written on Olmi are plenty: his films have won many major international film festival awards, having… (more)

Subjects/Keywords: Ermanno Olmi; Italian Cinema; Modernity; Italian History

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APA (6th Edition):

Pettigrew, I. D. (2014). Reclaiming Realities: The Boom, Post-Boom and History Films Set in the 20th Century of Ermanno Olmi. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1233

Chicago Manual of Style (16th Edition):

Pettigrew, Ian D. “Reclaiming Realities: The Boom, Post-Boom and History Films Set in the 20th Century of Ermanno Olmi.” 2014. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1233.

MLA Handbook (7th Edition):

Pettigrew, Ian D. “Reclaiming Realities: The Boom, Post-Boom and History Films Set in the 20th Century of Ermanno Olmi.” 2014. Web. 26 Jun 2019.

Vancouver:

Pettigrew ID. Reclaiming Realities: The Boom, Post-Boom and History Films Set in the 20th Century of Ermanno Olmi. [Internet] [Doctoral dissertation]. University of Miami; 2014. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1233.

Council of Science Editors:

Pettigrew ID. Reclaiming Realities: The Boom, Post-Boom and History Films Set in the 20th Century of Ermanno Olmi. [Doctoral Dissertation]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1233

11. Mompoint, Myriam. Symbolic Exchanges: Haiti, Brazil and the Ethnopoetics of Cultural Identity.

Degree: PhD, Modern Languages and Literatures (Arts and Sciences), 2008, University of Miami

  This work is a comparative study of the influence of the pan-Africanist discourse of ethnographers Dr. Jean Price-Mars of Haiti and Dr. Arthur Ramos… (more)

Subjects/Keywords: Jean Price-Mars; Arthur Ramos; Mario De Andrade; Brazilian Regionalist Novel; Rene Depestre; Roman Indigeniste

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mompoint, M. (2008). Symbolic Exchanges: Haiti, Brazil and the Ethnopoetics of Cultural Identity. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/108

Chicago Manual of Style (16th Edition):

Mompoint, Myriam. “Symbolic Exchanges: Haiti, Brazil and the Ethnopoetics of Cultural Identity.” 2008. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/108.

MLA Handbook (7th Edition):

Mompoint, Myriam. “Symbolic Exchanges: Haiti, Brazil and the Ethnopoetics of Cultural Identity.” 2008. Web. 26 Jun 2019.

Vancouver:

Mompoint M. Symbolic Exchanges: Haiti, Brazil and the Ethnopoetics of Cultural Identity. [Internet] [Doctoral dissertation]. University of Miami; 2008. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/108.

Council of Science Editors:

Mompoint M. Symbolic Exchanges: Haiti, Brazil and the Ethnopoetics of Cultural Identity. [Doctoral Dissertation]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/108


University of Miami

12. Gache, Sherry L. The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema.

Degree: PhD, Interdisciplinary Studies (Graduate), 2008, University of Miami

  This dissertation is an attempt to understand how early twenty-first century French films (2000-2002) position themselves in relation to late twentieth century feminist public… (more)

Subjects/Keywords: French Feminism; Cinema; French Studies; Film

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gache, S. L. (2008). The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/168

Chicago Manual of Style (16th Edition):

Gache, Sherry L. “The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema.” 2008. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/168.

MLA Handbook (7th Edition):

Gache, Sherry L. “The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema.” 2008. Web. 26 Jun 2019.

Vancouver:

Gache SL. The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema. [Internet] [Doctoral dissertation]. University of Miami; 2008. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/168.

Council of Science Editors:

Gache SL. The Cinema Podium: French Feminism and Early Twenty-First Century French Cinema. [Doctoral Dissertation]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/168


University of Miami

13. Tang, Funing. Films on Paper: Adaptation of Eileen Chang's Novels.

Degree: MA, Motion Pictures (Communication), 2009, University of Miami

 Eileen Chang (1920-1995), a legendary female writer in Chinese literature history, lived in the most turbulent time of contemporary China. Her works are all about… (more)

Subjects/Keywords: Reality; Subjectivity; Moving Images; Deception

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APA (6th Edition):

Tang, F. (2009). Films on Paper: Adaptation of Eileen Chang's Novels. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tang, Funing. “Films on Paper: Adaptation of Eileen Chang's Novels.” 2009. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tang, Funing. “Films on Paper: Adaptation of Eileen Chang's Novels.” 2009. Web. 26 Jun 2019.

Vancouver:

Tang F. Films on Paper: Adaptation of Eileen Chang's Novels. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tang F. Films on Paper: Adaptation of Eileen Chang's Novels. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

14. Provost, Rebecca. "Don't Tread On Me": Reading The Dialectical Nature of Laura Linney's On Screen Performance Process.

Degree: MA, Motion Pictures (Communication), 2008, University of Miami

 Laura Linney has an extensive education and experience in performance, which has influenced her to create a well-defined methodology when she approaches new roles. She… (more)

Subjects/Keywords: Transform; Transformation; Agency; Screen; Actress; Academy Award; Actor; Performer; Film; Acting; Persona; Method; Star; Dialectical; Laura; Linney; Performance; Feminist; Female

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Provost, R. (2008). "Don't Tread On Me": Reading The Dialectical Nature of Laura Linney's On Screen Performance Process. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Provost, Rebecca. “"Don't Tread On Me": Reading The Dialectical Nature of Laura Linney's On Screen Performance Process.” 2008. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Provost, Rebecca. “"Don't Tread On Me": Reading The Dialectical Nature of Laura Linney's On Screen Performance Process.” 2008. Web. 26 Jun 2019.

Vancouver:

Provost R. "Don't Tread On Me": Reading The Dialectical Nature of Laura Linney's On Screen Performance Process. [Internet] [Thesis]. University of Miami; 2008. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Provost R. "Don't Tread On Me": Reading The Dialectical Nature of Laura Linney's On Screen Performance Process. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_theses/180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

15. Axelrod, Daryl. The Death of the Freedom Lie in The Graduate and the Mutation of the American Dream in Fear and Loathing in Las Vegas.

Degree: MA, Motion Pictures (Communication), 2008, University of Miami

 The type of commentary a narrative is able to make is fully dependant on the type of narrator who is relating it. The visual elements… (more)

Subjects/Keywords: Mike Nichols; Narrational Theory; Terry Gilliam; Visual Theory; Hunter S Thompson

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APA (6th Edition):

Axelrod, D. (2008). The Death of the Freedom Lie in The Graduate and the Mutation of the American Dream in Fear and Loathing in Las Vegas. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/178

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Axelrod, Daryl. “The Death of the Freedom Lie in The Graduate and the Mutation of the American Dream in Fear and Loathing in Las Vegas.” 2008. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/178.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Axelrod, Daryl. “The Death of the Freedom Lie in The Graduate and the Mutation of the American Dream in Fear and Loathing in Las Vegas.” 2008. Web. 26 Jun 2019.

Vancouver:

Axelrod D. The Death of the Freedom Lie in The Graduate and the Mutation of the American Dream in Fear and Loathing in Las Vegas. [Internet] [Thesis]. University of Miami; 2008. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/178.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Axelrod D. The Death of the Freedom Lie in The Graduate and the Mutation of the American Dream in Fear and Loathing in Las Vegas. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_theses/178

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

16. Craft, Kevin Ralph. Representing Work: What The Office Teaches us about Creativity and the Organization.

Degree: MA, Motion Pictures (Communication), 2008, University of Miami

 NBC?s situation comedy The Office reflects on the nature of workplace management in the 21st century. The show critiques a corporation that values conformity over… (more)

Subjects/Keywords: Rise Of The Creative Class; The Organization Man; Television Studies; Sitcom; NBC; Steve Carell; Richard Florida; William Whyte

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APA (6th Edition):

Craft, K. R. (2008). Representing Work: What The Office Teaches us about Creativity and the Organization. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Craft, Kevin Ralph. “Representing Work: What The Office Teaches us about Creativity and the Organization.” 2008. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Craft, Kevin Ralph. “Representing Work: What The Office Teaches us about Creativity and the Organization.” 2008. Web. 26 Jun 2019.

Vancouver:

Craft KR. Representing Work: What The Office Teaches us about Creativity and the Organization. [Internet] [Thesis]. University of Miami; 2008. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Craft KR. Representing Work: What The Office Teaches us about Creativity and the Organization. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_theses/130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

17. Murray, Susan. The Female Social Activist in American Cinema - A New Genre: Norma Rae, Silkwood, Erin Brockovich, and North Country.

Degree: MA, Motion Pictures (Communication), 2007, University of Miami

 This thesis proposes that the female social activist is a new genre in American cinema. The four films chosen in this paper: Norma Rae, Erin… (more)

Subjects/Keywords: Remarriage

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APA (6th Edition):

Murray, S. (2007). The Female Social Activist in American Cinema - A New Genre: Norma Rae, Silkwood, Erin Brockovich, and North Country. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/83

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murray, Susan. “The Female Social Activist in American Cinema - A New Genre: Norma Rae, Silkwood, Erin Brockovich, and North Country.” 2007. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/83.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murray, Susan. “The Female Social Activist in American Cinema - A New Genre: Norma Rae, Silkwood, Erin Brockovich, and North Country.” 2007. Web. 26 Jun 2019.

Vancouver:

Murray S. The Female Social Activist in American Cinema - A New Genre: Norma Rae, Silkwood, Erin Brockovich, and North Country. [Internet] [Thesis]. University of Miami; 2007. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/83.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray S. The Female Social Activist in American Cinema - A New Genre: Norma Rae, Silkwood, Erin Brockovich, and North Country. [Thesis]. University of Miami; 2007. Available from: https://scholarlyrepository.miami.edu/oa_theses/83

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

18. Jubis, Oscar. The Salta Trilogy of Lucrecia Martel.

Degree: MA, Motion Pictures (Communication), 2009, University of Miami

 During the past decade, Lucrecia Martel has emerged as the most respected filmmaker from South America. This thesis is motivated by my conviction that Martel's… (more)

Subjects/Keywords: Argentine Cinema; Film Criticism; Auteur Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jubis, O. (2009). The Salta Trilogy of Lucrecia Martel. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/234

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jubis, Oscar. “The Salta Trilogy of Lucrecia Martel.” 2009. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/234.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jubis, Oscar. “The Salta Trilogy of Lucrecia Martel.” 2009. Web. 26 Jun 2019.

Vancouver:

Jubis O. The Salta Trilogy of Lucrecia Martel. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/234.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jubis O. The Salta Trilogy of Lucrecia Martel. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/234

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

19. Heck, Kalling. Delusion Angels.

Degree: MA, Motion Pictures (Communication), 2009, University of Miami

 An analysis of American independent cinema from 1990 until 2007, with an emphasis on these films? relationship to the Remarriage Comedies of the 1930s and… (more)

Subjects/Keywords: Richard Linklater; Hal Hartley; Remarriage Comedy; Comedy Of Remarriage; Aaron Katz

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heck, K. (2009). Delusion Angels. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heck, Kalling. “Delusion Angels.” 2009. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heck, Kalling. “Delusion Angels.” 2009. Web. 26 Jun 2019.

Vancouver:

Heck K. Delusion Angels. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heck K. Delusion Angels. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

20. Bermudez, Pilar Aurelia. The Social Impact of "Brokeback Mountain:" A Reception Study.

Degree: MA, Motion Pictures (Communication), 2008, University of Miami

 The film "Brokeback Mountain" was released in December of 2005 into mainstream theaters and to general audiences. Director Ang Lee, screenwriters Diana Ossana and Larry… (more)

Subjects/Keywords: Brokeback Mountain; Film; Gay Cinema; Queer Cinema; Philadelphia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bermudez, P. A. (2008). The Social Impact of "Brokeback Mountain:" A Reception Study. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bermudez, Pilar Aurelia. “The Social Impact of "Brokeback Mountain:" A Reception Study.” 2008. Thesis, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_theses/125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bermudez, Pilar Aurelia. “The Social Impact of "Brokeback Mountain:" A Reception Study.” 2008. Web. 26 Jun 2019.

Vancouver:

Bermudez PA. The Social Impact of "Brokeback Mountain:" A Reception Study. [Internet] [Thesis]. University of Miami; 2008. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_theses/125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bermudez PA. The Social Impact of "Brokeback Mountain:" A Reception Study. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_theses/125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

21. Gay, Christian. Queer Threats and Abject Desires in Four Films from New American Cinema.

Degree: PhD, Motion Pictures (Communication), 2009, University of Miami

  This dissertation is an in-depth critical analysis of four American films made during the 1970s, with emphasis placed on the films' construction of gender… (more)

Subjects/Keywords: Jaws; The Shining; The Conversation; Mean Streets; Steven Spielberg; Francis Ford Coppola; Martin Scorsese; New American Cinema; Stanley Kubrick; Masculinity; Queer Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gay, C. (2009). Queer Threats and Abject Desires in Four Films from New American Cinema. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/290

Chicago Manual of Style (16th Edition):

Gay, Christian. “Queer Threats and Abject Desires in Four Films from New American Cinema.” 2009. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/290.

MLA Handbook (7th Edition):

Gay, Christian. “Queer Threats and Abject Desires in Four Films from New American Cinema.” 2009. Web. 26 Jun 2019.

Vancouver:

Gay C. Queer Threats and Abject Desires in Four Films from New American Cinema. [Internet] [Doctoral dissertation]. University of Miami; 2009. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/290.

Council of Science Editors:

Gay C. Queer Threats and Abject Desires in Four Films from New American Cinema. [Doctoral Dissertation]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/290


University of Miami

22. Richter, Nicole Marie. Our Veils Anticipate Our Shrouds: Eroticism in the Films of Catherine Breillat.

Degree: PhD, Communication Studies (Communication), 2009, University of Miami

  This dissertation is an authorship study of the controversial contemporary French film director Catherine Breillat. Using screen captures to provide visual evidence for the… (more)

Subjects/Keywords: Cinema; Feminism; Polysexuality; Adolescence; Sadomasochism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richter, N. M. (2009). Our Veils Anticipate Our Shrouds: Eroticism in the Films of Catherine Breillat. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/420

Chicago Manual of Style (16th Edition):

Richter, Nicole Marie. “Our Veils Anticipate Our Shrouds: Eroticism in the Films of Catherine Breillat.” 2009. Doctoral Dissertation, University of Miami. Accessed June 26, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/420.

MLA Handbook (7th Edition):

Richter, Nicole Marie. “Our Veils Anticipate Our Shrouds: Eroticism in the Films of Catherine Breillat.” 2009. Web. 26 Jun 2019.

Vancouver:

Richter NM. Our Veils Anticipate Our Shrouds: Eroticism in the Films of Catherine Breillat. [Internet] [Doctoral dissertation]. University of Miami; 2009. [cited 2019 Jun 26]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/420.

Council of Science Editors:

Richter NM. Our Veils Anticipate Our Shrouds: Eroticism in the Films of Catherine Breillat. [Doctoral Dissertation]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/420

.