Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for +publisher:"University of Miami" +contributor:("Raul Murciano, Jr."). Showing records 1 – 4 of 4 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University of Miami

1. Fernandez, Ernesto. From the Five-Key Flute to the Boehm Flute: Exploring Structural Differences and Recreating Idiomatic Performance Practices in Cuban Charanga-Based Genres.

Degree: DMA, Instrumental Performance (Music), 2016, University of Miami

 A historical background of the Cuban charanga dance genres and the Cuban flute tradition of the wooden five-key flute are explored, including musical terminology, instrumentation,… (more)

Subjects/Keywords: flute; charanga; Cuba; Boehm; five-key flute; methodology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fernandez, E. (2016). From the Five-Key Flute to the Boehm Flute: Exploring Structural Differences and Recreating Idiomatic Performance Practices in Cuban Charanga-Based Genres. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1578

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernandez, Ernesto. “From the Five-Key Flute to the Boehm Flute: Exploring Structural Differences and Recreating Idiomatic Performance Practices in Cuban Charanga-Based Genres.” 2016. Thesis, University of Miami. Accessed January 22, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1578.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernandez, Ernesto. “From the Five-Key Flute to the Boehm Flute: Exploring Structural Differences and Recreating Idiomatic Performance Practices in Cuban Charanga-Based Genres.” 2016. Web. 22 Jan 2020.

Vancouver:

Fernandez E. From the Five-Key Flute to the Boehm Flute: Exploring Structural Differences and Recreating Idiomatic Performance Practices in Cuban Charanga-Based Genres. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Jan 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1578.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernandez E. From the Five-Key Flute to the Boehm Flute: Exploring Structural Differences and Recreating Idiomatic Performance Practices in Cuban Charanga-Based Genres. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1578

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

2. Watson, Nathan W. Key Factors In The Evolution and Globalization of The Berimbau: How the Brazilian Musical Bow Overcame Social and Musical Limitations and Became a Global Icon of Music, Culture and Spirit.

Degree: MA, Latin American Studies (Arts and Sciences), 2017, University of Miami

  Musical instruments, many of them in the percussion family, are among the cultural goods brought across the Black Atlantic during the periods of colonization.… (more)

Subjects/Keywords: berimbau; music; brazil; capoeira; percussion; instrument

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Watson, N. W. (2017). Key Factors In The Evolution and Globalization of The Berimbau: How the Brazilian Musical Bow Overcame Social and Musical Limitations and Became a Global Icon of Music, Culture and Spirit. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/662

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watson, Nathan W. “Key Factors In The Evolution and Globalization of The Berimbau: How the Brazilian Musical Bow Overcame Social and Musical Limitations and Became a Global Icon of Music, Culture and Spirit.” 2017. Thesis, University of Miami. Accessed January 22, 2020. https://scholarlyrepository.miami.edu/oa_theses/662.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watson, Nathan W. “Key Factors In The Evolution and Globalization of The Berimbau: How the Brazilian Musical Bow Overcame Social and Musical Limitations and Became a Global Icon of Music, Culture and Spirit.” 2017. Web. 22 Jan 2020.

Vancouver:

Watson NW. Key Factors In The Evolution and Globalization of The Berimbau: How the Brazilian Musical Bow Overcame Social and Musical Limitations and Became a Global Icon of Music, Culture and Spirit. [Internet] [Thesis]. University of Miami; 2017. [cited 2020 Jan 22]. Available from: https://scholarlyrepository.miami.edu/oa_theses/662.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watson NW. Key Factors In The Evolution and Globalization of The Berimbau: How the Brazilian Musical Bow Overcame Social and Musical Limitations and Became a Global Icon of Music, Culture and Spirit. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_theses/662

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Hendricks, Jess. The Ruination of Atlantis: A Ballet for Virtual Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2010, University of Miami

  The Ruination of Atlantis is an original ballet in thirteen movements composed for prerecorded media using sampled orchestral and other instruments. The purpose of… (more)

Subjects/Keywords: MIDI; EastWest; Electronic Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hendricks, J. (2010). The Ruination of Atlantis: A Ballet for Virtual Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/402

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hendricks, Jess. “The Ruination of Atlantis: A Ballet for Virtual Orchestra.” 2010. Thesis, University of Miami. Accessed January 22, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/402.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hendricks, Jess. “The Ruination of Atlantis: A Ballet for Virtual Orchestra.” 2010. Web. 22 Jan 2020.

Vancouver:

Hendricks J. The Ruination of Atlantis: A Ballet for Virtual Orchestra. [Internet] [Thesis]. University of Miami; 2010. [cited 2020 Jan 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/402.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hendricks J. The Ruination of Atlantis: A Ballet for Virtual Orchestra. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/402

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

4. Routenberg, Scott Kevin. Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings.

Degree: DMA, Studio Music and Jazz (Music), 2008, University of Miami

  Americana Suite is a seven movement musical composition inspired by nineteenth and early twentieth century American master paintings. Representative artists from each of the… (more)

Subjects/Keywords: Sunset At Sea; Breakfast In Bed; Embrace; Home Sweet Home; Niagara; Arranger; Jazz Pianist; Composer; New York Night; Nighthawks; Nocturne; Stag At Sharkey's

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Routenberg, S. K. (2008). Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/80

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Routenberg, Scott Kevin. “Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings.” 2008. Thesis, University of Miami. Accessed January 22, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/80.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Routenberg, Scott Kevin. “Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings.” 2008. Web. 22 Jan 2020.

Vancouver:

Routenberg SK. Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings. [Internet] [Thesis]. University of Miami; 2008. [cited 2020 Jan 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/80.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Routenberg SK. Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/80

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.