Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for +publisher:"University of Miami" +contributor:("Lansing Mcloskey"). Showing records 1 – 16 of 16 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters

1. Crouch, Shawn M. Visions and Ecstasies, A Mass.

Degree: DMA, Music Theory and Composition (Music), 2016, University of Miami

 Visions and Ecstasies, A Mass was commissioned by the Saint Martha Concerts® for the Saint Martha-Yamaha Concert Series in Miami, Florida made possible by a… (more)

Subjects/Keywords: Crouch; Mass; Visions and Ecstasies; Mystic; concert mass; Early women writers in the Catholic Church

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crouch, S. M. (2016). Visions and Ecstasies, A Mass. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crouch, Shawn M. “Visions and Ecstasies, A Mass.” 2016. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crouch, Shawn M. “Visions and Ecstasies, A Mass.” 2016. Web. 08 Dec 2019.

Vancouver:

Crouch SM. Visions and Ecstasies, A Mass. [Internet] [Thesis]. University of Miami; 2016. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crouch SM. Visions and Ecstasies, A Mass. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

2. Sumareva, Maria. Extemporaneous Embellishments in J.A. Benda's Keyboard Sonatinas, Based on a Survey of Primary Sources by C.P.E. Bach and D.G. Türk.

Degree: DMA, Keyboard Performance (Music), 2016, University of Miami

 Jiří Antonín Benda’s solo keyboard works, and his thirty-five keyboard sonatinas in particular, remain largely unexplored by modern scholars, pianists, and pedagogues. This essay aims… (more)

Subjects/Keywords: Benda; Keyboard; C.P.E. Bach; Varied Reprises; Embellishments

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sumareva, M. (2016). Extemporaneous Embellishments in J.A. Benda's Keyboard Sonatinas, Based on a Survey of Primary Sources by C.P.E. Bach and D.G. Türk. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1774

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sumareva, Maria. “Extemporaneous Embellishments in J.A. Benda's Keyboard Sonatinas, Based on a Survey of Primary Sources by C.P.E. Bach and D.G. Türk.” 2016. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1774.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sumareva, Maria. “Extemporaneous Embellishments in J.A. Benda's Keyboard Sonatinas, Based on a Survey of Primary Sources by C.P.E. Bach and D.G. Türk.” 2016. Web. 08 Dec 2019.

Vancouver:

Sumareva M. Extemporaneous Embellishments in J.A. Benda's Keyboard Sonatinas, Based on a Survey of Primary Sources by C.P.E. Bach and D.G. Türk. [Internet] [Thesis]. University of Miami; 2016. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1774.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sumareva M. Extemporaneous Embellishments in J.A. Benda's Keyboard Sonatinas, Based on a Survey of Primary Sources by C.P.E. Bach and D.G. Türk. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1774

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

3. Piccolotto de Lima, Rafael. Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music.

Degree: DMA, Studio Music and Jazz (Music), 2017, University of Miami

 Categorizations are very necessary as shortcuts to facilitate teaching, academic discourse, and for publicizing, but they are also very dangerous in the attempt to put… (more)

Subjects/Keywords: third stream; composition; jazz; classical; orchestra; crossover

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Piccolotto de Lima, R. (2017). Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Piccolotto de Lima, Rafael. “Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music.” 2017. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Piccolotto de Lima, Rafael. “Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music.” 2017. Web. 08 Dec 2019.

Vancouver:

Piccolotto de Lima R. Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music. [Internet] [Thesis]. University of Miami; 2017. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piccolotto de Lima R. Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

4. Mensink, Nathan Benjamin. Dale Underwood: "Heifetz of the Alto Saxophone".

Degree: DMA, Instrumental Performance (Music), 2017, University of Miami

  The purpose of this project is to document the extensive performing career of Dale Underwood during his tenure as Navy Band saxophone soloist. Through… (more)

Subjects/Keywords: Dale Underwood; Alto Saxophone; Navy Concert Band; Saxophone Solo; Fantasia

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mensink, N. B. (2017). Dale Underwood: "Heifetz of the Alto Saxophone". (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mensink, Nathan Benjamin. “Dale Underwood: "Heifetz of the Alto Saxophone".” 2017. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mensink, Nathan Benjamin. “Dale Underwood: "Heifetz of the Alto Saxophone".” 2017. Web. 08 Dec 2019.

Vancouver:

Mensink NB. Dale Underwood: "Heifetz of the Alto Saxophone". [Internet] [Thesis]. University of Miami; 2017. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mensink NB. Dale Underwood: "Heifetz of the Alto Saxophone". [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Yates, Richard George, III. The Undelivered: A Paul Robeson Chamber Opera.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  In this essay, I describe my new chamber opera about Paul Robeson, The Undelivered. Scored for six singers and seven instrumentalists, the opera’s duration… (more)

Subjects/Keywords: Paul Robeson; HUAC; Opera; Chamber Opera

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yates, Richard George, I. (2015). The Undelivered: A Paul Robeson Chamber Opera. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yates, Richard George, III. “The Undelivered: A Paul Robeson Chamber Opera.” 2015. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yates, Richard George, III. “The Undelivered: A Paul Robeson Chamber Opera.” 2015. Web. 08 Dec 2019.

Vancouver:

Yates, Richard George I. The Undelivered: A Paul Robeson Chamber Opera. [Internet] [Thesis]. University of Miami; 2015. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yates, Richard George I. The Undelivered: A Paul Robeson Chamber Opera. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

6. Taylor, Matthew Evan. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  The "Warrior's Wives" is a tragic opera in two acts that tells the stories of three women – Ikuku, Imiri, and Oku – married… (more)

Subjects/Keywords: opera; chamber opera; tragedy; destiny

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, M. E. (2015). The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, Matthew Evan. “The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.” 2015. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, Matthew Evan. “The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.” 2015. Web. 08 Dec 2019.

Vancouver:

Taylor ME. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. [Internet] [Thesis]. University of Miami; 2015. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor ME. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Dickinson, Daniel P. Blue Skies: An Interactive Soundscape Composition.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Blue Skies is a site-specific interactive soundscape composition that integrates live musicians and algorithmic improvisation into a sound installation that reacts to changing environmental… (more)

Subjects/Keywords: soundscape composition; interactive composition; algorithmic composition; improvisation; acoustic ecology

…12! Example 2.4. Melody of the University of Miami clock tower… …describes the first instance of the piece, intended for performance at the University of Miami in… …each of which is intended for a particular site. UM2012 University of Miami Instance X… …Skies, the site is located at the University of Miami campus in Coral Gables, Florida, USA… …intuitive process.8 University of Miami March 2012 Instance As discussed earlier in this paper… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dickinson, D. P. (2012). Blue Skies: An Interactive Soundscape Composition. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Web. 08 Dec 2019.

Vancouver:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Moore, Lawrence W. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Hawking Sonified is a piece composed in homage to the great cosmologist and theoretical physicist, Stephen Hawking. The piece is a four movement work… (more)

Subjects/Keywords: Stephen Hawking; Pattern Pulse Minimalism; Steve Reich; Paul Lansk; Trevor Wishart

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moore, L. W. (2012). Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Lawrence W. “Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.” 2012. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Lawrence W. “Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.” 2012. Web. 08 Dec 2019.

Vancouver:

Moore LW. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore LW. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Kraevska, Sofia. Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements.

Degree: DMA, Music Theory and Composition (Music), 2009, University of Miami

  Terra Mirabilis is a three-movement musical composition for symphony orchestra with piano solo inspired by natural landscapes photographed by the composer. The three movement… (more)

Subjects/Keywords: Igor Stravinsky; Alexander Scriabin; Ottorino Respighi; Olivier Messiaen; Oceanus; Nocturne; Orchestral Mock-ups; Terra Mirabilis; Garritan Personal Orchestra; Sofia Tytar; Jean-Paul Sevilla; Jacques Bernier; Carpathian Folk Melody; Symbolic Use Of Orchestration; Programmatic Piece; Scott Routenberg; The Mists; Music Based On Composer's Images; Music Inspired By Landscapes; Representational Symphonic Work; Orchestra With Piano Solo; Music Inspired By Images

…with ease. After having conducted and recorded a reading of Nocturne with the University of… …Miami Frost Symphony Orchestra in May of 2008, I continued writing The Mists, followed lastly… 

Page 1 Page 2 Page 3 Page 4 Page 5

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kraevska, S. (2009). Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kraevska, Sofia. “Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements.” 2009. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kraevska, Sofia. “Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements.” 2009. Web. 08 Dec 2019.

Vancouver:

Kraevska S. Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kraevska S. Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Hendricks, Jess. The Ruination of Atlantis: A Ballet for Virtual Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2010, University of Miami

  The Ruination of Atlantis is an original ballet in thirteen movements composed for prerecorded media using sampled orchestral and other instruments. The purpose of… (more)

Subjects/Keywords: MIDI; EastWest; Electronic Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hendricks, J. (2010). The Ruination of Atlantis: A Ballet for Virtual Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/402

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hendricks, Jess. “The Ruination of Atlantis: A Ballet for Virtual Orchestra.” 2010. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/402.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hendricks, Jess. “The Ruination of Atlantis: A Ballet for Virtual Orchestra.” 2010. Web. 08 Dec 2019.

Vancouver:

Hendricks J. The Ruination of Atlantis: A Ballet for Virtual Orchestra. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/402.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hendricks J. The Ruination of Atlantis: A Ballet for Virtual Orchestra. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/402

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Seigido, Liza. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

 Missa della Grande Transizione is a twenty-two minute electro-acoustic nuptial Mass for live processed voice, and stereographic video—using red-blue 3D glasses. The stereographic video backdrop… (more)

Subjects/Keywords: electronic music; electro-acoustic music; multimedia composition; processed voice; stereographic video; new music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seigido, L. (2012). Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Web. 08 Dec 2019.

Vancouver:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Salvati, Alessandra. Tektosyne Three Architectures for Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Tektosyne is a collection of three pieces for symphonic orchestra. This thesis provides an aesthetic and technical analysis of it, with particular emphasis on… (more)

Subjects/Keywords: tektosyne; alessandra salvati; intercolumnia; temenos; entasis; three architectures for orchestra

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Salvati, A. (2012). Tektosyne Three Architectures for Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salvati, Alessandra. “Tektosyne Three Architectures for Orchestra.” 2012. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salvati, Alessandra. “Tektosyne Three Architectures for Orchestra.” 2012. Web. 08 Dec 2019.

Vancouver:

Salvati A. Tektosyne Three Architectures for Orchestra. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salvati A. Tektosyne Three Architectures for Orchestra. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

13. Dickinson, Daniel P. Papaya Whip.

Degree: MM, Music Theory and Composition (Music), 2009, University of Miami

  Papaya Whip is an original composition for orchestra in one movement. The accompanying paper discusses the evolution of the piece followed by an analysis… (more)

Subjects/Keywords: Tonality; Rhythm; Compositional Method; Youth Orchestra; Orchestra

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dickinson, D. P. (2009). Papaya Whip. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Daniel P. “Papaya Whip.” 2009. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_theses/193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Daniel P. “Papaya Whip.” 2009. Web. 08 Dec 2019.

Vancouver:

Dickinson DP. Papaya Whip. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_theses/193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson DP. Papaya Whip. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

14. Bonacossa, Federico. Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog.

Degree: DMA, Instrumental Performance (Music), 2009, University of Miami

  This essay came about as a result of the desire to study and collect the guitar music of Franco Margola. Franco Margola composed over… (more)

Subjects/Keywords: Italian Music; Guitar; Franco Margola

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bonacossa, F. (2009). Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bonacossa, Federico. “Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog.” 2009. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bonacossa, Federico. “Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog.” 2009. Web. 08 Dec 2019.

Vancouver:

Bonacossa F. Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bonacossa F. Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

15. Claassen, Andrew Robertson. After the Towers Fell: Musical Responses to 9/11.

Degree: MM, Musicology (Music), 2009, University of Miami

  The tragic and devastating September 11 attacks resulted in a variety of original musical responses. Exemplary works expressed their reactions through overt 9/11-concentric dialogues… (more)

Subjects/Keywords: September 11; 9/11; Ground Zero; World Trade Center; Twin Towers; September 11 2001; September 11 Attacks; Terrorism; Terrorist; Musical Responses; Vengeance; Retribution; Military; Patriotic; Dissent; Political; Protest; Commemorative; Mourning; Vietnam War; Pearl Harbor; Hip-hop; Rap; Popular Music; Pop; Country Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Claassen, A. R. (2009). After the Towers Fell: Musical Responses to 9/11. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Claassen, Andrew Robertson. “After the Towers Fell: Musical Responses to 9/11.” 2009. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_theses/204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Claassen, Andrew Robertson. “After the Towers Fell: Musical Responses to 9/11.” 2009. Web. 08 Dec 2019.

Vancouver:

Claassen AR. After the Towers Fell: Musical Responses to 9/11. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_theses/204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Claassen AR. After the Towers Fell: Musical Responses to 9/11. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

16. Simpson, Robert R. Prägnanz for Orchestra.

Degree: MM, Music Theory and Composition (Music), 2008, University of Miami

  Prägnanz is a single movement composition for orchestra. This composition reflects the influence of minimalist composers such as Phillip Glass and Steve Reich. The… (more)

Subjects/Keywords: Pattern-pulse Music; Post-minimalism; Minimalism; Tonality By Assertion; Neotonality; Phasing; Additive Process; Music Inspired By Glass; Music Inspired By Reich; Prägnanz; Composition; Orchestra

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Simpson, R. R. (2008). Prägnanz for Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Simpson, Robert R. “Prägnanz for Orchestra.” 2008. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_theses/172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Simpson, Robert R. “Prägnanz for Orchestra.” 2008. Web. 08 Dec 2019.

Vancouver:

Simpson RR. Prägnanz for Orchestra. [Internet] [Thesis]. University of Miami; 2008. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_theses/172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Simpson RR. Prägnanz for Orchestra. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_theses/172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.