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You searched for +publisher:"University of Miami" +contributor:("Dennis Kam"). Showing records 1 – 30 of 35 total matches.

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1. Manoiu, Daniel. Pangenesis for Piano and Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2013, University of Miami

  Pangenesis is a composition for piano and orchestra in two movements that was created using several conceptual ideas: multi-layered horizontal pitch organization, additive and… (more)

Subjects/Keywords: piano; orchestra; pangenesis; concerto; inheritance models; mendel; manoiu

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APA (6th Edition):

Manoiu, D. (2013). Pangenesis for Piano and Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1007

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Manoiu, Daniel. “Pangenesis for Piano and Orchestra.” 2013. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1007.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Manoiu, Daniel. “Pangenesis for Piano and Orchestra.” 2013. Web. 10 Dec 2019.

Vancouver:

Manoiu D. Pangenesis for Piano and Orchestra. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1007.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Manoiu D. Pangenesis for Piano and Orchestra. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1007

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Tantikarn, Noppawan. A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2.

Degree: DMA, Keyboard Performance (Music), 2013, University of Miami

 The theme of this paper concerns the life and times of Alexander Siloti—a leading Russian pianist and pedagogue of the late-nineteenth and early-twentieth century. The… (more)

Subjects/Keywords: Biography; Pianist; Piano pedagogue; Alexander Siloti; Liszt’s Piano Concerto No. 2

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APA (6th Edition):

Tantikarn, N. (2013). A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/989

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tantikarn, Noppawan. “A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2.” 2013. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/989.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tantikarn, Noppawan. “A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2.” 2013. Web. 10 Dec 2019.

Vancouver:

Tantikarn N. A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/989.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tantikarn N. A Biographical Overview of Pianist-pedagogue Alexander Siloti and His Revision of Liszt’s Piano Concerto No. 2. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/989

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Pailodze, Liana. The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion.

Degree: DMA, Keyboard Performance (Music), 2013, University of Miami

 Widely recognized in Argentina as the nation’s quintessential standard piano work, Alberto Ginastera’s Piano Sonata No. 1, Op. 22 has long been an integral part… (more)

Subjects/Keywords: arrangement; Ginastera; sonata; percussion; pailodze

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APA (6th Edition):

Pailodze, L. (2013). The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pailodze, Liana. “The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion.” 2013. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pailodze, Liana. “The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion.” 2013. Web. 10 Dec 2019.

Vancouver:

Pailodze L. The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pailodze L. The Arrangement of Alberto Ginastera's Piano Sonata No. 1, Op. 22 for Piano and Percussion. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Sie, Renny. Francis Poulenc's "Huit Nocturnes" for Piano: A Performer's Guide.

Degree: DMA, Keyboard Performance (Music), 2013, University of Miami

 Although more famous for his vocal songs, French composer Francis Poulenc (1899-1963) contributed immensely to keyboard literature. Unfortunately, his works for solo piano are rarely… (more)

Subjects/Keywords: solo piano; piano; francis poulenc; french; neo-classical; nocturnes; huit nocturnes

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APA (6th Edition):

Sie, R. (2013). Francis Poulenc's "Huit Nocturnes" for Piano: A Performer's Guide. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sie, Renny. “Francis Poulenc's "Huit Nocturnes" for Piano: A Performer's Guide.” 2013. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sie, Renny. “Francis Poulenc's "Huit Nocturnes" for Piano: A Performer's Guide.” 2013. Web. 10 Dec 2019.

Vancouver:

Sie R. Francis Poulenc's "Huit Nocturnes" for Piano: A Performer's Guide. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/990.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sie R. Francis Poulenc's "Huit Nocturnes" for Piano: A Performer's Guide. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/990

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Kamnirdratana, Phuttaraksa. Reinhold Gliere's Concerto for Harp and Orchestra in E-Flat Major Op.74: An Analysis and Performance Guide.

Degree: DMA, Instrumental Performance (Music), 2012, University of Miami

 The purpose of this study is to thoroughly analyze the harp concerto by Reinhold Gliere and to create a performance guide. The present essay contains… (more)

Subjects/Keywords: Harp; Harp Concerto; Reinhold Gliere; Performance Guide; Concerto for Harp and Orchestra

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APA (6th Edition):

Kamnirdratana, P. (2012). Reinhold Gliere's Concerto for Harp and Orchestra in E-Flat Major Op.74: An Analysis and Performance Guide. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/904

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kamnirdratana, Phuttaraksa. “Reinhold Gliere's Concerto for Harp and Orchestra in E-Flat Major Op.74: An Analysis and Performance Guide.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/904.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kamnirdratana, Phuttaraksa. “Reinhold Gliere's Concerto for Harp and Orchestra in E-Flat Major Op.74: An Analysis and Performance Guide.” 2012. Web. 10 Dec 2019.

Vancouver:

Kamnirdratana P. Reinhold Gliere's Concerto for Harp and Orchestra in E-Flat Major Op.74: An Analysis and Performance Guide. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/904.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kamnirdratana P. Reinhold Gliere's Concerto for Harp and Orchestra in E-Flat Major Op.74: An Analysis and Performance Guide. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/904

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Seigido, Liza. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

 Missa della Grande Transizione is a twenty-two minute electro-acoustic nuptial Mass for live processed voice, and stereographic video—using red-blue 3D glasses. The stereographic video backdrop… (more)

Subjects/Keywords: electronic music; electro-acoustic music; multimedia composition; processed voice; stereographic video; new music

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APA (6th Edition):

Seigido, L. (2012). Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Web. 10 Dec 2019.

Vancouver:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Salvati, Alessandra. Tektosyne Three Architectures for Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Tektosyne is a collection of three pieces for symphonic orchestra. This thesis provides an aesthetic and technical analysis of it, with particular emphasis on… (more)

Subjects/Keywords: tektosyne; alessandra salvati; intercolumnia; temenos; entasis; three architectures for orchestra

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APA (6th Edition):

Salvati, A. (2012). Tektosyne Three Architectures for Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salvati, Alessandra. “Tektosyne Three Architectures for Orchestra.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salvati, Alessandra. “Tektosyne Three Architectures for Orchestra.” 2012. Web. 10 Dec 2019.

Vancouver:

Salvati A. Tektosyne Three Architectures for Orchestra. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salvati A. Tektosyne Three Architectures for Orchestra. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Dickinson, Daniel P. Blue Skies: An Interactive Soundscape Composition.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Blue Skies is a site-specific interactive soundscape composition that integrates live musicians and algorithmic improvisation into a sound installation that reacts to changing environmental… (more)

Subjects/Keywords: soundscape composition; interactive composition; algorithmic composition; improvisation; acoustic ecology

…12! Example 2.4. Melody of the University of Miami clock tower… …describes the first instance of the piece, intended for performance at the University of Miami in… …each of which is intended for a particular site. UM2012 University of Miami Instance X… …Skies, the site is located at the University of Miami campus in Coral Gables, Florida, USA… …intuitive process.8 University of Miami March 2012 Instance As discussed earlier in this paper… 

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APA (6th Edition):

Dickinson, D. P. (2012). Blue Skies: An Interactive Soundscape Composition. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Web. 10 Dec 2019.

Vancouver:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Hersey, Anna Christine. Swedish Art Song: A Singer’s Handbook to Diction and Repertoire.

Degree: DMA, Musicology (Music), 2012, University of Miami

 This essay is a guide to Swedish lyric diction for American singers. An overview of the linguistic traits and basic grammar of the Swedish language… (more)

Subjects/Keywords: Swedish; art song; romans; lyric diction; phonetics; repertoire

…Karen Kennedy, and Dennis Kam for their careful review of this document and ongoing… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Hersey, A. C. (2012). Swedish Art Song: A Singer’s Handbook to Diction and Repertoire. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/774

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hersey, Anna Christine. “Swedish Art Song: A Singer’s Handbook to Diction and Repertoire.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/774.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hersey, Anna Christine. “Swedish Art Song: A Singer’s Handbook to Diction and Repertoire.” 2012. Web. 10 Dec 2019.

Vancouver:

Hersey AC. Swedish Art Song: A Singer’s Handbook to Diction and Repertoire. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/774.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hersey AC. Swedish Art Song: A Singer’s Handbook to Diction and Repertoire. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/774

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Su, Chen-Wen. A New American School of String Playing – A Comparison of the O’Connor Violin Method and the Suzuki Violin Method.

Degree: DMA, Instrumental Performance (Music), 2012, University of Miami

 The purpose of this essay is to introduce a new American school of string playing – the O’Connor Violin Method and to compare it with… (more)

Subjects/Keywords: the O'Connor Method

…grateful to the other members of my committee, Dr. Dennis Kam, Professor Ross T. Harbaugh, and… 

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APA (6th Edition):

Su, C. (2012). A New American School of String Playing – A Comparison of the O’Connor Violin Method and the Suzuki Violin Method. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/782

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Su, Chen-Wen. “A New American School of String Playing – A Comparison of the O’Connor Violin Method and the Suzuki Violin Method.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/782.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Su, Chen-Wen. “A New American School of String Playing – A Comparison of the O’Connor Violin Method and the Suzuki Violin Method.” 2012. Web. 10 Dec 2019.

Vancouver:

Su C. A New American School of String Playing – A Comparison of the O’Connor Violin Method and the Suzuki Violin Method. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/782.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Su C. A New American School of String Playing – A Comparison of the O’Connor Violin Method and the Suzuki Violin Method. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/782

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

11. Bernstein, Frank Chadwyck. The Effectiveness of Music Mentoring for At-Risk Youth in Middle School: Implementation and Assessment of the GOGO Program.

Degree: DMA, Studio Music and Jazz (Music), 2012, University of Miami

  Guitars Over Guns Organization, Inc. (GOGO) is a 501c3 not-for-profit mentoring-based music education program co-founded by prominent South Florida jazz trombonist Frank Chadwyck (Chad)… (more)

Subjects/Keywords: Music; Mentoring; Music Mentoring; At-Risk; Youth; At-Risk Youth; Middle School; Education; Program; Assessment; Implementation

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APA (6th Edition):

Bernstein, F. C. (2012). The Effectiveness of Music Mentoring for At-Risk Youth in Middle School: Implementation and Assessment of the GOGO Program. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bernstein, Frank Chadwyck. “The Effectiveness of Music Mentoring for At-Risk Youth in Middle School: Implementation and Assessment of the GOGO Program.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bernstein, Frank Chadwyck. “The Effectiveness of Music Mentoring for At-Risk Youth in Middle School: Implementation and Assessment of the GOGO Program.” 2012. Web. 10 Dec 2019.

Vancouver:

Bernstein FC. The Effectiveness of Music Mentoring for At-Risk Youth in Middle School: Implementation and Assessment of the GOGO Program. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bernstein FC. The Effectiveness of Music Mentoring for At-Risk Youth in Middle School: Implementation and Assessment of the GOGO Program. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

12. Johnston, Bruce Hurley. Concerto Blue, for Classical Guitar.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Concerto Blue is a three-movement concerto for classical guitar and medium-sized orchestra. Aesthetic considerations of this piece involve taking essential ingredients that define the… (more)

Subjects/Keywords: Classical Guitar; Concerto; Blues Guitar; Postmodern

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APA (6th Edition):

Johnston, B. H. (2012). Concerto Blue, for Classical Guitar. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Web. 10 Dec 2019.

Vancouver:

Johnston BH. Concerto Blue, for Classical Guitar. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnston BH. Concerto Blue, for Classical Guitar. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Fleming-DeBerger, Rachelle. Guidelines and Criteria to Assess Singing and Music Training in Baccalaureate Music Theater Programs.

Degree: DMA, Vocal Performance (Music), 2011, University of Miami

 Within the last twenty years there have been a growing number of prospective students interested in pursuing musical theater (MT) training in colleges and universities… (more)

Subjects/Keywords: music theater; CCM; college students; colleges and universities; training programs; music instruction; music curriculum

…Performance at the Frost School of Music, University of Miami, discusses teaching requirements for… …degree program at the University of Miami 8 John Bell and Steven R. Chicurel, Music Theory for… …Teachers of Classical Voice,” (DMA essay, University of Miami, 2004), 2. 20 Susan D… …Teachers of Classical Voice,” (DMA essay, University of Miami, 2004), 3; Edrie Means… 

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APA (6th Edition):

Fleming-DeBerger, R. (2011). Guidelines and Criteria to Assess Singing and Music Training in Baccalaureate Music Theater Programs. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/688

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fleming-DeBerger, Rachelle. “Guidelines and Criteria to Assess Singing and Music Training in Baccalaureate Music Theater Programs.” 2011. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/688.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fleming-DeBerger, Rachelle. “Guidelines and Criteria to Assess Singing and Music Training in Baccalaureate Music Theater Programs.” 2011. Web. 10 Dec 2019.

Vancouver:

Fleming-DeBerger R. Guidelines and Criteria to Assess Singing and Music Training in Baccalaureate Music Theater Programs. [Internet] [Thesis]. University of Miami; 2011. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/688.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fleming-DeBerger R. Guidelines and Criteria to Assess Singing and Music Training in Baccalaureate Music Theater Programs. [Thesis]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/688

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

14. Greene, Mary Emily. Before the Champions: Frederick Delius' Florida Suite for Orchestra.

Degree: MM, Music Theory and Composition (Music), 2011, University of Miami

  Frederick Delius’ music never appealed to the masses, but rather found ardent support in a devoted few. This trend of select championship was predicted,… (more)

Subjects/Keywords: Frederick Delius; Florida Suite

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APA (6th Edition):

Greene, M. E. (2011). Before the Champions: Frederick Delius' Florida Suite for Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Greene, Mary Emily. “Before the Champions: Frederick Delius' Florida Suite for Orchestra.” 2011. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_theses/248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Greene, Mary Emily. “Before the Champions: Frederick Delius' Florida Suite for Orchestra.” 2011. Web. 10 Dec 2019.

Vancouver:

Greene ME. Before the Champions: Frederick Delius' Florida Suite for Orchestra. [Internet] [Thesis]. University of Miami; 2011. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_theses/248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Greene ME. Before the Champions: Frederick Delius' Florida Suite for Orchestra. [Thesis]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_theses/248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

15. White, Matthew Steven. Visualization in Jazz Improvisation.

Degree: DMA, Studio Music and Jazz (Music), 2011, University of Miami

  Three prominent jazz trumpeters, who cite visual experiences of colors, shapes, contours, or transcription – elements not directly related to the aural information typically… (more)

Subjects/Keywords: Improvisation; Jazz; Visualization

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APA (6th Edition):

White, M. S. (2011). Visualization in Jazz Improvisation. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/561

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

White, Matthew Steven. “Visualization in Jazz Improvisation.” 2011. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/561.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

White, Matthew Steven. “Visualization in Jazz Improvisation.” 2011. Web. 10 Dec 2019.

Vancouver:

White MS. Visualization in Jazz Improvisation. [Internet] [Thesis]. University of Miami; 2011. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/561.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White MS. Visualization in Jazz Improvisation. [Thesis]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/561

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Ferrell, Matthew August. Perspectives on Choral and Solo Singing: EnhancingCommunication Between Choral Conductors and Voice Teachers.

Degree: DMA, Vocal Performance (Music), 2010, University of Miami

  Concepts of choral and solo singing diverge among the masses of pedagogues, teachers, and conductors who have differing opinions about healthy vocal technique and… (more)

Subjects/Keywords: Choral; Conductors; Voice; Teachers; Solo; Singing; Communication; Vibrato; Conflict; Vocal; Adjustments; Problems

University of Miami Scholarly Repository Open Access Dissertations Electronic Theses… …Communication Between Choral Conductors and Voice Teachers Matthew August Ferrell University of Miami… …Repository. For more information, please contact [email protected] UNIVERSITY OF MIAMI… …UNIVERSITY OF MIAMI A doctoral essay submitted in partial fulfillment of the requirements for the… …University of Miami. Doctoral essay supervised by Professor Dean Southern. No. of pages in text… 

Page 1 Page 2 Page 3 Page 4 Page 5

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APA (6th Edition):

Ferrell, M. A. (2010). Perspectives on Choral and Solo Singing: EnhancingCommunication Between Choral Conductors and Voice Teachers. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ferrell, Matthew August. “Perspectives on Choral and Solo Singing: EnhancingCommunication Between Choral Conductors and Voice Teachers.” 2010. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ferrell, Matthew August. “Perspectives on Choral and Solo Singing: EnhancingCommunication Between Choral Conductors and Voice Teachers.” 2010. Web. 10 Dec 2019.

Vancouver:

Ferrell MA. Perspectives on Choral and Solo Singing: EnhancingCommunication Between Choral Conductors and Voice Teachers. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ferrell MA. Perspectives on Choral and Solo Singing: EnhancingCommunication Between Choral Conductors and Voice Teachers. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Hendricks, Jess. The Ruination of Atlantis: A Ballet for Virtual Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2010, University of Miami

  The Ruination of Atlantis is an original ballet in thirteen movements composed for prerecorded media using sampled orchestral and other instruments. The purpose of… (more)

Subjects/Keywords: MIDI; EastWest; Electronic Music

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APA (6th Edition):

Hendricks, J. (2010). The Ruination of Atlantis: A Ballet for Virtual Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/402

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hendricks, Jess. “The Ruination of Atlantis: A Ballet for Virtual Orchestra.” 2010. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/402.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hendricks, Jess. “The Ruination of Atlantis: A Ballet for Virtual Orchestra.” 2010. Web. 10 Dec 2019.

Vancouver:

Hendricks J. The Ruination of Atlantis: A Ballet for Virtual Orchestra. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/402.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hendricks J. The Ruination of Atlantis: A Ballet for Virtual Orchestra. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/402

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

18. Flynn, Michael Patrick. Trumpet Music of David Sampson: A Performer's Guide to "Breakaway," "Passage," and "Triptych".

Degree: DMA, Instrumental Performance (Music), 2010, University of Miami

  The purpose of this study is to create a performer's guide for three separate pieces written by David Sampson. The first piece, Breakaway, is… (more)

Subjects/Keywords: Michael Flynn; Craig Morris; Passage; Triptych; Performance Practice; Breakaway; David Sampson; Performer's Guide; Trumpet Analysis; Trumpet; Trumpet Performance

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APA (6th Edition):

Flynn, M. P. (2010). Trumpet Music of David Sampson: A Performer's Guide to "Breakaway," "Passage," and "Triptych". (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/401

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flynn, Michael Patrick. “Trumpet Music of David Sampson: A Performer's Guide to "Breakaway," "Passage," and "Triptych".” 2010. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/401.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flynn, Michael Patrick. “Trumpet Music of David Sampson: A Performer's Guide to "Breakaway," "Passage," and "Triptych".” 2010. Web. 10 Dec 2019.

Vancouver:

Flynn MP. Trumpet Music of David Sampson: A Performer's Guide to "Breakaway," "Passage," and "Triptych". [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/401.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flynn MP. Trumpet Music of David Sampson: A Performer's Guide to "Breakaway," "Passage," and "Triptych". [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/401

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

19. Domenica, Mary Alice. The Elements of American Vernacular in Three Selected Chamber Works of Libby Larsen: Holy Roller; Barn Dances; and Trio for Piano and Strings.

Degree: DMA, Keyboard Performance (Music), 2010, University of Miami

  The focus of this essay is a discussion of Libby Larsen's relationship with American vernacular musical expression in her piano chamber music works. This… (more)

Subjects/Keywords: Gospel Music; Azusa Street Revival; Square Dances; Cowboy Songs; Bebop; Film Noir; Fusion; Interview With Libby Larsen

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APA (6th Edition):

Domenica, M. A. (2010). The Elements of American Vernacular in Three Selected Chamber Works of Libby Larsen: Holy Roller; Barn Dances; and Trio for Piano and Strings. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Domenica, Mary Alice. “The Elements of American Vernacular in Three Selected Chamber Works of Libby Larsen: Holy Roller; Barn Dances; and Trio for Piano and Strings.” 2010. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Domenica, Mary Alice. “The Elements of American Vernacular in Three Selected Chamber Works of Libby Larsen: Holy Roller; Barn Dances; and Trio for Piano and Strings.” 2010. Web. 10 Dec 2019.

Vancouver:

Domenica MA. The Elements of American Vernacular in Three Selected Chamber Works of Libby Larsen: Holy Roller; Barn Dances; and Trio for Piano and Strings. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Domenica MA. The Elements of American Vernacular in Three Selected Chamber Works of Libby Larsen: Holy Roller; Barn Dances; and Trio for Piano and Strings. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

20. Wang, Chien-Wei. Examples of Extended Techniques in Twentieth-Century Piano Etudes by Selected Pianist-Composers.

Degree: DMA, Keyboard Performance (Music), 2010, University of Miami

  This essay illustrates the principal technical and compositional innovations in the piano literature of the twentieth century, through an examination of the piano etudes… (more)

Subjects/Keywords: Twentieth-Century

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APA (6th Edition):

Wang, C. (2010). Examples of Extended Techniques in Twentieth-Century Piano Etudes by Selected Pianist-Composers. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Chien-Wei. “Examples of Extended Techniques in Twentieth-Century Piano Etudes by Selected Pianist-Composers.” 2010. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Chien-Wei. “Examples of Extended Techniques in Twentieth-Century Piano Etudes by Selected Pianist-Composers.” 2010. Web. 10 Dec 2019.

Vancouver:

Wang C. Examples of Extended Techniques in Twentieth-Century Piano Etudes by Selected Pianist-Composers. [Internet] [Thesis]. University of Miami; 2010. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang C. Examples of Extended Techniques in Twentieth-Century Piano Etudes by Selected Pianist-Composers. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

21. Leitão, Simone Azevedo. Heitor Villa-Lobos's Mômoprecóce Fantasy for Piano and Orchestra (1919-1929): An Historical, Stylistic, and Interpretative Study.

Degree: DMA, Keyboard Performance (Music), 2009, University of Miami

  The life and works of the Brazilian composer Heitor Villa-Lobos (1887-1959) have been well documented. However, a comprehensive study concerning any of his nine… (more)

Subjects/Keywords: Brazilian Music; 20th Century Piano Music.

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APA (6th Edition):

Leitão, S. A. (2009). Heitor Villa-Lobos's Mômoprecóce Fantasy for Piano and Orchestra (1919-1929): An Historical, Stylistic, and Interpretative Study. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leitão, Simone Azevedo. “Heitor Villa-Lobos's Mômoprecóce Fantasy for Piano and Orchestra (1919-1929): An Historical, Stylistic, and Interpretative Study.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leitão, Simone Azevedo. “Heitor Villa-Lobos's Mômoprecóce Fantasy for Piano and Orchestra (1919-1929): An Historical, Stylistic, and Interpretative Study.” 2009. Web. 10 Dec 2019.

Vancouver:

Leitão SA. Heitor Villa-Lobos's Mômoprecóce Fantasy for Piano and Orchestra (1919-1929): An Historical, Stylistic, and Interpretative Study. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leitão SA. Heitor Villa-Lobos's Mômoprecóce Fantasy for Piano and Orchestra (1919-1929): An Historical, Stylistic, and Interpretative Study. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

22. Wang, Shen. Basic Preparation for Oboe Auditionsby Using Selected Oboe Excerpts.

Degree: DMA, Instrumental Performance (Music), 2009, University of Miami

  This essay describes basic preparation techniques for oboe auditions through examples demonstrated in selected oboe excerpts. The application of these methods in the selected… (more)

Subjects/Keywords: Audition Preparation; Oboe

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APA (6th Edition):

Wang, S. (2009). Basic Preparation for Oboe Auditionsby Using Selected Oboe Excerpts. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/314

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Shen. “Basic Preparation for Oboe Auditionsby Using Selected Oboe Excerpts.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/314.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Shen. “Basic Preparation for Oboe Auditionsby Using Selected Oboe Excerpts.” 2009. Web. 10 Dec 2019.

Vancouver:

Wang S. Basic Preparation for Oboe Auditionsby Using Selected Oboe Excerpts. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/314.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang S. Basic Preparation for Oboe Auditionsby Using Selected Oboe Excerpts. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/314

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

23. Mortyakova, Julia Vladimirovna. Existential Piano Teacher: The Application of Jean-Paul Sartre's Philosophy to Piano Instruction In a Higher Educational Setting.

Degree: DMA, Keyboard Performance (Music), 2009, University of Miami

  This essay uses existential ideas of Jean-Paul Sartre to provide a philosophy of college piano performance teaching which includes awareness of freedom, abandonment and… (more)

Subjects/Keywords: Abandonment; Responsibility; Freedom; Existentialism Is A Humanism; Choice; Philosophy Of Performance; Being And Nothingness; Application Of Philosophy; Private Piano Teaching; Higher Education Philosophy; Piano; Music; Education Philosophy; Music Education Philosophy; Music Philosophy; College Students; College Professors; Piano Students; Jean-Paul Sartre; Existentialism; Performance Art; Higher Education Philosophy; Piano Students; Piano Teaching; Piano Performance

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APA (6th Edition):

Mortyakova, J. V. (2009). Existential Piano Teacher: The Application of Jean-Paul Sartre's Philosophy to Piano Instruction In a Higher Educational Setting. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mortyakova, Julia Vladimirovna. “Existential Piano Teacher: The Application of Jean-Paul Sartre's Philosophy to Piano Instruction In a Higher Educational Setting.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mortyakova, Julia Vladimirovna. “Existential Piano Teacher: The Application of Jean-Paul Sartre's Philosophy to Piano Instruction In a Higher Educational Setting.” 2009. Web. 10 Dec 2019.

Vancouver:

Mortyakova JV. Existential Piano Teacher: The Application of Jean-Paul Sartre's Philosophy to Piano Instruction In a Higher Educational Setting. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mortyakova JV. Existential Piano Teacher: The Application of Jean-Paul Sartre's Philosophy to Piano Instruction In a Higher Educational Setting. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

24. Kush, Jason Matthew. François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone.

Degree: DMA, Instrumental Performance (Music), 2009, University of Miami

  The purpose of this study is to present the biographical data and major accomplishments of craftsman François Louis (b. 1954, Belgium) and offer insight… (more)

Subjects/Keywords: Music History; Music; Woodwind; Saxophone; Evolution; Aulochrome; Spherical Chamber; Mouthpiece; Musical Instruments

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APA (6th Edition):

Kush, J. M. (2009). François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kush, Jason Matthew. “François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kush, Jason Matthew. “François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone.” 2009. Web. 10 Dec 2019.

Vancouver:

Kush JM. François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kush JM. François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Moyer, Susan Elizabeth. A Detailed Study of Selected Orchestral Excerpts for Cello.

Degree: DMA, Instrumental Performance (Music), 2009, University of Miami

  The purpose of this essay is to provide detailed information and instruction on the fifteen orchestral excerpts for cello most requested at orchestral auditions.… (more)

Subjects/Keywords: Audition Advice; Orchestral Auditions; Auditions

…Orchestra, Principal Cellist 1964-present, comment made at University of Miami during masterclass… 

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APA (6th Edition):

Moyer, S. E. (2009). A Detailed Study of Selected Orchestral Excerpts for Cello. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/214

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moyer, Susan Elizabeth. “A Detailed Study of Selected Orchestral Excerpts for Cello.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/214.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moyer, Susan Elizabeth. “A Detailed Study of Selected Orchestral Excerpts for Cello.” 2009. Web. 10 Dec 2019.

Vancouver:

Moyer SE. A Detailed Study of Selected Orchestral Excerpts for Cello. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/214.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moyer SE. A Detailed Study of Selected Orchestral Excerpts for Cello. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/214

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Kraevska, Sofia. Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements.

Degree: DMA, Music Theory and Composition (Music), 2009, University of Miami

  Terra Mirabilis is a three-movement musical composition for symphony orchestra with piano solo inspired by natural landscapes photographed by the composer. The three movement… (more)

Subjects/Keywords: Igor Stravinsky; Alexander Scriabin; Ottorino Respighi; Olivier Messiaen; Oceanus; Nocturne; Orchestral Mock-ups; Terra Mirabilis; Garritan Personal Orchestra; Sofia Tytar; Jean-Paul Sevilla; Jacques Bernier; Carpathian Folk Melody; Symbolic Use Of Orchestration; Programmatic Piece; Scott Routenberg; The Mists; Music Based On Composer's Images; Music Inspired By Landscapes; Representational Symphonic Work; Orchestra With Piano Solo; Music Inspired By Images

…with ease. After having conducted and recorded a reading of Nocturne with the University of… …Miami Frost Symphony Orchestra in May of 2008, I continued writing The Mists, followed lastly… 

Page 1 Page 2 Page 3 Page 4 Page 5

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kraevska, S. (2009). Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kraevska, Sofia. “Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kraevska, Sofia. “Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements.” 2009. Web. 10 Dec 2019.

Vancouver:

Kraevska S. Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kraevska S. Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

27. Sheppard, Adam. Aesthetic Practices in my Live Electronic Music.

Degree: MM, Music Theory and Composition (Music), 2009, University of Miami

  Live music has the ability to unite individuals and affect them on both cognitive and emotional levels. Its time-honored tradition remains the true test… (more)

Subjects/Keywords: Performance Practices; Electronic Music; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sheppard, A. (2009). Aesthetic Practices in my Live Electronic Music. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sheppard, Adam. “Aesthetic Practices in my Live Electronic Music.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_theses/202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sheppard, Adam. “Aesthetic Practices in my Live Electronic Music.” 2009. Web. 10 Dec 2019.

Vancouver:

Sheppard A. Aesthetic Practices in my Live Electronic Music. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_theses/202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sheppard A. Aesthetic Practices in my Live Electronic Music. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

28. Dickinson, Daniel P. Papaya Whip.

Degree: MM, Music Theory and Composition (Music), 2009, University of Miami

  Papaya Whip is an original composition for orchestra in one movement. The accompanying paper discusses the evolution of the piece followed by an analysis… (more)

Subjects/Keywords: Tonality; Rhythm; Compositional Method; Youth Orchestra; Orchestra

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APA (6th Edition):

Dickinson, D. P. (2009). Papaya Whip. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Daniel P. “Papaya Whip.” 2009. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_theses/193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Daniel P. “Papaya Whip.” 2009. Web. 10 Dec 2019.

Vancouver:

Dickinson DP. Papaya Whip. [Internet] [Thesis]. University of Miami; 2009. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_theses/193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson DP. Papaya Whip. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

29. Chen, Lee-Fei. The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp.

Degree: DMA, Instrumental Performance (Music), 2008, University of Miami

  The primary purpose of this essay is to provide comparisons between Pleyel's chromatic harp and Erard's double-action pedal harp, in order to find the… (more)

Subjects/Keywords: Chromatic Harp; Double-Action Pedal Harp; History Of Erard's Double-Action Harp; Pleyel's Chromatic Harp; Harpists; Single-Action Harp; Salvi Harp; History Of Wurlitzer's Harp; Lyon & Healy Harp; Comparison Of Performance And Composition Techniqu

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chen, L. (2008). The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Lee-Fei. “The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp.” 2008. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Lee-Fei. “The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp.” 2008. Web. 10 Dec 2019.

Vancouver:

Chen L. The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp. [Internet] [Thesis]. University of Miami; 2008. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen L. The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

30. Bogdan, Mihai Valentin. The Classical Pianist and Entrepreneurship: A Case Study Featuring Public Domain Tango Music.

Degree: DMA, Keyboard Performance (Music), 2008, University of Miami

  A model was created in order to assist classical musicians, especially pianists, with the process of creating their own musical niches in order to… (more)

Subjects/Keywords: Self-recording; Self-distribution; Album; Tango; Self-promotion; Career Development; Piano Four-hand Arrangements; Self-publishing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bogdan, M. V. (2008). The Classical Pianist and Entrepreneurship: A Case Study Featuring Public Domain Tango Music. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/104

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bogdan, Mihai Valentin. “The Classical Pianist and Entrepreneurship: A Case Study Featuring Public Domain Tango Music.” 2008. Thesis, University of Miami. Accessed December 10, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/104.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bogdan, Mihai Valentin. “The Classical Pianist and Entrepreneurship: A Case Study Featuring Public Domain Tango Music.” 2008. Web. 10 Dec 2019.

Vancouver:

Bogdan MV. The Classical Pianist and Entrepreneurship: A Case Study Featuring Public Domain Tango Music. [Internet] [Thesis]. University of Miami; 2008. [cited 2019 Dec 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/104.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bogdan MV. The Classical Pianist and Entrepreneurship: A Case Study Featuring Public Domain Tango Music. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/104

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

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