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You searched for +publisher:"University of Miami" +contributor:("Colby Leider"). Showing records 1 – 4 of 4 total matches.

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University of Miami

1. Bennett, Christopher Lee. Acquisition of Otoacoustic Emissions Using Swept-Tone Techniques.

Degree: PhD, Biomedical Engineering (Engineering), 2010, University of Miami

  Otoacoustic emissions (OAEs) have been under investigation since their discovery 30 years ago (Kemp, 1978). Otoacoustic emissions are quiet sounds generated within the cochlea… (more)

Subjects/Keywords: Swept-sine Analysis; TEOAE; Time-frequency; Audiometry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bennett, C. L. (2010). Acquisition of Otoacoustic Emissions Using Swept-Tone Techniques. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/454

Chicago Manual of Style (16th Edition):

Bennett, Christopher Lee. “Acquisition of Otoacoustic Emissions Using Swept-Tone Techniques.” 2010. Doctoral Dissertation, University of Miami. Accessed April 08, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/454.

MLA Handbook (7th Edition):

Bennett, Christopher Lee. “Acquisition of Otoacoustic Emissions Using Swept-Tone Techniques.” 2010. Web. 08 Apr 2020.

Vancouver:

Bennett CL. Acquisition of Otoacoustic Emissions Using Swept-Tone Techniques. [Internet] [Doctoral dissertation]. University of Miami; 2010. [cited 2020 Apr 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/454.

Council of Science Editors:

Bennett CL. Acquisition of Otoacoustic Emissions Using Swept-Tone Techniques. [Doctoral Dissertation]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/454

2. Dickinson, Daniel P. Blue Skies: An Interactive Soundscape Composition.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Blue Skies is a site-specific interactive soundscape composition that integrates live musicians and algorithmic improvisation into a sound installation that reacts to changing environmental… (more)

Subjects/Keywords: soundscape composition; interactive composition; algorithmic composition; improvisation; acoustic ecology

…12! Example 2.4. Melody of the University of Miami clock tower… …describes the first instance of the piece, intended for performance at the University of Miami in… …each of which is intended for a particular site. UM2012 University of Miami Instance X… …Skies, the site is located at the University of Miami campus in Coral Gables, Florida, USA… …intuitive process.8 University of Miami March 2012 Instance As discussed earlier in this paper… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dickinson, D. P. (2012). Blue Skies: An Interactive Soundscape Composition. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Thesis, University of Miami. Accessed April 08, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Web. 08 Apr 2020.

Vancouver:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Apr 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Moore, Lawrence W. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Hawking Sonified is a piece composed in homage to the great cosmologist and theoretical physicist, Stephen Hawking. The piece is a four movement work… (more)

Subjects/Keywords: Stephen Hawking; Pattern Pulse Minimalism; Steve Reich; Paul Lansk; Trevor Wishart

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moore, L. W. (2012). Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Lawrence W. “Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.” 2012. Thesis, University of Miami. Accessed April 08, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Lawrence W. “Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.” 2012. Web. 08 Apr 2020.

Vancouver:

Moore LW. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Apr 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore LW. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

4. Sheppard, Adam. Aesthetic Practices in my Live Electronic Music.

Degree: MM, Music Theory and Composition (Music), 2009, University of Miami

  Live music has the ability to unite individuals and affect them on both cognitive and emotional levels. Its time-honored tradition remains the true test… (more)

Subjects/Keywords: Performance Practices; Electronic Music; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sheppard, A. (2009). Aesthetic Practices in my Live Electronic Music. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sheppard, Adam. “Aesthetic Practices in my Live Electronic Music.” 2009. Thesis, University of Miami. Accessed April 08, 2020. https://scholarlyrepository.miami.edu/oa_theses/202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sheppard, Adam. “Aesthetic Practices in my Live Electronic Music.” 2009. Web. 08 Apr 2020.

Vancouver:

Sheppard A. Aesthetic Practices in my Live Electronic Music. [Internet] [Thesis]. University of Miami; 2009. [cited 2020 Apr 08]. Available from: https://scholarlyrepository.miami.edu/oa_theses/202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sheppard A. Aesthetic Practices in my Live Electronic Music. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.