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You searched for +publisher:"University of Miami" +contributor:("Charles Mason"). Showing records 1 – 16 of 16 total matches.

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University of Miami

1. Thompson, Wesley Louis-Neil. The Symphonies of Johannes Brahms: An Exploration of Performance Considerations for the Orchestral Trombonist.

Degree: DMA, Instrumental Performance (Music), 2019, University of Miami

  Before its entrance into the instrumental genre of “The Symphony”, the trombone had held a long history of doubling vocal lines in sacred vocal… (more)

Subjects/Keywords: Johannes Brahms; Trombone; Low Brass; Performance Considerations; Symphonies; Orchestral Excerpts

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APA (6th Edition):

Thompson, W. L. (2019). The Symphonies of Johannes Brahms: An Exploration of Performance Considerations for the Orchestral Trombonist. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thompson, Wesley Louis-Neil. “The Symphonies of Johannes Brahms: An Exploration of Performance Considerations for the Orchestral Trombonist.” 2019. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/2411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thompson, Wesley Louis-Neil. “The Symphonies of Johannes Brahms: An Exploration of Performance Considerations for the Orchestral Trombonist.” 2019. Web. 30 Mar 2020.

Vancouver:

Thompson WL. The Symphonies of Johannes Brahms: An Exploration of Performance Considerations for the Orchestral Trombonist. [Internet] [Thesis]. University of Miami; 2019. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thompson WL. The Symphonies of Johannes Brahms: An Exploration of Performance Considerations for the Orchestral Trombonist. [Thesis]. University of Miami; 2019. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

2. Korepanova, Asiya. The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions.

Degree: DMA, Keyboard Performance (Music), 2016, University of Miami

 For many, approaching an orchestral score is a challenge. The process of transcribing an orchestra piece for piano solo with the purpose of a further… (more)

Subjects/Keywords: Richard Strauss; piano transcription; Ein Heldenleben for piano solo; Asiya Korepanova

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APA (6th Edition):

Korepanova, A. (2016). The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Korepanova, Asiya. “The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions.” 2016. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Korepanova, Asiya. “The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions.” 2016. Web. 30 Mar 2020.

Vancouver:

Korepanova A. The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Korepanova A. The Process of Transcribing Richard Strauss’ “Ein Heldenleben” for Piano Solo: Tasks, Approaches, Issues and Solutions. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

3. Brijaldo Acosta, Julian G. At the Edge of Hope, a Cantata for the Everyday Colombian.

Degree: DMA, Music Theory and Composition (Music), 2018, University of Miami

 "At the Edge of Hope, a Cantata for the Everyday Colombian," for soprano and baritone soloists, SSATB choir, guitar, piano, and Colombian folk instruments including… (more)

Subjects/Keywords: New Music; Latin American; Colombian; Soprano; Baritone; Choir

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APA (6th Edition):

Brijaldo Acosta, J. G. (2018). At the Edge of Hope, a Cantata for the Everyday Colombian. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2051

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brijaldo Acosta, Julian G. “At the Edge of Hope, a Cantata for the Everyday Colombian.” 2018. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/2051.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brijaldo Acosta, Julian G. “At the Edge of Hope, a Cantata for the Everyday Colombian.” 2018. Web. 30 Mar 2020.

Vancouver:

Brijaldo Acosta JG. At the Edge of Hope, a Cantata for the Everyday Colombian. [Internet] [Thesis]. University of Miami; 2018. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2051.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brijaldo Acosta JG. At the Edge of Hope, a Cantata for the Everyday Colombian. [Thesis]. University of Miami; 2018. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2051

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

4. Johnston, Bruce Hurley. Concerto Blue, for Classical Guitar.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Concerto Blue is a three-movement concerto for classical guitar and medium-sized orchestra. Aesthetic considerations of this piece involve taking essential ingredients that define the… (more)

Subjects/Keywords: Classical Guitar; Concerto; Blues Guitar; Postmodern

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APA (6th Edition):

Johnston, B. H. (2012). Concerto Blue, for Classical Guitar. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Web. 30 Mar 2020.

Vancouver:

Johnston BH. Concerto Blue, for Classical Guitar. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnston BH. Concerto Blue, for Classical Guitar. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Yates, Richard George, III. The Undelivered: A Paul Robeson Chamber Opera.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  In this essay, I describe my new chamber opera about Paul Robeson, The Undelivered. Scored for six singers and seven instrumentalists, the opera’s duration… (more)

Subjects/Keywords: Paul Robeson; HUAC; Opera; Chamber Opera

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APA (6th Edition):

Yates, Richard George, I. (2015). The Undelivered: A Paul Robeson Chamber Opera. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yates, Richard George, III. “The Undelivered: A Paul Robeson Chamber Opera.” 2015. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yates, Richard George, III. “The Undelivered: A Paul Robeson Chamber Opera.” 2015. Web. 30 Mar 2020.

Vancouver:

Yates, Richard George I. The Undelivered: A Paul Robeson Chamber Opera. [Internet] [Thesis]. University of Miami; 2015. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yates, Richard George I. The Undelivered: A Paul Robeson Chamber Opera. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

6. Brunet, Philippe Pierre. A History and Performance Guide of A Concerto for Trumpet and Chamber Ensemble: Fanfares for the Apocalypse By Ken Ueno.

Degree: DMA, Instrumental Performance (Music), 2016, University of Miami

  Music for trumpet has seen a great expansion over the past fifty years. The importance of this development to the trumpet and music world… (more)

Subjects/Keywords: trumpet; concerto; extended; techniques; contemporary; music, multiphonics

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APA (6th Edition):

Brunet, P. P. (2016). A History and Performance Guide of A Concerto for Trumpet and Chamber Ensemble: Fanfares for the Apocalypse By Ken Ueno. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1617

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brunet, Philippe Pierre. “A History and Performance Guide of A Concerto for Trumpet and Chamber Ensemble: Fanfares for the Apocalypse By Ken Ueno.” 2016. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1617.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brunet, Philippe Pierre. “A History and Performance Guide of A Concerto for Trumpet and Chamber Ensemble: Fanfares for the Apocalypse By Ken Ueno.” 2016. Web. 30 Mar 2020.

Vancouver:

Brunet PP. A History and Performance Guide of A Concerto for Trumpet and Chamber Ensemble: Fanfares for the Apocalypse By Ken Ueno. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1617.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brunet PP. A History and Performance Guide of A Concerto for Trumpet and Chamber Ensemble: Fanfares for the Apocalypse By Ken Ueno. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1617

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

7. Spiegel, Russell Adam. The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross.

Degree: DMA, Studio Music and Jazz (Music), 2016, University of Miami

  It has been argued that a distinctive European big band sound began to emerge in the second half of the 20th century and has… (more)

Subjects/Keywords: European Big Band; Jazz Arranging; Jazz Composition; Jazz; Big Band

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APA (6th Edition):

Spiegel, R. A. (2016). The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spiegel, Russell Adam. “The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross.” 2016. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spiegel, Russell Adam. “The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross.” 2016. Web. 30 Mar 2020.

Vancouver:

Spiegel RA. The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spiegel RA. The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

8. Hancock, Michael Edward. A Critical Edition Score and Errata Studies to Michael Colgrass' Winds of Nagual.

Degree: DMA, Instrumental Performance (Music), 2014, University of Miami

  The purpose of this research paper is the construction of a critical edition score to Michael Colgrass’ Winds of Nagual, as well as the… (more)

Subjects/Keywords: Michael; Hancock; Colgrass; Winds of Nagual; Errata; Critical Edition

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APA (6th Edition):

Hancock, M. E. (2014). A Critical Edition Score and Errata Studies to Michael Colgrass' Winds of Nagual. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hancock, Michael Edward. “A Critical Edition Score and Errata Studies to Michael Colgrass' Winds of Nagual.” 2014. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hancock, Michael Edward. “A Critical Edition Score and Errata Studies to Michael Colgrass' Winds of Nagual.” 2014. Web. 30 Mar 2020.

Vancouver:

Hancock ME. A Critical Edition Score and Errata Studies to Michael Colgrass' Winds of Nagual. [Internet] [Thesis]. University of Miami; 2014. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hancock ME. A Critical Edition Score and Errata Studies to Michael Colgrass' Winds of Nagual. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

9. Taylor, Matthew Evan. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  The "Warrior's Wives" is a tragic opera in two acts that tells the stories of three women – Ikuku, Imiri, and Oku – married… (more)

Subjects/Keywords: opera; chamber opera; tragedy; destiny

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APA (6th Edition):

Taylor, M. E. (2015). The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, Matthew Evan. “The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.” 2015. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, Matthew Evan. “The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.” 2015. Web. 30 Mar 2020.

Vancouver:

Taylor ME. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. [Internet] [Thesis]. University of Miami; 2015. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor ME. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Bampenyou, Rattanai. A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani.

Degree: DMA, Instrumental Performance (Music), 2012, University of Miami

 The purpose of this study is to thoroughly analyze and to create a performance guide of the multi-movement guitar sonatas by Fernando Sor and Mauro… (more)

Subjects/Keywords: performance guide; Fernando Sor; Mauro Giuliani; guitar sonata; sonata form

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APA (6th Edition):

Bampenyou, R. (2012). A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/888

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bampenyou, Rattanai. “A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani.” 2012. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/888.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bampenyou, Rattanai. “A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani.” 2012. Web. 30 Mar 2020.

Vancouver:

Bampenyou R. A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/888.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bampenyou R. A Performance Guide to the Multi-Movement Guitar Sonatas of Fernando Sor and Mauro Giuliani. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/888

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Tekalli, Jamila. A Study and Performance Guide for "Gaspard de la nuit" Emphasizing the Relationship of Piano and Orchestral Renderings.

Degree: DMA, Keyboard Performance (Music), 2014, University of Miami

 This essay is a study and performance guide for pianists that compares the orchestral and pianistic elements of Marius Constant’s "Gaspard de la nuit" for… (more)

Subjects/Keywords: Gaspard de la nuit; Maurice Ravel; Marius Constant; piano; orchestration; performance guide

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APA (6th Edition):

Tekalli, J. (2014). A Study and Performance Guide for "Gaspard de la nuit" Emphasizing the Relationship of Piano and Orchestral Renderings. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tekalli, Jamila. “A Study and Performance Guide for "Gaspard de la nuit" Emphasizing the Relationship of Piano and Orchestral Renderings.” 2014. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tekalli, Jamila. “A Study and Performance Guide for "Gaspard de la nuit" Emphasizing the Relationship of Piano and Orchestral Renderings.” 2014. Web. 30 Mar 2020.

Vancouver:

Tekalli J. A Study and Performance Guide for "Gaspard de la nuit" Emphasizing the Relationship of Piano and Orchestral Renderings. [Internet] [Thesis]. University of Miami; 2014. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tekalli J. A Study and Performance Guide for "Gaspard de la nuit" Emphasizing the Relationship of Piano and Orchestral Renderings. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Manoiu, Daniel. Pangenesis for Piano and Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2013, University of Miami

  Pangenesis is a composition for piano and orchestra in two movements that was created using several conceptual ideas: multi-layered horizontal pitch organization, additive and… (more)

Subjects/Keywords: piano; orchestra; pangenesis; concerto; inheritance models; mendel; manoiu

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APA (6th Edition):

Manoiu, D. (2013). Pangenesis for Piano and Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1007

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Manoiu, Daniel. “Pangenesis for Piano and Orchestra.” 2013. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1007.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Manoiu, Daniel. “Pangenesis for Piano and Orchestra.” 2013. Web. 30 Mar 2020.

Vancouver:

Manoiu D. Pangenesis for Piano and Orchestra. [Internet] [Thesis]. University of Miami; 2013. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1007.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Manoiu D. Pangenesis for Piano and Orchestra. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1007

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Learn, Peter James. Clandestine Quotation and Micro-Quotation as Compositional Resources in the Trumpet Concerto Necessary Steps.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  This document proposes to examine the aesthetic ramifications of quotation as applied in musical composition. While this essay focuses on the techniques of “clandestine”… (more)

Subjects/Keywords: music; trumpet; concerto; clandestine; quotation; borrowing

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APA (6th Edition):

Learn, P. J. (2015). Clandestine Quotation and Micro-Quotation as Compositional Resources in the Trumpet Concerto Necessary Steps. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Learn, Peter James. “Clandestine Quotation and Micro-Quotation as Compositional Resources in the Trumpet Concerto Necessary Steps.” 2015. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Learn, Peter James. “Clandestine Quotation and Micro-Quotation as Compositional Resources in the Trumpet Concerto Necessary Steps.” 2015. Web. 30 Mar 2020.

Vancouver:

Learn PJ. Clandestine Quotation and Micro-Quotation as Compositional Resources in the Trumpet Concerto Necessary Steps. [Internet] [Thesis]. University of Miami; 2015. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Learn PJ. Clandestine Quotation and Micro-Quotation as Compositional Resources in the Trumpet Concerto Necessary Steps. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Cheng, Anruo. Data from Non-Musical Material as Spectral Compositional Resources, as Utilized in the Orchestral Work, Hello Universe.

Degree: DMA, Music Theory and Composition (Music), 2019, University of Miami

 Hello Universe is a chamber orchestra piece in three movements: “One Small Step for Man”, “Ad astra”, and “Hello Universe.” It was inspired by and… (more)

Subjects/Keywords: Spectralism; Chamber Orchestra; Sonification; NASA; Non-Musical Material

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cheng, A. (2019). Data from Non-Musical Material as Spectral Compositional Resources, as Utilized in the Orchestral Work, Hello Universe. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cheng, Anruo. “Data from Non-Musical Material as Spectral Compositional Resources, as Utilized in the Orchestral Work, Hello Universe.” 2019. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/2293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cheng, Anruo. “Data from Non-Musical Material as Spectral Compositional Resources, as Utilized in the Orchestral Work, Hello Universe.” 2019. Web. 30 Mar 2020.

Vancouver:

Cheng A. Data from Non-Musical Material as Spectral Compositional Resources, as Utilized in the Orchestral Work, Hello Universe. [Internet] [Thesis]. University of Miami; 2019. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cheng A. Data from Non-Musical Material as Spectral Compositional Resources, as Utilized in the Orchestral Work, Hello Universe. [Thesis]. University of Miami; 2019. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Salvati, Alessandra. Tektosyne Three Architectures for Orchestra.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Tektosyne is a collection of three pieces for symphonic orchestra. This thesis provides an aesthetic and technical analysis of it, with particular emphasis on… (more)

Subjects/Keywords: tektosyne; alessandra salvati; intercolumnia; temenos; entasis; three architectures for orchestra

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Salvati, A. (2012). Tektosyne Three Architectures for Orchestra. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salvati, Alessandra. “Tektosyne Three Architectures for Orchestra.” 2012. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salvati, Alessandra. “Tektosyne Three Architectures for Orchestra.” 2012. Web. 30 Mar 2020.

Vancouver:

Salvati A. Tektosyne Three Architectures for Orchestra. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salvati A. Tektosyne Three Architectures for Orchestra. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Ke, Ruoying. Differences in Physical Movement between the Techniques Used on the Marimba and the Vibraphone.

Degree: DMA, Instrumental Performance (Music), 2014, University of Miami

  The purpose of this essay is to explore the physical and technical approaches based on the characteristics of the marimba and the vibraphone. This… (more)

Subjects/Keywords: Marimba; Vibraphone; Techniques; Motion; Rebound; Chin; Differences

…Moreover, as a graduate student at the University of Miami, he studied jazz improvisation, which… …University of Miami, 2005. 29 Ney Rosauro, Serenata: for Marimba/Vibraphone and Orchestra. Rosauro… …displayed through his physical gestures. As a student of Stoyanov at the University of Miami, his… …University of Miami – Frost School of Music – Frost Profiles – Instrumental – Percussion – Stoyanov… …Svetoslav R. Bio,” University of Miami, http://www.miami.edu/frost/index.php/frost/frost _profiles… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ke, R. (2014). Differences in Physical Movement between the Techniques Used on the Marimba and the Vibraphone. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ke, Ruoying. “Differences in Physical Movement between the Techniques Used on the Marimba and the Vibraphone.” 2014. Thesis, University of Miami. Accessed March 30, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ke, Ruoying. “Differences in Physical Movement between the Techniques Used on the Marimba and the Vibraphone.” 2014. Web. 30 Mar 2020.

Vancouver:

Ke R. Differences in Physical Movement between the Techniques Used on the Marimba and the Vibraphone. [Internet] [Thesis]. University of Miami; 2014. [cited 2020 Mar 30]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ke R. Differences in Physical Movement between the Techniques Used on the Marimba and the Vibraphone. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.