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You searched for +publisher:"University of Louisville" +contributor:("Kim, Jongwoo"). Showing records 1 – 7 of 7 total matches.

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University of Louisville

1. Kissel, Hunter Martin. Traces of the (un)familiar : family, identity, and the return of the repressed in the photographs of Ralph Eugene Meatyard.

Degree: MA, 2017, University of Louisville

  This thesis explores the ways in which photographs by Ralph Eugene Meatyard provoke the uncanny—or Das unheimlich as Freud originally wrote in 1919—by breaking… (more)

Subjects/Keywords: Ralph Eugene Meatyard; photography; family; the uncanny; Sigmund Freud; Pierre Bourdieu; Modern Art and Architecture; Photography

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APA (6th Edition):

Kissel, H. M. (2017). Traces of the (un)familiar : family, identity, and the return of the repressed in the photographs of Ralph Eugene Meatyard. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2807 ; https://ir.library.louisville.edu/etd/2807

Chicago Manual of Style (16th Edition):

Kissel, Hunter Martin. “Traces of the (un)familiar : family, identity, and the return of the repressed in the photographs of Ralph Eugene Meatyard.” 2017. Masters Thesis, University of Louisville. Accessed October 15, 2019. 10.18297/etd/2807 ; https://ir.library.louisville.edu/etd/2807.

MLA Handbook (7th Edition):

Kissel, Hunter Martin. “Traces of the (un)familiar : family, identity, and the return of the repressed in the photographs of Ralph Eugene Meatyard.” 2017. Web. 15 Oct 2019.

Vancouver:

Kissel HM. Traces of the (un)familiar : family, identity, and the return of the repressed in the photographs of Ralph Eugene Meatyard. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2019 Oct 15]. Available from: 10.18297/etd/2807 ; https://ir.library.louisville.edu/etd/2807.

Council of Science Editors:

Kissel HM. Traces of the (un)familiar : family, identity, and the return of the repressed in the photographs of Ralph Eugene Meatyard. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2807 ; https://ir.library.louisville.edu/etd/2807


University of Louisville

2. Schumacher, Jessica Robins. Common ground, diverging paths: eighteenth-century English and French landscape painting.

Degree: MA, 2018, University of Louisville

  In the early eighteenth century, both English and French artists traveled to Rome to study the great seventeenth-century landscape artists  – Claude Lorrain and… (more)

Subjects/Keywords: landscape painting; eighteenth-century; English; Grand Tour; associationism; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Schumacher, J. R. (2018). Common ground, diverging paths: eighteenth-century English and French landscape painting. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111

Chicago Manual of Style (16th Edition):

Schumacher, Jessica Robins. “Common ground, diverging paths: eighteenth-century English and French landscape painting.” 2018. Masters Thesis, University of Louisville. Accessed October 15, 2019. 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111.

MLA Handbook (7th Edition):

Schumacher, Jessica Robins. “Common ground, diverging paths: eighteenth-century English and French landscape painting.” 2018. Web. 15 Oct 2019.

Vancouver:

Schumacher JR. Common ground, diverging paths: eighteenth-century English and French landscape painting. [Internet] [Masters thesis]. University of Louisville; 2018. [cited 2019 Oct 15]. Available from: 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111.

Council of Science Editors:

Schumacher JR. Common ground, diverging paths: eighteenth-century English and French landscape painting. [Masters Thesis]. University of Louisville; 2018. Available from: 10.18297/etd/3111 ; https://ir.library.louisville.edu/etd/3111


University of Louisville

3. Jeong, Yun Kweon. Murakami-ego : collective culpability and selective retention.

Degree: MA, 2016, University of Louisville

  The purpose of this thesis is to argue that Murakami’s art expresses the Japanese’s psychological suffering by showing their struggle between remembering themselves as… (more)

Subjects/Keywords: Murakami; WWII; Nihonga; depersonalization; derealization; Asian Art and Architecture; Contemporary Art

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APA (6th Edition):

Jeong, Y. K. (2016). Murakami-ego : collective culpability and selective retention. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2497 ; https://ir.library.louisville.edu/etd/2497

Chicago Manual of Style (16th Edition):

Jeong, Yun Kweon. “Murakami-ego : collective culpability and selective retention.” 2016. Masters Thesis, University of Louisville. Accessed October 15, 2019. 10.18297/etd/2497 ; https://ir.library.louisville.edu/etd/2497.

MLA Handbook (7th Edition):

Jeong, Yun Kweon. “Murakami-ego : collective culpability and selective retention.” 2016. Web. 15 Oct 2019.

Vancouver:

Jeong YK. Murakami-ego : collective culpability and selective retention. [Internet] [Masters thesis]. University of Louisville; 2016. [cited 2019 Oct 15]. Available from: 10.18297/etd/2497 ; https://ir.library.louisville.edu/etd/2497.

Council of Science Editors:

Jeong YK. Murakami-ego : collective culpability and selective retention. [Masters Thesis]. University of Louisville; 2016. Available from: 10.18297/etd/2497 ; https://ir.library.louisville.edu/etd/2497


University of Louisville

4. Darland, Joel. The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976).

Degree: MA, 2018, University of Louisville

  This thesis analyzes the photographic book Election Eve (1976) produced by photographer William Eggleston. Eggleston’s photographs represent a complex network of connections between material… (more)

Subjects/Keywords: William Eggleston; election eve; photography; history of photography; sumter county, GA; American Art and Architecture; Modern Art and Architecture; Photography; Theory and Criticism

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APA (6th Edition):

Darland, J. (2018). The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976). (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931

Chicago Manual of Style (16th Edition):

Darland, Joel. “The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976).” 2018. Masters Thesis, University of Louisville. Accessed October 15, 2019. 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931.

MLA Handbook (7th Edition):

Darland, Joel. “The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976).” 2018. Web. 15 Oct 2019.

Vancouver:

Darland J. The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976). [Internet] [Masters thesis]. University of Louisville; 2018. [cited 2019 Oct 15]. Available from: 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931.

Council of Science Editors:

Darland J. The disjointed moment : marking, mapping, and making the real in William Eggleston's election eve (1976). [Masters Thesis]. University of Louisville; 2018. Available from: 10.18297/etd/2931 ; https://ir.library.louisville.edu/etd/2931


University of Louisville

5. Smith, Elizabeth Ann Driscoll. Claude Cahun, Marcel Moore, and the collapse of "surrealist photography".

Degree: MA, 2016, University of Louisville

  This thesis probes the photographic oeuvre of Claude Cahun and Marcel Moore and their interpretation of Freudian fetishism. Cahun and Moore rework Freud’s theory… (more)

Subjects/Keywords: Surrealism; Surrealist Photography; Sigmund Freud; Gender; Sexuality; Modern Art and Architecture; Other Feminist, Gender, and Sexuality Studies

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APA (6th Edition):

Smith, E. A. D. (2016). Claude Cahun, Marcel Moore, and the collapse of "surrealist photography". (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2395 ; https://ir.library.louisville.edu/etd/2395

Chicago Manual of Style (16th Edition):

Smith, Elizabeth Ann Driscoll. “Claude Cahun, Marcel Moore, and the collapse of "surrealist photography".” 2016. Masters Thesis, University of Louisville. Accessed October 15, 2019. 10.18297/etd/2395 ; https://ir.library.louisville.edu/etd/2395.

MLA Handbook (7th Edition):

Smith, Elizabeth Ann Driscoll. “Claude Cahun, Marcel Moore, and the collapse of "surrealist photography".” 2016. Web. 15 Oct 2019.

Vancouver:

Smith EAD. Claude Cahun, Marcel Moore, and the collapse of "surrealist photography". [Internet] [Masters thesis]. University of Louisville; 2016. [cited 2019 Oct 15]. Available from: 10.18297/etd/2395 ; https://ir.library.louisville.edu/etd/2395.

Council of Science Editors:

Smith EAD. Claude Cahun, Marcel Moore, and the collapse of "surrealist photography". [Masters Thesis]. University of Louisville; 2016. Available from: 10.18297/etd/2395 ; https://ir.library.louisville.edu/etd/2395


University of Louisville

6. Cresseveur, Jessica. The queer child and haut bourgeois domesticity : Berthe Morisot and Mary Cassatt.

Degree: PhD, 2016, University of Louisville

  Since the 1970s, feminist art historians have extensively treated Mary Cassatt and Berthe Morisot. In particular, focusing on class-bound womanhood and domesticity, Griselda Pollock,… (more)

Subjects/Keywords: American Art and Architecture; History of Art, Architecture, and Archaeology; Modern Art and Architecture; Theory and Criticism

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APA (6th Edition):

Cresseveur, J. (2016). The queer child and haut bourgeois domesticity : Berthe Morisot and Mary Cassatt. (Doctoral Dissertation). University of Louisville. Retrieved from 10.18297/etd/2409 ; https://ir.library.louisville.edu/etd/2409

Chicago Manual of Style (16th Edition):

Cresseveur, Jessica. “The queer child and haut bourgeois domesticity : Berthe Morisot and Mary Cassatt.” 2016. Doctoral Dissertation, University of Louisville. Accessed October 15, 2019. 10.18297/etd/2409 ; https://ir.library.louisville.edu/etd/2409.

MLA Handbook (7th Edition):

Cresseveur, Jessica. “The queer child and haut bourgeois domesticity : Berthe Morisot and Mary Cassatt.” 2016. Web. 15 Oct 2019.

Vancouver:

Cresseveur J. The queer child and haut bourgeois domesticity : Berthe Morisot and Mary Cassatt. [Internet] [Doctoral dissertation]. University of Louisville; 2016. [cited 2019 Oct 15]. Available from: 10.18297/etd/2409 ; https://ir.library.louisville.edu/etd/2409.

Council of Science Editors:

Cresseveur J. The queer child and haut bourgeois domesticity : Berthe Morisot and Mary Cassatt. [Doctoral Dissertation]. University of Louisville; 2016. Available from: 10.18297/etd/2409 ; https://ir.library.louisville.edu/etd/2409

7. Sharps, Emma, 1989-. Body image.

Degree: MS, 2015, University of Louisville

  My thesis and the corresponding exhibition will look at contemporary artists, specifically Jen Davis, Lauren Greenfield, Leslie Lyons and Licia Priest, who examine and… (more)

Subjects/Keywords: Fine Arts

…response and collectors. Working with the artists as well as the University of Louisville Photo… 

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APA (6th Edition):

Sharps, Emma, 1. (2015). Body image. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2135 ; https://ir.library.louisville.edu/etd/2135

Chicago Manual of Style (16th Edition):

Sharps, Emma, 1989-. “Body image.” 2015. Masters Thesis, University of Louisville. Accessed October 15, 2019. 10.18297/etd/2135 ; https://ir.library.louisville.edu/etd/2135.

MLA Handbook (7th Edition):

Sharps, Emma, 1989-. “Body image.” 2015. Web. 15 Oct 2019.

Vancouver:

Sharps, Emma 1. Body image. [Internet] [Masters thesis]. University of Louisville; 2015. [cited 2019 Oct 15]. Available from: 10.18297/etd/2135 ; https://ir.library.louisville.edu/etd/2135.

Council of Science Editors:

Sharps, Emma 1. Body image. [Masters Thesis]. University of Louisville; 2015. Available from: 10.18297/etd/2135 ; https://ir.library.louisville.edu/etd/2135

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