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You searched for +publisher:"University of KwaZulu-Natal" +contributor:("Calder, Ian"). Showing records 1 – 20 of 20 total matches.

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University of KwaZulu-Natal

1. Omar, Fahmeeda. Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg.

Degree: M.A, Fine art, 2012, University of KwaZulu-Natal

 The aim of this dissertation is to contextualise the use of porcelain by the South African ceramist Thelma Marcuson (1919-2009). This paper focuses on her… (more)

Subjects/Keywords: Fine art.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Omar, F. (2012). Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/10622

Chicago Manual of Style (16th Edition):

Omar, Fahmeeda. “Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg.” 2012. Masters Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/10622.

MLA Handbook (7th Edition):

Omar, Fahmeeda. “Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg.” 2012. Web. 11 Nov 2019.

Vancouver:

Omar F. Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2012. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/10622.

Council of Science Editors:

Omar F. Thelma Marcuson's porcelain vessels in the Tatham Art Gallery, Pietermaritzburg. [Masters Thesis]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/10622


University of KwaZulu-Natal

2. Fossey, Natalie. Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge.

Degree: MA, Fine art, 2012, University of KwaZulu-Natal

 Key words: William Hogarth Exhibition; Hogarth in Johannesburg (1987-1988) Series; A Rake’s Progress, Marriage-a-la-Mode and Industry and Idleness Artists; Robert Hodgins Deborah Bell William Kentridge… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Fossey, N. (2012). Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/10623

Chicago Manual of Style (16th Edition):

Fossey, Natalie. “Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge.” 2012. Masters Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/10623.

MLA Handbook (7th Edition):

Fossey, Natalie. “Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge.” 2012. Web. 11 Nov 2019.

Vancouver:

Fossey N. Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2012. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/10623.

Council of Science Editors:

Fossey N. Sequential art and narrative in the prints of Hogarth in Johannesburg (1987) by Robert Hodgins, Deborah Bell and William Kentridge. [Masters Thesis]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/10623


University of KwaZulu-Natal

3. Kühl, Tania. Personal history and collective memory : images of social and political history in the art of four South African women artists.

Degree: MA, Fine art, 2010, University of KwaZulu-Natal

 This study examines the means by which four South African woman artists, namely Penny Siopis, Jo Ractliffe, Lien Botha and Tania Kühl use memory and… (more)

Subjects/Keywords: Fine art.; Artists – South Africa.

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APA (6th Edition):

Kühl, T. (2010). Personal history and collective memory : images of social and political history in the art of four South African women artists. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/1043

Chicago Manual of Style (16th Edition):

Kühl, Tania. “Personal history and collective memory : images of social and political history in the art of four South African women artists.” 2010. Masters Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/1043.

MLA Handbook (7th Edition):

Kühl, Tania. “Personal history and collective memory : images of social and political history in the art of four South African women artists.” 2010. Web. 11 Nov 2019.

Vancouver:

Kühl T. Personal history and collective memory : images of social and political history in the art of four South African women artists. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2010. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/1043.

Council of Science Editors:

Kühl T. Personal history and collective memory : images of social and political history in the art of four South African women artists. [Masters Thesis]. University of KwaZulu-Natal; 2010. Available from: http://hdl.handle.net/10413/1043


University of KwaZulu-Natal

4. Motsamayi, Mathodi Freddie. The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne.

Degree: MA, Fine art, 2012, University of KwaZulu-Natal

 The thesis will focus on documenting, analysing and interpreting the motifs for the ceramics of Rorke’s Drift Art and Craft Centre Ecumenical (Evangelical) Lutheran Church… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Motsamayi, M. F. (2012). The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/9200

Chicago Manual of Style (16th Edition):

Motsamayi, Mathodi Freddie. “The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne.” 2012. Masters Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/9200.

MLA Handbook (7th Edition):

Motsamayi, Mathodi Freddie. “The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne.” 2012. Web. 11 Nov 2019.

Vancouver:

Motsamayi MF. The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2012. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/9200.

Council of Science Editors:

Motsamayi MF. The Bernstein Collection of Rorke's Drift ceramics at the University of KwaZulu-Natal : a catalogue raisonne. [Masters Thesis]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/9200


University of KwaZulu-Natal

5. [No author]. Paperclay in recent South African ceramics : continuity and change in studio works.

Degree: Fine art, 2012, University of KwaZulu-Natal

 This dissertation comprises the documentation and theoretical component of a practice-led Master of Arts in Fine Art. The illustrated text focuses in four chapters on… (more)

Subjects/Keywords: Paper clay – South Africa.; Clay – South Africa.; Ceramics – South Africa.; Potters – South Africa.; Fine art.

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APA (6th Edition):

author], [. (2012). Paperclay in recent South African ceramics : continuity and change in studio works. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/8727

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Paperclay in recent South African ceramics : continuity and change in studio works. ” 2012. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/8727.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Paperclay in recent South African ceramics : continuity and change in studio works. ” 2012. Web. 11 Nov 2019.

Vancouver:

author] [. Paperclay in recent South African ceramics : continuity and change in studio works. [Internet] [Thesis]. University of KwaZulu-Natal; 2012. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/8727.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Paperclay in recent South African ceramics : continuity and change in studio works. [Thesis]. University of KwaZulu-Natal; 2012. Available from: http://hdl.handle.net/10413/8727

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

6. [No author]. Ceramic narrative : storytelling and Ardmore Ceramic Studio.

Degree: Fine art, 2011, University of KwaZulu-Natal

 This dissertation explores the importance of narrative in Ardmore ceramic ware and determines how and to what effect ceramic narrative is used by Ardmore Ceramic… (more)

Subjects/Keywords: Ardmore Ceramic Art Studio (KwaZulu-Natal); Pottery – South Africa.; Storytelling in art.; Art and society – South Africa.; Narrative art – South Africa.; Fine art.

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APA (6th Edition):

author], [. (2011). Ceramic narrative : storytelling and Ardmore Ceramic Studio. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/8793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Ceramic narrative : storytelling and Ardmore Ceramic Studio. ” 2011. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/8793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Ceramic narrative : storytelling and Ardmore Ceramic Studio. ” 2011. Web. 11 Nov 2019.

Vancouver:

author] [. Ceramic narrative : storytelling and Ardmore Ceramic Studio. [Internet] [Thesis]. University of KwaZulu-Natal; 2011. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/8793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Ceramic narrative : storytelling and Ardmore Ceramic Studio. [Thesis]. University of KwaZulu-Natal; 2011. Available from: http://hdl.handle.net/10413/8793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

7. [No author]. Marietjie van der Merwe : ceramics 1960-1988.

Degree: Fine art, 2007, University of KwaZulu-Natal

 This dissertation will contextualize and analyse selected works of the South African ceramist Marietjie van der Merwe (bl935 dl992; known professionally as Marietjie, aka Mariki,… (more)

Subjects/Keywords: Pottery – 20th century.; Pottery – South Africa.; Ceramics.; Women artists – South Africa.; Fine art.

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APA (6th Edition):

author], [. (2007). Marietjie van der Merwe : ceramics 1960-1988. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/732

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Marietjie van der Merwe : ceramics 1960-1988. ” 2007. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/732.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Marietjie van der Merwe : ceramics 1960-1988. ” 2007. Web. 11 Nov 2019.

Vancouver:

author] [. Marietjie van der Merwe : ceramics 1960-1988. [Internet] [Thesis]. University of KwaZulu-Natal; 2007. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/732.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Marietjie van der Merwe : ceramics 1960-1988. [Thesis]. University of KwaZulu-Natal; 2007. Available from: http://hdl.handle.net/10413/732

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

8. [No author]. The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler.

Degree: Fine art, 2010, University of KwaZulu-Natal

 This dissertation explored visual representations of death in the photographic work of Andres Serrano and Joel-Peter Witkin, as well as the MAFA candidate's (David Buchler)… (more)

Subjects/Keywords: Serrano, Andres, 1950-; Witkin, Joel-Peter, 1939-; Death.; Human figure in art.; Fine art.

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APA (6th Edition):

author], [. (2010). The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3363

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. ” 2010. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/3363.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. ” 2010. Web. 11 Nov 2019.

Vancouver:

author] [. The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. [Internet] [Thesis]. University of KwaZulu-Natal; 2010. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/3363.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The art of dying : depictions of death in the work of Andres Serrano, Joel-Peter Witkin and David Buchler. [Thesis]. University of KwaZulu-Natal; 2010. Available from: http://hdl.handle.net/10413/3363

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

9. Steytler, Jessica Merle. Concept-material-process : exegesis in the creative practice of Jessica Steytler.

Degree: 2016, University of KwaZulu-Natal

 This practice-based research project incorporates practical and theoretical components which consider the relationships between the concepts, media and processes of the creative practice of the… (more)

Subjects/Keywords: Fine arts.; Embroidery.; Materiality.; Metamorphosis.; Practice-based research.

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APA (6th Edition):

Steytler, J. M. (2016). Concept-material-process : exegesis in the creative practice of Jessica Steytler. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/14728

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Steytler, Jessica Merle. “Concept-material-process : exegesis in the creative practice of Jessica Steytler.” 2016. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/14728.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Steytler, Jessica Merle. “Concept-material-process : exegesis in the creative practice of Jessica Steytler.” 2016. Web. 11 Nov 2019.

Vancouver:

Steytler JM. Concept-material-process : exegesis in the creative practice of Jessica Steytler. [Internet] [Thesis]. University of KwaZulu-Natal; 2016. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/14728.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Steytler JM. Concept-material-process : exegesis in the creative practice of Jessica Steytler. [Thesis]. University of KwaZulu-Natal; 2016. Available from: http://hdl.handle.net/10413/14728

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

10. [No author]. Clay-earth-skin : an exegesis of material and process in Kim Bagley's ceramics.

Degree: Fine art, 2010, University of KwaZulu-Natal

 This study is a practice-led research project in the field of studio ceramics. It focuses on the materials and processes of making vessels and hollow… (more)

Subjects/Keywords: Clay.; Glazes.; Fine art.

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APA (6th Edition):

author], [. (2010). Clay-earth-skin : an exegesis of material and process in Kim Bagley's ceramics. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3573

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Clay-earth-skin : an exegesis of material and process in Kim Bagley's ceramics. ” 2010. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/3573.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Clay-earth-skin : an exegesis of material and process in Kim Bagley's ceramics. ” 2010. Web. 11 Nov 2019.

Vancouver:

author] [. Clay-earth-skin : an exegesis of material and process in Kim Bagley's ceramics. [Internet] [Thesis]. University of KwaZulu-Natal; 2010. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/3573.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Clay-earth-skin : an exegesis of material and process in Kim Bagley's ceramics. [Thesis]. University of KwaZulu-Natal; 2010. Available from: http://hdl.handle.net/10413/3573

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

11. [No author]. Concept-material-process : exegesis in the creative practice of Jessica Steytler.

Degree: 2016, University of KwaZulu-Natal

 This practice-based research project incorporates practical and theoretical components which consider the relationships between the concepts, media and processes of the creative practice of the… (more)

Subjects/Keywords: Porcelain.; Practice-based research.; Materiality.; Needlework.; Feminist art.

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APA (6th Edition):

author], [. (2016). Concept-material-process : exegesis in the creative practice of Jessica Steytler. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/14231

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Concept-material-process : exegesis in the creative practice of Jessica Steytler. ” 2016. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/14231.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Concept-material-process : exegesis in the creative practice of Jessica Steytler. ” 2016. Web. 11 Nov 2019.

Vancouver:

author] [. Concept-material-process : exegesis in the creative practice of Jessica Steytler. [Internet] [Thesis]. University of KwaZulu-Natal; 2016. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/14231.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Concept-material-process : exegesis in the creative practice of Jessica Steytler. [Thesis]. University of KwaZulu-Natal; 2016. Available from: http://hdl.handle.net/10413/14231

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

12. Speight, Elizabeth. Concepts of the father in the art of women.

Degree: MA, Fine art, 2003, University of KwaZulu-Natal

 This dissertation explores the gendered division of childcare in terms of concepts of the father and examines how these concepts have impacted on the production… (more)

Subjects/Keywords: Fine art.

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APA (6th Edition):

Speight, E. (2003). Concepts of the father in the art of women. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/7293

Chicago Manual of Style (16th Edition):

Speight, Elizabeth. “Concepts of the father in the art of women.” 2003. Masters Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/7293.

MLA Handbook (7th Edition):

Speight, Elizabeth. “Concepts of the father in the art of women.” 2003. Web. 11 Nov 2019.

Vancouver:

Speight E. Concepts of the father in the art of women. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2003. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/7293.

Council of Science Editors:

Speight E. Concepts of the father in the art of women. [Masters Thesis]. University of KwaZulu-Natal; 2003. Available from: http://hdl.handle.net/10413/7293


University of KwaZulu-Natal

13. Shao, Leigh-Lin Ning. Evaluation and critical analysis of the Chinese porcelains in the Whitwell collection Tatham Art Gallery: Pietermaritzburg.

Degree: MA, Fine art, 2002, University of KwaZulu-Natal

 The first chapter is a broad review of the recent history of Chinese porcelain from the Ming period to the present day. It includes remarks… (more)

Subjects/Keywords: Fine art.; Porcelain, Chinese – History.; Pottery, Chinese – History.; China trade porcelain.; Blue and white ware – China.; Whitwell collection.; Tatham Art Gallery (Pietermaritzburg, KwaZulu-Natal)

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APA (6th Edition):

Shao, L. N. (2002). Evaluation and critical analysis of the Chinese porcelains in the Whitwell collection Tatham Art Gallery: Pietermaritzburg. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3734

Chicago Manual of Style (16th Edition):

Shao, Leigh-Lin Ning. “Evaluation and critical analysis of the Chinese porcelains in the Whitwell collection Tatham Art Gallery: Pietermaritzburg.” 2002. Masters Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/3734.

MLA Handbook (7th Edition):

Shao, Leigh-Lin Ning. “Evaluation and critical analysis of the Chinese porcelains in the Whitwell collection Tatham Art Gallery: Pietermaritzburg.” 2002. Web. 11 Nov 2019.

Vancouver:

Shao LN. Evaluation and critical analysis of the Chinese porcelains in the Whitwell collection Tatham Art Gallery: Pietermaritzburg. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2002. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/3734.

Council of Science Editors:

Shao LN. Evaluation and critical analysis of the Chinese porcelains in the Whitwell collection Tatham Art Gallery: Pietermaritzburg. [Masters Thesis]. University of KwaZulu-Natal; 2002. Available from: http://hdl.handle.net/10413/3734


University of KwaZulu-Natal

14. [No author]. The introduction of British formalism to the Fine Arts Department at the University of Natal from 1936-1969.

Degree: 2015, University of KwaZulu-Natal

Abstract available in PDF file. Advisors/Committee Members: Calder, Ian (advisor).

Subjects/Keywords: University of KwaZulu-Natal.  – School of Arts.; Formalism (Art)  – South Africa.; Modernism (Art)  – South Africa.; British  – South Africa  – History  – 19th century.; Art history.

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APA (6th Edition):

author], [. (2015). The introduction of British formalism to the Fine Arts Department at the University of Natal from 1936-1969. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/13448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The introduction of British formalism to the Fine Arts Department at the University of Natal from 1936-1969. ” 2015. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/13448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The introduction of British formalism to the Fine Arts Department at the University of Natal from 1936-1969. ” 2015. Web. 11 Nov 2019.

Vancouver:

author] [. The introduction of British formalism to the Fine Arts Department at the University of Natal from 1936-1969. [Internet] [Thesis]. University of KwaZulu-Natal; 2015. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/13448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The introduction of British formalism to the Fine Arts Department at the University of Natal from 1936-1969. [Thesis]. University of KwaZulu-Natal; 2015. Available from: http://hdl.handle.net/10413/13448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

15. [No author]. The South African contemporary ceramic collection at the William Humphreys Art Gallery, 1984-2009 : volume 1.

Degree: University of KwaZulu-Natal

 This thesis catalogues and contextualises the South African contemporary ceramics collected during 1984 – 2009 at the William Humphreys Art Gallery, Kimberley, South Africa. The… (more)

Subjects/Keywords: William Humphreys Art Gallery.; Ceramic arts & crafts.; Art  – 20th century  – Exhibitions.; Art history.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (n.d.). The South African contemporary ceramic collection at the William Humphreys Art Gallery, 1984-2009 : volume 1. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/13137

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The South African contemporary ceramic collection at the William Humphreys Art Gallery, 1984-2009 : volume 1. ” Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/13137.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The South African contemporary ceramic collection at the William Humphreys Art Gallery, 1984-2009 : volume 1. ” Web. 11 Nov 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

author] [. The South African contemporary ceramic collection at the William Humphreys Art Gallery, 1984-2009 : volume 1. [Internet] [Thesis]. University of KwaZulu-Natal; [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/13137.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

author] [. The South African contemporary ceramic collection at the William Humphreys Art Gallery, 1984-2009 : volume 1. [Thesis]. University of KwaZulu-Natal; Available from: http://hdl.handle.net/10413/13137

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of KwaZulu-Natal

16. [No author]. Images of nature in recent South African printmaking and ceramics.

Degree: Fine art, 2000, University of KwaZulu-Natal

 This dissertation considers nature imagery in selected South Afiican ceramics and printmaking. The main focus is on ecological issues in recent art productions. The text… (more)

Subjects/Keywords: Nature (Aesthetics); Ecology.; Plants in art – South Africa.; Landscapes in art.; Pottery – South Africa.; Potters – South Africa.; Prints – South Africa – 20th century.; Printmakers – South Africa – 20th century.; Fine art.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2000). Images of nature in recent South African printmaking and ceramics. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Images of nature in recent South African printmaking and ceramics. ” 2000. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/3883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Images of nature in recent South African printmaking and ceramics. ” 2000. Web. 11 Nov 2019.

Vancouver:

author] [. Images of nature in recent South African printmaking and ceramics. [Internet] [Thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/3883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Images of nature in recent South African printmaking and ceramics. [Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/3883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

17. [No author]. Tradition and innovation : Rorke's Drift ceramics in the collection of the Durban Art Gallery, KwaZulu-Natal.

Degree: Fine art, 2005, University of KwaZulu-Natal

 The Rorke's Drift Art and Craft Centre is examined in its historical context. In order to place the pottery workshop in the context of the… (more)

Subjects/Keywords: Evangelical Lutheran Art and Craft Centre (Rorke's Drift).; Artists, Black – Education – South Africa; Art schools – KwaZulu-Natal; Art – Study and teaching – South Africa; Potters – South Africa; Durban Art Gallery (KwaZulu-Natal).; Fine art.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2005). Tradition and innovation : Rorke's Drift ceramics in the collection of the Durban Art Gallery, KwaZulu-Natal. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/3715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Tradition and innovation : Rorke's Drift ceramics in the collection of the Durban Art Gallery, KwaZulu-Natal. ” 2005. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/3715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Tradition and innovation : Rorke's Drift ceramics in the collection of the Durban Art Gallery, KwaZulu-Natal. ” 2005. Web. 11 Nov 2019.

Vancouver:

author] [. Tradition and innovation : Rorke's Drift ceramics in the collection of the Durban Art Gallery, KwaZulu-Natal. [Internet] [Thesis]. University of KwaZulu-Natal; 2005. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/3715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Tradition and innovation : Rorke's Drift ceramics in the collection of the Durban Art Gallery, KwaZulu-Natal. [Thesis]. University of KwaZulu-Natal; 2005. Available from: http://hdl.handle.net/10413/3715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

18. [No author]. A study of the Eritrean art and material culture in the collections of the National Museum of Eritrea.

Degree: Fine art, 2006, University of KwaZulu-Natal

 Eritrean art and material culture has not been accorded its rightful pace, neither has it been sufficiently isolated from its Ethiopian counterparts. Like the other… (more)

Subjects/Keywords: National Museum of Eritrea (Asmara, Eritrea); Art, Eritrean.; Museums – Eritrea – Asmara.; Material culture – Eritrea.; Fine art.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2006). A study of the Eritrean art and material culture in the collections of the National Museum of Eritrea. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/1716

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “A study of the Eritrean art and material culture in the collections of the National Museum of Eritrea. ” 2006. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/1716.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “A study of the Eritrean art and material culture in the collections of the National Museum of Eritrea. ” 2006. Web. 11 Nov 2019.

Vancouver:

author] [. A study of the Eritrean art and material culture in the collections of the National Museum of Eritrea. [Internet] [Thesis]. University of KwaZulu-Natal; 2006. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/1716.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. A study of the Eritrean art and material culture in the collections of the National Museum of Eritrea. [Thesis]. University of KwaZulu-Natal; 2006. Available from: http://hdl.handle.net/10413/1716

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

19. [No author]. The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication.

Degree: Fine art, 2006, University of KwaZulu-Natal

 This dissertation critically evaluates the intersections of tourism, heritage conservation, and visual communication by exploring the display materials and Museology within the Didima Rock Art… (more)

Subjects/Keywords: Didima Rock Art Centre (KwaZulu-Natal); San (African people) – KwaZulu-Natal.; San (African people) – Painting.; Art, San – KwaZulu-Natal.; Heritage tourism – KwaZulu-Natal.; Visual communication – KwaZulu-Natal.; Museums – KwaZulu-Natal.; Museum techniques – KwaZulu-Natal.; Rock paintings – South Africa.; Fine art.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2006). The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/1819

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication. ” 2006. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/1819.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication. ” 2006. Web. 11 Nov 2019.

Vancouver:

author] [. The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication. [Internet] [Thesis]. University of KwaZulu-Natal; 2006. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/1819.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication. [Thesis]. University of KwaZulu-Natal; 2006. Available from: http://hdl.handle.net/10413/1819

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

20. [No author]. South African studio ceramics, c.1950s : the Kalahari Studio, Drostdy Ware and Crescent Potteries.

Degree: Fine art, 2000, University of KwaZulu-Natal

 The oeuvre of the Kalahari Studio (Cape Town), Drostdy Ware (a division of Grahamstown Pottery, Grahamstown) and Crescent Potteries (Krugersdorp) is investigated within the historical… (more)

Subjects/Keywords: Pottery – 20th Century – South Africa.; Pottery, South African.; Drostdy Ware.; Kalahari Ware.; Crescent pottery.; San (African People) in art.; Blacks in art – South Africa.; Fine art.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2000). South African studio ceramics, c.1950s : the Kalahari Studio, Drostdy Ware and Crescent Potteries. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/4370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “South African studio ceramics, c.1950s : the Kalahari Studio, Drostdy Ware and Crescent Potteries. ” 2000. Thesis, University of KwaZulu-Natal. Accessed November 11, 2019. http://hdl.handle.net/10413/4370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “South African studio ceramics, c.1950s : the Kalahari Studio, Drostdy Ware and Crescent Potteries. ” 2000. Web. 11 Nov 2019.

Vancouver:

author] [. South African studio ceramics, c.1950s : the Kalahari Studio, Drostdy Ware and Crescent Potteries. [Internet] [Thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10413/4370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. South African studio ceramics, c.1950s : the Kalahari Studio, Drostdy Ware and Crescent Potteries. [Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/4370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.