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You searched for +publisher:"University of Kansas" +contributor:("Preston, Catherine"). Showing records 1 – 25 of 25 total matches.

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University of Kansas

1. Mauro, Daniel J. Home Movie as Process: Developing a Reading of the Moving Image in the Home Mode.

Degree: MA, Film & Media Studies, 2010, University of Kansas

 The home movie remains an object of study far under-theorized and under-researched in the discipline of film and media studies, in part, because of the… (more)

Subjects/Keywords: Communication; Aesthetics; Fine arts; Exhibition; Film and media studies; Home mode; Home movie; Memory; Production

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APA (6th Edition):

Mauro, D. J. (2010). Home Movie as Process: Developing a Reading of the Moving Image in the Home Mode. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/10396

Chicago Manual of Style (16th Edition):

Mauro, Daniel J. “Home Movie as Process: Developing a Reading of the Moving Image in the Home Mode.” 2010. Masters Thesis, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/10396.

MLA Handbook (7th Edition):

Mauro, Daniel J. “Home Movie as Process: Developing a Reading of the Moving Image in the Home Mode.” 2010. Web. 18 Oct 2019.

Vancouver:

Mauro DJ. Home Movie as Process: Developing a Reading of the Moving Image in the Home Mode. [Internet] [Masters thesis]. University of Kansas; 2010. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/10396.

Council of Science Editors:

Mauro DJ. Home Movie as Process: Developing a Reading of the Moving Image in the Home Mode. [Masters Thesis]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/10396


University of Kansas

2. Burns, Carol A. Constructing Indianness in Kent Mackenzie's The Exiles.

Degree: MA, Global Indigenous Nations Studies, 2011, University of Kansas

 Film critics consistently note two prominent features of The Exiles as its visual style and its drunken Indians. It has been called one of the… (more)

Subjects/Keywords: Native American studies; Film studies

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APA (6th Edition):

Burns, C. A. (2011). Constructing Indianness in Kent Mackenzie's The Exiles. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/10392

Chicago Manual of Style (16th Edition):

Burns, Carol A. “Constructing Indianness in Kent Mackenzie's The Exiles.” 2011. Masters Thesis, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/10392.

MLA Handbook (7th Edition):

Burns, Carol A. “Constructing Indianness in Kent Mackenzie's The Exiles.” 2011. Web. 18 Oct 2019.

Vancouver:

Burns CA. Constructing Indianness in Kent Mackenzie's The Exiles. [Internet] [Masters thesis]. University of Kansas; 2011. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/10392.

Council of Science Editors:

Burns CA. Constructing Indianness in Kent Mackenzie's The Exiles. [Masters Thesis]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/10392


University of Kansas

3. Lackey, Eric. Arbitrary Reality: The Global Art Cinema of Jim Jarmusch.

Degree: MA, Film & Media Studies, 2012, University of Kansas

 The cinema of American filmmaker Jim Jarmusch resists many attempts at categorization. This thesis examines Jarmusch's cinema within the context of both American independent cinema… (more)

Subjects/Keywords: Film studies; Art cinema; Independent film; Jarmusch, Jim

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APA (6th Edition):

Lackey, E. (2012). Arbitrary Reality: The Global Art Cinema of Jim Jarmusch. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/10864

Chicago Manual of Style (16th Edition):

Lackey, Eric. “Arbitrary Reality: The Global Art Cinema of Jim Jarmusch.” 2012. Masters Thesis, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/10864.

MLA Handbook (7th Edition):

Lackey, Eric. “Arbitrary Reality: The Global Art Cinema of Jim Jarmusch.” 2012. Web. 18 Oct 2019.

Vancouver:

Lackey E. Arbitrary Reality: The Global Art Cinema of Jim Jarmusch. [Internet] [Masters thesis]. University of Kansas; 2012. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/10864.

Council of Science Editors:

Lackey E. Arbitrary Reality: The Global Art Cinema of Jim Jarmusch. [Masters Thesis]. University of Kansas; 2012. Available from: http://hdl.handle.net/1808/10864


University of Kansas

4. Kartashov, Andrei. Strategies of Digital Surrealism in Contemporary Western Cinema.

Degree: MA, Film & Media Studies, 2018, University of Kansas

 This thesis joins an ongoing discussion of cinema’s identity in the digital age. The new technology, which by now has become standard for moving images… (more)

Subjects/Keywords: Film studies; digital cinema; Guy Maddin; hauntology; Leos Carax; Pedro Costa; surrealism

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APA (6th Edition):

Kartashov, A. (2018). Strategies of Digital Surrealism in Contemporary Western Cinema. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/27923

Chicago Manual of Style (16th Edition):

Kartashov, Andrei. “Strategies of Digital Surrealism in Contemporary Western Cinema.” 2018. Masters Thesis, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/27923.

MLA Handbook (7th Edition):

Kartashov, Andrei. “Strategies of Digital Surrealism in Contemporary Western Cinema.” 2018. Web. 18 Oct 2019.

Vancouver:

Kartashov A. Strategies of Digital Surrealism in Contemporary Western Cinema. [Internet] [Masters thesis]. University of Kansas; 2018. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/27923.

Council of Science Editors:

Kartashov A. Strategies of Digital Surrealism in Contemporary Western Cinema. [Masters Thesis]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27923


University of Kansas

5. Glushneva, Iuliia. Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory.

Degree: MA, Film & Media Studies, 2017, University of Kansas

 Since the early 1990s, film theorists have been particularly interested in the studies of film experience and relations between viewers and films. In contrast to… (more)

Subjects/Keywords: Film studies; contemporary film theory; corporeality; embodiment; existential philosophy; film phenomenology; spectatorship

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APA (6th Edition):

Glushneva, I. (2017). Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/25809

Chicago Manual of Style (16th Edition):

Glushneva, Iuliia. “Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory.” 2017. Masters Thesis, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/25809.

MLA Handbook (7th Edition):

Glushneva, Iuliia. “Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory.” 2017. Web. 18 Oct 2019.

Vancouver:

Glushneva I. Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory. [Internet] [Masters thesis]. University of Kansas; 2017. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/25809.

Council of Science Editors:

Glushneva I. Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory. [Masters Thesis]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25809


University of Kansas

6. Lee, Sohyun. IDENTITIES OF DISPLACEMENT: WOMEN, HOME, AND TRANSNATIONAL VISUAL CULTURE.

Degree: PhD, Film & Media Studies, 2010, University of Kansas

 This dissertation explores how gender and globalization interweave in visual culture from a transnational feminist perspective, aiming to challenge the neoliberal, gendered discourses of globalization… (more)

Subjects/Keywords: Cinema; Women's studies; Mass communication; Globalization; Transnational feminism; Visual culture

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APA (6th Edition):

Lee, S. (2010). IDENTITIES OF DISPLACEMENT: WOMEN, HOME, AND TRANSNATIONAL VISUAL CULTURE. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/6385

Chicago Manual of Style (16th Edition):

Lee, Sohyun. “IDENTITIES OF DISPLACEMENT: WOMEN, HOME, AND TRANSNATIONAL VISUAL CULTURE.” 2010. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/6385.

MLA Handbook (7th Edition):

Lee, Sohyun. “IDENTITIES OF DISPLACEMENT: WOMEN, HOME, AND TRANSNATIONAL VISUAL CULTURE.” 2010. Web. 18 Oct 2019.

Vancouver:

Lee S. IDENTITIES OF DISPLACEMENT: WOMEN, HOME, AND TRANSNATIONAL VISUAL CULTURE. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/6385.

Council of Science Editors:

Lee S. IDENTITIES OF DISPLACEMENT: WOMEN, HOME, AND TRANSNATIONAL VISUAL CULTURE. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/6385


University of Kansas

7. von Schlemmer, Mark. Cinematic "Pigness": A Discourse Analysis of Pigs in Motion Pictures.

Degree: PhD, Film & Media Studies, 2010, University of Kansas

 The representations of "others" in film have been contentious since filmmaking began. Fraught with misrepresentations, cinema has been held responsible, and occasionally credited, for influencing… (more)

Subjects/Keywords: Cinema; Mass communication; Environmental studies; Animal; Babe; Discourse; Ecocriticism; Film; Pig

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APA (6th Edition):

von Schlemmer, M. (2010). Cinematic "Pigness": A Discourse Analysis of Pigs in Motion Pictures. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/6928

Chicago Manual of Style (16th Edition):

von Schlemmer, Mark. “Cinematic "Pigness": A Discourse Analysis of Pigs in Motion Pictures.” 2010. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/6928.

MLA Handbook (7th Edition):

von Schlemmer, Mark. “Cinematic "Pigness": A Discourse Analysis of Pigs in Motion Pictures.” 2010. Web. 18 Oct 2019.

Vancouver:

von Schlemmer M. Cinematic "Pigness": A Discourse Analysis of Pigs in Motion Pictures. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/6928.

Council of Science Editors:

von Schlemmer M. Cinematic "Pigness": A Discourse Analysis of Pigs in Motion Pictures. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/6928


University of Kansas

8. Faucette, Michael Brian. Warner Bros. Forgotten Men: Representations of Shifting Masculinities in 1930s Hollywood.

Degree: PhD, Film & Media Studies, 2010, University of Kansas

 This dissertation examines the stardom, characters, and and shifting nature of the styles of masculinities enacted by Paul Muni, George Brent, Dick Powell, and Errol… (more)

Subjects/Keywords: Film studies; Gender studies; 1930s; Film; Hollywood; Masculinity; Stardom; Warner Bros.

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APA (6th Edition):

Faucette, M. B. (2010). Warner Bros. Forgotten Men: Representations of Shifting Masculinities in 1930s Hollywood. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/6989

Chicago Manual of Style (16th Edition):

Faucette, Michael Brian. “Warner Bros. Forgotten Men: Representations of Shifting Masculinities in 1930s Hollywood.” 2010. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/6989.

MLA Handbook (7th Edition):

Faucette, Michael Brian. “Warner Bros. Forgotten Men: Representations of Shifting Masculinities in 1930s Hollywood.” 2010. Web. 18 Oct 2019.

Vancouver:

Faucette MB. Warner Bros. Forgotten Men: Representations of Shifting Masculinities in 1930s Hollywood. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/6989.

Council of Science Editors:

Faucette MB. Warner Bros. Forgotten Men: Representations of Shifting Masculinities in 1930s Hollywood. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/6989


University of Kansas

9. Goebel, Baerbel. In Search of the Audience - Forty Years of German Public Television and Its Audience Driven Commercialization.

Degree: PhD, Film & Media Studies, 2011, University of Kansas

 The long established dichotomy between public and commercial television into elite and mass programming, or commercial and public stations, has been changing in recent years.… (more)

Subjects/Keywords: Film studies; Audiences; German television; Media industries; Public television; Television; Television history

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APA (6th Edition):

Goebel, B. (2011). In Search of the Audience - Forty Years of German Public Television and Its Audience Driven Commercialization. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/7837

Chicago Manual of Style (16th Edition):

Goebel, Baerbel. “In Search of the Audience - Forty Years of German Public Television and Its Audience Driven Commercialization.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/7837.

MLA Handbook (7th Edition):

Goebel, Baerbel. “In Search of the Audience - Forty Years of German Public Television and Its Audience Driven Commercialization.” 2011. Web. 18 Oct 2019.

Vancouver:

Goebel B. In Search of the Audience - Forty Years of German Public Television and Its Audience Driven Commercialization. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/7837.

Council of Science Editors:

Goebel B. In Search of the Audience - Forty Years of German Public Television and Its Audience Driven Commercialization. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/7837


University of Kansas

10. Watson, April Melinda. On the Streets and In the Suburbs: Photographers of the American Social Landscape, 1963-1976.

Degree: PhD, History of Art, 2013, University of Kansas

 Three American photographers came to prominence during the years bracketed by the assassination of President John F. Kennedy in 1963 and the American Bicentennial in… (more)

Subjects/Keywords: Art history; Garry Winogrand; Lee Friedlander; Robert Adams

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APA (6th Edition):

Watson, A. M. (2013). On the Streets and In the Suburbs: Photographers of the American Social Landscape, 1963-1976. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19569

Chicago Manual of Style (16th Edition):

Watson, April Melinda. “On the Streets and In the Suburbs: Photographers of the American Social Landscape, 1963-1976.” 2013. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/19569.

MLA Handbook (7th Edition):

Watson, April Melinda. “On the Streets and In the Suburbs: Photographers of the American Social Landscape, 1963-1976.” 2013. Web. 18 Oct 2019.

Vancouver:

Watson AM. On the Streets and In the Suburbs: Photographers of the American Social Landscape, 1963-1976. [Internet] [Doctoral dissertation]. University of Kansas; 2013. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/19569.

Council of Science Editors:

Watson AM. On the Streets and In the Suburbs: Photographers of the American Social Landscape, 1963-1976. [Doctoral Dissertation]. University of Kansas; 2013. Available from: http://hdl.handle.net/1808/19569


University of Kansas

11. Mwakalinga, Mona Ngusekela. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.

Degree: PhD, Film & Media Studies, 2010, University of Kansas

 This study examines the film industry in Tanzania from the 1960s to 2010 and assesses how government policies, legislation, and cultural institutions have impacted filmmaking… (more)

Subjects/Keywords: Film studies; Film industry; Tanzania

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APA (6th Edition):

Mwakalinga, M. N. (2010). The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/7623

Chicago Manual of Style (16th Edition):

Mwakalinga, Mona Ngusekela. “The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.” 2010. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/7623.

MLA Handbook (7th Edition):

Mwakalinga, Mona Ngusekela. “The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010.” 2010. Web. 18 Oct 2019.

Vancouver:

Mwakalinga MN. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/7623.

Council of Science Editors:

Mwakalinga MN. The Political economy of the Film Industry in Tanzania: From Socialism to an Open Market economy, 1961-2010. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/7623


University of Kansas

12. Woodson, Mary Beth. Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern.

Degree: PhD, Film & Media Studies, 2016, University of Kansas

 In this study I examine the evolving discourse of environmental concerns within visual ecological media that utilizes what I define as ecological memory—ecomemory. As part… (more)

Subjects/Keywords: Film studies; History; Environmental studies; Ecomedia; Ecomemory; Interstellar; Lord of the Rings; Silent Running

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APA (6th Edition):

Woodson, M. B. (2016). Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24130

Chicago Manual of Style (16th Edition):

Woodson, Mary Beth. “Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/24130.

MLA Handbook (7th Edition):

Woodson, Mary Beth. “Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern.” 2016. Web. 18 Oct 2019.

Vancouver:

Woodson MB. Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/24130.

Council of Science Editors:

Woodson MB. Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24130


University of Kansas

13. Van Esler, Michael W. More Than Movies: Social Formations in Informal Networks of Media Sharing.

Degree: PhD, Film & Media Studies, 2017, University of Kansas

 This project examines the social structures, formations, and practices of informal networks of media sharing (INMSs) through both historical and sociological lenses. INMSs are comprised… (more)

Subjects/Keywords: Film studies; Sociology; American studies; Community; Filesharing; Piracy; Streaming; Video; Virtual community

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APA (6th Edition):

Van Esler, M. W. (2017). More Than Movies: Social Formations in Informal Networks of Media Sharing. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/26030

Chicago Manual of Style (16th Edition):

Van Esler, Michael W. “More Than Movies: Social Formations in Informal Networks of Media Sharing.” 2017. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/26030.

MLA Handbook (7th Edition):

Van Esler, Michael W. “More Than Movies: Social Formations in Informal Networks of Media Sharing.” 2017. Web. 18 Oct 2019.

Vancouver:

Van Esler MW. More Than Movies: Social Formations in Informal Networks of Media Sharing. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/26030.

Council of Science Editors:

Van Esler MW. More Than Movies: Social Formations in Informal Networks of Media Sharing. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/26030


University of Kansas

14. Hodel, Christina Hereiti. SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s.

Degree: PhD, Film & Media Studies, 2017, University of Kansas

 Conformity messaging and subversive practices potentially harmful to healthy models of feminine identity are critical interpretations of the differential depiction of the hiding and usage… (more)

Subjects/Keywords: Film studies; Gender studies; Children; Disney; Gender; Girls; Power; Television

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APA (6th Edition):

Hodel, C. H. (2017). SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/26330

Chicago Manual of Style (16th Edition):

Hodel, Christina Hereiti. “SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s.” 2017. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/26330.

MLA Handbook (7th Edition):

Hodel, Christina Hereiti. “SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s.” 2017. Web. 18 Oct 2019.

Vancouver:

Hodel CH. SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/26330.

Council of Science Editors:

Hodel CH. SECRET SUPERSTARS AND OTHERWORLDLY WIZARDS: Gender Biased Hiding of Extraordinary Abilities in Girl-Powered Disney Channel Sitcoms from the 2000s. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/26330


University of Kansas

15. Grizzell, Trevor. Stuck: Time, Difference, and Power in American Visual Culture.

Degree: PhD, Women, Gender & Sexuality Studies, 2018, University of Kansas

 This dissertation analyzes four case studies in American visual culture to propose a theory of stuckness, a way of doing time in visual culture. Using… (more)

Subjects/Keywords: Gender studies; American studies; failure; loss; performance; queer

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APA (6th Edition):

Grizzell, T. (2018). Stuck: Time, Difference, and Power in American Visual Culture. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/28041

Chicago Manual of Style (16th Edition):

Grizzell, Trevor. “Stuck: Time, Difference, and Power in American Visual Culture.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/28041.

MLA Handbook (7th Edition):

Grizzell, Trevor. “Stuck: Time, Difference, and Power in American Visual Culture.” 2018. Web. 18 Oct 2019.

Vancouver:

Grizzell T. Stuck: Time, Difference, and Power in American Visual Culture. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/28041.

Council of Science Editors:

Grizzell T. Stuck: Time, Difference, and Power in American Visual Culture. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/28041


University of Kansas

16. Ogawa, Sho. Producing Gayness: The 1990s “Gay Boom” in Japanese Media.

Degree: PhD, Film & Media Studies, 2017, University of Kansas

 This dissertation examines the gay boom in the Japan, where various media from magazines, novels, television shows, to feature films reported on and represented male… (more)

Subjects/Keywords: Film studies; LGBTQ studies; Women's studies; consumerism; film; gay boom; homosexuality; Japan; multiculturalism

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APA (6th Edition):

Ogawa, S. (2017). Producing Gayness: The 1990s “Gay Boom” in Japanese Media. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27011

Chicago Manual of Style (16th Edition):

Ogawa, Sho. “Producing Gayness: The 1990s “Gay Boom” in Japanese Media.” 2017. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/27011.

MLA Handbook (7th Edition):

Ogawa, Sho. “Producing Gayness: The 1990s “Gay Boom” in Japanese Media.” 2017. Web. 18 Oct 2019.

Vancouver:

Ogawa S. Producing Gayness: The 1990s “Gay Boom” in Japanese Media. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/27011.

Council of Science Editors:

Ogawa S. Producing Gayness: The 1990s “Gay Boom” in Japanese Media. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/27011

17. Reid, Tina-Louise. From Cap to Cloak: The Evolution of "Little Red Riding Hood" from Oral Tale to Film.

Degree: MA, Film & Media Studies, 2012, University of Kansas

 As co-written with scholar and storyteller Angela Carter, Neil Jordan's The Company of Wolves (1984) represents a unique case of adaptation as it radically revises… (more)

Subjects/Keywords: Film studies; British and irish literature; Adaptation; Carter, Angela; Dream; Film; Jordan, Neil; The company of wolves

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APA (6th Edition):

Reid, T. (2012). From Cap to Cloak: The Evolution of "Little Red Riding Hood" from Oral Tale to Film. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/10673

Chicago Manual of Style (16th Edition):

Reid, Tina-Louise. “From Cap to Cloak: The Evolution of "Little Red Riding Hood" from Oral Tale to Film.” 2012. Masters Thesis, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/10673.

MLA Handbook (7th Edition):

Reid, Tina-Louise. “From Cap to Cloak: The Evolution of "Little Red Riding Hood" from Oral Tale to Film.” 2012. Web. 18 Oct 2019.

Vancouver:

Reid T. From Cap to Cloak: The Evolution of "Little Red Riding Hood" from Oral Tale to Film. [Internet] [Masters thesis]. University of Kansas; 2012. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/10673.

Council of Science Editors:

Reid T. From Cap to Cloak: The Evolution of "Little Red Riding Hood" from Oral Tale to Film. [Masters Thesis]. University of Kansas; 2012. Available from: http://hdl.handle.net/1808/10673

18. Banion, Teresa Mary. Agency Unrealized: Women Students in Film Production Classes.

Degree: MA, Film & Media Studies, 2011, University of Kansas

 Abstract This study looks at the issue of agency in women undergraduate students enrolled in film production classes at the University of Kansas during the… (more)

Subjects/Keywords: Film studies; Women's studies; Agency; Classes; Production; Undergraduate; Women

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APA (6th Edition):

Banion, T. M. (2011). Agency Unrealized: Women Students in Film Production Classes. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/7758

Chicago Manual of Style (16th Edition):

Banion, Teresa Mary. “Agency Unrealized: Women Students in Film Production Classes.” 2011. Masters Thesis, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/7758.

MLA Handbook (7th Edition):

Banion, Teresa Mary. “Agency Unrealized: Women Students in Film Production Classes.” 2011. Web. 18 Oct 2019.

Vancouver:

Banion TM. Agency Unrealized: Women Students in Film Production Classes. [Internet] [Masters thesis]. University of Kansas; 2011. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/7758.

Council of Science Editors:

Banion TM. Agency Unrealized: Women Students in Film Production Classes. [Masters Thesis]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/7758

19. Park, Nohchool. A Cultural Interpretation of the South Korean Independent Cinema Movement, 1975-2004.

Degree: PhD, Theatre & Film, 2009, University of Kansas

 A Cultural Interpretation of the South Korean Independent Cinema Movement, 1975-2004 examines the origin and development of the independent cinema movement in South Korea. The… (more)

Subjects/Keywords: Art history; Asia – History; Australian history; Oceania – History; Asian literature; Independent documentary; National cinema; People's cinema; Small film; South Korean independent cinema movement; Woman's film

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APA (6th Edition):

Park, N. (2009). A Cultural Interpretation of the South Korean Independent Cinema Movement, 1975-2004. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/5392

Chicago Manual of Style (16th Edition):

Park, Nohchool. “A Cultural Interpretation of the South Korean Independent Cinema Movement, 1975-2004.” 2009. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/5392.

MLA Handbook (7th Edition):

Park, Nohchool. “A Cultural Interpretation of the South Korean Independent Cinema Movement, 1975-2004.” 2009. Web. 18 Oct 2019.

Vancouver:

Park N. A Cultural Interpretation of the South Korean Independent Cinema Movement, 1975-2004. [Internet] [Doctoral dissertation]. University of Kansas; 2009. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/5392.

Council of Science Editors:

Park N. A Cultural Interpretation of the South Korean Independent Cinema Movement, 1975-2004. [Doctoral Dissertation]. University of Kansas; 2009. Available from: http://hdl.handle.net/1808/5392

20. Pérez Tejada, Manuel Antonio. The Politics of Mexican Documentary Distribution: Three Case Studies, 1988-2006.

Degree: PhD, Theatre & Film, 2009, University of Kansas

 This dissertation examines the politics involved in the distribution of Mexican documentaries during the 1988-2006 period, as a way to pinpoint the factors shaping the… (more)

Subjects/Keywords: Cinema; Latin American – History; Economics; Commerce; Documentary; Economy; Film; Industry; Mexico; Politics

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APA (6th Edition):

Pérez Tejada, M. A. (2009). The Politics of Mexican Documentary Distribution: Three Case Studies, 1988-2006. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/5338

Chicago Manual of Style (16th Edition):

Pérez Tejada, Manuel Antonio. “The Politics of Mexican Documentary Distribution: Three Case Studies, 1988-2006.” 2009. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/5338.

MLA Handbook (7th Edition):

Pérez Tejada, Manuel Antonio. “The Politics of Mexican Documentary Distribution: Three Case Studies, 1988-2006.” 2009. Web. 18 Oct 2019.

Vancouver:

Pérez Tejada MA. The Politics of Mexican Documentary Distribution: Three Case Studies, 1988-2006. [Internet] [Doctoral dissertation]. University of Kansas; 2009. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/5338.

Council of Science Editors:

Pérez Tejada MA. The Politics of Mexican Documentary Distribution: Three Case Studies, 1988-2006. [Doctoral Dissertation]. University of Kansas; 2009. Available from: http://hdl.handle.net/1808/5338

21. Graves, Michael. Lost in a Transmedia Storytelling Franchise: Rethinking Transmedia Engagement.

Degree: PhD, Film & Media Studies, 2011, University of Kansas

 In the age of media convergence, transmedia storytelling - the distribution of story elements across multiple media platforms in the service of crafting an overarching… (more)

Subjects/Keywords: Film studies; Engagement; Lost; New media; Television; Transmedia; Viewsing

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APA (6th Edition):

Graves, M. (2011). Lost in a Transmedia Storytelling Franchise: Rethinking Transmedia Engagement. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/9780

Chicago Manual of Style (16th Edition):

Graves, Michael. “Lost in a Transmedia Storytelling Franchise: Rethinking Transmedia Engagement.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/9780.

MLA Handbook (7th Edition):

Graves, Michael. “Lost in a Transmedia Storytelling Franchise: Rethinking Transmedia Engagement.” 2011. Web. 18 Oct 2019.

Vancouver:

Graves M. Lost in a Transmedia Storytelling Franchise: Rethinking Transmedia Engagement. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/9780.

Council of Science Editors:

Graves M. Lost in a Transmedia Storytelling Franchise: Rethinking Transmedia Engagement. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/9780

22. Cole, Samuel Jason. A QUALITATIVE CASE STUDY ANALYSIS OF THE CURRENT CONDITION OF NICHE MARKET, INDEPENDENT MOTION PICTURE PRODUCERS.

Degree: PhD, Film & Media Studies, 2013, University of Kansas

 This dissertation provides researchers with a window into the field of motion picture production from an inside-looking-out viewpoint filmmakers actively working in the field of… (more)

Subjects/Keywords: Film studies; Bourdieu; Case study; Independent film; In-depth interviews; Motion picture; Producers

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APA (6th Edition):

Cole, S. J. (2013). A QUALITATIVE CASE STUDY ANALYSIS OF THE CURRENT CONDITION OF NICHE MARKET, INDEPENDENT MOTION PICTURE PRODUCERS. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/12967

Chicago Manual of Style (16th Edition):

Cole, Samuel Jason. “A QUALITATIVE CASE STUDY ANALYSIS OF THE CURRENT CONDITION OF NICHE MARKET, INDEPENDENT MOTION PICTURE PRODUCERS.” 2013. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/12967.

MLA Handbook (7th Edition):

Cole, Samuel Jason. “A QUALITATIVE CASE STUDY ANALYSIS OF THE CURRENT CONDITION OF NICHE MARKET, INDEPENDENT MOTION PICTURE PRODUCERS.” 2013. Web. 18 Oct 2019.

Vancouver:

Cole SJ. A QUALITATIVE CASE STUDY ANALYSIS OF THE CURRENT CONDITION OF NICHE MARKET, INDEPENDENT MOTION PICTURE PRODUCERS. [Internet] [Doctoral dissertation]. University of Kansas; 2013. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/12967.

Council of Science Editors:

Cole SJ. A QUALITATIVE CASE STUDY ANALYSIS OF THE CURRENT CONDITION OF NICHE MARKET, INDEPENDENT MOTION PICTURE PRODUCERS. [Doctoral Dissertation]. University of Kansas; 2013. Available from: http://hdl.handle.net/1808/12967

23. Cohen, Matthew Allen. Content Control: The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008.

Degree: PhD, Film & Media Studies, 2011, University of Kansas

 This historical and political economic investigation aims to illustrate the ways in which the Motion Picture Association of America radically revised their methods of patrolling… (more)

Subjects/Keywords: Communication; Film studies; Film piracy; Intellectual property; MPAA; Political economy

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APA (6th Edition):

Cohen, M. A. (2011). Content Control: The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/9778

Chicago Manual of Style (16th Edition):

Cohen, Matthew Allen. “Content Control: The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/9778.

MLA Handbook (7th Edition):

Cohen, Matthew Allen. “Content Control: The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008.” 2011. Web. 18 Oct 2019.

Vancouver:

Cohen MA. Content Control: The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/9778.

Council of Science Editors:

Cohen MA. Content Control: The Motion Picture Association of America's Patrolling of Internet Piracy in America, 1996-2008. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/9778


University of Kansas

24. Arenas Velez, Fernando. Audience Response & Disability Representation in Four Film and Television Dramas: A Qualitative Audience Study.

Degree: PH.D., Theatre & Film, 2008, University of Kansas

 This dissertation examines the audiovisual representation of physical disability in a group of films produced for theatrical and television distribution. The films under study are:… (more)

Subjects/Keywords: Cinema; Disability television film cinema audience reception

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APA (6th Edition):

Arenas Velez, F. (2008). Audience Response & Disability Representation in Four Film and Television Dramas: A Qualitative Audience Study. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/4247

Chicago Manual of Style (16th Edition):

Arenas Velez, Fernando. “Audience Response & Disability Representation in Four Film and Television Dramas: A Qualitative Audience Study.” 2008. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/4247.

MLA Handbook (7th Edition):

Arenas Velez, Fernando. “Audience Response & Disability Representation in Four Film and Television Dramas: A Qualitative Audience Study.” 2008. Web. 18 Oct 2019.

Vancouver:

Arenas Velez F. Audience Response & Disability Representation in Four Film and Television Dramas: A Qualitative Audience Study. [Internet] [Doctoral dissertation]. University of Kansas; 2008. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/4247.

Council of Science Editors:

Arenas Velez F. Audience Response & Disability Representation in Four Film and Television Dramas: A Qualitative Audience Study. [Doctoral Dissertation]. University of Kansas; 2008. Available from: http://hdl.handle.net/1808/4247


University of Kansas

25. Park, JaeYoon. Seeing Stars: Female Film Stars and Female Audiences in Post-Colonial Korea.

Degree: PH.D., Theatre & Film, 2008, University of Kansas

 This dissertation examines the complex relationships between Korean cinema's construction of femininity and female audiences' interpretation of such representations while problematizing the master narratives of… (more)

Subjects/Keywords: Cinema; Women's studies; Korean cinema; Star images; Audiences; Post-colonial feminism; Korean nationalism; Globalization

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APA (6th Edition):

Park, J. (2008). Seeing Stars: Female Film Stars and Female Audiences in Post-Colonial Korea. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/4216

Chicago Manual of Style (16th Edition):

Park, JaeYoon. “Seeing Stars: Female Film Stars and Female Audiences in Post-Colonial Korea.” 2008. Doctoral Dissertation, University of Kansas. Accessed October 18, 2019. http://hdl.handle.net/1808/4216.

MLA Handbook (7th Edition):

Park, JaeYoon. “Seeing Stars: Female Film Stars and Female Audiences in Post-Colonial Korea.” 2008. Web. 18 Oct 2019.

Vancouver:

Park J. Seeing Stars: Female Film Stars and Female Audiences in Post-Colonial Korea. [Internet] [Doctoral dissertation]. University of Kansas; 2008. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1808/4216.

Council of Science Editors:

Park J. Seeing Stars: Female Film Stars and Female Audiences in Post-Colonial Korea. [Doctoral Dissertation]. University of Kansas; 2008. Available from: http://hdl.handle.net/1808/4216

.