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You searched for +publisher:"University of Kansas" +contributor:("Laird, Paul"). Showing records 1 – 30 of 63 total matches.

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University of Kansas

1. Newbegin, Kristin. Goyescas: A Performer's Guide.

Degree: DMA, Music, 2016, University of Kansas

 Abstract Opera in Spain developed slowly in comparison to its European neighbors in Italy, France, and Germany, whose traditions of opera were present beginning in… (more)

Subjects/Keywords: Music; Goyescas; Granados; Majismo; Opera; Periquet; Spanish

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APA (6th Edition):

Newbegin, K. (2016). Goyescas: A Performer's Guide. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21611

Chicago Manual of Style (16th Edition):

Newbegin, Kristin. “Goyescas: A Performer's Guide.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/21611.

MLA Handbook (7th Edition):

Newbegin, Kristin. “Goyescas: A Performer's Guide.” 2016. Web. 15 Oct 2019.

Vancouver:

Newbegin K. Goyescas: A Performer's Guide. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/21611.

Council of Science Editors:

Newbegin K. Goyescas: A Performer's Guide. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21611


University of Kansas

2. Mullinger, Lisa Noelle. Nicolas Slonimsky's Role in the Musical Modernism of the Early Twentieth Century.

Degree: M.M., Music, 2013, University of Kansas

 The musical modernism movement of the early twentieth century began with much resistance, but blossomed into a period of inspired experimentation and development. Nicolas Slonimsky… (more)

Subjects/Keywords: Music; History; Cowell; Ives; Musical modernism; Slonimsky, Nicolas; Twentieth century; Varese, Edgard

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APA (6th Edition):

Mullinger, L. N. (2013). Nicolas Slonimsky's Role in the Musical Modernism of the Early Twentieth Century. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/12345

Chicago Manual of Style (16th Edition):

Mullinger, Lisa Noelle. “Nicolas Slonimsky's Role in the Musical Modernism of the Early Twentieth Century.” 2013. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/12345.

MLA Handbook (7th Edition):

Mullinger, Lisa Noelle. “Nicolas Slonimsky's Role in the Musical Modernism of the Early Twentieth Century.” 2013. Web. 15 Oct 2019.

Vancouver:

Mullinger LN. Nicolas Slonimsky's Role in the Musical Modernism of the Early Twentieth Century. [Internet] [Masters thesis]. University of Kansas; 2013. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/12345.

Council of Science Editors:

Mullinger LN. Nicolas Slonimsky's Role in the Musical Modernism of the Early Twentieth Century. [Masters Thesis]. University of Kansas; 2013. Available from: http://hdl.handle.net/1808/12345


University of Kansas

3. Preisner, Stephen Thaddeus. The Use of Serbian Folksong in the Trumpet Music of Nikola Resanovic.

Degree: DMA, Music, 2014, University of Kansas

 This document examines the trumpet compositions of the American composer Nikola Resanovic, and the influence of his Serbian heritage on his music. It contains a… (more)

Subjects/Keywords: Music; Resanovic, Nikola; Serbian folk music; Serbian folksong; Trumpet

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APA (6th Edition):

Preisner, S. T. (2014). The Use of Serbian Folksong in the Trumpet Music of Nikola Resanovic. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/15514

Chicago Manual of Style (16th Edition):

Preisner, Stephen Thaddeus. “The Use of Serbian Folksong in the Trumpet Music of Nikola Resanovic.” 2014. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/15514.

MLA Handbook (7th Edition):

Preisner, Stephen Thaddeus. “The Use of Serbian Folksong in the Trumpet Music of Nikola Resanovic.” 2014. Web. 15 Oct 2019.

Vancouver:

Preisner ST. The Use of Serbian Folksong in the Trumpet Music of Nikola Resanovic. [Internet] [Doctoral dissertation]. University of Kansas; 2014. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/15514.

Council of Science Editors:

Preisner ST. The Use of Serbian Folksong in the Trumpet Music of Nikola Resanovic. [Doctoral Dissertation]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/15514


University of Kansas

4. Smith, Christopher Matthew. A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw.

Degree: DMA, Music, 2016, University of Kansas

 The methods of six highly-successful conductors from around the world—Frieder Bernius (Germany), Tõnu Kaljuste (Estonia), Stephen Cleobury, John Eliot Gardiner (U.K.), Weston Noble, and Robert… (more)

Subjects/Keywords: Music; choral; conducting; gesture; leadership; rehearsal; unification

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APA (6th Edition):

Smith, C. M. (2016). A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21617

Chicago Manual of Style (16th Edition):

Smith, Christopher Matthew. “A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/21617.

MLA Handbook (7th Edition):

Smith, Christopher Matthew. “A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw.” 2016. Web. 15 Oct 2019.

Vancouver:

Smith CM. A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/21617.

Council of Science Editors:

Smith CM. A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21617


University of Kansas

5. Taylor, Alexander Raymond. The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers.

Degree: DMA, Music, 2018, University of Kansas

 The Concerto for Bass Tuba by Ralph Vaughan Williams was the first concerto written for solo tuba, and remains a staple in the repertoire today.… (more)

Subjects/Keywords: Music; Concerto; Gregson; Newton; Steptoe; Tuba; Vaughan Williams

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APA (6th Edition):

Taylor, A. R. (2018). The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27089

Chicago Manual of Style (16th Edition):

Taylor, Alexander Raymond. “The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/27089.

MLA Handbook (7th Edition):

Taylor, Alexander Raymond. “The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers.” 2018. Web. 15 Oct 2019.

Vancouver:

Taylor AR. The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/27089.

Council of Science Editors:

Taylor AR. The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27089


University of Kansas

6. Starrett, Megan Jane. The Role of the Horn in Band Music.

Degree: M.M., Music and Dance, 2009, University of Kansas

 In the American wind band, the role of the horn has transformed parallel to the development of professional bands, military bands, and collegiate wind ensembles.… (more)

Subjects/Keywords: Music; Band; Horn

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APA (6th Edition):

Starrett, M. J. (2009). The Role of the Horn in Band Music. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/5539

Chicago Manual of Style (16th Edition):

Starrett, Megan Jane. “The Role of the Horn in Band Music.” 2009. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/5539.

MLA Handbook (7th Edition):

Starrett, Megan Jane. “The Role of the Horn in Band Music.” 2009. Web. 15 Oct 2019.

Vancouver:

Starrett MJ. The Role of the Horn in Band Music. [Internet] [Masters thesis]. University of Kansas; 2009. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/5539.

Council of Science Editors:

Starrett MJ. The Role of the Horn in Band Music. [Masters Thesis]. University of Kansas; 2009. Available from: http://hdl.handle.net/1808/5539


University of Kansas

7. Reames, Cory Scott. Handel's Acis and Galatea: Mozart, Mendelssohn, and Performance Practices of the Eighteenth and Nineteenth Centuries.

Degree: M.M., Music, 2014, University of Kansas

 In 1718, George Frideric Handel premiered Acis and Galatea words for the Duke of Chandos. In 1788, Wolfgang Amadeus Mozart's adaptation of Handel's masque debuted,… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Reames, C. S. (2014). Handel's Acis and Galatea: Mozart, Mendelssohn, and Performance Practices of the Eighteenth and Nineteenth Centuries. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/15785

Chicago Manual of Style (16th Edition):

Reames, Cory Scott. “Handel's Acis and Galatea: Mozart, Mendelssohn, and Performance Practices of the Eighteenth and Nineteenth Centuries.” 2014. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/15785.

MLA Handbook (7th Edition):

Reames, Cory Scott. “Handel's Acis and Galatea: Mozart, Mendelssohn, and Performance Practices of the Eighteenth and Nineteenth Centuries.” 2014. Web. 15 Oct 2019.

Vancouver:

Reames CS. Handel's Acis and Galatea: Mozart, Mendelssohn, and Performance Practices of the Eighteenth and Nineteenth Centuries. [Internet] [Masters thesis]. University of Kansas; 2014. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/15785.

Council of Science Editors:

Reames CS. Handel's Acis and Galatea: Mozart, Mendelssohn, and Performance Practices of the Eighteenth and Nineteenth Centuries. [Masters Thesis]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/15785


University of Kansas

8. Tang, Ying. Comparison of Solo Music for the Western Lute and Chinese Pipa.

Degree: M.M., Music, 2015, University of Kansas

 This thesis is a comparison between the Western lute and Chinese pipa in terms of their history, construction, playing techniques, and examples of their solo… (more)

Subjects/Keywords: Music; Chinese pipa; Comparison; Lute; Solo music

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APA (6th Edition):

Tang, Y. (2015). Comparison of Solo Music for the Western Lute and Chinese Pipa. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/19430

Chicago Manual of Style (16th Edition):

Tang, Ying. “Comparison of Solo Music for the Western Lute and Chinese Pipa.” 2015. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/19430.

MLA Handbook (7th Edition):

Tang, Ying. “Comparison of Solo Music for the Western Lute and Chinese Pipa.” 2015. Web. 15 Oct 2019.

Vancouver:

Tang Y. Comparison of Solo Music for the Western Lute and Chinese Pipa. [Internet] [Masters thesis]. University of Kansas; 2015. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/19430.

Council of Science Editors:

Tang Y. Comparison of Solo Music for the Western Lute and Chinese Pipa. [Masters Thesis]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19430


University of Kansas

9. Wood, Leslee Veora. Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade.

Degree: M.M., Music, 2017, University of Kansas

 From the eleventh through the thirteenth century, the troubadours flourished in the Occitan courts of southern France. As the artistic and political voices of their… (more)

Subjects/Keywords: Music; Medieval literature; Religious history; Albigensian Crusade; Catharism; Langue d'Oc; Medieval France; Medieval Music; Troubadours

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APA (6th Edition):

Wood, L. V. (2017). Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/25234

Chicago Manual of Style (16th Edition):

Wood, Leslee Veora. “Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade.” 2017. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/25234.

MLA Handbook (7th Edition):

Wood, Leslee Veora. “Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade.” 2017. Web. 15 Oct 2019.

Vancouver:

Wood LV. Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade. [Internet] [Masters thesis]. University of Kansas; 2017. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/25234.

Council of Science Editors:

Wood LV. Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade. [Masters Thesis]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25234


University of Kansas

10. Casurella, Stephan. Threshold Words: A Cycle of Six Anthems.

Degree: DMA, Music and Dance, 2009, University of Kansas

 Threshold Words: A Cycle of Six Anthems is a setting of texts by poet John D. Thornburg, each of which reflects on a narrative from… (more)

Subjects/Keywords: Music; Anthem; Choir; Organ; Quartet; String

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APA (6th Edition):

Casurella, S. (2009). Threshold Words: A Cycle of Six Anthems. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/5541

Chicago Manual of Style (16th Edition):

Casurella, Stephan. “Threshold Words: A Cycle of Six Anthems.” 2009. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/5541.

MLA Handbook (7th Edition):

Casurella, Stephan. “Threshold Words: A Cycle of Six Anthems.” 2009. Web. 15 Oct 2019.

Vancouver:

Casurella S. Threshold Words: A Cycle of Six Anthems. [Internet] [Doctoral dissertation]. University of Kansas; 2009. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/5541.

Council of Science Editors:

Casurella S. Threshold Words: A Cycle of Six Anthems. [Doctoral Dissertation]. University of Kansas; 2009. Available from: http://hdl.handle.net/1808/5541


University of Kansas

11. Nichols, Christopher R. A CLARINETIST'S GUIDE TO THE AUDITION PROCESS AND LITERATURE FOR THE PREMIER UNITED STATES SERVICE BANDS.

Degree: DMA, Music, 2011, University of Kansas

 The eight premier United States service bands provide numerous job opportunities for the prospective professional musician and offer financial stability, job security, and an outlet… (more)

Subjects/Keywords: Music; Music education; Audition; Clarinet; Military band

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APA (6th Edition):

Nichols, C. R. (2011). A CLARINETIST'S GUIDE TO THE AUDITION PROCESS AND LITERATURE FOR THE PREMIER UNITED STATES SERVICE BANDS. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/8028

Chicago Manual of Style (16th Edition):

Nichols, Christopher R. “A CLARINETIST'S GUIDE TO THE AUDITION PROCESS AND LITERATURE FOR THE PREMIER UNITED STATES SERVICE BANDS.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/8028.

MLA Handbook (7th Edition):

Nichols, Christopher R. “A CLARINETIST'S GUIDE TO THE AUDITION PROCESS AND LITERATURE FOR THE PREMIER UNITED STATES SERVICE BANDS.” 2011. Web. 15 Oct 2019.

Vancouver:

Nichols CR. A CLARINETIST'S GUIDE TO THE AUDITION PROCESS AND LITERATURE FOR THE PREMIER UNITED STATES SERVICE BANDS. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/8028.

Council of Science Editors:

Nichols CR. A CLARINETIST'S GUIDE TO THE AUDITION PROCESS AND LITERATURE FOR THE PREMIER UNITED STATES SERVICE BANDS. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/8028


University of Kansas

12. Ong, Corinne Kay. A Historical Overview and Analysis of the Use of Hungarian Folk Music in Zoltán Kodály's Háry János Suite, Dances of Marosszék, and Dances of Galánta.

Degree: M.M., Music, 2011, University of Kansas

 At the beginning of the twentieth century, many composers looked towards the music of their own heritage as source material for their original compositions. In… (more)

Subjects/Keywords: Music; Galanta; Janos, Hary; Hungary; Kodaly; Marosszek

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APA (6th Edition):

Ong, C. K. (2011). A Historical Overview and Analysis of the Use of Hungarian Folk Music in Zoltán Kodály's Háry János Suite, Dances of Marosszék, and Dances of Galánta. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/8029

Chicago Manual of Style (16th Edition):

Ong, Corinne Kay. “A Historical Overview and Analysis of the Use of Hungarian Folk Music in Zoltán Kodály's Háry János Suite, Dances of Marosszék, and Dances of Galánta.” 2011. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/8029.

MLA Handbook (7th Edition):

Ong, Corinne Kay. “A Historical Overview and Analysis of the Use of Hungarian Folk Music in Zoltán Kodály's Háry János Suite, Dances of Marosszék, and Dances of Galánta.” 2011. Web. 15 Oct 2019.

Vancouver:

Ong CK. A Historical Overview and Analysis of the Use of Hungarian Folk Music in Zoltán Kodály's Háry János Suite, Dances of Marosszék, and Dances of Galánta. [Internet] [Masters thesis]. University of Kansas; 2011. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/8029.

Council of Science Editors:

Ong CK. A Historical Overview and Analysis of the Use of Hungarian Folk Music in Zoltán Kodály's Háry János Suite, Dances of Marosszék, and Dances of Galánta. [Masters Thesis]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/8029


University of Kansas

13. Mitchell, Katrina. "Reading Between the Brides": Lucrezia Vizzana's Componimenti musicali in Textual and Musical Context.

Degree: PhD, Music, 2011, University of Kansas

 ABSTRACT “Reading Between the Brides”: Lucrezia Vizzana's Componimenti musicali in Textual and Musical Context There had never been a Bolognese nun known to have published… (more)

Subjects/Keywords: Music; Componimenti musicali; Monody; Nun composers; Santa Cristina della Fondazza; Vizzana; Lucrezia

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APA (6th Edition):

Mitchell, K. (2011). "Reading Between the Brides": Lucrezia Vizzana's Componimenti musicali in Textual and Musical Context. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/9758

Chicago Manual of Style (16th Edition):

Mitchell, Katrina. “"Reading Between the Brides": Lucrezia Vizzana's Componimenti musicali in Textual and Musical Context.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/9758.

MLA Handbook (7th Edition):

Mitchell, Katrina. “"Reading Between the Brides": Lucrezia Vizzana's Componimenti musicali in Textual and Musical Context.” 2011. Web. 15 Oct 2019.

Vancouver:

Mitchell K. "Reading Between the Brides": Lucrezia Vizzana's Componimenti musicali in Textual and Musical Context. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/9758.

Council of Science Editors:

Mitchell K. "Reading Between the Brides": Lucrezia Vizzana's Componimenti musicali in Textual and Musical Context. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/9758


University of Kansas

14. Cleveland, Benjamin. Samuel Barber's "Knoxville: Summer of 1915" from a male perspective.

Degree: DMA, Music, 2014, University of Kansas

 This document examines Samuel Barber's 1947 work for orchestra and voice, Knoxville: Summer of 1915. The piece was debuted by soprano Eleanor Steber, and it… (more)

Subjects/Keywords: Music; Barber; Knoxville; Samuel

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APA (6th Edition):

Cleveland, B. (2014). Samuel Barber's "Knoxville: Summer of 1915" from a male perspective. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/15515

Chicago Manual of Style (16th Edition):

Cleveland, Benjamin. “Samuel Barber's "Knoxville: Summer of 1915" from a male perspective.” 2014. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/15515.

MLA Handbook (7th Edition):

Cleveland, Benjamin. “Samuel Barber's "Knoxville: Summer of 1915" from a male perspective.” 2014. Web. 15 Oct 2019.

Vancouver:

Cleveland B. Samuel Barber's "Knoxville: Summer of 1915" from a male perspective. [Internet] [Doctoral dissertation]. University of Kansas; 2014. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/15515.

Council of Science Editors:

Cleveland B. Samuel Barber's "Knoxville: Summer of 1915" from a male perspective. [Doctoral Dissertation]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/15515


University of Kansas

15. Glick, Dorothy Ellen. Paul Taffanel and the Construction of the French Flute School.

Degree: M.M., Music, 2014, University of Kansas

 Beginning with Paul Taffanel and the introduction of the silver Boehm system flute in the mid-nineteenth century, the French Flute School refers to the use… (more)

Subjects/Keywords: Music; Flute; French; School; Taffanel

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APA (6th Edition):

Glick, D. E. (2014). Paul Taffanel and the Construction of the French Flute School. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/14871

Chicago Manual of Style (16th Edition):

Glick, Dorothy Ellen. “Paul Taffanel and the Construction of the French Flute School.” 2014. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/14871.

MLA Handbook (7th Edition):

Glick, Dorothy Ellen. “Paul Taffanel and the Construction of the French Flute School.” 2014. Web. 15 Oct 2019.

Vancouver:

Glick DE. Paul Taffanel and the Construction of the French Flute School. [Internet] [Masters thesis]. University of Kansas; 2014. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/14871.

Council of Science Editors:

Glick DE. Paul Taffanel and the Construction of the French Flute School. [Masters Thesis]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/14871


University of Kansas

16. Perez, Francisco. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.

Degree: DMA, Music Education & Music Therapy, 2015, University of Kansas

 Electro-acoustic music for wind band is an emerging genre among contemporary composers that incorporates and blends an electronic soundtrack and cues with traditional wind nstruments.… (more)

Subjects/Keywords: Music; Band; Electroacoustic; Electro-acoustic; Electronics; Wind Band

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APA (6th Edition):

Perez, F. (2015). A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19440

Chicago Manual of Style (16th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/19440.

MLA Handbook (7th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Web. 15 Oct 2019.

Vancouver:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/19440.

Council of Science Editors:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19440


University of Kansas

17. Maize, Joshua Lee. MUSICAL RHETORIC: AN AGENCY OF EXPRESSION IN HEINRICH SCHÜTZ’S MATTHÄUS-PASSION.

Degree: M.M., Music, 2015, University of Kansas

 This is an analysis of the ways in which the German Baroque composer Heinrich Schütz (1585-1672) incorporated musical rhetoric into his Matthäus-Passion (St. Matthew Passion).… (more)

Subjects/Keywords: Music; Musica Poetica; Passion; Rhetoric; Schütz

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APA (6th Edition):

Maize, J. L. (2015). MUSICAL RHETORIC: AN AGENCY OF EXPRESSION IN HEINRICH SCHÜTZ’S MATTHÄUS-PASSION. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/19433

Chicago Manual of Style (16th Edition):

Maize, Joshua Lee. “MUSICAL RHETORIC: AN AGENCY OF EXPRESSION IN HEINRICH SCHÜTZ’S MATTHÄUS-PASSION.” 2015. Masters Thesis, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/19433.

MLA Handbook (7th Edition):

Maize, Joshua Lee. “MUSICAL RHETORIC: AN AGENCY OF EXPRESSION IN HEINRICH SCHÜTZ’S MATTHÄUS-PASSION.” 2015. Web. 15 Oct 2019.

Vancouver:

Maize JL. MUSICAL RHETORIC: AN AGENCY OF EXPRESSION IN HEINRICH SCHÜTZ’S MATTHÄUS-PASSION. [Internet] [Masters thesis]. University of Kansas; 2015. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/19433.

Council of Science Editors:

Maize JL. MUSICAL RHETORIC: AN AGENCY OF EXPRESSION IN HEINRICH SCHÜTZ’S MATTHÄUS-PASSION. [Masters Thesis]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19433


University of Kansas

18. Fung, Etta. Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence.

Degree: DMA, Music, 2015, University of Kansas

 Ariadne auf Naxos, by composer Richard Strauss and librettist Hugo von Hofmannsthal, concerns the simultaneous performance of a tragedy and a comedy at a rich… (more)

Subjects/Keywords: Music; Ariadne auf Naxos; Coloratura; Zerbinetta

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APA (6th Edition):

Fung, E. (2015). Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19437

Chicago Manual of Style (16th Edition):

Fung, Etta. “Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence.” 2015. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/19437.

MLA Handbook (7th Edition):

Fung, Etta. “Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence.” 2015. Web. 15 Oct 2019.

Vancouver:

Fung E. Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/19437.

Council of Science Editors:

Fung E. Ariadne auf Naxos: A Study in Transformation through Contrast and Coalescence. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19437


University of Kansas

19. Huff, Kelly. Demystifying the Life and Madrid Works of Tomás Luis de Victoria.

Degree: PhD, Music, 2015, University of Kansas

 Tomás Luis de Victoria (c. 1548-1611) occupied divergent worlds: most of his formal education and career occurred in Rome, while he spent his later years… (more)

Subjects/Keywords: Music; Musicology; Polychoral; Spanish Renaissance; Victoria; Tomás Luis de

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APA (6th Edition):

Huff, K. (2015). Demystifying the Life and Madrid Works of Tomás Luis de Victoria. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21600

Chicago Manual of Style (16th Edition):

Huff, Kelly. “Demystifying the Life and Madrid Works of Tomás Luis de Victoria.” 2015. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/21600.

MLA Handbook (7th Edition):

Huff, Kelly. “Demystifying the Life and Madrid Works of Tomás Luis de Victoria.” 2015. Web. 15 Oct 2019.

Vancouver:

Huff K. Demystifying the Life and Madrid Works of Tomás Luis de Victoria. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/21600.

Council of Science Editors:

Huff K. Demystifying the Life and Madrid Works of Tomás Luis de Victoria. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/21600


University of Kansas

20. Needham, Olivia. STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT.

Degree: DMA, Music, 2016, University of Kansas

 This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Needham, O. (2016). STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21614

Chicago Manual of Style (16th Edition):

Needham, Olivia. “STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/21614.

MLA Handbook (7th Edition):

Needham, Olivia. “STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT.” 2016. Web. 15 Oct 2019.

Vancouver:

Needham O. STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/21614.

Council of Science Editors:

Needham O. STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21614


University of Kansas

21. Bennett, Emily M. SONGS OF FAITH AND LOVE: A STUDY OF OLIVIER MESSIAEN’S POÈMES POUR MI.

Degree: DMA, Music, 2016, University of Kansas

 It is my determination that Oliver Messiaen’s first song cycle, Poèmes pour Mi (1936), exhibits nearly all of the representative musical and literary devices of… (more)

Subjects/Keywords: Music; Boris motif; Marcelle Bunlet; Modes of limited transposition; Olivier Messiaen; Poèmes pour Mi; Song cycles

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APA (6th Edition):

Bennett, E. M. (2016). SONGS OF FAITH AND LOVE: A STUDY OF OLIVIER MESSIAEN’S POÈMES POUR MI. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21615

Chicago Manual of Style (16th Edition):

Bennett, Emily M. “SONGS OF FAITH AND LOVE: A STUDY OF OLIVIER MESSIAEN’S POÈMES POUR MI.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/21615.

MLA Handbook (7th Edition):

Bennett, Emily M. “SONGS OF FAITH AND LOVE: A STUDY OF OLIVIER MESSIAEN’S POÈMES POUR MI.” 2016. Web. 15 Oct 2019.

Vancouver:

Bennett EM. SONGS OF FAITH AND LOVE: A STUDY OF OLIVIER MESSIAEN’S POÈMES POUR MI. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/21615.

Council of Science Editors:

Bennett EM. SONGS OF FAITH AND LOVE: A STUDY OF OLIVIER MESSIAEN’S POÈMES POUR MI. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21615


University of Kansas

22. Burton, Christopher Douglas. Ransom.

Degree: DMA, Music, 2016, University of Kansas

 Ransom is an opera in two acts based on the short story The Ransom of Red Chief by O. Henry. A gang of robbers plot… (more)

Subjects/Keywords: Music; Chamber; Composition; Opera; Ransom; Vocal; Voice

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APA (6th Edition):

Burton, C. D. (2016). Ransom. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21616

Chicago Manual of Style (16th Edition):

Burton, Christopher Douglas. “Ransom.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/21616.

MLA Handbook (7th Edition):

Burton, Christopher Douglas. “Ransom.” 2016. Web. 15 Oct 2019.

Vancouver:

Burton CD. Ransom. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/21616.

Council of Science Editors:

Burton CD. Ransom. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21616


University of Kansas

23. Markley, Joshua. THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH.

Degree: DMA, Music, 2016, University of Kansas

 Musicians who want to perform Handel’s oratorios in the twenty-first century are faced with several choices. One such choice is whether or not to use… (more)

Subjects/Keywords: Music; Baritone; Baroque; Handel; Messiah; Modern; Singing

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APA (6th Edition):

Markley, J. (2016). THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21944

Chicago Manual of Style (16th Edition):

Markley, Joshua. “THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/21944.

MLA Handbook (7th Edition):

Markley, Joshua. “THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH.” 2016. Web. 15 Oct 2019.

Vancouver:

Markley J. THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/21944.

Council of Science Editors:

Markley J. THE BARITONE VOICE IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES: A BRIEF EXAMINATION OF ITS DEVELOPMENT AND ITS USE IN HANDEL’S MESSIAH. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21944


University of Kansas

24. Harsian, Cosmin Teodor. Contemporary Romanian Music for Unaccompanied Clarinet.

Degree: DMA, Music and Dance, 2009, University of Kansas

 Romanian music during the second half of the twentieth century was influenced by the socio-politic environment. During the Communist era, composers struggled among the official… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Harsian, C. T. (2009). Contemporary Romanian Music for Unaccompanied Clarinet. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/5343

Chicago Manual of Style (16th Edition):

Harsian, Cosmin Teodor. “Contemporary Romanian Music for Unaccompanied Clarinet.” 2009. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/5343.

MLA Handbook (7th Edition):

Harsian, Cosmin Teodor. “Contemporary Romanian Music for Unaccompanied Clarinet.” 2009. Web. 15 Oct 2019.

Vancouver:

Harsian CT. Contemporary Romanian Music for Unaccompanied Clarinet. [Internet] [Doctoral dissertation]. University of Kansas; 2009. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/5343.

Council of Science Editors:

Harsian CT. Contemporary Romanian Music for Unaccompanied Clarinet. [Doctoral Dissertation]. University of Kansas; 2009. Available from: http://hdl.handle.net/1808/5343


University of Kansas

25. Paisar, Mark. Lutheran Alternatim Practices in the 16th and Early 17th Centuries: A Narrative of Liturgical Artistry and Accessibility.

Degree: DMA, Music, 2017, University of Kansas

 The musical and liturgical life of the church has always contained a great variety of performance practices. With the advent of the organ in the… (more)

Subjects/Keywords: Music; Alternatim; Cantional; Luther; Lutheran; Praetorius; Reformation

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APA (6th Edition):

Paisar, M. (2017). Lutheran Alternatim Practices in the 16th and Early 17th Centuries: A Narrative of Liturgical Artistry and Accessibility. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25231

Chicago Manual of Style (16th Edition):

Paisar, Mark. “Lutheran Alternatim Practices in the 16th and Early 17th Centuries: A Narrative of Liturgical Artistry and Accessibility.” 2017. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/25231.

MLA Handbook (7th Edition):

Paisar, Mark. “Lutheran Alternatim Practices in the 16th and Early 17th Centuries: A Narrative of Liturgical Artistry and Accessibility.” 2017. Web. 15 Oct 2019.

Vancouver:

Paisar M. Lutheran Alternatim Practices in the 16th and Early 17th Centuries: A Narrative of Liturgical Artistry and Accessibility. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/25231.

Council of Science Editors:

Paisar M. Lutheran Alternatim Practices in the 16th and Early 17th Centuries: A Narrative of Liturgical Artistry and Accessibility. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25231


University of Kansas

26. Huston, Spencer Allen. CULTIVATING VIRTUOSITY: RESIDENT PIANISTS IN NEW YORK CITY AND THE NINETEENTH-CENTURY AMERICAN MUSICAL SCENE.

Degree: PhD, Music, 2017, University of Kansas

 ABSTRACT As performers, teachers, and composers, resident pianists were an integral part of the bustling musical scene in nineteenth-century New York City. The constant presence… (more)

Subjects/Keywords: Music; Performing arts; American Music; New York City; Nineteenth-Century; Piano; Virtuosity

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APA (6th Edition):

Huston, S. A. (2017). CULTIVATING VIRTUOSITY: RESIDENT PIANISTS IN NEW YORK CITY AND THE NINETEENTH-CENTURY AMERICAN MUSICAL SCENE. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25422

Chicago Manual of Style (16th Edition):

Huston, Spencer Allen. “CULTIVATING VIRTUOSITY: RESIDENT PIANISTS IN NEW YORK CITY AND THE NINETEENTH-CENTURY AMERICAN MUSICAL SCENE.” 2017. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/25422.

MLA Handbook (7th Edition):

Huston, Spencer Allen. “CULTIVATING VIRTUOSITY: RESIDENT PIANISTS IN NEW YORK CITY AND THE NINETEENTH-CENTURY AMERICAN MUSICAL SCENE.” 2017. Web. 15 Oct 2019.

Vancouver:

Huston SA. CULTIVATING VIRTUOSITY: RESIDENT PIANISTS IN NEW YORK CITY AND THE NINETEENTH-CENTURY AMERICAN MUSICAL SCENE. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/25422.

Council of Science Editors:

Huston SA. CULTIVATING VIRTUOSITY: RESIDENT PIANISTS IN NEW YORK CITY AND THE NINETEENTH-CENTURY AMERICAN MUSICAL SCENE. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25422


University of Kansas

27. Sallinger, Elizabeth Janelle. Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975.

Degree: PhD, Music, 2016, University of Kansas

 In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was… (more)

Subjects/Keywords: Music; Theater history; Broadway; character studies; musical theater; orchestration; orchestrator; rock music

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APA (6th Edition):

Sallinger, E. J. (2016). Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25421

Chicago Manual of Style (16th Edition):

Sallinger, Elizabeth Janelle. “Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/25421.

MLA Handbook (7th Edition):

Sallinger, Elizabeth Janelle. “Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975.” 2016. Web. 15 Oct 2019.

Vancouver:

Sallinger EJ. Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/25421.

Council of Science Editors:

Sallinger EJ. Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/25421


University of Kansas

28. Cummins, Melissa D. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.

Degree: PhD, Music, 2017, University of Kansas

 Abstract In past scholarship, Germaine Tailleferre has been briefly written about as the only female member of Les Six and as a composer of instrumental… (more)

Subjects/Keywords: Music; History; France; Offenbach; Opera; Parody; Radio; Tailleferre

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APA (6th Edition):

Cummins, M. D. (2017). Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25233

Chicago Manual of Style (16th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/25233.

MLA Handbook (7th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Web. 15 Oct 2019.

Vancouver:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/25233.

Council of Science Editors:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25233


University of Kansas

29. Young, Jonathan. Rachmaninoff's "Concealed Variation" Principle: Inspiration for Motivic Unity in his Preludes, Op. 32.

Degree: DMA, Music, 2019, University of Kansas

 Sergei Rachmaninoff (1873-1943) is considered one of the greatest pianist-composers of the Late Romantic Era. Specifically, his twenty-four piano preludes stand as hallmarks of the… (more)

Subjects/Keywords: Music; Op. 32; Piano; Preludes; Sergei Rachmaninoff; Variations

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APA (6th Edition):

Young, J. (2019). Rachmaninoff's "Concealed Variation" Principle: Inspiration for Motivic Unity in his Preludes, Op. 32. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29597

Chicago Manual of Style (16th Edition):

Young, Jonathan. “Rachmaninoff's "Concealed Variation" Principle: Inspiration for Motivic Unity in his Preludes, Op. 32.” 2019. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/29597.

MLA Handbook (7th Edition):

Young, Jonathan. “Rachmaninoff's "Concealed Variation" Principle: Inspiration for Motivic Unity in his Preludes, Op. 32.” 2019. Web. 15 Oct 2019.

Vancouver:

Young J. Rachmaninoff's "Concealed Variation" Principle: Inspiration for Motivic Unity in his Preludes, Op. 32. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/29597.

Council of Science Editors:

Young J. Rachmaninoff's "Concealed Variation" Principle: Inspiration for Motivic Unity in his Preludes, Op. 32. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29597


University of Kansas

30. Harbaugh, Justin Martin. A Performance Guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure within a Classical Form.

Degree: DMA, Music, 2019, University of Kansas

 The purpose of this document is to provide clarinetists with a performance guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind… (more)

Subjects/Keywords: Music; Performing arts; Clarinet; Concerto; Flamenco; Guide; Minimalism; Navarro

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APA (6th Edition):

Harbaugh, J. M. (2019). A Performance Guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure within a Classical Form. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29590

Chicago Manual of Style (16th Edition):

Harbaugh, Justin Martin. “A Performance Guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure within a Classical Form.” 2019. Doctoral Dissertation, University of Kansas. Accessed October 15, 2019. http://hdl.handle.net/1808/29590.

MLA Handbook (7th Edition):

Harbaugh, Justin Martin. “A Performance Guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure within a Classical Form.” 2019. Web. 15 Oct 2019.

Vancouver:

Harbaugh JM. A Performance Guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure within a Classical Form. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1808/29590.

Council of Science Editors:

Harbaugh JM. A Performance Guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure within a Classical Form. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29590

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