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You searched for +publisher:"University of Kansas" +contributor:("Kaneko, Maki"). Showing records 1 – 11 of 11 total matches.

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University of Kansas

1. Pedersen, Hillary. The Five Great Space Repository Bodhisattvas: Lineage, Protection and Celestial Authority in Ninth-Century Japan.

Degree: PhD, History of Art, 2010, University of Kansas

 This dissertation explores the protective role of the Five Great Space Repository Bodhisattva (Godai Kokuzo Bosastu) sculptural pentads in Japan during the mid-ninth-century. While existing… (more)

Subjects/Keywords: Art history; Asian studies; Religion; Buddhist; Fujiwara; Heian; Japan; Sculpture

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APA (6th Edition):

Pedersen, H. (2010). The Five Great Space Repository Bodhisattvas: Lineage, Protection and Celestial Authority in Ninth-Century Japan. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/8788

Chicago Manual of Style (16th Edition):

Pedersen, Hillary. “The Five Great Space Repository Bodhisattvas: Lineage, Protection and Celestial Authority in Ninth-Century Japan.” 2010. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/8788.

MLA Handbook (7th Edition):

Pedersen, Hillary. “The Five Great Space Repository Bodhisattvas: Lineage, Protection and Celestial Authority in Ninth-Century Japan.” 2010. Web. 20 Nov 2019.

Vancouver:

Pedersen H. The Five Great Space Repository Bodhisattvas: Lineage, Protection and Celestial Authority in Ninth-Century Japan. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/8788.

Council of Science Editors:

Pedersen H. The Five Great Space Repository Bodhisattvas: Lineage, Protection and Celestial Authority in Ninth-Century Japan. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/8788


University of Kansas

2. Wright, Amanda Sue. Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China.

Degree: PhD, History of Art, 2011, University of Kansas

 Despite her pioneering actions as one of the first female oil painters in China, Qiu Ti (1906-1958) remains on the periphery of China's modernist art… (more)

Subjects/Keywords: Art history; Asian studies; Gender studies

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APA (6th Edition):

Wright, A. S. (2011). Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/10389

Chicago Manual of Style (16th Edition):

Wright, Amanda Sue. “Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China.” 2011. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/10389.

MLA Handbook (7th Edition):

Wright, Amanda Sue. “Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China.” 2011. Web. 20 Nov 2019.

Vancouver:

Wright AS. Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/10389.

Council of Science Editors:

Wright AS. Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/10389

3. Lee, Sangnam. TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550).

Degree: PhD, History of Art, 2014, University of Kansas

 This dissertation traces a lost landscape tradition and investigates cross-cultural relationships between Korea, China and Japan during the fifteenth and mid sixteenth centuries. To this… (more)

Subjects/Keywords: Art history; Asian studies; Asian history; Anonymous painting; Cross-cultural relationships; Early Joseon landscape painting; Guo Xi tradition; Joseon dynasty; Ouchi Clan

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APA (6th Edition):

Lee, S. (2014). TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550). (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/16852

Chicago Manual of Style (16th Edition):

Lee, Sangnam. “TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550).” 2014. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/16852.

MLA Handbook (7th Edition):

Lee, Sangnam. “TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550).” 2014. Web. 20 Nov 2019.

Vancouver:

Lee S. TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550). [Internet] [Doctoral dissertation]. University of Kansas; 2014. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/16852.

Council of Science Editors:

Lee S. TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550). [Doctoral Dissertation]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/16852


University of Kansas

4. Voorhies, Rachel. Carved into the Living Rock: Japanese Stone Buddhist Sculpture and Site in the Heian and Kamakura Periods.

Degree: PhD, History of Art, 2016, University of Kansas

 This dissertation examines cliff-carved Buddhist stone sculpture through four site-specific case studies: two from the Heian period (794-1185) and two from the Kamakura period, including… (more)

Subjects/Keywords: Art history; Asian studies; Japan; magaibutsu; stone Buddhist sculpture

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APA (6th Edition):

Voorhies, R. (2016). Carved into the Living Rock: Japanese Stone Buddhist Sculpture and Site in the Heian and Kamakura Periods. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25737

Chicago Manual of Style (16th Edition):

Voorhies, Rachel. “Carved into the Living Rock: Japanese Stone Buddhist Sculpture and Site in the Heian and Kamakura Periods.” 2016. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/25737.

MLA Handbook (7th Edition):

Voorhies, Rachel. “Carved into the Living Rock: Japanese Stone Buddhist Sculpture and Site in the Heian and Kamakura Periods.” 2016. Web. 20 Nov 2019.

Vancouver:

Voorhies R. Carved into the Living Rock: Japanese Stone Buddhist Sculpture and Site in the Heian and Kamakura Periods. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/25737.

Council of Science Editors:

Voorhies R. Carved into the Living Rock: Japanese Stone Buddhist Sculpture and Site in the Heian and Kamakura Periods. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/25737


University of Kansas

5. Miller, Alison. Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei.

Degree: PhD, History of Art, 2016, University of Kansas

 Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class.… (more)

Subjects/Keywords: Art history; Asian studies; Gender studies; Empress; Gender; Imperial Family; Japan; Photography; Prints

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APA (6th Edition):

Miller, A. (2016). Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25745

Chicago Manual of Style (16th Edition):

Miller, Alison. “Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei.” 2016. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/25745.

MLA Handbook (7th Edition):

Miller, Alison. “Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei.” 2016. Web. 20 Nov 2019.

Vancouver:

Miller A. Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/25745.

Council of Science Editors:

Miller A. Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/25745


University of Kansas

6. Park, Eunyoung. Situating Contemporary Korean Art in the Age of Globalization.

Degree: PhD, History of Art, 2018, University of Kansas

 This dissertation examines the development of contemporary Korean art from the late 1980s through the first decade of the 21st century under the influence of… (more)

Subjects/Keywords: Art history; Asian studies; Art criticism; Art and identity; Contemporary Korean art; Do-ho Suh; Gimhongsok; Globalization and art; Yiso Bahc

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APA (6th Edition):

Park, E. (2018). Situating Contemporary Korean Art in the Age of Globalization. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29306

Chicago Manual of Style (16th Edition):

Park, Eunyoung. “Situating Contemporary Korean Art in the Age of Globalization.” 2018. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/29306.

MLA Handbook (7th Edition):

Park, Eunyoung. “Situating Contemporary Korean Art in the Age of Globalization.” 2018. Web. 20 Nov 2019.

Vancouver:

Park E. Situating Contemporary Korean Art in the Age of Globalization. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/29306.

Council of Science Editors:

Park E. Situating Contemporary Korean Art in the Age of Globalization. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/29306


University of Kansas

7. Chan, Yen-Yi. The Kōfukuji Nan’endō and Its Buddhist Icons: Emplacing Family Memory and History of the Northern Fujiwara Clan, 800-1200.

Degree: PhD, History of Art, 2018, University of Kansas

 This dissertation investigates how the memorial function of the Nan’endō (Southern Round Hall) at Kōfukuji in Nara began, continued, and transformed within the history of… (more)

Subjects/Keywords: Art history; Regional studies; History; Family History; Fujiwara Clan; Kofukuji; Memory; Nan'endo

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APA (6th Edition):

Chan, Y. (2018). The Kōfukuji Nan’endō and Its Buddhist Icons: Emplacing Family Memory and History of the Northern Fujiwara Clan, 800-1200. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/28059

Chicago Manual of Style (16th Edition):

Chan, Yen-Yi. “The Kōfukuji Nan’endō and Its Buddhist Icons: Emplacing Family Memory and History of the Northern Fujiwara Clan, 800-1200.” 2018. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/28059.

MLA Handbook (7th Edition):

Chan, Yen-Yi. “The Kōfukuji Nan’endō and Its Buddhist Icons: Emplacing Family Memory and History of the Northern Fujiwara Clan, 800-1200.” 2018. Web. 20 Nov 2019.

Vancouver:

Chan Y. The Kōfukuji Nan’endō and Its Buddhist Icons: Emplacing Family Memory and History of the Northern Fujiwara Clan, 800-1200. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/28059.

Council of Science Editors:

Chan Y. The Kōfukuji Nan’endō and Its Buddhist Icons: Emplacing Family Memory and History of the Northern Fujiwara Clan, 800-1200. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/28059


University of Kansas

8. Kumagai, Takaaki. KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN.

Degree: PhD, History of Art, 2017, University of Kansas

 This dissertation investigates the life and career of the Japanese painter, printmaker, and art educator, Kitagawa Tamiji (1894-1989), and his conception of Mexico as cultural… (more)

Subjects/Keywords: Art history; Art education; Asian studies; Art education; Art history; Ethnography; Kitagawa Tamiji; Modern Japan; Postrevolutionary Mexico

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APA (6th Edition):

Kumagai, T. (2017). KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/26339

Chicago Manual of Style (16th Edition):

Kumagai, Takaaki. “KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN.” 2017. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/26339.

MLA Handbook (7th Edition):

Kumagai, Takaaki. “KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN.” 2017. Web. 20 Nov 2019.

Vancouver:

Kumagai T. KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/26339.

Council of Science Editors:

Kumagai T. KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/26339


University of Kansas

9. Kwon, Ye-Gee. Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji.

Degree: PhD, History of Art, 2018, University of Kansas

 This dissertation investigates a sculptural group of Enma and his entourage that was once enshrined in an Enma hall located within the Kyoto temple Rokuharamitsuji… (more)

Subjects/Keywords: Art history; Datsueba; Enma; Rokuharamitsuji; Ten Kings

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APA (6th Edition):

Kwon, Y. (2018). Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/28044

Chicago Manual of Style (16th Edition):

Kwon, Ye-Gee. “Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji.” 2018. Doctoral Dissertation, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/28044.

MLA Handbook (7th Edition):

Kwon, Ye-Gee. “Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji.” 2018. Web. 20 Nov 2019.

Vancouver:

Kwon Y. Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/28044.

Council of Science Editors:

Kwon Y. Embracing Death and the Afterlife: Sculptures of Enma and His Entourage at Rokuharamitsuji. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/28044

10. Akaike-Toste, Eriko Maria. REBEL WITH A CAUSE: ISHIHARA SHINTARŌ, A CASE STUDY OF A JAPANESE NATIONALIST.

Degree: MA, East Asian Languages & Cultures, 2013, University of Kansas

 This paper explores the formation of national identity through selected works of Ishihara Shintarō, a politician and writer. Ishihara's narrative of identity, as seen in… (more)

Subjects/Keywords: Asian studies; Ishihara shintaro; Japan; National identity; Nationalism

University of Kansas, Edwards Campus, Overland Park, Kansas, September 12, 2006). 45 Ibid. 46… …Japanese Film, University of Kansas, Lawrence, Kansas March 7, 2007). 48 The sister ship to… 

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APA (6th Edition):

Akaike-Toste, E. M. (2013). REBEL WITH A CAUSE: ISHIHARA SHINTARŌ, A CASE STUDY OF A JAPANESE NATIONALIST. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/12202

Chicago Manual of Style (16th Edition):

Akaike-Toste, Eriko Maria. “REBEL WITH A CAUSE: ISHIHARA SHINTARŌ, A CASE STUDY OF A JAPANESE NATIONALIST.” 2013. Masters Thesis, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/12202.

MLA Handbook (7th Edition):

Akaike-Toste, Eriko Maria. “REBEL WITH A CAUSE: ISHIHARA SHINTARŌ, A CASE STUDY OF A JAPANESE NATIONALIST.” 2013. Web. 20 Nov 2019.

Vancouver:

Akaike-Toste EM. REBEL WITH A CAUSE: ISHIHARA SHINTARŌ, A CASE STUDY OF A JAPANESE NATIONALIST. [Internet] [Masters thesis]. University of Kansas; 2013. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/12202.

Council of Science Editors:

Akaike-Toste EM. REBEL WITH A CAUSE: ISHIHARA SHINTARŌ, A CASE STUDY OF A JAPANESE NATIONALIST. [Masters Thesis]. University of Kansas; 2013. Available from: http://hdl.handle.net/1808/12202

11. Miller, Sasha J. A Parade of Pictures: An Examination of the Illustrated Evolution of Gion Matsuri Throughout Japanese History.

Degree: MA, History of Art, 2016, University of Kansas

 This study of the Japanese festival known as Gion Matsuri examines a range of images, from seventeenth century painted screens of the capital and its… (more)

Subjects/Keywords: Art history; Asian studies; Asian history; Gion Festival; Gion Matsuri; goryō; Kyoto; rakuchū rakugai zu

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APA (6th Edition):

Miller, S. J. (2016). A Parade of Pictures: An Examination of the Illustrated Evolution of Gion Matsuri Throughout Japanese History. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/24176

Chicago Manual of Style (16th Edition):

Miller, Sasha J. “A Parade of Pictures: An Examination of the Illustrated Evolution of Gion Matsuri Throughout Japanese History.” 2016. Masters Thesis, University of Kansas. Accessed November 20, 2019. http://hdl.handle.net/1808/24176.

MLA Handbook (7th Edition):

Miller, Sasha J. “A Parade of Pictures: An Examination of the Illustrated Evolution of Gion Matsuri Throughout Japanese History.” 2016. Web. 20 Nov 2019.

Vancouver:

Miller SJ. A Parade of Pictures: An Examination of the Illustrated Evolution of Gion Matsuri Throughout Japanese History. [Internet] [Masters thesis]. University of Kansas; 2016. [cited 2019 Nov 20]. Available from: http://hdl.handle.net/1808/24176.

Council of Science Editors:

Miller SJ. A Parade of Pictures: An Examination of the Illustrated Evolution of Gion Matsuri Throughout Japanese History. [Masters Thesis]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24176

.