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You searched for +publisher:"University of Kansas" +contributor:("Haufler, Marsha"). Showing records 1 – 15 of 15 total matches.

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University of Kansas

1. Kirkwood, Meghan. Postcolonial Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project.

Degree: MA, History of Art, 2011, University of Kansas

 Since the 1970s the North Korean design firm, the Mansudae Overseas Project, has completed commissions for public sculptures and buildings in eight different African nations.… (more)

Subjects/Keywords: Art history; Sub-saharan Africa studies; Asian studies; Architecture; Namibia; North Korea

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APA (6th Edition):

Kirkwood, M. (2011). Postcolonial Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/10702

Chicago Manual of Style (16th Edition):

Kirkwood, Meghan. “Postcolonial Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project.” 2011. Masters Thesis, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/10702.

MLA Handbook (7th Edition):

Kirkwood, Meghan. “Postcolonial Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project.” 2011. Web. 22 Oct 2019.

Vancouver:

Kirkwood M. Postcolonial Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project. [Internet] [Masters thesis]. University of Kansas; 2011. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/10702.

Council of Science Editors:

Kirkwood M. Postcolonial Architecture through North Korean Modes: Namibian Commissions of the Mansudae Overseas Project. [Masters Thesis]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/10702


University of Kansas

2. Martin, Hui Wang. GUANGSHENG MONASTERY: THE CREATION OF LOCAL IDENTITIES THROUGH ART AND ARCHITECTURE.

Degree: PhD, History of Art, 2012, University of Kansas

 The Guangsheng Monastery, standing on a hill on the southern side of Mount Huo in Shanxi, has been recognized as a significant site in the… (more)

Subjects/Keywords: Art history

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APA (6th Edition):

Martin, H. W. (2012). GUANGSHENG MONASTERY: THE CREATION OF LOCAL IDENTITIES THROUGH ART AND ARCHITECTURE. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/15923

Chicago Manual of Style (16th Edition):

Martin, Hui Wang. “GUANGSHENG MONASTERY: THE CREATION OF LOCAL IDENTITIES THROUGH ART AND ARCHITECTURE.” 2012. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/15923.

MLA Handbook (7th Edition):

Martin, Hui Wang. “GUANGSHENG MONASTERY: THE CREATION OF LOCAL IDENTITIES THROUGH ART AND ARCHITECTURE.” 2012. Web. 22 Oct 2019.

Vancouver:

Martin HW. GUANGSHENG MONASTERY: THE CREATION OF LOCAL IDENTITIES THROUGH ART AND ARCHITECTURE. [Internet] [Doctoral dissertation]. University of Kansas; 2012. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/15923.

Council of Science Editors:

Martin HW. GUANGSHENG MONASTERY: THE CREATION OF LOCAL IDENTITIES THROUGH ART AND ARCHITECTURE. [Doctoral Dissertation]. University of Kansas; 2012. Available from: http://hdl.handle.net/1808/15923


University of Kansas

3. Wright, Amanda Sue. Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China.

Degree: PhD, History of Art, 2011, University of Kansas

 Despite her pioneering actions as one of the first female oil painters in China, Qiu Ti (1906-1958) remains on the periphery of China's modernist art… (more)

Subjects/Keywords: Art history; Asian studies; Gender studies

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APA (6th Edition):

Wright, A. S. (2011). Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/10389

Chicago Manual of Style (16th Edition):

Wright, Amanda Sue. “Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/10389.

MLA Handbook (7th Edition):

Wright, Amanda Sue. “Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China.” 2011. Web. 22 Oct 2019.

Vancouver:

Wright AS. Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/10389.

Council of Science Editors:

Wright AS. Qiu Ti’s Contributions to Juelanshe and the Intersection of Modernist Ideology, Public Receptivity, and Personal Identity for a Woman Oil Painter in Early Twentieth-Century China. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/10389

4. Lee, Sangnam. TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550).

Degree: PhD, History of Art, 2014, University of Kansas

 This dissertation traces a lost landscape tradition and investigates cross-cultural relationships between Korea, China and Japan during the fifteenth and mid sixteenth centuries. To this… (more)

Subjects/Keywords: Art history; Asian studies; Asian history; Anonymous painting; Cross-cultural relationships; Early Joseon landscape painting; Guo Xi tradition; Joseon dynasty; Ouchi Clan

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APA (6th Edition):

Lee, S. (2014). TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550). (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/16852

Chicago Manual of Style (16th Edition):

Lee, Sangnam. “TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550).” 2014. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/16852.

MLA Handbook (7th Edition):

Lee, Sangnam. “TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550).” 2014. Web. 22 Oct 2019.

Vancouver:

Lee S. TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550). [Internet] [Doctoral dissertation]. University of Kansas; 2014. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/16852.

Council of Science Editors:

Lee S. TRACES OF A LOST LANDSCAPE TRADITION AND CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA AND JAPAN IN THE EARLY JOSEON PERIOD (1392-1550). [Doctoral Dissertation]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/16852

5. McCormick, Sooa I. Comparative and Cross-Cultural Perspectives on Chinese and Korean Court Documentary Painting in the Eighteenth Century.

Degree: PhD, History of Art, 2014, University of Kansas

 This dissertation is the fruit of cross-cultural and comparative research on Chinese and Korean court documentary painting, a genre that depicted important state rituals, court… (more)

Subjects/Keywords: Art history; Asian history; Asian studies; 18th-century China and Korea; Documentary painting; Jeongjo; Qianlong; Qing and Joseon courts; Rituals

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APA (6th Edition):

McCormick, S. I. (2014). Comparative and Cross-Cultural Perspectives on Chinese and Korean Court Documentary Painting in the Eighteenth Century. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/16854

Chicago Manual of Style (16th Edition):

McCormick, Sooa I. “Comparative and Cross-Cultural Perspectives on Chinese and Korean Court Documentary Painting in the Eighteenth Century.” 2014. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/16854.

MLA Handbook (7th Edition):

McCormick, Sooa I. “Comparative and Cross-Cultural Perspectives on Chinese and Korean Court Documentary Painting in the Eighteenth Century.” 2014. Web. 22 Oct 2019.

Vancouver:

McCormick SI. Comparative and Cross-Cultural Perspectives on Chinese and Korean Court Documentary Painting in the Eighteenth Century. [Internet] [Doctoral dissertation]. University of Kansas; 2014. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/16854.

Council of Science Editors:

McCormick SI. Comparative and Cross-Cultural Perspectives on Chinese and Korean Court Documentary Painting in the Eighteenth Century. [Doctoral Dissertation]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/16854


University of Kansas

6. Jung, Ghichul. The Diamond Ordination Platform of Tongdosa: Buddhist Spaces and Imagery in 18th-century Korea.

Degree: PhD, History of Art, 2016, University of Kansas

 The Diamond Ordination Platform at Tongdosa is a stone structure reportedly constructed in the early seventh century by the eminent Silla monk Jajang 慈藏 (fl.… (more)

Subjects/Keywords: Art history; Asian studies; Religious history; Buddha Jewel Monastery; Diamond Ordination Platform; Geumgang gyedan; Jajang; Jinsin sari; Tongdosa

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APA (6th Edition):

Jung, G. (2016). The Diamond Ordination Platform of Tongdosa: Buddhist Spaces and Imagery in 18th-century Korea. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24818

Chicago Manual of Style (16th Edition):

Jung, Ghichul. “The Diamond Ordination Platform of Tongdosa: Buddhist Spaces and Imagery in 18th-century Korea.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/24818.

MLA Handbook (7th Edition):

Jung, Ghichul. “The Diamond Ordination Platform of Tongdosa: Buddhist Spaces and Imagery in 18th-century Korea.” 2016. Web. 22 Oct 2019.

Vancouver:

Jung G. The Diamond Ordination Platform of Tongdosa: Buddhist Spaces and Imagery in 18th-century Korea. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/24818.

Council of Science Editors:

Jung G. The Diamond Ordination Platform of Tongdosa: Buddhist Spaces and Imagery in 18th-century Korea. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24818

7. Chen, Janet C. Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion.

Degree: PhD, History of Art, 2016, University of Kansas

 As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions… (more)

Subjects/Keywords: Art history; Women's studies; Asian studies; Chinese painting; Portraiture; Qing dynasty; Talented women; Yuan Mei

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APA (6th Edition):

Chen, J. C. (2016). Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/22388

Chicago Manual of Style (16th Edition):

Chen, Janet C. “Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/22388.

MLA Handbook (7th Edition):

Chen, Janet C. “Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion.” 2016. Web. 22 Oct 2019.

Vancouver:

Chen JC. Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/22388.

Council of Science Editors:

Chen JC. Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/22388


University of Kansas

8. Son, Myenghee. Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context.

Degree: PhD, History of Art, 2018, University of Kansas

 This dissertation examines the functions and meanings of Joseon royal portraits by investigating them in light of the material culture and the ritual practices of… (more)

Subjects/Keywords: Art history; Asian history; Religious history; ancestor worship; Joseon; material culture; portrait halls; ritual vessels; royal portraits

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APA (6th Edition):

Son, M. (2018). Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29311

Chicago Manual of Style (16th Edition):

Son, Myenghee. “Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/29311.

MLA Handbook (7th Edition):

Son, Myenghee. “Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context.” 2018. Web. 22 Oct 2019.

Vancouver:

Son M. Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/29311.

Council of Science Editors:

Son M. Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/29311


University of Kansas

9. Park, Eunyoung. Situating Contemporary Korean Art in the Age of Globalization.

Degree: PhD, History of Art, 2018, University of Kansas

 This dissertation examines the development of contemporary Korean art from the late 1980s through the first decade of the 21st century under the influence of… (more)

Subjects/Keywords: Art history; Asian studies; Art criticism; Art and identity; Contemporary Korean art; Do-ho Suh; Gimhongsok; Globalization and art; Yiso Bahc

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APA (6th Edition):

Park, E. (2018). Situating Contemporary Korean Art in the Age of Globalization. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29306

Chicago Manual of Style (16th Edition):

Park, Eunyoung. “Situating Contemporary Korean Art in the Age of Globalization.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/29306.

MLA Handbook (7th Edition):

Park, Eunyoung. “Situating Contemporary Korean Art in the Age of Globalization.” 2018. Web. 22 Oct 2019.

Vancouver:

Park E. Situating Contemporary Korean Art in the Age of Globalization. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/29306.

Council of Science Editors:

Park E. Situating Contemporary Korean Art in the Age of Globalization. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/29306

10. Choe, Kyungwon. Marginalized yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters.

Degree: PhD, History of Art, 2010, University of Kansas

 This dissertation studies the three extant Buddhist paintings commissioned by Buddhist nuns in the palace cloisters of the sixteenth-century Joseon dynasty. The examination of the… (more)

Subjects/Keywords: Art history; Asia – History; Religion – History; Buddhist art; Dragon boat; Korean nuns; Ksitigarbha and the ten kings of hell; Painting of King Sala; Women's salvation

University of Kansas, KS. Courtesy of Kenneth Spencer Research Library, University of Kansas. (… 

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APA (6th Edition):

Choe, K. (2010). Marginalized yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/7743

Chicago Manual of Style (16th Edition):

Choe, Kyungwon. “Marginalized yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters.” 2010. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/7743.

MLA Handbook (7th Edition):

Choe, Kyungwon. “Marginalized yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters.” 2010. Web. 22 Oct 2019.

Vancouver:

Choe K. Marginalized yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/7743.

Council of Science Editors:

Choe K. Marginalized yet Devoted: Buddhist Paintings Commissioned by Nuns of the Early Joseon Palace Cloisters. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/7743

11. O'Neal, Halle Elizabeth. Written Stūpa, Painted Sūtra: Relationships of Text and Image in the Construction of Meaning in the Japanese Jeweled-Stūpa Mandalas.

Degree: PhD, History of Art, 2011, University of Kansas

 This dissertation contextualizes the twelfth- and thirteenth-centuries Japanese jeweled-stupa mandalas as some of the most striking examples from the early medieval period of innovative elaborations… (more)

Subjects/Keywords: Art history; Buddha body; Buddhist art; Dharma relics; Jeweled-stupa mandalas; Semiotics; Text and image

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APA (6th Edition):

O'Neal, H. E. (2011). Written Stūpa, Painted Sūtra: Relationships of Text and Image in the Construction of Meaning in the Japanese Jeweled-Stūpa Mandalas. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/9808

Chicago Manual of Style (16th Edition):

O'Neal, Halle Elizabeth. “Written Stūpa, Painted Sūtra: Relationships of Text and Image in the Construction of Meaning in the Japanese Jeweled-Stūpa Mandalas.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/9808.

MLA Handbook (7th Edition):

O'Neal, Halle Elizabeth. “Written Stūpa, Painted Sūtra: Relationships of Text and Image in the Construction of Meaning in the Japanese Jeweled-Stūpa Mandalas.” 2011. Web. 22 Oct 2019.

Vancouver:

O'Neal HE. Written Stūpa, Painted Sūtra: Relationships of Text and Image in the Construction of Meaning in the Japanese Jeweled-Stūpa Mandalas. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/9808.

Council of Science Editors:

O'Neal HE. Written Stūpa, Painted Sūtra: Relationships of Text and Image in the Construction of Meaning in the Japanese Jeweled-Stūpa Mandalas. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/9808

12. Efurd, Youmi. Baiyun guan: the Development and Evolution of a Quanzhen Daoist Temple.

Degree: PhD, History of Art, 2012, University of Kansas

 This dissertation addresses the development and evolution of the Daoist temple Baiyun guan in Beijing, China. Based on textual sources combined with the analysis of… (more)

Subjects/Keywords: Art history; Asian studies; Religion; Art; China; Daoism; Quanzhen; Ritual; Temple

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APA (6th Edition):

Efurd, Y. (2012). Baiyun guan: the Development and Evolution of a Quanzhen Daoist Temple. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/10813

Chicago Manual of Style (16th Edition):

Efurd, Youmi. “Baiyun guan: the Development and Evolution of a Quanzhen Daoist Temple.” 2012. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/10813.

MLA Handbook (7th Edition):

Efurd, Youmi. “Baiyun guan: the Development and Evolution of a Quanzhen Daoist Temple.” 2012. Web. 22 Oct 2019.

Vancouver:

Efurd Y. Baiyun guan: the Development and Evolution of a Quanzhen Daoist Temple. [Internet] [Doctoral dissertation]. University of Kansas; 2012. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/10813.

Council of Science Editors:

Efurd Y. Baiyun guan: the Development and Evolution of a Quanzhen Daoist Temple. [Doctoral Dissertation]. University of Kansas; 2012. Available from: http://hdl.handle.net/1808/10813

13. Greenwood, Kevin. YONGHEGONG: IMPERIAL UNIVERSALISM AND THE ART AND ARCHITECTURE OF BEIJING'S "LAMA TEMPLE".

Degree: PhD, History of Art, 2013, University of Kansas

 Yonghegong ("Palace of Harmony and Peace"), popularly known in English as the "Lama Temple," is often described as Beijing's largest and most important Tibetan Buddhist… (more)

Subjects/Keywords: Art history; History; Religion – History; Architecture; Buddhist art; Qianlong; Qing; Sculpture; Tibetan Buddhism

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APA (6th Edition):

Greenwood, K. (2013). YONGHEGONG: IMPERIAL UNIVERSALISM AND THE ART AND ARCHITECTURE OF BEIJING'S "LAMA TEMPLE". (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/12332

Chicago Manual of Style (16th Edition):

Greenwood, Kevin. “YONGHEGONG: IMPERIAL UNIVERSALISM AND THE ART AND ARCHITECTURE OF BEIJING'S "LAMA TEMPLE".” 2013. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/12332.

MLA Handbook (7th Edition):

Greenwood, Kevin. “YONGHEGONG: IMPERIAL UNIVERSALISM AND THE ART AND ARCHITECTURE OF BEIJING'S "LAMA TEMPLE".” 2013. Web. 22 Oct 2019.

Vancouver:

Greenwood K. YONGHEGONG: IMPERIAL UNIVERSALISM AND THE ART AND ARCHITECTURE OF BEIJING'S "LAMA TEMPLE". [Internet] [Doctoral dissertation]. University of Kansas; 2013. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/12332.

Council of Science Editors:

Greenwood K. YONGHEGONG: IMPERIAL UNIVERSALISM AND THE ART AND ARCHITECTURE OF BEIJING'S "LAMA TEMPLE". [Doctoral Dissertation]. University of Kansas; 2013. Available from: http://hdl.handle.net/1808/12332

14. Liu, Ai-lian. Yang Weizhen (1296-1370) and the Social Art of Painting Inscriptions.

Degree: PhD, History of Art, 2011, University of Kansas

 The dissertation explores the text-image relationship in late Yuan literati painting and the social dimension of painting inscriptions. Each of the first three chapters is… (more)

Subjects/Keywords: Art history; Asia – History; Audience reception; Literati painting; Painting inscriptions; Social writing; Text-image relationship

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APA (6th Edition):

Liu, A. (2011). Yang Weizhen (1296-1370) and the Social Art of Painting Inscriptions. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/7833

Chicago Manual of Style (16th Edition):

Liu, Ai-lian. “Yang Weizhen (1296-1370) and the Social Art of Painting Inscriptions.” 2011. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/7833.

MLA Handbook (7th Edition):

Liu, Ai-lian. “Yang Weizhen (1296-1370) and the Social Art of Painting Inscriptions.” 2011. Web. 22 Oct 2019.

Vancouver:

Liu A. Yang Weizhen (1296-1370) and the Social Art of Painting Inscriptions. [Internet] [Doctoral dissertation]. University of Kansas; 2011. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/7833.

Council of Science Editors:

Liu A. Yang Weizhen (1296-1370) and the Social Art of Painting Inscriptions. [Doctoral Dissertation]. University of Kansas; 2011. Available from: http://hdl.handle.net/1808/7833


University of Kansas

15. Giuffrida, Noelle. Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China.

Degree: PH.D., History of Art, 2008, University of Kansas

 Zhenwu, the Perfected Warrior, emerged as an anthropomorphic deity in the early Northern Song (960-1126) and reached the peak of his popularity in the Ming… (more)

Subjects/Keywords: Art history; Zhenwu; Daoism; Yuan; Ming; Xuantian shangdi

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APA (6th Edition):

Giuffrida, N. (2008). Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/5234

Chicago Manual of Style (16th Edition):

Giuffrida, Noelle. “Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China.” 2008. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/5234.

MLA Handbook (7th Edition):

Giuffrida, Noelle. “Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China.” 2008. Web. 22 Oct 2019.

Vancouver:

Giuffrida N. Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China. [Internet] [Doctoral dissertation]. University of Kansas; 2008. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/5234.

Council of Science Editors:

Giuffrida N. Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China. [Doctoral Dissertation]. University of Kansas; 2008. Available from: http://hdl.handle.net/1808/5234

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