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You searched for +publisher:"University of Illinois – Urbana-Champaign" +contributor:("Ward, Thomas R."). Showing records 1 – 21 of 21 total matches.

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University of Illinois – Urbana-Champaign

1. Senchina, Jason. Musical exegesis: the Cain and Abel story in Reformation Europe.

Degree: M.Mus., 0265, 2012, University of Illinois – Urbana-Champaign

 One of the basic tenants of “new musicology” is that music forms within the context of its composer’s and performer’s surroundings. This is true for… (more)

Subjects/Keywords: music; responsory; Cain; Abel; exegesis; Ubi est Abel; analysis

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APA (6th Edition):

Senchina, J. (2012). Musical exegesis: the Cain and Abel story in Reformation Europe. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/32013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Senchina, Jason. “Musical exegesis: the Cain and Abel story in Reformation Europe.” 2012. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/32013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Senchina, Jason. “Musical exegesis: the Cain and Abel story in Reformation Europe.” 2012. Web. 08 Dec 2019.

Vancouver:

Senchina J. Musical exegesis: the Cain and Abel story in Reformation Europe. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2012. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/32013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Senchina J. Musical exegesis: the Cain and Abel story in Reformation Europe. [Thesis]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/32013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

2. Murchie, Maureen C. A history of the Sendai Philharmonic Orchestra, 1973-2005.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 The Sendai Philharmonic Orchestra began in 1973 as the Miyagi Philharmonic Orchestra, an amateur-based community orchestra in the city of Sendai, at that time Japan’s… (more)

Subjects/Keywords: Japan; Orchestra; History; Sendai Philharmonic Orchestra

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APA (6th Edition):

Murchie, M. C. (2011). A history of the Sendai Philharmonic Orchestra, 1973-2005. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murchie, Maureen C. “A history of the Sendai Philharmonic Orchestra, 1973-2005.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/18217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murchie, Maureen C. “A history of the Sendai Philharmonic Orchestra, 1973-2005.” 2011. Web. 08 Dec 2019.

Vancouver:

Murchie MC. A history of the Sendai Philharmonic Orchestra, 1973-2005. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/18217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murchie MC. A history of the Sendai Philharmonic Orchestra, 1973-2005. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

3. Friesen, Elroy D. Einojuhani Rautavaara's Vigilia: From cathedral to concert hall.

Degree: A.Mus.D., 0265, 2010, University of Illinois – Urbana-Champaign

 Einojuhani Rauatavaara (b Helsinki, 9 Oct 1928) is Finland’s preeminent contemporary composer, known internationally for both his symphonic and choral music. His Vigilia was commissioned… (more)

Subjects/Keywords: Finnish Choral Music; All-Night Vigil

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APA (6th Edition):

Friesen, E. D. (2010). Einojuhani Rautavaara's Vigilia: From cathedral to concert hall. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/16845

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Friesen, Elroy D. “Einojuhani Rautavaara's Vigilia: From cathedral to concert hall.” 2010. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/16845.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Friesen, Elroy D. “Einojuhani Rautavaara's Vigilia: From cathedral to concert hall.” 2010. Web. 08 Dec 2019.

Vancouver:

Friesen ED. Einojuhani Rautavaara's Vigilia: From cathedral to concert hall. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2010. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/16845.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Friesen ED. Einojuhani Rautavaara's Vigilia: From cathedral to concert hall. [Thesis]. University of Illinois – Urbana-Champaign; 2010. Available from: http://hdl.handle.net/2142/16845

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

4. Young, Kydalla E. Colonial Music, Confraternities, and Power in the Archdiocese of Lima.

Degree: PhD, 1481, 2010, University of Illinois – Urbana-Champaign

 My dissertation studies the intersections of colonial Spanish ecclesiastical and secular hegemonic orthodoxy, subaltern heterodoxy, the confraternity as an institutional nexus of these competing forces,… (more)

Subjects/Keywords: Peru; colonial; Andes; Spanish colonies; Catholic Church; confraternity

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APA (6th Edition):

Young, K. E. (2010). Colonial Music, Confraternities, and Power in the Archdiocese of Lima. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/16902

Chicago Manual of Style (16th Edition):

Young, Kydalla E. “Colonial Music, Confraternities, and Power in the Archdiocese of Lima.” 2010. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/16902.

MLA Handbook (7th Edition):

Young, Kydalla E. “Colonial Music, Confraternities, and Power in the Archdiocese of Lima.” 2010. Web. 08 Dec 2019.

Vancouver:

Young KE. Colonial Music, Confraternities, and Power in the Archdiocese of Lima. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2010. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/16902.

Council of Science Editors:

Young KE. Colonial Music, Confraternities, and Power in the Archdiocese of Lima. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2010. Available from: http://hdl.handle.net/2142/16902


University of Illinois – Urbana-Champaign

5. Mortensen, Bryson. Pax Britannica: Edward Elgar's Caractacus as a musical expression of British imperialism.

Degree: A.Mus.D., 0265, 2013, University of Illinois – Urbana-Champaign

 British composer Edward Elgar (1857 – 1934) is most famous for his later works including his “Enigma” variations, symphonies, and “Pomp and Circumstance” marches. His… (more)

Subjects/Keywords: Elgar; caractacus; leitmotiv, british

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APA (6th Edition):

Mortensen, B. (2013). Pax Britannica: Edward Elgar's Caractacus as a musical expression of British imperialism. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/42483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mortensen, Bryson. “Pax Britannica: Edward Elgar's Caractacus as a musical expression of British imperialism.” 2013. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/42483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mortensen, Bryson. “Pax Britannica: Edward Elgar's Caractacus as a musical expression of British imperialism.” 2013. Web. 08 Dec 2019.

Vancouver:

Mortensen B. Pax Britannica: Edward Elgar's Caractacus as a musical expression of British imperialism. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/42483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mortensen B. Pax Britannica: Edward Elgar's Caractacus as a musical expression of British imperialism. [Thesis]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/42483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

6. Law, Po Kwan. The a cappella choral music of Chen Yi: 1985-2010.

Degree: A.Mus.D., 0265, 2013, University of Illinois – Urbana-Champaign

 The purpose of this study is to provide a useful guide for choral conductors who wish to perform the music of Chen Yi (b. 1953).… (more)

Subjects/Keywords: Chen Yi; a cappella choral works

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APA (6th Edition):

Law, P. K. (2013). The a cappella choral music of Chen Yi: 1985-2010. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/44456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Law, Po Kwan. “The a cappella choral music of Chen Yi: 1985-2010.” 2013. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/44456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Law, Po Kwan. “The a cappella choral music of Chen Yi: 1985-2010.” 2013. Web. 08 Dec 2019.

Vancouver:

Law PK. The a cappella choral music of Chen Yi: 1985-2010. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/44456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Law PK. The a cappella choral music of Chen Yi: 1985-2010. [Thesis]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/44456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

7. Bent, Jenny E. The offertories of Peter von Winter: Critical editions and studies of selected works.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 This is a comprehensive study of two offertories by Peter von Winter: Excelsus Super Omnes Gentes and Non Mortui Laudabunt Te. The critical editions included… (more)

Subjects/Keywords: Peter; Winter; offertory; St. Vincent Archabbey; Noseda

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APA (6th Edition):

Bent, J. E. (2011). The offertories of Peter von Winter: Critical editions and studies of selected works. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18478

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bent, Jenny E. “The offertories of Peter von Winter: Critical editions and studies of selected works.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/18478.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bent, Jenny E. “The offertories of Peter von Winter: Critical editions and studies of selected works.” 2011. Web. 08 Dec 2019.

Vancouver:

Bent JE. The offertories of Peter von Winter: Critical editions and studies of selected works. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/18478.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bent JE. The offertories of Peter von Winter: Critical editions and studies of selected works. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18478

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

8. Fassnacht, Therese I. Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 The musical archives of the Oaxaca Cathedral contain the surviving compositions of its maestros de capilla (chapel masters) since its founding in the sixteenth century.… (more)

Subjects/Keywords: contrafactum; alternatim praxis; requiem; Manuel de Sumaya; Oaxaca Cathedral

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APA (6th Edition):

Fassnacht, T. I. (2011). Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fassnacht, Therese I. “Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/18526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fassnacht, Therese I. “Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya.” 2011. Web. 08 Dec 2019.

Vancouver:

Fassnacht TI. Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/18526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fassnacht TI. Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

9. Kim, Sunjin. Zack Browning and the compositional process in blockhouse, double shot, and sole injection.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 This is the first study to focus exclusively on three compositions that include the violin by American composer, Zack Browning. The three compositions examined in… (more)

Subjects/Keywords: Zack Browning; Blockhouse; Double Shot; Sole Injection; Magic Square; musical ideas; patterns; compositional techniques; compositional process; violin; composition; computer music; contemporary music; algorithmic composition; Planetary Squares; piano; cello; piano trio

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APA (6th Edition):

Kim, S. (2011). Zack Browning and the compositional process in blockhouse, double shot, and sole injection. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/24031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Sunjin. “Zack Browning and the compositional process in blockhouse, double shot, and sole injection.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/24031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Sunjin. “Zack Browning and the compositional process in blockhouse, double shot, and sole injection.” 2011. Web. 08 Dec 2019.

Vancouver:

Kim S. Zack Browning and the compositional process in blockhouse, double shot, and sole injection. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/24031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim S. Zack Browning and the compositional process in blockhouse, double shot, and sole injection. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/24031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

10. Jung, Jae Eun. Four seasons: A study of Chen Yi's Si Ji.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 The purpose of this study is to draw attention to the hybrid of Eastern and Western musical elements, in Chen Yi???s orchestral work Si Ji.… (more)

Subjects/Keywords: Chen Yi; Asian Composition; Si Ji; Four Season; Jae Eun Jung; Contemporary Music; Orchestra Music

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APA (6th Edition):

Jung, J. E. (2011). Four seasons: A study of Chen Yi's Si Ji. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jung, Jae Eun. “Four seasons: A study of Chen Yi's Si Ji.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/18254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jung, Jae Eun. “Four seasons: A study of Chen Yi's Si Ji.” 2011. Web. 08 Dec 2019.

Vancouver:

Jung JE. Four seasons: A study of Chen Yi's Si Ji. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/18254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jung JE. Four seasons: A study of Chen Yi's Si Ji. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

11. Huang, Tsai-Yun. Chinese instruments in a western contemporary idiom selected works of Chen Yi.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 The purpose of this study is to show composer Chen Yi (b.1953)’s musical synthesis of East and West. Examples and analysis are made from the… (more)

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APA (6th Edition):

Huang, T. (2011). Chinese instruments in a western contemporary idiom selected works of Chen Yi. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18361

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huang, Tsai-Yun. “Chinese instruments in a western contemporary idiom selected works of Chen Yi.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/18361.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huang, Tsai-Yun. “Chinese instruments in a western contemporary idiom selected works of Chen Yi.” 2011. Web. 08 Dec 2019.

Vancouver:

Huang T. Chinese instruments in a western contemporary idiom selected works of Chen Yi. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/18361.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huang T. Chinese instruments in a western contemporary idiom selected works of Chen Yi. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18361

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Armstrong, Colin. West meets East: Giuseppe Sarti's influence on Russian church music - a study of Western influence and surviving Russian traits.

Degree: A.Mus.D., 0265, 2012, University of Illinois – Urbana-Champaign

 This dissertation explores Italian influence on Russian Church music in the late eighteenth-century. The object of this study is to determine the extent to which… (more)

Subjects/Keywords: Giuseppe Sarti; Italian influence; Russian church music; Catherine the Great; Eighteenth Century

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APA (6th Edition):

Armstrong, C. (2012). West meets East: Giuseppe Sarti's influence on Russian church music - a study of Western influence and surviving Russian traits. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/29793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Armstrong, Colin. “West meets East: Giuseppe Sarti's influence on Russian church music - a study of Western influence and surviving Russian traits.” 2012. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/29793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Armstrong, Colin. “West meets East: Giuseppe Sarti's influence on Russian church music - a study of Western influence and surviving Russian traits.” 2012. Web. 08 Dec 2019.

Vancouver:

Armstrong C. West meets East: Giuseppe Sarti's influence on Russian church music - a study of Western influence and surviving Russian traits. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2012. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/29793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Armstrong C. West meets East: Giuseppe Sarti's influence on Russian church music - a study of Western influence and surviving Russian traits. [Thesis]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/29793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Yoon, Haeyoung. The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 The present study investigates the development of the use of the damper pedal during the Classical period, with emphasis on the great contributions made by… (more)

Subjects/Keywords: pedaling; damper pedal; Steibelt; Dussek; Classical Period; London Pianoforte School; Beethoven

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APA (6th Edition):

Yoon, H. (2011). The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/24215

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yoon, Haeyoung. “The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/24215.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yoon, Haeyoung. “The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers.” 2011. Web. 08 Dec 2019.

Vancouver:

Yoon H. The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/24215.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yoon H. The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/24215

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Hughes, Richard Daniel, Jr. Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01).

Degree: A.Mus.D., 0265, 2012, University of Illinois – Urbana-Champaign

 Dominick Argento was born on October 27, 1927 in York, Pennsylvania. His oeuvre consists of works in every significant twentieth-century genre, but he is best… (more)

Subjects/Keywords: Dominick Argento; Textual-Musical Relationships; Choral Music; Walden Pond; The Vision; Sonnet LXIV

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Hughes, Richard Daniel, J. (2012). Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01). (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/31076

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hughes, Richard Daniel, Jr. “Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01).” 2012. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/31076.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hughes, Richard Daniel, Jr. “Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01).” 2012. Web. 08 Dec 2019.

Vancouver:

Hughes, Richard Daniel J. Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01). [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2012. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/31076.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hughes, Richard Daniel J. Textual-musical relationships in three choral works by Dominick Argento: Walden Pond, The Vision and Sonnet LXIV (In Memoriam 9/11/01). [Thesis]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/31076

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Sawatzky, David. An analysis of graphic notation and its impact on conducting gesture in selected works of R. Murray Schafer.

Degree: A.Mus.D., 0265, 2012, University of Illinois – Urbana-Champaign

R. Murray Schafer has deliberately used a number of different compositional styles in his career, including both standard and graphic notation for both vocal and… (more)

Subjects/Keywords: conducting; R. Murray Schafer; choral music; 20th century choral music; graphic notation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sawatzky, D. (2012). An analysis of graphic notation and its impact on conducting gesture in selected works of R. Murray Schafer. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/34356

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sawatzky, David. “An analysis of graphic notation and its impact on conducting gesture in selected works of R. Murray Schafer.” 2012. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/34356.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sawatzky, David. “An analysis of graphic notation and its impact on conducting gesture in selected works of R. Murray Schafer.” 2012. Web. 08 Dec 2019.

Vancouver:

Sawatzky D. An analysis of graphic notation and its impact on conducting gesture in selected works of R. Murray Schafer. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2012. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/34356.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sawatzky D. An analysis of graphic notation and its impact on conducting gesture in selected works of R. Murray Schafer. [Thesis]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/34356

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Choi, Chee Hyeon. The contributions of James Lyke to piano pedagogy.

Degree: A.Mus.D., 0265, 2012, University of Illinois – Urbana-Champaign

 James Lyke’s career spans more than 40 years as an educator, author, administrator, composer, clinician, adjudicator, and performer. His cutting-edge teaching materials and numerous domestic… (more)

Subjects/Keywords: Piano Pedagogy; Contributions to Piano Pedagogy; James Lyke; Case Study

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APA (6th Edition):

Choi, C. H. (2012). The contributions of James Lyke to piano pedagogy. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/31149

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Choi, Chee Hyeon. “The contributions of James Lyke to piano pedagogy.” 2012. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/31149.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Choi, Chee Hyeon. “The contributions of James Lyke to piano pedagogy.” 2012. Web. 08 Dec 2019.

Vancouver:

Choi CH. The contributions of James Lyke to piano pedagogy. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2012. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/31149.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Choi CH. The contributions of James Lyke to piano pedagogy. [Thesis]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/31149

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Tapia-Santiago, Daniel A. Jack Délano’s (1914-1997) Burundanga or Cantata Antillana: an art-music portrayal of Luis Palés Matos’s (1898-1959) black Caribbean.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 This is an analytical study of "Burundanga" or "Cantata Antillana" by Jack Délano (1914-1997). One of Délano’s most ambitious choral-orchestral compositions, "Burundanga" was completed in… (more)

Subjects/Keywords: Jack Délano; Burundanga; Luis Palés Matos; Canción festiva para ser llorada; Cantata Antillana; Puerto Rican choral-orchestral compositions; Puerto Rican choral music; Caribbean art-music

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APA (6th Edition):

Tapia-Santiago, D. A. (2011). Jack Délano’s (1914-1997) Burundanga or Cantata Antillana: an art-music portrayal of Luis Palés Matos’s (1898-1959) black Caribbean. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/26022

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tapia-Santiago, Daniel A. “Jack Délano’s (1914-1997) Burundanga or Cantata Antillana: an art-music portrayal of Luis Palés Matos’s (1898-1959) black Caribbean.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/26022.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tapia-Santiago, Daniel A. “Jack Délano’s (1914-1997) Burundanga or Cantata Antillana: an art-music portrayal of Luis Palés Matos’s (1898-1959) black Caribbean.” 2011. Web. 08 Dec 2019.

Vancouver:

Tapia-Santiago DA. Jack Délano’s (1914-1997) Burundanga or Cantata Antillana: an art-music portrayal of Luis Palés Matos’s (1898-1959) black Caribbean. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/26022.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tapia-Santiago DA. Jack Délano’s (1914-1997) Burundanga or Cantata Antillana: an art-music portrayal of Luis Palés Matos’s (1898-1959) black Caribbean. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/26022

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Luethi, Dean. Ralph Vaughan Williams' Sea Symphony: formal structures and analyses informed by poetry.

Degree: A.Mus.D., 0265, 2013, University of Illinois – Urbana-Champaign

 Ralph Vaughan Williams’ Sea Symphony has become standard choral/orchestral repertoire. Written between 1903-1910, the premier of this work occurred during the Leeds Festival on October… (more)

Subjects/Keywords: Sea Symphony; Vaughan Williams; Choral Orchestral Repertoire; Walt Whitman; Choral Symphony

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APA (6th Edition):

Luethi, D. (2013). Ralph Vaughan Williams' Sea Symphony: formal structures and analyses informed by poetry. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/45439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luethi, Dean. “Ralph Vaughan Williams' Sea Symphony: formal structures and analyses informed by poetry.” 2013. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/45439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luethi, Dean. “Ralph Vaughan Williams' Sea Symphony: formal structures and analyses informed by poetry.” 2013. Web. 08 Dec 2019.

Vancouver:

Luethi D. Ralph Vaughan Williams' Sea Symphony: formal structures and analyses informed by poetry. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/45439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luethi D. Ralph Vaughan Williams' Sea Symphony: formal structures and analyses informed by poetry. [Thesis]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/45439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Cox, John. The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary.

Degree: A.Mus.D., 0265, 2013, University of Illinois – Urbana-Champaign

 Giacomo Antonio Perti (1661-1756) was one of the most well-known and highly-respected musicians in Italy during the late baroque period, although his music is scarcely… (more)

Subjects/Keywords: Magnificat; Perti; Petronio; Bologna; Sacred Music

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APA (6th Edition):

Cox, J. (2013). The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/44317

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cox, John. “The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary.” 2013. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/44317.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cox, John. “The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary.” 2013. Web. 08 Dec 2019.

Vancouver:

Cox J. The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/44317.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cox J. The Magnificat settings of Giacomo Antonio Perti (1661-1756): a modern edition and commentary. [Thesis]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/44317

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Ranson, Trudie. Munich, Bayerische Staatsbibliothek, handschriften-Inkunabelsammlung, Musica Ms F (1509-1525): an examination of the repertorial, codicological, and political significance of a unique source of parody masses, with a modern edition of the manuscript and its models.

Degree: PhD, 1481, 2013, University of Illinois – Urbana-Champaign

 Part I of the dissertation is a comprehensive study of an important music manuscript dating 1509-25 in the Bavarian State Library in Munich (MunBS F),… (more)

Subjects/Keywords: Alamire; Burgundy; Compère; England; Févin; Fifteenth Century; French Court; Gascongne; Ghent-Bruges; Hapsburg; Henry VIII; Illumination; Imitation; Josquin Desprez; Katherine of Aragon; Low Countries; Manuscript; Margaret of Austria; Mass; Motet; Moulu; Munich; Music; Parody; Parody Mass; Pierre de La Rue; Polyphony; Renaissance; Richafort; Sixteenth Century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ranson, T. (2013). Munich, Bayerische Staatsbibliothek, handschriften-Inkunabelsammlung, Musica Ms F (1509-1525): an examination of the repertorial, codicological, and political significance of a unique source of parody masses, with a modern edition of the manuscript and its models. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/42393

Chicago Manual of Style (16th Edition):

Ranson, Trudie. “Munich, Bayerische Staatsbibliothek, handschriften-Inkunabelsammlung, Musica Ms F (1509-1525): an examination of the repertorial, codicological, and political significance of a unique source of parody masses, with a modern edition of the manuscript and its models.” 2013. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/42393.

MLA Handbook (7th Edition):

Ranson, Trudie. “Munich, Bayerische Staatsbibliothek, handschriften-Inkunabelsammlung, Musica Ms F (1509-1525): an examination of the repertorial, codicological, and political significance of a unique source of parody masses, with a modern edition of the manuscript and its models.” 2013. Web. 08 Dec 2019.

Vancouver:

Ranson T. Munich, Bayerische Staatsbibliothek, handschriften-Inkunabelsammlung, Musica Ms F (1509-1525): an examination of the repertorial, codicological, and political significance of a unique source of parody masses, with a modern edition of the manuscript and its models. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/42393.

Council of Science Editors:

Ranson T. Munich, Bayerische Staatsbibliothek, handschriften-Inkunabelsammlung, Musica Ms F (1509-1525): an examination of the repertorial, codicological, and political significance of a unique source of parody masses, with a modern edition of the manuscript and its models. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/42393


University of Illinois – Urbana-Champaign

21. Yu, Hanna. Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na.

Degree: A.Mus.D., 0265, 2008, University of Illinois – Urbana-Champaign

Subjects/Keywords: Violin and piano music - 20th century - Ananlysis, appreciation.; String quartets - 20th century - Analysis, appreciation.; Music - Korea - Western influences.; Music - Korea - East Asian influences.; Na, Hyo-sin. Dirge, violin, piano.; Na, Hyo-sin. Song of the beggars.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yu, H. (2008). Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/42544

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yu, Hanna. “Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na.” 2008. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/42544.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yu, Hanna. “Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na.” 2008. Web. 08 Dec 2019.

Vancouver:

Yu H. Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2008. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/42544.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yu H. Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na. [Thesis]. University of Illinois – Urbana-Champaign; 2008. Available from: http://hdl.handle.net/2142/42544

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.