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You searched for +publisher:"University of Illinois – Urbana-Champaign" +contributor:("Hansen, James A."). Showing records 1 – 13 of 13 total matches.

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1. Sundaram, Dheepa. Aesthetics as resistance: rasa, dhvani, and empire in Tamil "Protest" drama.

Degree: PhD, 1120, 2015, University of Illinois – Urbana-Champaign

 Abstract Aesthetics as Resistance: Rasa, Dhvani, and Empire in Modern Tamil “Protest” Theater addresses questions concerning the role of aesthetics in the development, production, and… (more)

Subjects/Keywords: aesthetics; colonialism; nationalism; Tamil drama; Sanskrit drama; India; Ireland; anticolonialism; English melodrama

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APA (6th Edition):

Sundaram, D. (2015). Aesthetics as resistance: rasa, dhvani, and empire in Tamil "Protest" drama. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/72918

Chicago Manual of Style (16th Edition):

Sundaram, Dheepa. “Aesthetics as resistance: rasa, dhvani, and empire in Tamil "Protest" drama.” 2015. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/72918.

MLA Handbook (7th Edition):

Sundaram, Dheepa. “Aesthetics as resistance: rasa, dhvani, and empire in Tamil "Protest" drama.” 2015. Web. 23 Sep 2020.

Vancouver:

Sundaram D. Aesthetics as resistance: rasa, dhvani, and empire in Tamil "Protest" drama. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2015. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/72918.

Council of Science Editors:

Sundaram D. Aesthetics as resistance: rasa, dhvani, and empire in Tamil "Protest" drama. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/72918


University of Illinois – Urbana-Champaign

2. Jernigan, Brandon. "Forms of Some Intenser Life": Genre and Imperialism at the Turn of the Century.

Degree: PhD, 0311, 2011, University of Illinois – Urbana-Champaign

 My dissertation establishes a critical dialogue between two distinct phenomena at the turn of the twentieth century: first, the exponential growth and mercurial nature of… (more)

Subjects/Keywords: Imperialism; Genre; Novel; Insurgency; Weird Fiction; Conrad, Joseph; Wells, H. G.; Stoker, Bram; Blackwood, Algernon

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APA (6th Edition):

Jernigan, B. (2011). "Forms of Some Intenser Life": Genre and Imperialism at the Turn of the Century. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/18242

Chicago Manual of Style (16th Edition):

Jernigan, Brandon. “"Forms of Some Intenser Life": Genre and Imperialism at the Turn of the Century.” 2011. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/18242.

MLA Handbook (7th Edition):

Jernigan, Brandon. “"Forms of Some Intenser Life": Genre and Imperialism at the Turn of the Century.” 2011. Web. 23 Sep 2020.

Vancouver:

Jernigan B. "Forms of Some Intenser Life": Genre and Imperialism at the Turn of the Century. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2011. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/18242.

Council of Science Editors:

Jernigan B. "Forms of Some Intenser Life": Genre and Imperialism at the Turn of the Century. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/18242


University of Illinois – Urbana-Champaign

3. Anderson Bliss, Jennifer. Picturing the unspeakable: Trauma, memory, and visuality in contemporary comics.

Degree: PhD, 1120, 2014, University of Illinois – Urbana-Champaign

 This dissertation explores the intersections of memory and trauma in comics, arguing that the interrelations of the visual and the textual elements of this medium… (more)

Subjects/Keywords: comics; graphic novels; trauma studies; memory studies

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APA (6th Edition):

Anderson Bliss, J. (2014). Picturing the unspeakable: Trauma, memory, and visuality in contemporary comics. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/49820

Chicago Manual of Style (16th Edition):

Anderson Bliss, Jennifer. “Picturing the unspeakable: Trauma, memory, and visuality in contemporary comics.” 2014. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/49820.

MLA Handbook (7th Edition):

Anderson Bliss, Jennifer. “Picturing the unspeakable: Trauma, memory, and visuality in contemporary comics.” 2014. Web. 23 Sep 2020.

Vancouver:

Anderson Bliss J. Picturing the unspeakable: Trauma, memory, and visuality in contemporary comics. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2014. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/49820.

Council of Science Editors:

Anderson Bliss J. Picturing the unspeakable: Trauma, memory, and visuality in contemporary comics. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/49820


University of Illinois – Urbana-Champaign

4. Sheets, Frank. Talking back: audience collaboration and intervention in modernist and postwar drama.

Degree: PhD, 0311, 2014, University of Illinois – Urbana-Champaign

 When audiences talk back, either by responding or retorting, the line between performers and audience members blurs, bringing into relief the relationship between spectatorship and… (more)

Subjects/Keywords: Modern British Drama; Modern Irish Drama; Modernist Studies; Literary Modernism; Twentieth-Century Literature; Twentieth-Century Drama; Audience Studies; Performance Studies; Experimental Theatre; Avant-Garde Theatre

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APA (6th Edition):

Sheets, F. (2014). Talking back: audience collaboration and intervention in modernist and postwar drama. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/50335

Chicago Manual of Style (16th Edition):

Sheets, Frank. “Talking back: audience collaboration and intervention in modernist and postwar drama.” 2014. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/50335.

MLA Handbook (7th Edition):

Sheets, Frank. “Talking back: audience collaboration and intervention in modernist and postwar drama.” 2014. Web. 23 Sep 2020.

Vancouver:

Sheets F. Talking back: audience collaboration and intervention in modernist and postwar drama. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2014. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/50335.

Council of Science Editors:

Sheets F. Talking back: audience collaboration and intervention in modernist and postwar drama. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/50335


University of Illinois – Urbana-Champaign

5. Oliverio, Lisa. "Lines of Spiritual Motion": The Realization of American Catholic Fiction, 1845-1965.

Degree: PhD, 0311, 2011, University of Illinois – Urbana-Champaign

 This dissertation argues that Catholic literature, far from being an escape from the historical to the spiritual, revises major literary forms as negotiates American culture… (more)

Subjects/Keywords: American literature; Catholicism

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APA (6th Edition):

Oliverio, L. (2011). "Lines of Spiritual Motion": The Realization of American Catholic Fiction, 1845-1965. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/26410

Chicago Manual of Style (16th Edition):

Oliverio, Lisa. “"Lines of Spiritual Motion": The Realization of American Catholic Fiction, 1845-1965.” 2011. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/26410.

MLA Handbook (7th Edition):

Oliverio, Lisa. “"Lines of Spiritual Motion": The Realization of American Catholic Fiction, 1845-1965.” 2011. Web. 23 Sep 2020.

Vancouver:

Oliverio L. "Lines of Spiritual Motion": The Realization of American Catholic Fiction, 1845-1965. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2011. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/26410.

Council of Science Editors:

Oliverio L. "Lines of Spiritual Motion": The Realization of American Catholic Fiction, 1845-1965. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/26410


University of Illinois – Urbana-Champaign

6. Riede, Austin N. Pulling oneself together: power and character in British literature, 1914-1939.

Degree: PhD, 0311, 2012, University of Illinois – Urbana-Champaign

 A revealing legend from the First World War told of a tribe of deserters from all armies that had reverted to a pre-political ???state of… (more)

Subjects/Keywords: Power; Character; Interwar; T.S. Eliot; Lewis Grassic Gibbon; Rebecca West; Virginia Woolf; Vera Brittain; David Jones; Thomas Stearns Eliot

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APA (6th Edition):

Riede, A. N. (2012). Pulling oneself together: power and character in British literature, 1914-1939. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/29425

Chicago Manual of Style (16th Edition):

Riede, Austin N. “Pulling oneself together: power and character in British literature, 1914-1939.” 2012. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/29425.

MLA Handbook (7th Edition):

Riede, Austin N. “Pulling oneself together: power and character in British literature, 1914-1939.” 2012. Web. 23 Sep 2020.

Vancouver:

Riede AN. Pulling oneself together: power and character in British literature, 1914-1939. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2012. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/29425.

Council of Science Editors:

Riede AN. Pulling oneself together: power and character in British literature, 1914-1939. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/29425


University of Illinois – Urbana-Champaign

7. Gray, Sarah M. Irish disability: Postcolonial narratives of stunted development.

Degree: PhD, 0311, 2011, University of Illinois – Urbana-Champaign

 In his 1941 poem The Great Hunger, a scathing critique of rural idealism in mid-twentieth-century Ireland, Patrick Kavanagh defines his Irish anti-hero by the ???impotent… (more)

Subjects/Keywords: Irish Literature; Disability: Modernism; Ireland; Kavanagh, Patrick; O'Brien, Edna; McCabe, Patrick; Beckett, Samuel; O'Brien, Flann; Yeats, W.B.; Doyle, Roddy; O'Neill, Jamie; Deane, Seamus; MacLaverty, Bernard; Postcolonialism

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APA (6th Edition):

Gray, S. M. (2011). Irish disability: Postcolonial narratives of stunted development. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/24252

Chicago Manual of Style (16th Edition):

Gray, Sarah M. “Irish disability: Postcolonial narratives of stunted development.” 2011. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/24252.

MLA Handbook (7th Edition):

Gray, Sarah M. “Irish disability: Postcolonial narratives of stunted development.” 2011. Web. 23 Sep 2020.

Vancouver:

Gray SM. Irish disability: Postcolonial narratives of stunted development. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2011. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/24252.

Council of Science Editors:

Gray SM. Irish disability: Postcolonial narratives of stunted development. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/24252


University of Illinois – Urbana-Champaign

8. Boynton, T.J. The despotism of fact: Celticism and the transnational critique of capitalism in England and Ireland, 1865-1954.

Degree: PhD, 0311, 2012, University of Illinois – Urbana-Champaign

 My dissertation examines the history of the ethnological theory of Celticism, tracing its mediation of a broad range of concerns relative to the economic dimension… (more)

Subjects/Keywords: Celticism; Capitalism; British Literature; Irish Literature

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APA (6th Edition):

Boynton, T. J. (2012). The despotism of fact: Celticism and the transnational critique of capitalism in England and Ireland, 1865-1954. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/29452

Chicago Manual of Style (16th Edition):

Boynton, T J. “The despotism of fact: Celticism and the transnational critique of capitalism in England and Ireland, 1865-1954.” 2012. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/29452.

MLA Handbook (7th Edition):

Boynton, T J. “The despotism of fact: Celticism and the transnational critique of capitalism in England and Ireland, 1865-1954.” 2012. Web. 23 Sep 2020.

Vancouver:

Boynton TJ. The despotism of fact: Celticism and the transnational critique of capitalism in England and Ireland, 1865-1954. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2012. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/29452.

Council of Science Editors:

Boynton TJ. The despotism of fact: Celticism and the transnational critique of capitalism in England and Ireland, 1865-1954. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/29452

9. Hackman, Paul S. The media assemblage: the twentieth-century novel in dialogue with film, television, and new media.

Degree: PhD, 0311, 2010, University of Illinois – Urbana-Champaign

 At several moments during the twentieth-century, novelists have been made acutely aware of the novel as a medium due to declarations of the death of… (more)

Subjects/Keywords: Twentieth-century novel; media assemblage; American literature

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APA (6th Edition):

Hackman, P. S. (2010). The media assemblage: the twentieth-century novel in dialogue with film, television, and new media. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/16795

Chicago Manual of Style (16th Edition):

Hackman, Paul S. “The media assemblage: the twentieth-century novel in dialogue with film, television, and new media.” 2010. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/16795.

MLA Handbook (7th Edition):

Hackman, Paul S. “The media assemblage: the twentieth-century novel in dialogue with film, television, and new media.” 2010. Web. 23 Sep 2020.

Vancouver:

Hackman PS. The media assemblage: the twentieth-century novel in dialogue with film, television, and new media. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2010. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/16795.

Council of Science Editors:

Hackman PS. The media assemblage: the twentieth-century novel in dialogue with film, television, and new media. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2010. Available from: http://hdl.handle.net/2142/16795

10. Gilmore, Shawn. The invention of the graphic novel: underground comix and corporate aesthetics.

Degree: PhD, 0311, 2013, University of Illinois – Urbana-Champaign

 This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic… (more)

Subjects/Keywords: Graphic Novel; Comics Books; Comix; Comics Studies; Cultural Studies; Media Studies; Visual Culture; Graphic Narrative; 20th Century Literature; 21st Century Literature; American Culture

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APA (6th Edition):

Gilmore, S. (2013). The invention of the graphic novel: underground comix and corporate aesthetics. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/45661

Chicago Manual of Style (16th Edition):

Gilmore, Shawn. “The invention of the graphic novel: underground comix and corporate aesthetics.” 2013. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/45661.

MLA Handbook (7th Edition):

Gilmore, Shawn. “The invention of the graphic novel: underground comix and corporate aesthetics.” 2013. Web. 23 Sep 2020.

Vancouver:

Gilmore S. The invention of the graphic novel: underground comix and corporate aesthetics. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2013. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/45661.

Council of Science Editors:

Gilmore S. The invention of the graphic novel: underground comix and corporate aesthetics. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/45661

11. Garber, Cecily. Fiction-criticism in interwar England: Judgment, gender, and the pluralist public sphere.

Degree: PhD, 0311, 2014, University of Illinois – Urbana-Champaign

 It is tempting to say that intellectual writers in early twentieth-century Britain produced popular journalism for outlets like Good Housekeeping, Vanity Fair, and The Daily… (more)

Subjects/Keywords: modernism; British modernism; interwar period; middlebrow; judgment; gender; public sphere; Virginia Woolf; Aldous Huxley; Rose Macaulay; J.M. Coetzee; Hannah Arendt; journalism; essays; criticism; fiction

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APA (6th Edition):

Garber, C. (2014). Fiction-criticism in interwar England: Judgment, gender, and the pluralist public sphere. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/49387

Chicago Manual of Style (16th Edition):

Garber, Cecily. “Fiction-criticism in interwar England: Judgment, gender, and the pluralist public sphere.” 2014. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/49387.

MLA Handbook (7th Edition):

Garber, Cecily. “Fiction-criticism in interwar England: Judgment, gender, and the pluralist public sphere.” 2014. Web. 23 Sep 2020.

Vancouver:

Garber C. Fiction-criticism in interwar England: Judgment, gender, and the pluralist public sphere. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2014. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/49387.

Council of Science Editors:

Garber C. Fiction-criticism in interwar England: Judgment, gender, and the pluralist public sphere. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/49387

12. Stanislawski, John. Grievous Angel: Gram Parsons and the country rock movement.

Degree: PhD, 1481, 2014, University of Illinois – Urbana-Champaign

 The country rock movement emerged in Southern California in the mid-1960s and was comprised of musicians who, through diverse musical practices and conceptual means, sought… (more)

Subjects/Keywords: Gram Parsons; country rock; country music; rock history; counterculture; youth culture; "cosmic American music"; identity; popular music; American music; authenticity

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APA (6th Edition):

Stanislawski, J. (2014). Grievous Angel: Gram Parsons and the country rock movement. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/49540

Chicago Manual of Style (16th Edition):

Stanislawski, John. “Grievous Angel: Gram Parsons and the country rock movement.” 2014. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/49540.

MLA Handbook (7th Edition):

Stanislawski, John. “Grievous Angel: Gram Parsons and the country rock movement.” 2014. Web. 23 Sep 2020.

Vancouver:

Stanislawski J. Grievous Angel: Gram Parsons and the country rock movement. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2014. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/49540.

Council of Science Editors:

Stanislawski J. Grievous Angel: Gram Parsons and the country rock movement. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/49540

13. Simeone, Christopher J. "By the people": representative literature and democratic representation in the United States, 1890-1930.

Degree: PhD, 0311, 2011, University of Illinois – Urbana-Champaign

 This dissertation examines American literary writing that also asks and answers these questions about the authors of popular government and the means to represent them.… (more)

Subjects/Keywords: American Literature; Democracy; Representation; Hamlin Garland; Vachel Lindsay; James Weldon Johnson

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APA (6th Edition):

Simeone, C. J. (2011). "By the people": representative literature and democratic representation in the United States, 1890-1930. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/26095

Chicago Manual of Style (16th Edition):

Simeone, Christopher J. “"By the people": representative literature and democratic representation in the United States, 1890-1930.” 2011. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 23, 2020. http://hdl.handle.net/2142/26095.

MLA Handbook (7th Edition):

Simeone, Christopher J. “"By the people": representative literature and democratic representation in the United States, 1890-1930.” 2011. Web. 23 Sep 2020.

Vancouver:

Simeone CJ. "By the people": representative literature and democratic representation in the United States, 1890-1930. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2011. [cited 2020 Sep 23]. Available from: http://hdl.handle.net/2142/26095.

Council of Science Editors:

Simeone CJ. "By the people": representative literature and democratic representation in the United States, 1890-1930. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/26095

.