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You searched for +publisher:"University of Houston" +contributor:("Yon, Kirsten A."). Showing records 1 – 4 of 4 total matches.

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University of Houston

1. Guillen Alfaro, Jackson H. Understanding the Reception of Walton's Violin Sonata: An Analysis of the First Movement.

Degree: Music, Moores School of, 2014, University of Houston

 This essay explores the tonal and formal structure of the first movement of the Sonata for Violin and Piano by William Walton in the context… (more)

Subjects/Keywords: Walton; Violin Sonata; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guillen Alfaro, J. H. (2014). Understanding the Reception of Walton's Violin Sonata: An Analysis of the First Movement. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guillen Alfaro, Jackson H. “Understanding the Reception of Walton's Violin Sonata: An Analysis of the First Movement.” 2014. Thesis, University of Houston. Accessed January 26, 2020. http://hdl.handle.net/10657/1109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guillen Alfaro, Jackson H. “Understanding the Reception of Walton's Violin Sonata: An Analysis of the First Movement.” 2014. Web. 26 Jan 2020.

Vancouver:

Guillen Alfaro JH. Understanding the Reception of Walton's Violin Sonata: An Analysis of the First Movement. [Internet] [Thesis]. University of Houston; 2014. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10657/1109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guillen Alfaro JH. Understanding the Reception of Walton's Violin Sonata: An Analysis of the First Movement. [Thesis]. University of Houston; 2014. Available from: http://hdl.handle.net/10657/1109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

2. Ibemere, Gracie U. Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson.

Degree: Music, Moores School of, 2018, University of Houston

 The twentieth century brought about an increase in the solo repertoire for the double bass. Composers began seeking ways to challenge double bassists, and one… (more)

Subjects/Keywords: double bass; narrator; Jon Deak; Frank Proto; Tom Johnson

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ibemere, G. U. (2018). Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/3126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibemere, Gracie U. “Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson.” 2018. Thesis, University of Houston. Accessed January 26, 2020. http://hdl.handle.net/10657/3126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibemere, Gracie U. “Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson.” 2018. Web. 26 Jan 2020.

Vancouver:

Ibemere GU. Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson. [Internet] [Thesis]. University of Houston; 2018. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10657/3126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibemere GU. Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson. [Thesis]. University of Houston; 2018. Available from: http://hdl.handle.net/10657/3126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

3. Alanis Barradas, Felix. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.

Degree: Music, Moores School of, University of Houston

 Mexican composer Gabriela Ortiz is establishing a personal and contemporary musical language through the combination of Mexican folk elements with twentieth- and twenty-first-century musical techniques.… (more)

Subjects/Keywords: Altar de Muertos; Aroma Foliado; Felix Alanis; Gabriela Ortiz; String Quartet; Chamber Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alanis Barradas, F. (n.d.). Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2633

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alanis Barradas, Felix. “Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.” Thesis, University of Houston. Accessed January 26, 2020. http://hdl.handle.net/10657/2633.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alanis Barradas, Felix. “Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.” Web. 26 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Alanis Barradas F. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. [Internet] [Thesis]. University of Houston; [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10657/2633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Alanis Barradas F. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

4. Grube, Benjamin J. Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano.

Degree: Music, Moores School of, University of Houston

 Heitor Villa-Lobos (1887-1959) was fascinated with the indigenous cultures of his country, Brazil. This study analyzes indigenous elements that make up major portions of his… (more)

Subjects/Keywords: Heitor Villa-Lobos; Violin Sonata-Fantasia No. 2; Indigenous Brazilian Musical Elements; Roquette-Pinto; grupo grave; grupo medio; grupo agudo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grube, B. J. (n.d.). Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2635

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grube, Benjamin J. “Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano.” Thesis, University of Houston. Accessed January 26, 2020. http://hdl.handle.net/10657/2635.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grube, Benjamin J. “Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano.” Web. 26 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Grube BJ. Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano. [Internet] [Thesis]. University of Houston; [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10657/2635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Grube BJ. Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

.