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You searched for +publisher:"University of Houston" +contributor:("Sposato, Jeffrey S."). Showing records 1 – 12 of 12 total matches.

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University of Houston

1. -0706-546X. THE INFLUENCE OF EARLY MUSIC ON THE COMPOSITIONAL STYLE AND PERFORMANCE OF SELECTED WORKS OF RANDALL THOMPSON.

Degree: Music, Moores School of, 2015, University of Houston

 Composer and conductor Randall Thompson (1899–1984) had a significant impact on choral music in America during the twentieth century. While his contemporaries were striking out… (more)

Subjects/Keywords: Randall Thompson; Early Music; Performance Practice; Randall Thompson Papers; Renaissance; Baroque; Analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-0706-546X. (2015). THE INFLUENCE OF EARLY MUSIC ON THE COMPOSITIONAL STYLE AND PERFORMANCE OF SELECTED WORKS OF RANDALL THOMPSON. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1559

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-0706-546X. “THE INFLUENCE OF EARLY MUSIC ON THE COMPOSITIONAL STYLE AND PERFORMANCE OF SELECTED WORKS OF RANDALL THOMPSON.” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1559.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-0706-546X. “THE INFLUENCE OF EARLY MUSIC ON THE COMPOSITIONAL STYLE AND PERFORMANCE OF SELECTED WORKS OF RANDALL THOMPSON.” 2015. Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-0706-546X. THE INFLUENCE OF EARLY MUSIC ON THE COMPOSITIONAL STYLE AND PERFORMANCE OF SELECTED WORKS OF RANDALL THOMPSON. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1559.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-0706-546X. THE INFLUENCE OF EARLY MUSIC ON THE COMPOSITIONAL STYLE AND PERFORMANCE OF SELECTED WORKS OF RANDALL THOMPSON. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1559

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

2. Stovall, James 1980-. Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music".

Degree: Music, Moores School of, 2012, University of Houston

 Nineteenth-century England is today perceived as a “Land ohne Musik” (“land without music”). This label arose because England is said to have produced no first-rate… (more)

Subjects/Keywords: London; Music; nineteenth century; England; English; James William Davison; William Sterndale Bennett; The Musical World; Music Journals; commercialism; bias; overzealous

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APA (6th Edition):

Stovall, J. 1. (2012). Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music". (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stovall, James 1980-. “Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music".” 2012. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stovall, James 1980-. “Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music".” 2012. Web. 20 May 2019.

Vancouver:

Stovall J1. Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music". [Internet] [Thesis]. University of Houston; 2012. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stovall J1. Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music". [Thesis]. University of Houston; 2012. Available from: http://hdl.handle.net/10657/1169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

3. Givens, Melissa 1967-. The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915.

Degree: Music, Moores School of, 2012, University of Houston

 Felix Mendelssohn visited London for the first time in 1829, becoming an instant celebrity by virtue of his performances on benefit concerts and with the… (more)

Subjects/Keywords: Felix Mendelssohn; Lieder; London; Concert History; Reception History

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APA (6th Edition):

Givens, M. 1. (2012). The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Givens, Melissa 1967-. “The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915.” 2012. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Givens, Melissa 1967-. “The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915.” 2012. Web. 20 May 2019.

Vancouver:

Givens M1. The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915. [Internet] [Thesis]. University of Houston; 2012. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Givens M1. The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915. [Thesis]. University of Houston; 2012. Available from: http://hdl.handle.net/10657/1177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

4. Dueppen, Timothy. The Trombone as Sacred Signifier in the Operas of Wolfgang Amadeus Mozart.

Degree: Music, Moores School of, 2012, University of Houston

 The trombone was understood during the eighteenth century and earlier in Germany as an instrument with important sacred significance. This association developed because of its… (more)

Subjects/Keywords: Bach; Joseph I; Leopold Mozart; Reutter; Shofar; Salpignx; Posaune; Trumpet; Mason; Trombone; Opera; Mozart; Brass; Music; Enlightenment; Luther; Catholic; Freemasonry; Sacred Music; Treatises; Bible; Idomeneo; The Magic Flute; Don Giovanni; Beethoven; Brahms; Wagner; Doles; Hiller

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APA (6th Edition):

Dueppen, T. (2012). The Trombone as Sacred Signifier in the Operas of Wolfgang Amadeus Mozart. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1178

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dueppen, Timothy. “The Trombone as Sacred Signifier in the Operas of Wolfgang Amadeus Mozart.” 2012. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1178.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dueppen, Timothy. “The Trombone as Sacred Signifier in the Operas of Wolfgang Amadeus Mozart.” 2012. Web. 20 May 2019.

Vancouver:

Dueppen T. The Trombone as Sacred Signifier in the Operas of Wolfgang Amadeus Mozart. [Internet] [Thesis]. University of Houston; 2012. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1178.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dueppen T. The Trombone as Sacred Signifier in the Operas of Wolfgang Amadeus Mozart. [Thesis]. University of Houston; 2012. Available from: http://hdl.handle.net/10657/1178

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

5. Linski, Brett D. Politics and Poetry: The English Horn as the Voice of the Irish Bard in Arnold Bax's sextet In Memoriam (1916).

Degree: Music, Moores School of, 2015, University of Houston

 The purpose of this analysis of Arnold Bax’s sextet In Memoriam (1916) is to further the understanding of what compositional traits Bax considered Irish while… (more)

Subjects/Keywords: Arnold Bax; English Horn; Celtic Twilight; Ireland; In Memoriam (1916)

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APA (6th Edition):

Linski, B. D. (2015). Politics and Poetry: The English Horn as the Voice of the Irish Bard in Arnold Bax's sextet In Memoriam (1916). (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Linski, Brett D. “Politics and Poetry: The English Horn as the Voice of the Irish Bard in Arnold Bax's sextet In Memoriam (1916).” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Linski, Brett D. “Politics and Poetry: The English Horn as the Voice of the Irish Bard in Arnold Bax's sextet In Memoriam (1916).” 2015. Web. 20 May 2019.

Vancouver:

Linski BD. Politics and Poetry: The English Horn as the Voice of the Irish Bard in Arnold Bax's sextet In Memoriam (1916). [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Linski BD. Politics and Poetry: The English Horn as the Voice of the Irish Bard in Arnold Bax's sextet In Memoriam (1916). [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Yang, Teng-Kai. The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations.

Degree: Music, Moores School of, 2014, University of Houston

 The ordering of movements in Schumann’s Symphonic Etudes is a question that pianists have yet to fully resolve. This problem is a result of decisions… (more)

Subjects/Keywords: Symphonic Etudes; Fantaisies et finale; Schumann; Posthumous Variations; Music

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APA (6th Edition):

Yang, T. (2014). The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Teng-Kai. “The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations.” 2014. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Teng-Kai. “The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations.” 2014. Web. 20 May 2019.

Vancouver:

Yang T. The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations. [Internet] [Thesis]. University of Houston; 2014. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang T. The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations. [Thesis]. University of Houston; 2014. Available from: http://hdl.handle.net/10657/1114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Chevalier, Pierre-Alain. Sonata Deformations in Mendelssohn's Concert Overtures: A Narrative Analysis.

Degree: Music, Moores School of, 2014, University of Houston

 This study examines four of Felix Mendelssohn’s concert overtures utilizing structuralist and non-structuralist analytical approaches with the aim of identifying each work’s unique musical narrative.… (more)

Subjects/Keywords: Mendelssohn; overtures; Sonata Theory; deformations; narrative; musical meaning; music theory; A Midsummer Night's Dream; Calm Sea and Prosperous Voyage; The Hebrides; The Fair Melusine

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APA (6th Edition):

Chevalier, P. (2014). Sonata Deformations in Mendelssohn's Concert Overtures: A Narrative Analysis. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chevalier, Pierre-Alain. “Sonata Deformations in Mendelssohn's Concert Overtures: A Narrative Analysis.” 2014. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chevalier, Pierre-Alain. “Sonata Deformations in Mendelssohn's Concert Overtures: A Narrative Analysis.” 2014. Web. 20 May 2019.

Vancouver:

Chevalier P. Sonata Deformations in Mendelssohn's Concert Overtures: A Narrative Analysis. [Internet] [Thesis]. University of Houston; 2014. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chevalier P. Sonata Deformations in Mendelssohn's Concert Overtures: A Narrative Analysis. [Thesis]. University of Houston; 2014. Available from: http://hdl.handle.net/10657/731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Blair, Michelle Perrin. Frederick Stock, Richard Strauss, and the Chicago Symphony Orchestra (1895-1942).

Degree: Music, Moores School of, 2015, University of Houston

 The Chicago Symphony is one of the top five orchestras in the United States, and it is famous for, among other things, being the premier… (more)

Subjects/Keywords: Frederick Stock; Richard Strauss; Chicago Symphony Orchestra

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APA (6th Edition):

Blair, M. P. (2015). Frederick Stock, Richard Strauss, and the Chicago Symphony Orchestra (1895-1942). (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blair, Michelle Perrin. “Frederick Stock, Richard Strauss, and the Chicago Symphony Orchestra (1895-1942).” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blair, Michelle Perrin. “Frederick Stock, Richard Strauss, and the Chicago Symphony Orchestra (1895-1942).” 2015. Web. 20 May 2019.

Vancouver:

Blair MP. Frederick Stock, Richard Strauss, and the Chicago Symphony Orchestra (1895-1942). [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blair MP. Frederick Stock, Richard Strauss, and the Chicago Symphony Orchestra (1895-1942). [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Bryson, Michael S. STYLISTIC DIVERSITY IN LATE TWENTIETH-CENTURY AMERICAN HYMN TUNES.

Degree: Music, Moores School of, 2015, University of Houston

 In the closing decades of the twentieth century, America experienced a surge of hymn writing and composition sometimes referred to as a “hymn explosion.” Responding… (more)

Subjects/Keywords: American hymn explosion; twentieth century; hymn; hymn composer; hymn style; musical style; composed after 1970

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APA (6th Edition):

Bryson, M. S. (2015). STYLISTIC DIVERSITY IN LATE TWENTIETH-CENTURY AMERICAN HYMN TUNES. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bryson, Michael S. “STYLISTIC DIVERSITY IN LATE TWENTIETH-CENTURY AMERICAN HYMN TUNES.” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bryson, Michael S. “STYLISTIC DIVERSITY IN LATE TWENTIETH-CENTURY AMERICAN HYMN TUNES.” 2015. Web. 20 May 2019.

Vancouver:

Bryson MS. STYLISTIC DIVERSITY IN LATE TWENTIETH-CENTURY AMERICAN HYMN TUNES. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bryson MS. STYLISTIC DIVERSITY IN LATE TWENTIETH-CENTURY AMERICAN HYMN TUNES. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

10. Gomes, Paulo E. A Conductor's Guide for the Performance of the Mass in E-flat by Jose Joaquim Emerico Lobo de Mesquita.

Degree: Music, Moores School of, University of Houston

 ABSTRACT The purpose of this document is to assist conductors and scholars in the preparation of a historically informed performance of the Mass in E-flat… (more)

Subjects/Keywords: Lobo de Mesquita; Mass in E-flat; Brazil; 18th century

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APA (6th Edition):

Gomes, P. E. (n.d.). A Conductor's Guide for the Performance of the Mass in E-flat by Jose Joaquim Emerico Lobo de Mesquita. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2615

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gomes, Paulo E. “A Conductor's Guide for the Performance of the Mass in E-flat by Jose Joaquim Emerico Lobo de Mesquita.” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2615.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gomes, Paulo E. “A Conductor's Guide for the Performance of the Mass in E-flat by Jose Joaquim Emerico Lobo de Mesquita.” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Gomes PE. A Conductor's Guide for the Performance of the Mass in E-flat by Jose Joaquim Emerico Lobo de Mesquita. [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Gomes PE. A Conductor's Guide for the Performance of the Mass in E-flat by Jose Joaquim Emerico Lobo de Mesquita. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

11. -4275-3038. Tempo and Meter in Selected French and Italian Organ Works (1600-1670).

Degree: Music, Moores School of, University of Houston

 This essay examines shifts of meter in organ music from the first part of the seventeenth century in France and Italy, and how tempo relates… (more)

Subjects/Keywords: Tempo; Meter

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APA (6th Edition):

-4275-3038. (n.d.). Tempo and Meter in Selected French and Italian Organ Works (1600-1670). (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2645

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-4275-3038. “Tempo and Meter in Selected French and Italian Organ Works (1600-1670).” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2645.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-4275-3038. “Tempo and Meter in Selected French and Italian Organ Works (1600-1670).” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-4275-3038. Tempo and Meter in Selected French and Italian Organ Works (1600-1670). [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2645.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-4275-3038. Tempo and Meter in Selected French and Italian Organ Works (1600-1670). [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2645

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

12. -1317-4600. Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60.

Degree: Music, Moores School of, University of Houston

 This essay examines three aspects of time sometimes misunderstood by organists interpreting Robert Schumann's Sechs Fugen iiber den Namen Bach ("Six Fugues on the Name… (more)

Subjects/Keywords: Organ; Schumann; Rubato

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APA (6th Edition):

-1317-4600. (n.d.). Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2845

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-1317-4600. “Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60.” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2845.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-1317-4600. “Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60.” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-1317-4600. Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60. [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2845.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-1317-4600. Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2845

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

.