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You searched for +publisher:"University of Houston" +contributor:("Lange, Barbara Rose"). Showing records 1 – 7 of 7 total matches.

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University of Houston

1. Mut, Andreea Mariana. Sigismund Toduta and Sacred Music in Communist Romania.

Degree: Music, Moores School of, 2015, University of Houston

 Sigismund Toduta is one of the most important figures in twentieth-century Romanian music, but he had the misfortune of living during the communist era when… (more)

Subjects/Keywords: Toduta; Passacaglia

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APA (6th Edition):

Mut, A. M. (2015). Sigismund Toduta and Sacred Music in Communist Romania. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1275

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mut, Andreea Mariana. “Sigismund Toduta and Sacred Music in Communist Romania.” 2015. Thesis, University of Houston. Accessed March 23, 2019. http://hdl.handle.net/10657/1275.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mut, Andreea Mariana. “Sigismund Toduta and Sacred Music in Communist Romania.” 2015. Web. 23 Mar 2019.

Vancouver:

Mut AM. Sigismund Toduta and Sacred Music in Communist Romania. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 Mar 23]. Available from: http://hdl.handle.net/10657/1275.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mut AM. Sigismund Toduta and Sacred Music in Communist Romania. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1275

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

2. Ibemere, Gracie U. Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson.

Degree: Music, Moores School of, 2018, University of Houston

 The twentieth century brought about an increase in the solo repertoire for the double bass. Composers began seeking ways to challenge double bassists, and one… (more)

Subjects/Keywords: double bass; narrator; Jon Deak; Frank Proto; Tom Johnson

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ibemere, G. U. (2018). Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/3126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibemere, Gracie U. “Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson.” 2018. Thesis, University of Houston. Accessed March 23, 2019. http://hdl.handle.net/10657/3126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibemere, Gracie U. “Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson.” 2018. Web. 23 Mar 2019.

Vancouver:

Ibemere GU. Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson. [Internet] [Thesis]. University of Houston; 2018. [cited 2019 Mar 23]. Available from: http://hdl.handle.net/10657/3126.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibemere GU. Interactions between Text and Music in Three Pieces by Jon Deak, Frank Proto, and Tom Johnson. [Thesis]. University of Houston; 2018. Available from: http://hdl.handle.net/10657/3126

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

3. Zhou, Hanqing. Lei Liang’s Compositional Philosophy and My Windows.

Degree: Music, Moores School of, University of Houston

 Lei Liang (b.1972), a Chinese composer of the new wave, has earned his place in the world of contemporary music through his philosophical approach to… (more)

Subjects/Keywords: Lei Liang; My Windows

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APA (6th Edition):

Zhou, H. (n.d.). Lei Liang’s Compositional Philosophy and My Windows. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2088

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhou, Hanqing. “Lei Liang’s Compositional Philosophy and My Windows.” Thesis, University of Houston. Accessed March 23, 2019. http://hdl.handle.net/10657/2088.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhou, Hanqing. “Lei Liang’s Compositional Philosophy and My Windows.” Web. 23 Mar 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Zhou H. Lei Liang’s Compositional Philosophy and My Windows. [Internet] [Thesis]. University of Houston; [cited 2019 Mar 23]. Available from: http://hdl.handle.net/10657/2088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Zhou H. Lei Liang’s Compositional Philosophy and My Windows. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

4. -2209-7264. Narrative Analysis of Paul Hindemith's Sonata for Harp.

Degree: Music, Moores School of, University of Houston

 Hindemith’s Sonata for Harp is a three-movement work with a poem by Ludwig Heinrich Christoph Hölty attached to the third movement. The first and second… (more)

Subjects/Keywords: Narrative Analysis; Paul Hindemith; Sonata for Harp

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APA (6th Edition):

-2209-7264. (n.d.). Narrative Analysis of Paul Hindemith's Sonata for Harp. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2095

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-2209-7264. “Narrative Analysis of Paul Hindemith's Sonata for Harp.” Thesis, University of Houston. Accessed March 23, 2019. http://hdl.handle.net/10657/2095.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-2209-7264. “Narrative Analysis of Paul Hindemith's Sonata for Harp.” Web. 23 Mar 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-2209-7264. Narrative Analysis of Paul Hindemith's Sonata for Harp. [Internet] [Thesis]. University of Houston; [cited 2019 Mar 23]. Available from: http://hdl.handle.net/10657/2095.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-2209-7264. Narrative Analysis of Paul Hindemith's Sonata for Harp. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2095

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

5. Alanis Barradas, Felix. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.

Degree: Music, Moores School of, University of Houston

 Mexican composer Gabriela Ortiz is establishing a personal and contemporary musical language through the combination of Mexican folk elements with twentieth- and twenty-first-century musical techniques.… (more)

Subjects/Keywords: Altar de Muertos; Aroma Foliado; Felix Alanis; Gabriela Ortiz; String Quartet; Chamber Music

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APA (6th Edition):

Alanis Barradas, F. (n.d.). Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2633

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alanis Barradas, Felix. “Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.” Thesis, University of Houston. Accessed March 23, 2019. http://hdl.handle.net/10657/2633.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alanis Barradas, Felix. “Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.” Web. 23 Mar 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Alanis Barradas F. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. [Internet] [Thesis]. University of Houston; [cited 2019 Mar 23]. Available from: http://hdl.handle.net/10657/2633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Alanis Barradas F. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

6. Grube, Benjamin J. Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano.

Degree: Music, Moores School of, University of Houston

 Heitor Villa-Lobos (1887-1959) was fascinated with the indigenous cultures of his country, Brazil. This study analyzes indigenous elements that make up major portions of his… (more)

Subjects/Keywords: Heitor Villa-Lobos; Violin Sonata-Fantasia No. 2; Indigenous Brazilian Musical Elements; Roquette-Pinto; grupo grave; grupo medio; grupo agudo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grube, B. J. (n.d.). Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2635

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grube, Benjamin J. “Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano.” Thesis, University of Houston. Accessed March 23, 2019. http://hdl.handle.net/10657/2635.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grube, Benjamin J. “Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano.” Web. 23 Mar 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Grube BJ. Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano. [Internet] [Thesis]. University of Houston; [cited 2019 Mar 23]. Available from: http://hdl.handle.net/10657/2635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Grube BJ. Heitor Villa-Lobos's Use of Indigenous Brazilian Musical Elements in the Sonata-Fantasia No. 2 for Violin and Piano. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

7. -7558-2557. Post-war Ethos in Darius Milhaud's Violin Concerto No. 2.

Degree: Music, Moores School of, University of Houston

 This study examines Darius Milhaud’s Violin Concerto No. 2, op. 263, within the context of Milhaud’s middle stylistic period and the post-World War II years.… (more)

Subjects/Keywords: Milhaud; Violin Concerto No. 2

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-7558-2557. (n.d.). Post-war Ethos in Darius Milhaud's Violin Concerto No. 2. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2640

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-7558-2557. “Post-war Ethos in Darius Milhaud's Violin Concerto No. 2.” Thesis, University of Houston. Accessed March 23, 2019. http://hdl.handle.net/10657/2640.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-7558-2557. “Post-war Ethos in Darius Milhaud's Violin Concerto No. 2.” Web. 23 Mar 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-7558-2557. Post-war Ethos in Darius Milhaud's Violin Concerto No. 2. [Internet] [Thesis]. University of Houston; [cited 2019 Mar 23]. Available from: http://hdl.handle.net/10657/2640.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-7558-2557. Post-war Ethos in Darius Milhaud's Violin Concerto No. 2. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2640

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

.