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You searched for +publisher:"University of Houston" +contributor:("Koozin, Timothy"). Showing records 1 – 15 of 15 total matches.

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University of Houston

1. -1150-7563. Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France.

Degree: Music, Moores School of, 2018, University of Houston

 This essay traces the emergence of music for organ and orchestra in France. Félix-Alexandre Guilmant and Charles-Marie Widor were the first two Frenchmen to compose… (more)

Subjects/Keywords: Guilmant; Widor; Symphony for Organ and Orchestra; Orchestration

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APA (6th Edition):

-1150-7563. (2018). Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/3123

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-1150-7563. “Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France.” 2018. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/3123.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-1150-7563. “Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France.” 2018. Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-1150-7563. Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France. [Internet] [Thesis]. University of Houston; 2018. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/3123.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-1150-7563. Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France. [Thesis]. University of Houston; 2018. Available from: http://hdl.handle.net/10657/3123

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

2. Rocha, Jose 1974-. MIGUEL BERNAL JIMENEZ, THE THEMATIC NATIONALIST.

Degree: Music, Moores School of, 2012, University of Houston

 Miguel Bernal Jiménez established a personal and contemporary musical language by combining Mexican folk elements with Gregorian chant, Baroque, and eighteenth-century musical traits. Although Bernal’s… (more)

Subjects/Keywords: MUSIC

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APA (6th Edition):

Rocha, J. 1. (2012). MIGUEL BERNAL JIMENEZ, THE THEMATIC NATIONALIST. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1547

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rocha, Jose 1974-. “MIGUEL BERNAL JIMENEZ, THE THEMATIC NATIONALIST.” 2012. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1547.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rocha, Jose 1974-. “MIGUEL BERNAL JIMENEZ, THE THEMATIC NATIONALIST.” 2012. Web. 20 May 2019.

Vancouver:

Rocha J1. MIGUEL BERNAL JIMENEZ, THE THEMATIC NATIONALIST. [Internet] [Thesis]. University of Houston; 2012. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1547.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rocha J1. MIGUEL BERNAL JIMENEZ, THE THEMATIC NATIONALIST. [Thesis]. University of Houston; 2012. Available from: http://hdl.handle.net/10657/1547

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

3. Lai, Vincenzo Francesco. A Symbolist Interpretation of Narrative Time in Debussy's Sonata for Flute, Viola, and Harp.

Degree: Music, Moores School of, 2018, University of Houston

 This essay offers a narrative reading of Debussy’s Sonata for Flute, Viola and Harp underpinned by the characteristic symbolist motto that portrays a subject’s desire… (more)

Subjects/Keywords: Debussy; Sonata for Flute; Viola; and Harp; Musical Symbolism; Mallarmé; Narrative; Michael L. Klein; Gilles Deleuze; Musical Time

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APA (6th Edition):

Lai, V. F. (2018). A Symbolist Interpretation of Narrative Time in Debussy's Sonata for Flute, Viola, and Harp. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/3128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lai, Vincenzo Francesco. “A Symbolist Interpretation of Narrative Time in Debussy's Sonata for Flute, Viola, and Harp.” 2018. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/3128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lai, Vincenzo Francesco. “A Symbolist Interpretation of Narrative Time in Debussy's Sonata for Flute, Viola, and Harp.” 2018. Web. 20 May 2019.

Vancouver:

Lai VF. A Symbolist Interpretation of Narrative Time in Debussy's Sonata for Flute, Viola, and Harp. [Internet] [Thesis]. University of Houston; 2018. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/3128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lai VF. A Symbolist Interpretation of Narrative Time in Debussy's Sonata for Flute, Viola, and Harp. [Thesis]. University of Houston; 2018. Available from: http://hdl.handle.net/10657/3128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Yang, Teng-Kai. The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations.

Degree: Music, Moores School of, 2014, University of Houston

 The ordering of movements in Schumann’s Symphonic Etudes is a question that pianists have yet to fully resolve. This problem is a result of decisions… (more)

Subjects/Keywords: Symphonic Etudes; Fantaisies et finale; Schumann; Posthumous Variations; Music

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APA (6th Edition):

Yang, T. (2014). The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Teng-Kai. “The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations.” 2014. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Teng-Kai. “The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations.” 2014. Web. 20 May 2019.

Vancouver:

Yang T. The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations. [Internet] [Thesis]. University of Houston; 2014. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang T. The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations. [Thesis]. University of Houston; 2014. Available from: http://hdl.handle.net/10657/1114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Shen, Yan. Narrative Analysis of Beethoven's Piano Concerto No. 5.

Degree: Music, Moores School of, 2015, University of Houston

 The Piano Concerto in E-flat Major, op.73, completed in 1811, represents Beethoven's fifth and final contribution to this genre. This paper investigates the first movement… (more)

Subjects/Keywords: Beethoven Piano Concerto No. 5; Narrative Analysis; Music

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APA (6th Edition):

Shen, Y. (2015). Narrative Analysis of Beethoven's Piano Concerto No. 5. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shen, Yan. “Narrative Analysis of Beethoven's Piano Concerto No. 5.” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shen, Yan. “Narrative Analysis of Beethoven's Piano Concerto No. 5.” 2015. Web. 20 May 2019.

Vancouver:

Shen Y. Narrative Analysis of Beethoven's Piano Concerto No. 5. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shen Y. Narrative Analysis of Beethoven's Piano Concerto No. 5. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Yanaway, Amy Gabrielle. "Freely Flows the Blood of Those Who Moralize": Morality and Violence in the Theatrical, Character, and Musical Elements of Sondheim's Sweeney Todd.

Degree: Music, Moores School of, 2015, University of Houston

 This thesis delves into the background of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street to provide a good foundation on which to… (more)

Subjects/Keywords: Music theory; Sweeney Todd; Sondheim; Schenkerian analysis; Music

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APA (6th Edition):

Yanaway, A. G. (2015). "Freely Flows the Blood of Those Who Moralize": Morality and Violence in the Theatrical, Character, and Musical Elements of Sondheim's Sweeney Todd. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1150

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yanaway, Amy Gabrielle. “"Freely Flows the Blood of Those Who Moralize": Morality and Violence in the Theatrical, Character, and Musical Elements of Sondheim's Sweeney Todd.” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1150.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yanaway, Amy Gabrielle. “"Freely Flows the Blood of Those Who Moralize": Morality and Violence in the Theatrical, Character, and Musical Elements of Sondheim's Sweeney Todd.” 2015. Web. 20 May 2019.

Vancouver:

Yanaway AG. "Freely Flows the Blood of Those Who Moralize": Morality and Violence in the Theatrical, Character, and Musical Elements of Sondheim's Sweeney Todd. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1150.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yanaway AG. "Freely Flows the Blood of Those Who Moralize": Morality and Violence in the Theatrical, Character, and Musical Elements of Sondheim's Sweeney Todd. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1150

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Hubley, Robert L. David Lang and the so-called laws of nature.

Degree: Music, Moores School of, 2015, University of Houston

 David Lang is a celebrated American composer whose unique voice often employs strict, process-based compositional techniques. His works exhibit a mastery of contrapuntal techniques rooted… (more)

Subjects/Keywords: David Lang; the so-called laws of nature; memory pieces; percussion quartet; So Percussion; Bang on a Can

…University, Indiana University, the University of California at San Diego, the University of… …Houston, Baylor University, the University of Oregon, the University of Alabama at Birmingham… 

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APA (6th Edition):

Hubley, R. L. (2015). David Lang and the so-called laws of nature. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1255

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hubley, Robert L. “David Lang and the so-called laws of nature.” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1255.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hubley, Robert L. “David Lang and the so-called laws of nature.” 2015. Web. 20 May 2019.

Vancouver:

Hubley RL. David Lang and the so-called laws of nature. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1255.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hubley RL. David Lang and the so-called laws of nature. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1255

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Saenz, Daniel. Chopin's Last Message: A Study of Frederic Chopin's Sonata for Cello and Piano, Op. 65.

Degree: Music, Moores School of, 2015, University of Houston

 Frédéric Chopin’s Sonata for Cello and Piano, Op. 65, is an undervalued masterpiece that has been unfairly misrepresented in the history of musical criticism. This… (more)

Subjects/Keywords: Chopin; Sonata; Cello

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APA (6th Edition):

Saenz, D. (2015). Chopin's Last Message: A Study of Frederic Chopin's Sonata for Cello and Piano, Op. 65. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saenz, Daniel. “Chopin's Last Message: A Study of Frederic Chopin's Sonata for Cello and Piano, Op. 65.” 2015. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/1277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saenz, Daniel. “Chopin's Last Message: A Study of Frederic Chopin's Sonata for Cello and Piano, Op. 65.” 2015. Web. 20 May 2019.

Vancouver:

Saenz D. Chopin's Last Message: A Study of Frederic Chopin's Sonata for Cello and Piano, Op. 65. [Internet] [Thesis]. University of Houston; 2015. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/1277.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saenz D. Chopin's Last Message: A Study of Frederic Chopin's Sonata for Cello and Piano, Op. 65. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1277

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Littles, Dan M. Characteristics of Online Music Courses: A Survey of Music Faculty.

Degree: Music, Moores School of, 2014, University of Houston

 The purpose of this study was to determine the perceptions of music faculty toward course suitability for online delivery, the pedagogical practices of online music… (more)

Subjects/Keywords: Online Education; Online Music Courses; Online Courses; Distance Learning; Distance Learning in Music; Music

…70 Appendix B: University of Houston Consent to Participate in Research .............. 75… 

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APA (6th Edition):

Littles, D. M. (2014). Characteristics of Online Music Courses: A Survey of Music Faculty. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Littles, Dan M. “Characteristics of Online Music Courses: A Survey of Music Faculty.” 2014. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Littles, Dan M. “Characteristics of Online Music Courses: A Survey of Music Faculty.” 2014. Web. 20 May 2019.

Vancouver:

Littles DM. Characteristics of Online Music Courses: A Survey of Music Faculty. [Internet] [Thesis]. University of Houston; 2014. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Littles DM. Characteristics of Online Music Courses: A Survey of Music Faculty. [Thesis]. University of Houston; 2014. Available from: http://hdl.handle.net/10657/913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Lawler, Alexander Allen. "Let Us Not Be Misled": A Critical Appraisal of Characterization in John Adams's Nixon in China.

Degree: Music, Moores School of, 2014, University of Houston

 This thesis aims to examine and appraise the characterization of the major historical characters in John Adams’s opera Nixon in China: Richard Nixon, Pat Nixon,… (more)

Subjects/Keywords: Nixon in China; John Adams

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APA (6th Edition):

Lawler, A. A. (2014). "Let Us Not Be Misled": A Critical Appraisal of Characterization in John Adams's Nixon in China. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/887

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lawler, Alexander Allen. “"Let Us Not Be Misled": A Critical Appraisal of Characterization in John Adams's Nixon in China.” 2014. Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/887.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lawler, Alexander Allen. “"Let Us Not Be Misled": A Critical Appraisal of Characterization in John Adams's Nixon in China.” 2014. Web. 20 May 2019.

Vancouver:

Lawler AA. "Let Us Not Be Misled": A Critical Appraisal of Characterization in John Adams's Nixon in China. [Internet] [Thesis]. University of Houston; 2014. [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/887.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lawler AA. "Let Us Not Be Misled": A Critical Appraisal of Characterization in John Adams's Nixon in China. [Thesis]. University of Houston; 2014. Available from: http://hdl.handle.net/10657/887

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

11. Cooper, Jeffrey Thomas. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.

Degree: Music, Moores School of, University of Houston

 Dieterich Buxtehude wrote seven suites on the Planets that have not survived; we know them only from a commendation by Johann Mattheson. Other seven-planet works… (more)

Subjects/Keywords: Bach; Buxtehude; Bernhard; Planets; Cantatas; BWV 4; BWV 71; Clavier-Übung III

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APA (6th Edition):

Cooper, J. T. (n.d.). The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2090

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cooper, Jeffrey Thomas. “The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2090.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cooper, Jeffrey Thomas. “The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678.” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Cooper JT. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2090.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Cooper JT. The Seven Planets in Bach, Buxtehude, and a Dresden Ballet of 1678. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2090

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

12. -5531-905X. Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit.

Degree: Music, Moores School of, University of Houston

 Although relatively unknown to American audiences, the musical culture of the Netherlands at the beginning of the twentieth century was vibrant and substantial. Composers such… (more)

Subjects/Keywords: Leo Smit; Rosy Wertheim; Dick Kattenburg; Flute sonatas in the Netherlands

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APA (6th Edition):

-5531-905X. (n.d.). Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2100

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-5531-905X. “Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit.” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2100.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-5531-905X. “Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit.” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-5531-905X. Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit. [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2100.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-5531-905X. Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2100

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

13. -8920-6141. Bill Evans: Harmonic Innovator in Jazz Piano.

Degree: Music, Moores School of, University of Houston

 Bill Evans was the most influential post-bop jazz pianist of the twentieth century. Evans advanced harmonic jazz playing with a modality and challenging intervallic relationships… (more)

Subjects/Keywords: jazz piano; piano; harmony; Bill Evans

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APA (6th Edition):

-8920-6141. (n.d.). Bill Evans: Harmonic Innovator in Jazz Piano. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2642

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-8920-6141. “Bill Evans: Harmonic Innovator in Jazz Piano.” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2642.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-8920-6141. “Bill Evans: Harmonic Innovator in Jazz Piano.” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-8920-6141. Bill Evans: Harmonic Innovator in Jazz Piano. [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2642.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-8920-6141. Bill Evans: Harmonic Innovator in Jazz Piano. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2642

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

14. -0936-4524. Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad.

Degree: Music, Moores School of, University of Houston

 This essay is focused on investigating the ways in which Antón García Abril uses Polimelodiosidad in his 2007 piano quintet, Alba de los Caminos. Polimelodiosidad… (more)

Subjects/Keywords: Antón García Abril; Alba de los Caminos; Polimelodiosidad; García Abril; piano; music; chamber music; piano chamber music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-0936-4524. (n.d.). Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2643

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-0936-4524. “Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad.” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2643.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-0936-4524. “Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad.” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-0936-4524. Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad. [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2643.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-0936-4524. Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2643

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

15. -5317-6654. "Open Your Doors": Alternate Tunings of Three Texas Bluesmen.

Degree: Music, Moores School of, University of Houston

 As the blues developed across the southern United States different regional cultures emerged, connected by a set of musical influences but distinguished by the figures… (more)

Subjects/Keywords: guitar, tuning; guitar; Texas; blues; alternate; non-standard; gesture; semitotics; Blind Lemon Jefferson; Blind Willie Johnson; Lightnin' Hopkins; banjo

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-5317-6654. (n.d.). "Open Your Doors": Alternate Tunings of Three Texas Bluesmen. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2651

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-5317-6654. “"Open Your Doors": Alternate Tunings of Three Texas Bluesmen.” Thesis, University of Houston. Accessed May 20, 2019. http://hdl.handle.net/10657/2651.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-5317-6654. “"Open Your Doors": Alternate Tunings of Three Texas Bluesmen.” Web. 20 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-5317-6654. "Open Your Doors": Alternate Tunings of Three Texas Bluesmen. [Internet] [Thesis]. University of Houston; [cited 2019 May 20]. Available from: http://hdl.handle.net/10657/2651.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-5317-6654. "Open Your Doors": Alternate Tunings of Three Texas Bluesmen. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2651

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

.